Wonky 9 Patch - Full, unsewn

I do not believe in the concept of Quilt in a Day. I love Eleanor Burns, I love various quick techniques and the rotary cutter, but I simply do not believe I can make a well designed quilt with great piecing and wonderful quilting in a day.It is not possible for me.

I do believe I can get a lot done in one day, though, and this quilt is proof.

Short story: the top is finished except for the quilting border; back is nearly finished. I do not want this project to linger. I want to finish the back and get it to the quilter. I want to be done with my part before the weekend. We will see. I don’t want it to become an albatross.

Kathleen's Wonky 9 Patch

Inspiration is a funny thing. You never know when it will strike or what will spur it on. The combination of Kathleen’s quilt, the Pinterest photo and the oranges that I bought some weeks ago from the quilt shop From Here to Quilternity all coalesced into one big blob of inspiration and I sewed.

And inspiration breeds inspiration.

Susan, of the History Quilter podcast commented on Twitter (yes, I am there, too. You can follow me – @artquiltmaker) that the orange part of the quilt looked like mosaics. As you know, I love mosaics and tile and try to take inspiration from them where I can. Susan is absolutely right and her comment has been on my mind all day.

• what would a quilt look like if I did the same idea, but made the blocks and, thus, the pieces smaller?
• how would this design look with no plain blocks?
• is this a great way to explore monochromatic color schemes?
• etc.

My mind is whirling with possibilities. Simply whirling. If I had more time, I would explore all of these possibilities. Perhaps someday.

Long story: I really got a bug in my ear on Thursday night. I happened to look at a Pinterest photo (above, the door and the orange textiles) I had pinned some weeks ago and that photo, along with Kathleen‘s quilt made got me started.

Did I need another project? No.

Did I care? Obviously not. The muse must be satisfied.

Wonky 9 Patch - detail

I spent Friday late afternoon and evening cutting 9.5″ squares from the fat quarter group from the From Here to Quilternity quilt shop. I had to press and cut other pieces according to my ‘new fabric regime’, but it went well. The next day I began sewing.

Kathleen had done a demo for making these blocks and she reminded me that this is an Oh! Fransson pattern. I had forgotten.

When I looked at the pattern, I knew exactly what to do. I referred to it for sizes, but I also just went my own way. I have done this kind of piecing before with the Slash Stars. The thing that makes this quilt, IMO is the setting. Brilliant.

I also, like Kathleen, made the quilt a bit bigger. It has to be wrapped around a boy, so it needed to be bigger. If I had had more of the blue fabric, I would have added two more rows to the bottom, but I didn’t.

Fresh Squeezed FQ Pack

The only tiny quibble I have with the pattern (perhaps it is just a tutorial?) is the movement of the pieces. You can’t just move one piece each time. You need to move 2 at one point, three at another. I think this needs to be a bit clearer, BUT I should also read the directions all the way through before starting a project. I looked at my pieces and moved them according to what I thought was best, so it worked out.

I am pretty pleased with my blue plain squares. This sort of blue was my plan all along. I had planned to buy a solid, but didn’t have a Kona color card and wanted to make sure I had the right color. Blah. Blah. Blah.

On a whim, I delved into the fabric closet and came up with the blue fabric above, which is an old commercial hand dye. It is probably a Hoffman, but I don’t know for sure. I love it because it complements the orange perfectly. I like Kathleen’s grey background (the photo above does not do it justice); I am not so fond of the white (I know, Modern quilt blasphemy) in EH’s version. Then again, I am a color girl, someone in love with color, so I didn’t expect anything less.

Now I am in love with orange and blue. Stay tuned for the ramifications.

The title of this post has to do with how Athena was born. Zeus got a massive headache and then Athena sprang, fully formed, from his forehead. Can’t imagine the scar. That is how I feel about this quilt. I didn’t do much of the work – EH designed the quilt, Kathleen made it and showed it at a guild meeting; I took up the baton and ran with the idea.

FOTY 2011 - Mid November

I can’t believe I haven’t posted triangles since mid September! But it’s true. I haven’t posted triangles since mid-September. I guess if I had actually pressed fabric in the past 2 months, then I wouldn’t be so behind.

