I spent Sunday, and a few minutes on Saturday night, finishing up the FOTY blocks so I can take them to the CQFA Retreat. When I return from sewing bliss, I hope to have the quilt top ready to show you.

FOTY January pt.2 #1

I really like the warm colors in this group. Some of the darker colors, especially the greens were given to me by my sis for my 2009 birthday.

FOTY January pt.2 #2

Getting down to the bottom of the pile made matching up fabrics difficult. I tend to pull out the ones I really like and press and use those first. Some (not all!) of these were my lesser favorites.

In a way the FOTY exercise helps me train my eye and mind to choose fabrics I really love and want to use right away. At the same time, it trains my eye to avoid fabrics that are not my colors. Yes, I did find fabrics that I bought that made me wonder why I bought them. Before I buy, I think I will have to not just look at the fabric next to lovely coordinating bolts. I think I need to take the potential bolt off the shelf and unroll it a little to see more of the fabric. That will make me shop slower, which can’t be a bad thing.

I pressed, cut and sewed the last fabrics on Saturday. Sunday I counted all of the blocks and consulted with DH about the layout. Not the layout in terms of color, but the layout in terms of numbers of blocks across and down. He told me I had to have an even square root number (or something). I ended up needing 14.83 blocks across the top and down the side. I don’t know what a .83 block looks like, but I knew it wasn’t going to fit evenly into my quilt.

I immediately grabbed the fabrics I received for Christmas and shoved them in the washer. Then I went to work on a pencil roll, which you can read about later in the week. When the fabrics were done, I had figured out that I needed to make 7 more blocks to come out with an even 225 (15 across by 15 down). I pick out some pairs of fabrics and sewed them together. Now I am ready to arrange the quilt and sew it together.

FOTY January pt.2 #3

I do have one extra, which I will stick on the back.

Some of the fabrics I bought at the very end of 2009 will end up in the 2010 quilt. As the Quilt Mavs say “my quilt, my rules.”

Unrelated notes:

* I have no Internet at home at this time, so if I am a little slow responding to comments, I apologize! It makes it a challenge to get blog posts up as well!

* Remember to leave a comment in the One World One Heart post for a chance to win!

3 Watering cans

Yes, this photo is a little bleary, as SherriD says. I took it with my phone, which creates bleary pictures unless the picture is of a water bottle or something I want to remember at the grocery store.

Fortunately, I want you to look at the color.

What do you think of the color combination?

What does this color combo bring to mind?

What would you do with fabrics in these colors?

Yesterday I drove to Monterey to attend a Kaffe Fassett lecture. It was put on by Back Porch Fabrics, a local Pacific Grove/Monterey quilt shop. I have written about that shop a couple of times, most recently on November 4, 2009 after my late October visit.

During my last visit, I saw that they were selling tickets to a lecture by KF. I decided to buy 2 tickets and just go. I knew it would be after a 2 or 3 day holiday extravaganza, but I decided the opportunity was too good to pass up and that I would worry about who to take later.

Signed Books

I left in time to arrive before 2pm, which is when the book signing started. I got about 6 of his books signed and he didn’t mind. He said that I was supporting him and he was glad to sign. I don’t know why getting books signed thrills me so much, but it does.

Quilt Road Signed

My SIL went with me and she was pleased to see and shop at Back Porch Fabrics. She bought a few fabrics for another Infinity block project she is working on. I bought a few of the Lonni Rossi fabrics so I could make another bag. I bought some FQs there in October and used them all up on Marilyn’s Multi-tasker.

The lecture wasn’t until 7pm, so we had time to hang around Pacific Grove a little bit. We spent a fair amount of time in the shop, partially because it was REALLY crowded and the lines were long. One thing I love about my SIL is that she makes me slow down in quilt shops. She really looks at things, which is a good reminder for me to do the same. Not much else in PG was open, so we went out to eat and then to Home Depot to find some paint colors for MIL, and to Borders to look at books.

