Pilot G2

These are my favorite pens. I have gone through lots of pens, tried different ones, etc. I finally found these and they are the best. I write with them, I draw with them, I buy them to use at work, because I don’t like the work pens.

My favorite color is the turquoisey/teal (second from the right). I would be in heaven if I could buy 24 or 48 of them, because they only come in sets.

I like them because they are smooth and don’t blob the paper. I like alos the width of the line and that they are dark. I don’t usually use them for final drawings, but they are often the the medium of choice in the little sketches I show you.

They are not water proof or water resistant, so I don’t use them for the outside of packages during the winter.

No affiliation. Just saying.

When TFQ comes to visit for two days, I get at least 5 blog posts out of it! Her visit, coupled with the organizational segment on QNN TV, made me think about organization ideas for my fabric closet, my projects and my workroom in general.

First, I keep all of the flat bits of a project in a file folder. As soon as I start a project (or a class), I start a file folder for it. This is great if everything is flat, but doesn’t work so well for yards of fabric.

Translucent Office Storage Boxes

TFQ mentioned project boxes. Project boxes are boxes you use to keep all of the bits and pieces of a project together. This concept came up while we searching for fabric for Sorbet. I heard it mentioned somewhere else or I read it somewhere recently and now it is on my mind. I need some project boxes and a place to put them. I have a couple of them, but they just happened by default. One is a box I threw the Pineapple strips into after the strip avalanche. Voila! A project box!

The above boxes are from the Container Store. I have 2-3 of them and they work pretty well for project boxes as long as not a lot of yardage is involved.

Clear Project Boxes

The other is a box in which I kept all of the fabric for the Tarts  for the years it took me to finish that piece. They look similar to the boxes above. These are also similar to the boxes in which I keep my fabric. The problem with using the box for a project box is that I may get mixed up if I don’t have them labeled properly and redistribute the fabric. Now I have all the fabric for Sorbet in the box where the Tarts fabric used to be.

Not all boxes for Projects need to be purchased.

Patch boxes

I sometimes purchase scones for breakfast. The variety I purchase comes in the plastic boxes (on the right). I found that they are great for collecting squares and triangles and other smallish patches. The box on the left is from lettuce that some one brought over for dinner. That particular box is a good size for the FOTY diamonds. As an added bonus, they are not too nasty after the food has been removed and I am not adding them to our local landfill.

TFQ and I talked about ziploc bags, which are great, but are very slidey, especially if you get too many of something in them. They also don’t stack well.

My quiltmaker SIL uses banker’s boxes for her fabric. I prefer to use something clear I can see through, but I have made some temporary shelving out of banker’s boxes (repurposed from when we moved), so there are a number of uses for those as well.

What do you use to organize your workroom or studio? How do you organize your projects?

Announcing EQ7

I just heard the announcement for the new version of the Electric Quilt software, EQ7. This is an update to Electric Quilt 6.

I have used EQ since the dark ages of EQ3? EQ4? I can’t even remember. There are a number of things I like about the product, but the most important one to me is their customer service. I deal with bad customer service all day every day at my job. The EQ folks respond INTELLIGENTLY and TIMELY to emails. They even call if the email string is getting to complicated. I love good customer service and theirs is awesome.

I use EQ for designing a number of different projects: Flowering Snowball, Sorbet, 2009 Teacher pillows, the Pineapple, etc. I am not a very advanced user and have always wanted to take a class. It is still on my to do list.

I have tried out pattern/color keys using EQ6 and have had some trouble with the size of the file. I was successful with a Sorbet Color Key and I never really followed up to figure out my problem.

EQ7 Upgrade

The other thing I like about the software is that there are marked improvements in the software with each new release. I buy some upgrades of other software and think “brother, what is so new and great about this release?” Not with The Electric Quilt. I often think I don’t need the new version and then when I see the list of features, I have to buy it.

I am pretty excited about the new version’s features, especially since my EQ6 copy is on my dead computer and I just haven’t wanted to deal with the activation process. There have been multiple times recently when I wanted to do something and have been disappointed not to have dealt with the reinstallation.

I am sure there are a dozen more cool features. I love the digital / scanning possibilities.

You can find out more information at the Electric Quilt website or by calling: (800) 356-4219. No, I am not being paid to write this. Yes, they sent me a press release.

__________________________________________________

The Fine Print:

When will The Electric Quilt Company begin shipping EQ7?
We will begin shipping June 7, 2010.

What are the EQ7 and EQ7 Upgrade system requirements?
ELECTRIC QUILT 7
Minimum system requirements: Windows® XP, Windows® Vista, Windows® 7 (32 or 64 bit), Internet access, 750 MB of available hard-disk space, CD-ROM drive. Netbook compatible. Internet required for activation, deactivation, and periodic validations.
Recommended: Monitor with screen resolution of 1024 x 768 or greater, Adobe® Reader®, sound card for demo videos.
Activation: Internet access is required for activation and deactivation. Unlimited installations. Activations can be easily transferred between computers. Two (2) computers may be simultaneously active.