It turns out that I have to press fabric, because the chair I lay the fabric over while it waits to be press keeps falling over. I spent a few hours on Sunday, after finishing a big project pressing and cutting the bits and snippets I need for various projects. I got quite a little pile going after not too long. I think the chair is a bit more stable now, but I just need to get the fabric pressed. AND stop buying new fabric.

Learning
Everyone on the web seems to be way better at Photoshop Elements than I am. My friend, La, tries to give me little tips, but I forget by the time I get home. As result, I have helped to organize a class at Always Quilting on August 27, 2011, 10-4 and is taught by Lynn Koolish of C&T fame. It is open to everyone though the BAMQG and CQFA folks have had a two week headstart on sign ups. The class is now on the shop’s website. You can register via the website or by calling their shop at (650) 458-8580. Hope to see you there!

I was listening to an episode of Creative Mojo the other day (via podcast) and Mark was interviewing Patrick Doughty, an artist whose medium is sticks. I wasn’t terribly interested in the work, but find that I can always learn something. He said something really profound in response to a question about getting stuck. He said (paraphrasing) that it takes time to get into the groove of creating. He creates every day or only takes short breaks. this helps him not to have to get back into the groove, because he is already in the groove. This is a really important part of how I work. I think, write or read about quiltmaking every day I cannot be at the sewing machine. I cut, press, fold and organize fabric when I can’t sew (like last week when my machine was getting services). Every other time, I sew. I am always in the groove, because my work is in the forefront of my mind.  I do get stuck on projects, but then I move to another project or cut, press, fold and organize my fabric.

Quilt-a-Longs
I think I talked about the Farmer’s Wife Quilt-a-Long. There are a lot of blog posts, discussions and projects blooming out of it. I saw on the ModaLissa site that the United Notions people are having a Hen Party (go read the post) that also has to do with FWQAL. Perhaps I do need to jump in…meaning ‘need’ in the broadest and most non-committal sense of the word.

Camille Roskelley of the gorgeous red dotted chair blog, ok the Simplify blog, has posted another group of her Farmer’s Wife blocks. I love them! Perhaps I do like grey after all. I think I have get out my Ultimate 3-in-1 color tool and see what I can learn from her color scheme.

How about my Block-a-Long? Have you made any blocks? Let’s see them? Are they boring?

Color
I am reading a book (review soon-ish) and I realized the author was not doing complicated piecing, but was creating complex color stories to tell in the form of a quilt. I am intrigued by this concept, especially after working on FOTY 2011. I ran across the Michael Miller site, which is doing color stories every week also. During the week of July 20 they had an aqua and red color way, which you know I love.

Media
I am feeling like Miss (Ms?) Popularity lately. I never was one of the cool kids at school so I am not quite sure how to handle it. I was recently interviewed on episode 2 of the SeamedUp podcast. It was fun to talk to the SeamedUp ‘girls’ and get to talk about design a little bit, my blog and life a little bit. They produce their podcast in a very professional way, I think, but laugh a lot along the way.

I was listening to a recent Annie Smith episode and heard about Cori Blunt. I took a look at her website and blog. Her drawings are really sweet, I especially like her bike pillow. Of course, I probably wouldn’t do any of those quilts, but I can admire them. I do like the way she did the sashing around the star blocks in the Cherry Tweets quilt. Very clever.

In conjunction with her episode #166, Amy of Creative Mom Podcast post GORGEOUS pictures of stairs with mosaics on the risers. Even if you don’t listen to her podcast (which you should!), go take a look at these photos. They are wonderful and make me want to do some mosaic work on my stairs.

I think I heard about GenerationQ magazine from Adrianne at some point in the not so distant past. I was reintroduced to it last week via an article they did on smartphone quilting apps. There are two that are interesting to me. One is block pattern app similar in concept to Around the Block, one of the most useful books in my library. The other, which constantly made me think of TFQ is the Fabric Stash by Blueshift Software app. She needs this app. This one does not get high marks, but the writers say that the portion where you can document your fabric stash works really well. It seems easy to photograph your fabric and keep it handy on your phone when I go shopping, especially for projects like the Food Quilt where I am trying to get one piece of many different fabrics. it is on the pricey side for apps, but it may be worth trying out. Now to get Blueshift together with SeamedUp so I can zap my fabric from my phone straight into SeamedUp. That would be awesome (at least in my head).