After some technical difficulties with the projector and the Powerpoint, the lecture got started at about 7:30. Things I didn’t know about Kaffe Fassett:

• He found the name Kaffe in a children’s book about an Egyptian boy he thought looked like him. He took it to replace his boring given name, which he is trying to forget. He refused to tell us the boring given name. I imagine it is Joe or Rod.
• He was born in San Francisco, grew up in Big Sur and is now living near the Camden and West Hampton (Hampshire??) sections of London in Kilburn.
• He went to a museum studies program in Boston
• He learned to knit and purl in 20 minutes on a train, which was followed, later, by another 20 minute lesson from his cleaning lady on weaving in the ends and casting off.

He feels that color is in instinctive, that people have to work hard at conquering their fear of color and to learn to listen to their instincts. He enjoys going to places where there is intense color such as South Africa, India and Guatemala. He feels that color is life enhancing; it can make something elegant. He finds color to be a gift that people can give to themselves every day for a very low cost.

He thinks that there is a lot of visual pollution in the US, such as concrete parking garages, and hideous buildings. He thinks that the buildings in the US are very drab. Every morning I go to a horrifyingly ugly concrete parking garage and wish that someone would add some color to it or embellish it with tiles or mosaics or something, so I have to agree with him. He finds developing countries o be filled with intense color, which he calls visual poetry. He showed a number of slides of buildings in various countries, which were painted and embellished in a different ways.

As you may know, Kaffe started as a knitter. He said that knitters are never bored, are happy in their own company and make things that are very personal. He also said that anyone who says they can’t do what he does hasn’t tried. This is the point where he said he learned to knit in 20 minutes on a train.  His point was that people certainly cannot make what he makes if they sit and whine. People have to go to their knitting needles or sewing machine and try, then try again. He said that he makes simple things and spices them up with glorious color. I am not sure his needlepoints are simple, but I get his point, which echoes one that TFQ says:

Go to Your Studio and Make Stuff!

InKaffe’s career trajectory, he moved on to needlepoint after knitting. Some of the chair covers and cushions are just wonderful. I love his vegetable cushion and chair covers. He also create rugs and does quite a bit of needlepoint commission work.

He finds knitting and needlepoint to be slow, so was amazed when he discovered patchwork and saw how fast quiltmakers can cut up fabric and put a piece together. He loves teaching quiltmakers and commented several times on how he loves seeing how people put his fabrics together in new ways.

His adjectives of choice were ”thrilling and ‘exciting’. He uses those two terms a lot when he talked about fabric. He said that making books and fabric allowed him to give part of his creative mind to others and he commented again on how thrilling it is for him to see how people put his fabrics together.

For him, the different media are all about manipulating color and the knitting, needlepoint, fabric design and patchwork all are ways that he can work with color. He said that he painted white on white still lives for a long time, because he was also afraid of color. He continues to be fascinated by neutrals. He talked about how he enjoys putting colors and textures together so they almost merge (you can see what he is talking about in some of his vegetable needlepoint works, in the shading, especially the Lichen Auriculas at Ehrman Tapestry , which is part of the needlepoint slide show). He showed the Vegetable Rug Border Pack in the rug form and also made into cushions. He makes me want to take up needlepoint!

He got around to talking about stripes as well. He said that he is thrilled by stripes and finds that lots of ordinary stripes put together become extraordinary.

He talked about hanging an exhibit of his quilts in France, where he was thrilled to find that the quilt stands had shocking pink background drapes/curtains. He was thrilled and said that he would never find such an occurrence in the US. He finds mostly black and, the most ghastly color against which to hang quilts, white in the US. “Ghastly” was his description and I immediately thought of TFQ.

Philip Jacobs and Kaffe Fassett are now working together. Apparently, Philip Jacobs does large realistic paintings, which Kaffe then recolors in different colorways. One of the recent collections includes some very large sea shells.

Someone asked about creative waxing and waning. He said that life serves up the rhythm and since he travels quite a bit he gets quite hungry to get back to his studio and work, especially when he has been surrounded by inspiring views. He often will see something and go to his studio and make something from the inspiration. This is a piece of advice that I also like.