EQ7 UPGRADE
Minimum system requirements: Windows® XP, Windows® Vista, Windows® 7 (32 or 64 bit), Internet access, 750 MB of available hard-disk space, CD-ROM drive. Netbook compatible. Internet required for activation, deactivation, and periodic validations.
Recommended: Monitor with screen resolution of 1024 x 768 or greater, Adobe® Reader®, sound card for demo videos.
Activation: Internet access is required for activation and deactivation. Unlimited installations. Activations can be easily transferred between computers. Two (2) computers may be simultaneously active.

UPGRADE VERSION of Electric Quilt 7 This upgrade version of Electric Quilt 7 will install only if you are a licensed user of Electric Quilt 6 (EQ6). Visit www.electricquilt.com for other upgrade requirements.

What is the activation policy?
EQ7 has a new activation policy, created as a result of user feedback.

Activation: Internet access is required for activation and deactivation. Unlimited installations.
Activations can be easily transferred between computers. Two (2) computers may be simultaneously active.

Clean Cutting Table

I have a small cutting table. Part of my cutting mat isn’t even on the table! From this cutting table comes all the tote bags and quilts that I make. It isn’t ideal, but it is what I have and it works for me most of the time.

End of the Week Cutting Table

Above is what happens to my cutting table by the end of the week. I do try and craft every day but a lot of times I end up pressing fabric, or knitting or engaging in other hand work. Sometimes nothing fiber related happens on particular days.

I don’t have much horizontal space in my workroom and the debris of the week just ends up on the one mostly clean horizontal space. I end up tidying that space on Friday or the weekend and that has become part of the ritual of starting to sew on the weekend.

Finished and Hung Board

I am currently dreaming of redoing my workroom (which doubles as a guest room) with paint, new shelving, a Murphy bed, lots of drawers. The Board I made last week is part of it – perhaps the start of it. It is a small start, but a person has to start somewhere.

Evolving Board

I cleaned some stuff off the big desk and started to fill up the Board. So far there are only photos. Now I can enjoy them. I hope to put some inspiration photos and other things on it. I am allowing it evolve organically.

clipped from www.janome.com Walking Foot (Open Toe) for Embroidery models The Open Toe Walking Foot offers precise control of fabric, and is especially helpful when working with layers of fabric, or those that may shift or pucker. Feed dogs are incorporated into the foot itself which work in conjunction with the machine feed dogs to feed fabric layers evenly. The open toe configuration allows for a clear view of your work. Use it for quilting, matching plaids, leatherwork, and any task that requires superior fabric control.

I have done several projects lately where I wished that I liked using my walking foot. It came with my machine and I tried it and I really couldn’t see where I was stitching and that was pretty much the end of my walking foot use.

Making Deirdre’s pencil roll last week, which actually calls for a walking foot in the directions,  rekindled my wish for a Janome ‘F’ Foot with clamp-on functionality like a walking foot. The Janome ‘F’ foot is clear and I can see exactly what is going on under the presser foot.

I am friends with Janome Sewing Machines on FB and those people are responsive (another reason to love my Janome). Periodically they talk about a new foot or provide a project to fans on their fan page. Something they said last week reminded me of my wish. I made a comment and they got back to me, also in a comment, and then they posted information about this new-to-me open toed walking foot. I called my dealer to find out the cost and if it works with my machine. It was just under $30 and does work with my machine.  Because I think I am at a point in my quilting where this foot would add to my technique when I quilt the Tarts, I bought one. They will mail it to me and I plant to quilt a table runner first. I’d like to try it out and practice before I ruin the Tarts.

I am curious to know if any of you have a similar foot and what you think about it. Do you use it? Is it as great as it sounds?

Various things - Jan 2010

Here are some miscellaneous things that came my way. The fabrics were free giveaways at the retreat thanks to Debbie. I couldn’t resist the pink ice cream fabric. I can’t wait to cut up some pieces of it for Cathy’s Eye Spy and Julie’s Tumbler. Perhaps I will make a gift bag out of the rest. We’ll see. that fabric makes me happy to look at.

The Creative Grids Diamond Ruler arrived on Monday. It looks a lot better than the other diamond ruler I have, so perhaps the latter will go to QTN? I haven’t yet tried it out so I’ll have to play with it a bit to see if I want to use it for the FOTY 2010.

Finally, I bought the pattern at Hart’s last weekend. The pictures look different than the model I saw made up in the store. What I saw was more like a little tote rather than a backpack. The store clerks were sure this was the pattern, so I took a leap of faith. Another tote for the list of to dos!