Other Artists

Lil Sissy passed on a  good blog post from Kelly Rae Roberts. I think it worth reading and keeping in mind. Short version: there is a time to dream and a time to savor.

Vicki posted an Art Saves story on Crescendoh. I didn’t know about those stories until I saw a link on Vicki’s site and happened to click on it. Very interesting. I like the stories.

Fabric

Last week, Julie of The Intrepid Thread post some photos of new fabrics in her shop. She posted:

• Sweet Treats http://fb.me/16eeAMWIt
• Licorice Cloud http://fb.me/SdMcvn79
• Cotton Candy http://fb.me/wwGp0deq
• Sapphire http://fb.me/Ez55AJPA
• Ruby http://fb.me/TwMwQ24o
• Citrine http://fb.me/160LGuNQ8

They were some fabrics I saw when I was on my quilt journey a few weeks ago. When I saw them at New Pieces I thought that I couldn’t possibly use such fabrics, but when I saw the pictures Julie posted, I thought they might be fine if I cut them up. Is there a meeting point between fussy cutting and strip piecing that would allow the beauty of some of the larger motifs to come through? What do you think?

Kona challenge top

The border took me most of Sunday to put on. I realized later that I should have used EQ to figure out the sizes.

Secondary Design

This is one of the secondary designs I was trying to preserve. It is the one I saw first.

Ohio Star detail

Later, as the top came together, I also saw a kind of Ohio Star.

Bright Secondary Pattern

My inspiration came from the Manteca quilt show and this quilt by Traudi King, Fun with Scraps.

I fell back on Lorraine Torrence‘s old adage: Make Visual Decisions Visually. That is the best advice I have EVER gotten in quiltmaking. Go take a class from Lorraine and buy her books. She is awesome.

Plain Jane

I liked the bold graphic-ness of this print, but thought it might be too large.

Cherries

I thought for sure this would work, but the cherries felt too scattered. They need to be hemmed in a little.

Bliss

Something in the color was off with this print. The aqua in the Bliss print is more green while the small flowered print is more on the turquoise side.

Plain Jane (smaller flowers)

This is the same print as the first one, but the flowers are smaller. I like the way you can see more of the flowers. Success!

Final

I chose the last print and above is how the finished block looks.

Sadly, his IT staff came in early and did a stopgap fix on my computer. It was much better on Thursday, so I had to stay at work instead of hang out at home with my iPad next to my sewing machine. Oh well.

The computer problems just added to my stress and in light of the craziness, I decided I had to be okay with not getting the back of the FOTY 2010 finished. I talked to Colleen and will bring it in two weeks when she is back in town and ready to quilt again. That means I have two weeks to finish the back.

FOTY 2010 Top - Finished

This past week wasn’t a complete quiltmaking desert. I did get a break on Monday when I didn’t have to take the Young Man to his regular Monday appointment and I took the opportunity to finish the FOTY 2010 top! Yay! I feel so good about that.

All the diamonds were sewn together and the border strips were cut, so I just had to sew them on to the top. It took me a long time – about 3.5 hours. I never think that borders and backs are going to take long, but they always seem to take longer than I expect. Oh well.

I learned a couple of things making this top. First, my deadline was to piece the whole top at the CQFA Retreat. It turned out that I wasn’t ready to piece this whole top. Diamonds require finding my sweet spot of piecing. I had to develop a rhythm and a method and I hadn’t done it by the time I reached the retreat. Second, this was a top that needed me to take my time. I ripped out much of the piecing I sewed at the retreat. A lot of people don’t care about points being cut off and I am not going to beat myself up about every single point, but I absolutely don’t want my bad technique to distract viewers from the overall look of the quilt. Finally, this quilt needed to be pieced slowly and carefully.

FOTY 2010: bottom left

FOTY 2010: top middle

I have been lamenting my pictures (my whole blog, really) lately and these two show great detail, but they are not great photography. I am pretty pleased with the color layout on the pink and white section.