He hangs up projects which have gotten stale and works on something else. Leaving the stale project around so he can see it affords him the opportunity to be reinspired.

He doesn’t usually plan his projects from beginning to end, but makes the color combination up as he goes along. He also keeps looking at it from different views and angles to see what the piece needs.

Kaffe’s theory about fabric design is that he is working with a palette of color and continually works with those ranges so that newer fabrics work with some of his older fabrics. He is also working on keeping fabrics in print for longer by recoloring them and adding older designs to new collections. He doesn’t want to create a line that is in today and “so yesterday” tomorrow. I completely appreciate this and whish more fabric companies would take this advice. He seems to be going for more of a classic look/feel. I am not sure if that is the right description,  because I am not sure I would characterize his fabrics as having a classic look. Perhaps they are the ‘new’ classic?

He said that he is basically a shallow person who likes pretty things. He claims not to have much depth. I think he was saying that we should make things that we like, things with which we want to surround ourselves and I think that is wonderful advice. He encouraged people to just start playing and put something into repeat to see how it looks. He also reminded us to work with simple shapes.

Kaffe finds inspiration everywhere and said that in England the gardens are where the passion is hidden. Aside from this, I think the best advice he gave was that ‘manifesting’ was vitally important and that having the confidence to make the statment [with your work] and enough energy to make the thing in the first place are the most important parts of the battle. Finally, he said it is important to surround myself with other positive people. This advice is stuck in my head and I think the confidence part is particularly pertinent.

His next book will be out in the spring of 2010 and will be called Simple Shapes, Spectacular Quilts.

It was 2 hours each way and I didn’t get home until 11:30 pm, but it was totally worth it and I am glad I went. I am now very interested in taking a class from him.

Today is another travel day for me. I am heading home after a week away. I have sewn and relaxed and been allowed to just be. All of my normal stuff is on hold until  tonight or tomorrow or whenever it calls loud enough for me to pay attention.

This is my last trip of the year and my last trip for awhile. Now I get to settle in at home and try to enjoy the holidays.

TFQ's Hexagons

TFQ is working on two hexagon projects. The one above looks like sorbet or sherbet. It is so wonderful to look at. She is also working on a 1930s hexagon project, which is her main focus right now.

She works in a similar manner to me in that she explores the process and technique thoroughly as she works on it.

QL Fabric, Nov. 2009

Above is some additional fabric I bought at the Quilting Loft in Ballard and at the new shop in Magnolia called Fabric Crush. The dot fabric is an oilcloth and I plan to make a Multi-tasker tote in the original size whether or not I decide to abandon that  pattern completely. In carrying around the Julie tote in the rain, I found that something with a waterproof bottom would be very nice. I am missing my clear tote bag.

Fabric Crush had a fresh look and feel. They are still stocking their store, but everything was fresh and new and wonderfully displayed. It is worth a look. I went into a bookstore as well and saw some restaurants nearby also.

I bought the black and white print for some other bag, but am thinking it would make a nice skirt as well. My SIL once explained to our husbands that we didn’t see masses of fabric in the quilt store, but finished projects and possibilities. So true. Now I just need to make some of those dreams a reality.

While in Monterey last week, I stopped in at the Back Porch quilt shop. They don’t allow photos inside, so no photos of the shop, the light filled space, the huge amount of books or the exhibit of  Gwen Marston and Freddy Moran quilts that were on display.

I have written about this shop before. Each time I go is a different experience. I always find something that I like and this time was no exception. There were a lot of books I wanted to snap up, new and fresh fabrics to fondle and different tools to consider.

Collaborate Again

Back Porch usually has an exhibit up in the back of their shop. This time I was fortunate to hit the quilts from Freddy Moran and Gwen Marston from their new-ish book, Collaborate Again.  The quilts I saw were bright, cheerful, full of checkerboards and dots. They look like Freddy and Gwen really had a good time making them. The exhibit brightened up an already airy and light space. The quilts which were shown had elements of Gwen Marston’s liberated quiltmaking techniques incorporated in them. They also include chickens, flowers, baskets and houses. The thing about the quilts which were on display is that the elements aren’t difficult. Any quiltmaker can make a house block or a basket block. The key to what made this exhibit special (and the book as well) is the combinations of fabrics and the fabric choices.