The diamonds are not in perfect positions colorwise, but I have improved since FOTY 2009.

In the photo of the pinks and whites, I am really pleased that I clustered the whites in the corner. In FOTY 2009 I put them along the left side one on top of the other and I decided that wasn’t as effective in terms of the colorwash idea. It is very difficult to get a really smooth colorwash effect when using prints. As I said, I think I improved over last year.

My mom kept telling me to move diamonds AFTER I had already sewn them and finally I had to tell her to make her own colorwash quilt!

FOTY 2010: alternative universe

As I mentioned in a post earlier this week, I will be making a block or two from Joel Dewberry fabric. I have the fat quarter laid out on my ironing board (see previous comments about horizontal space in my workroom!), because my design wall is full, and there is no horizontal space.

As I was finishing the FOTY, I kept pressing bits and pieces. When I was pressing the corner of the inner border on top of the JD fabric, I noticed how interesting this particularly corner looked with the JD fabric as the border. I didn’t want that active a print on the outside of this quilt, but I thought it was interesting.

FOTY 2010: Start of the Day of Piecing

When I started piecing Sunday (the only day I had to piece over the weekend) the above photo shows where I started. I felt a little quilt nervous breakdown-ish. The reds and pinks were really making me a bit crazy. I gave myself the day to finish the top, but part of me didn’t think I would get through it.

FOTY 2010: Definite Piecing Progress

I started off by unsewing a whole bunch of patches that I had pieced just to get something done on Thursday or some normally non-sewing day. Unsewing got me into the groove of sewing. Above you can see that I have started to get the reds and pinks under control. There was some kind of shift in my brain and working slowly through each patch allowed me to get into the groove and make progress.

FOTY 2010: Large Chunks Left

Above: four large chunks left to sew together.

FOTY 2010: Top Finished

The top above is finished. At least the main part is finished. I haven’t decided if I will add another grey border to accommodate the quilting process. I am concerned that the dots won’t match. As I turned away to come to the computer to write, I thought about piping as a way to accommodate the distortion of the quilting process and the dots not matching.

Not completely finished, but well on its way. If I can get the back done I can take it be quilted! YAY!

FOTY 2009 Finished

I hung up FOTY 2009 in my hallway yesterday. It can be seen when people walk in the front door. I received a ton of compliments on it, which was very kind of people. I was planning to take it to work, but needed to solve a quick decorating dilema and decided to keep it at home for awhile. I have to think of something new to hang in my office as I am getting tired of seeing Seeing Red when I walk in.

In the meantime, I am still working on FOTY 2010 steadily, though I wasn’t able to do much more than unpick a few yellows this past week.

FOTY 2010: Where I started

Pretty much, this is where I started this week. There were still lots of gaps in the blues, but I had started to piece the smaller pieces into larger. One can ‘chunk‘ this type of quilt in the piecing process, but not as easily, or for as long, as when piecing square or rectangular patches. At some point I had to piece long rows together.

Part of this has to do with the arrangement of this particular quilt. The colorwash type arrangement doesn’t lend itself well to piecing the patches into chunks of four patches, as I was able to do with the Eye Spy quilt.

FOTY 2010: Processing Blues

Aren’t the blues behaving nicely? The placement is not ideal and I would do it differently if I had unlimited tints, hues, values and shades, but my FOTY rule is that I have to use what I have, and so far I am happy.

FOTY 2010: Section Pieced

You can see, above, the whole blue section pieced.

FOTY 2010: Where I am Going

I am heading towards the pink on the bottom. Now that the blues are behaving nicely, the pinks are becoming little brats. It reminds me of the Mandrakes in the book, Harry Potter and the Chamber of Secrets. That big gap has reappeared in the pink area. Grrrr!

I have been contemplating the yellow and pink sections and doing a bit of playing with their arrangement. I am not terribly fond of a big line of greens or yellows or pinks slashing through the quilt. I prefer more of a blob arrangement (like the pinks are in the above photo – more of an organic shape). I am not sure at this moment how I will have them blend into each other – the blue to pink – if I do the blob arrangement. I don’t have enough yellows, greens and oranges to wash very completely. I think the green to yellow to orange is much easier, but there is a space consideration up towards the top. I’ll have to play around and see what works.

Piece O' Cake Daisies & Dots

The fabric I ordered with my Fabricworm gift certificate arrived about 2 days after I ordered it. This is a different look than I usually buy, but I like it. Not sure what I will make out of it. I am thinking I will use it together, but we will see. I have to finish FOTY 2010 first! You can see it all at the Piece O’Cake website fabric page. There is a wonky 54-40 or Fight quilt on their home page today. I don’t know how long the links will work, though.

Starting out at Home

As soon as I arrived home from the retreat, I put up the portable design wall and organized the diamonds. They were pinned on the design wall, so I didn’t have to do much for the part that was already sewn. All the unsewn diamonds were just in the bag of pieces.

Progress 1

My next task was to put all of the reds and pinks back on the design wall. Above, I have put all the diamonds I could fit back up on the design wall.

Progress 2

I was really trying to fix that bottom right hand corner, which meant working on the blues.

Progress 3

The blues are getting better. I am making progress.

Progress 4

But not all of the blues are cooperating.

Progress 5

I felt like I needed to take a lot of pictures, so when I have succeeded in a section I have a record. I am nervous that I will need to recreate it if the diamonds get rearranged. I live with creative people and sometimes they think they are helping by rearranging things.

Progress 6

More with the blues.

Progress 7

Minor changes, but the piece is looking better.

Progress 8

Trying to make the leap from blue to green to yellow is proving to be a challenge. I don’t think there is such a thing as a dark yellow and that one green (smack in the middle of the photo above) is really sticking out and doesn’t seem to fit anywhere.

Back to it!

FOTY Start

Above is the way I started the FOTY on Friday afternoon.

FOTY 2010 Right Corner detail

Above is the dark corner. Again, I was trying for the a colorwash kind of look across the quilt from right to left.

FOTY 2010 - more of the dark corner

As I laid out the piece, it was interesting to see, visually, the amount of darks and colors.

FOTY 2010 - Dark Corner washing towards Red

This was the first layout. You can see a bit of the red next to the purple. Eventually, I took all the red off of the design board and put blue next to the purple. I did a backwards ROY G BIV working from right to left, though if you look at it when it is finished, the ROY G BIV will read correctly (see below).

FOTY 2010 - Whole Piece in Progress

Above, you can see that I have changed out the red for the blue in the center and put the red on the left edge. Most of the diamonds I have to work with for this project are blue. The design wall was not large enough for me to put up all of the patches, so the reds and pinks only got a representative sampling to begin with. As I worked through Friday afternoon and evening, then Saturday, I came to the realization that this piece was going to take longer than I thought. Putting it together was a lot more of an intellectual exercise than I expected. Part of the reason, I think, was that I wanted to put it together in chunks, which made the spaces created by the sewn seam allowances end up in strange places.

FOTY 2010 - Center detail

Those seam allowance spaces became unexpectedly large as I sewed, which turned out to make keeping track of where pieces went really difficult.

FOTY 2010 - Blue detail

One challenge was the different amounts of colors I had. Another challenge was that the fabrics mostly did not consist of only one color. I tried to block out all but the background or dominant color in my mind in order to place the patches, it wasn’t always possible.

FOTY 2010 - Blues washing to Yellow

Above, which is the upper left hand section,  is the least formed part of the quilt, and still, in the photo above, in quite a bit in flux.

FOTY 2010 - Putting the Piece Together

In some ways putting the piece together got easier as I sewed larger chunks together. In other ways, it got to be more of a problem, because the spaces, as I mentioned, between the chunks got larger.

FOTY 2010 - Moving Across from Right to Left

The bottom left corner was really my big problem. I don’t know what happened, but something happened early on and I still haven’t completely resolved the problem in that corner. I am working through it, but as I don’t seem to have a photo of the whole piece after I moved the red, it is proving to be a challenge.  I am having to lay out that corner again as I go along. Lots of unsewing is required.

FOTY 2010 - Top Right, Middle

Are you bored yet?

The top right and middle were ok and I was able to sew some large chunks together.