Late October 2009

Yes, more fabrics. The dots (3rd from left, top row) are destined to be a bag, perhaps even this week. The pink and green leafy floral (5th from the left, top row) will also be a bag. The blacks and whites in the second and third rows towards the left are already mostly a bag. I worked on another  Multi-tasker tote yesterday for a friend from those fabrics. One thing I learned was that you can almost make a Multi-tasker tote from a fat quarter pack. I did it, but needed to piece some of the fabrics together in order to have a large enough enough piece to cut out the pattern piece.  I also brought a Jane Sassaman half yard with me and cut the straps from that fabric. Anna Maria Horner never claims you can make the tote from an FQ pack. A friend admired them and her birthday is coming so I thought I would make her a tote.  Pictures to follow.

The two bottom rows of fabric are all from Lonni Rossi’s new collection. I really like a lot of them. I have the ones I have, because they were in FQ packs and I was too lazy to have my friend, Jean, who works there, cut half yards. Now I wish I had bought some half yards. Perhaps I’ll see the ones I really like somewhere else.

The shop had some Philip Jacobs fabrics. His fabrics, by Westminster, are bright and cheerful florals. TFQ was madly choosing fabrics to make Jane Market totes last night and it occured to me that the Philip Jacobs fabrics would make fabulous Market totes.  The tote pattern is by Alicia Paulson and reasonably priced at $6. She also provides instant gratification with an instant download! TFQ is going to make sets of these totes as Christmas gifts. I imagine a day when everyone in the grocery store is carrying around a tote made from gorgeous quiltmaking fabric!

Finally, the book selection at Back Porch is fabulous! They have tons of books, many of which I had never seen at a quilt shop. First, there was the New Handmade by Cassie Barden. This book reminds me of the Lexis Barnes book, Sew What bags that I wrote about. Really great bags to make, including one that is similar to my handbag. I also found a new book by Sandra Meech, Connecting Art to Stitch.

Art to Stitch, Meech

I have always liked Sandra Meech’s books. They are not just about a step by step technique process. She talks about design and inspiration and all the things that take quiltmaking to the next level. I like her writing style as well. I don’t yet have this book, but will put it on my Amazon list.

I didn’t think there were great books out there, but recently I have found a number that I can’t wait to add to my collection.

I was shocked to find that Back Porch is offering a class in the Flowering Snowball pattern! They had a sample on the wall done exactly the way mine will be finished – using the self bordering technique. Sigh. I guess I am not so unique, after all.

Last time I went to Back Porch, I left with a bad taste in my mouth. I went back anyway, because I had heard a podcast interview with the owner, Gail Abeloe and they have a nice shop with great fabric. One thing I admired about Gail was her firm grasp that a quilt shop is a business.  Her philosophy is that you have to keep your stock fresh and your customers interested and that you have to sell fabric. As a former small business owner, I can appreciate that attitude.

FOTY 2008

Yes, this baby is complete. I can chalk another finished project up on the list. I quilted it a long time ago and only had to do the facing and the sleeve. I really don’t know why I waited until the last minute. I did and ended up with some unsewing that needed to be done. When I sewed the facing on, I kept sewing through all three layers quilt. Duh! I don’t know what that was about. I ended up clipping the threads from the front and sewing the back, very carefully the second time, shut again. It was sent off with the Nosegay on Wednesday and should have arrived today. We’ll see.

I get to go and visit it next week.

Journal Cover, Open

A few weeks ago I posted about Exuberant Color’s journal cover directions. This was after I saw directions for a journal cover on the Quilts and More website, Allpeoplequilt.com (you may have to register and login). I began the journal cover last Friday and finally finished on Sunday. In the end, it wasn’t difficult; I just didn’t have much time and struggled a bit with the directions.