FOTY 2010 - Bottom Right

No matter what I did with that bottom right corner, there still seemed to be large missing chunks of patchwork. Sigh. At this point, in addition to taking big deep breaths, I realized I wasn’t going to get the piece finished. Not what I wanted to face, but I wanted to do a good job and that was the reality.

It was a bit liberating to admit that, because I felt like I could look at the piece and didn’t have to rush straight to sewing.

FOTY 2010 - Moving to Pink

I was able to put a few pinks up as the seam allowances shrank the whole piece, leaving more space. I had faint hope that some miracle would occur and I would finish the piecing.

FOTY 2010 - Adding the Reds

I was also able to add some of the reds that didn’t fit when I started.

FOTY 2010 - details of placement

The large seam allowances seemed to keep moving as well.

FOTY 2010 - Good Behavior

This was the well behaved part of the quilt right before I took the whole thing down so I could go home.

FOTY 2010 - Orange and Yellow

IYellows and oranges were ignored, for the most part.

FOTY 2010 - Virginia's Picture

Virginia took this picture while she was visiting. It is really helpful to see what other people see in my pieces.

FOTY 2010 back at home

Julie helped me roll up the piece in the flannel of the portable design wall so I could bring it home and set it up again. My plan is to chip away at the rest of the layout and piecing. Not finishing puts me behind in my mind’s quiltmaking schedule, but I am sure there is a reason that I didn’t finish. I certainly didn’t expect the intellectual piecing challenge of this project. I am sure it is good for me.

Chubby Charmer Side

I figured out why the other layout didn’t look right. In very tiny writing at the end of the first instruction, the pattern said “repeat for side 2.” I generally skim directions, so I didn’t see it the first time around and had to carefully read every word to find that crucial piece of the process. I am glad I did!

Sugar Pop Side 2

I picked out a dot to go with these fabrics. The charm pack didn’t have quite enough squares for the pattern, but that shouldn’t be a problem. However, I didn’t finish FOTY 2010 at the retreat, so I will have to put this on the back burner until I do finish it.

3 Purple Possibilities

I am working on a, as yet unnamed, purple project using the fabrics on the bottom of the photo to the left. Those fabrics are from a Birch Bundle I bought at the end of the summer. The project is based on a picture I saw on Flickr and posted here in September.

I was cutting the rectangular patches for the piece in a random manner as I pressed fabrics, but wasn’t really ready to get busy until this week. I ordered some possible fabrics and got busy sewing yesterday.

I thought the Crocus (on the right, above) would be perfect. I picked it out using a color card that TFQ brought with her when we went to PIQF. I finally got around to ordering it. When it arrived, I looked at it in various lights around my house. Then I laid it out with the other two solids: Violet (left) and Deep Violet (middle). the two additional purples are from Free Spirit.

The Crocus is too grey/dusky for my project. That was clear from looking at it. That left me to decide from the two other choices. I think this experience is a good reminder for me to remember that a piece of fabric that looks good in a small piece may not be as perfect when I see it in a larger piece.

Violet as Piecing Possibility

In order to make the choice, I laid out some of the pieced rectangles on the Violet. The photo above looks a lot more red than the real thing. Still, I should consider that the red may show up more in certain lights. The quilt will be going to live in a much different lighting situation.

Deep Violet as Piecing Possibility

I am liking the Deep Violet. There is a lot more pink in the above piecing that I intend in the overall quilt. I need to stop the random cutting and be more organized about my cutting now that I am serious about piecing this.

One member had a few questions about them and so we started talking. Another member chimed in about how using someone else’s color choices took all the creativity out of making a quilt. She kind of went on and on for a bit about it. After she had finished I felt compelled to say that using someone else’s color choices might be a good way to learn to use colors that you wouldn’t normally choose. There is a gold in It’s a Merry & Bright Wrap that I wouldn’t ever pick myself, but works very well with the off shade of blue included in the Merry & Bright Jelly Roll by Sandy Gervais.

This conversation got me to thinking about color choices and how I work with color. I realized that I work in a couple of ways.

1. I choose colors in which I am interested in working. I see a color or a fabric and it gets me thinking about a quilt or a bag or a tote in those colors. At this moment, that means that I am collecting aqua and red fabrics and setting them aside in order to make a quilt in the future. I don’t know what quilt, though am leaning towards a basket quilt.

2. I also like working with whole lines of fabric. I like being part of a creative endeavor that someone else started. In a strange way, it is like a round robin. Like the It’s a Merry & Bright Wrap quilt, for which I made no decisions (pattern, whole line of fabric), I found solace in not making decisions. Also, if I am making a difficult quilt, like the Zig Zaggy quilt, which requires a lot of thought in construction, I find that putting the color choices aside allows me to  focus on the sewing techniques and process.

2A. I am also enjoying the groups that Cynthia and her staff at Birch Fabrics/Fabric Worm put together. They are usually not a whole line of fabric from one designer , but fabrics that go together and have a variety of scales and designs. I haven’t actually made a quilt with one of her groups yet, but I am putting them together after washing and cutting patches in order to be ready to go when I start the next quilt. I am finding that I am also adding other fabrics in that I will go well.

Kirkham & La Playa house

Kirkham & La Playa house

Kirkham & La Playa house

3. Sometimes, I see something that inspires me.I have been driving by the house pictured for YEARS. In the last year or so, they painted it this rose and pumpkin color. I never have my camera with me when I go by, but today I was nearby and did have my camera so I swung by to snap some shots. I think I will make a quilt in these colors, but will add some violet as well. I think violet would look fabulous with the pumpkin and rose. There is an orange tending towards pumpkin dot (like the Ta Dots) that I have seen around. I haven’t had a chance to dig through my collection of dots to see if I have it, but it is on my list. Of course, I have to make visual decisions visually and will have to see.

4. Sometimes color doesn’t matter and I work with light and dark and a certain pattern. The Pineapple quilt is an example of this type of fabric selection. I am not sure if one would call this ‘color’ selection per se. Once inside such parameters, I do make rules for myself such as no like colors next to each other or only complementary colors next to each other etc. It usually depends on my mood.

5. Monochromatic color schemes, like the Blue Janus quilt are also intriguing me lately. I like the monochromatic color scheme, because it helps my eye discern the different types of blues, or reds or whatever color I have chosen for the color scheme. When you have 300 blues together they all look a bit different.

6. Rainbow/color wash type quilts have really been good exercises lately. The FOTY quilts have really been good for this. I have to admit that I am not liking the way I blended the colors in FOTY 2008. I don’t know what I was thinking. I do like the quilt, but in this color wash type of colorwork, the colors should blend more. It could be that my idea of this type of colorwork has evolved since FOTY 2008. I did a much better job on FOTY 2009. Maureen helped and I learned a lot from working with her on the colors. FOTY 2010 with the diamonds is next. We’ll see how that goes. In general, I like trying to blend the colors. I think the quilts are very attractive and they are an intellectual challenge to make.

How do you pick your fabrics?

clipped from ep.yimg.com

clipped from www.fabricworm.com Fabricworm Custom Quilt Bundle, Rainbow, Half Yard Set, 10 Total Fabricworm Custom Quilt Bundle, Rainbow, Half Yard Set, 10 Total Each Half Yard Measures 18″ x 44″ You Will receive a Half Yard of Each: Anna Maria Horner Filigree Plum Amy Butler Momento Burgandy Denyse Schmidt Four Square New Day Michael Miller Ta Dot Teal Heather Bailey Pop Daisy Green Anna Maria Horner Filigree Meadow Robert Kaufman Pure Organic Solid Maize Cosmo Cricket Early Bird Crosshatch Yellow Monaluna Mingle Dot Tangerine Momo Freebird Eggs Melon Monaluna Circa 50 Woodland Chain Strawberry (Organic) Alice Kennedy Apple Swirl Red 100% Cotton Fabric is sold by the ½ Yard. For example, if you would like to purchase 1 Yard, you would enter 2 in the Qty. box at Checkout. Yardage is cut in one continuous piece.

I would love to see them in real life. I am glad they gave the names of the fabrics so I can look them up.  I can’t think of what I would use them for. They would be gorgeous together.