As I may have mentioned, I liked the idea of this project, because it is useful. I also liked the idea of having an accessory using some of my fabric with me on a daily basis. Finally, it gave my journal a bit more privacy. The journal cover got its first outing with me on Tuesday.

I started madly sewing turquoise scraps together when I was angry and needed to calm down. The repetitive nature of the sewing helps me. Not only do I calm down, but I also make progress, an added bonus.  I am loving turquoise more and more lately and, found, as I rummaged through my scrap basket, that there were a lot of really pretty, if small, pieces.

Journal Cover Piecing, Oct 2009

Sewing scraps together is also an exercise I do when I don’t know what else to do. I sew like-colored scraps together to make new fabric. I have quite a large piece of red and have just started creating a pink piece. Other than tests and using them to make ATCs, I don’t really do much else with my scraps, so making new fabrics can create something useful.

The blue piece quickly turned into a journal cover. The technique is inspired, as you may have read before (March 2007 or July 2008), by Shannon Williams’ Mosaic Quilting technique.

Finished cover, Lining detail

I also used the fabric I wrote about (used as another source of inspiration) as the lining. I thought I would be able to see more of it and enjoy it, but the lining is pretty covered up. I might be a little miffed, but I know it is there and I can look at it whenever I want.

As I was making the fabric for the outside, I had to know how large to make the piece. I found the Quilts & More pattern not to work very well for me. That pattern requires that you buy a specific journal – the black & white composition notebook type, I think – which is a specific size. I did read this when I started the project. What I didn’t read was that they had no instructions for those who wanted to use a journal that had been laying around the house. Wanda at Exuberant Color came to the rescue, giving me an idea of how to measure my own journal so I could use that journal instead of going out and buying a new one.

Measuring, pt.1

First, I put the measuring tape down on the back of the journal. You can’t see it because it is in between the ironing board and the journal

Then, I wrapped the measuring tape around the back so that I could see the total width the fabric should be. You do have to close the book to make sure that you have enough. I found that if I put the beginning metal bit of the measuring tape right up against the binding, then there was plenty of fabric, even with the book closed and seam allowances.

I was a little confused by the direction on Exuberant Color about the amount of fabric for a seam allowance on the top. I eventually used about an inch larger than the book and that seemed to work.

Finished Cover, Oct. 2009

Above is the finished piece. I put a bit of a selvedge in. It had been hanging on my design wall for a long time. I liked the name of the fabric: The Butterfly Queen. I may cover up Jason Yenter’s name with a flower or something, but we will see.

Journal Cover, Back Flap detail

This picture shows the journal open and how much changes from my original measurement of 25″ (see photo above) and this photo (directly above) once the journal cover was completely sewed.

I didn’t have to buy anything to make this journal cover, which was nice. It is a  project you can complete with materials around the house. It is one of those projects that works when inspirations strikes late at night and everything is closed.

I want to make another one and possibly a few more as gifts. One thing I want to try is fusible interfacing like one of the thicker Pellon products rather than batting. I find the batting to be too squishy, especially when I fold the journal backwards to write on both pages.

Tarts, Small Drip

This is the piece of pie and whipped cream, which you have seen four dozen times. I am forced to continue to show it to you until you scream for mercy. Only because you asked for it.

Okay! Okay! I am not so mean. This is actually a slightly larger drip than before. I took your advice and decided to make the drip a little larger. I don’t think it is large enough here. When I stand back, it still looks like a speck. I don’t want people to think I made a big boo-boo on the applique’.

Tarts, Big Drip

Here is the big drip. It looks like something! I used the same shape; just made it a bit bigger. I like it and it will probably be sewed down this weekend.

Sewing it down would be very nice, because then I can get it off of my design wall and put something else up.

Oh. The back. I still have to make the back. Sigh.

SoCal fabric and supplies, Sept. 2009

I spent last week in SoCal doing a little bit of Grama wrangling/triage with my mom. If it isn’t abundantly clear, I was away from my sewing machine. The only fiber work I did was work on a bit of the hand stitching of Beach Town. After thinking about it, I may pull out what I did and redo it. We’ll see.

I was able to visit two quilt shops and a Borders. I don’t usually buy the Where Women Create magazine, but I am a Mary Engelbreit sucker and love her stuff, so I couldn’t resist. The editor’s note in this issue is WONDERFUL! I am going to send a copy to some of my good friends. I think they will appreciate it. I also really liked the quotes included with each artists’ piece.

Usually I prefer to buy magazines at local shops, but Borders really does have the BEST selection I have seen lately. I was able to look through 5-7 quilt magazines there as well as a plethora of other art and craft related magazines. I wasn’t enamored with the current Quilts and More mag, sadly. Very dull colors and uninspiring projects.

I also found that the two quilt shops I visited no longer carried magazines. Both owners said magazines just weren’t selling there. Sad. I would like it if Amazon sold just issues of mags rather than subscriptions. I would buy an issue or two of various mags once in a while if it weren’t such a pain to do so. I am thinking I need a subscription to a house magazine. I really mis House and Garden. House Beautiful seems to have improved somewhat.

One of my favorite shops is called Treasure Hunt in Carpinteria. It is located at 919 Maple Ave in a little house. The decorations are fun, cheerful and adorable. They have fun and cheerful fabric, a nice staff and other craft related items, like Collage Pauge from Traci Bautista. They have a room full of yarn for you knitting types, kid craft items (more Crayola brand stuff than I have ever seen in my life!) and a room of supplies needed to finish your works like frames, etc.

The red dot fabric and the cherry fabric with the yellow background will be an Anna Maria Horner Multi-tasker tote.  I plan to do a trial run with some Denyse Schmidt Flea Market Fancy fabric first, though. I want to see how the pattern works before I use my precious combo. If the pattern doesn’t work for me, I will make another one of the Eco Market totes. Stay tuned for that project.

One Old, 3 New, Sorbet Blocks

The above blocks are the blocks I made over the weekend. Except for the one in the lower left hand corner, which I made last week. I put it in to make the photo square and so you wouldn’t see my ugly carpet.

2 Sorbet Blocks, August 2009

Last week I made two blocks for the Sorbet quilt (left). They sat on my design wall all week and as I looked at them a new idea formed in my head: a baby.

When I made these, I just wanted to make some of the quickest blocks to cut and sew. I wanted to get some endorphins going and some quick satisfaction.

What I didn’t realize was that these two could be merged to make yet another block. I didn’t need to make a pattern, which is part of the fun and joy of this quilt.

I can’t shake the idea that these two blocks got together and had a baby!

Baby block

Silly, I know, but it is what it is.

The others I made were from the patterns I already designed in EQ6. I think this quilt will be one that I can longarm myself.

Four Patch Corner

Not really sure why the above block is called Four Patch Corner. I didn’t make up the name, it was in EQ6.

9 Patch

Regular old 9 Patch fits the size and shape requirements. Easy to make and I think it looks great.

Sorbet EQ6 Pattern Key

In a recent post, I posted a partially colored view of the patterns I had created in EQ6 for the Quilt Sorbet Quilt (not sure whether I will call it Sorbet or Quilt Sorbet or something else). Here is a fully colored rendering.

Some of the blocks are pretty obvious, but others kind of blend together.

My other thought was to create an EQ6 rendering where I color the blocks as I sew them.  That might make my life too complicated, but we will see. It might, on the other hand, make it easy for me to keep track of blocks I have made.

Sorbet Colors, August 2009

I haven’t had a chance to make anymore blocks since I first introduced this project last week. Some block making is on my agenda this weekend, but in the meantime, I have been looking at fabrics and adding them to the mix. The biggest addition is the purple batik (upper right hand corner). I also added a couple of medium-large scale flower prints to see how they work in the mix.

I noticed that there is a lot of pink in the fabric mix. I hope it won’t be too pink, but I am enjoying the pink.