I think I have enough new stuff to play with for now.

My to immediate do list includes a couple of pencil rolls, one for the One World One Heart project and one for a gift. I’d like to get to them this weekend, but we will see.

At some point, I’d like to go to FabMo myself and see the goodies. Not sure when the next open day is and am not sure whether I want to give up some of my sewing time this weekend to do that.

clipped from www.creativegridsusa.com

Reminder: check out the One World One Heart post for a chance to win!

Sorbet EQ6 Pattern Key

In a recent post, I posted a partially colored view of the patterns I had created in EQ6 for the Quilt Sorbet Quilt (not sure whether I will call it Sorbet or Quilt Sorbet or something else). Here is a fully colored rendering.

Some of the blocks are pretty obvious, but others kind of blend together.

My other thought was to create an EQ6 rendering where I color the blocks as I sew them.  That might make my life too complicated, but we will see. It might, on the other hand, make it easy for me to keep track of blocks I have made.

I stayed away from the computer all day yesterday and sewed.

Janome 9000

The 9000 is back and better than it has been in a long time. It is quieter. I can punch any button I want and the machine reacts instantly. It was a pleasure to sew.

I did a lot:

• made a receiving blanket
• finished the last bit of the Tarts

Tarts cups

• almost finished the machine quilting on Beach Town
• made some Infinity blocks
• worked on some FOTY 2009 blocks

FOTY detail pink

Normally, I sew early in the morning and stop in the evening. I am a morning person and I have learned the hard way that when I sew tired I make mistakes. Last night, however, I stayed up late and sewed. It was wonderful.

Janome Roller Foot

As soon as I got home on Friday, I pulled out the Jem and set it up. I figured that if I didn’t do it right then, I would put it off and all of my sewing projects would languish.

Janome Jem, July 2009

I pulled out the vinyl tablecloth tote bag parts, put on the roller foot and tried it out. I used Valdani quilting thread that I bought at the Chicago Quilt Festival Show a number of years ago. I am now the proud owner of a tablecloth vinyl tote bag.

The roller foot worked really well. REALLY WELL. AMAZINGLY WELL. It really got the job done and I have high hopes that I can make the bathroom “quilt” as well. Perhaps I can even get it done before the 9000 comes back. Perhaps I’ll make one for each bath!

The roller foot worked really well, but wasn’t perfect. I have always had some trouble with the curved corners of the Eco Market tote bag pattern from Favorite Things. Going around the curves with two layers of vinyl was difficult.

Clear tote, July 2009

I didn’t line the bag. I didn’t really think it was necessary so the seams all show and it looks a bit unfinished. There are a number of thread blobs that I would have unsewed with normal fabric, but were pretty difficult to deal with the vinyl, so I left them. On the plus side, the bag was very quick to finish.

I get the feeling that I won’t be able to stuff this bag full of heavy stuff either, but I will try it out and we will see.  It sounds dumb, but I felt like a renegade working with the material. In general, I highly recommend the roller foot if you are going to make something with tablecloth vinyl.

One of my CQFA colleagues, as I may have mentioned, borrowed my Jem machine for about 5 months while her Viking was in the shop. She saw some oilcloth type fabric (vinyl or something on one side and flannel-like fabric on the other) pillows and totes and decided to make them. She made them using the Jem and didn’t have any problems. I was amazed that she could do that. I know now that the flannel probably allowed the oilcloth to feed through the machine. I am interested in trying some of that fabric to make a tote bag.

Clear tote, July 2009

I have been having problems with my machine recently. As I may have mentioned, I have a Janome 9000, which is a workhorse. It has a touch screen and the left half of the touch screen has not been working. This is a problem on a number of levels (needle down on the left, menu button on the left, etc), but the BIGGEST problem was that I wasn’t able to modify the width and density of the zigzag stitch. This is a problem because the Tarts require a zigzag to keep the cups and cakes on the background. I had it repaired last year for the same problem and it was okay for a while, but the problem has come back with a vengeance. I finally decided I couldn’t live with it anymore and took it in to another Janome dealeron Friday.

Those people ROCK! I talked with Patty at the Lafayette Sewing Center in Lafayette, Calif. First of all, she was not condescending. Second, she believed me even when the machine behaved perfectly (the machine and I will be talking about that later!). It did eventually start messing up and she knew afer a short time that I wasn’t lying. She thought that the machine may need a simple recalibration of the screen.

Simple = Not expensive, hopefully!

They are also going to do a regular service, which the machine surely needs. I use it all the time and don’t do much more than dust and clean the lint out of the bobbin area.

While I was there I asked about the tablecloth plastic I tried to sew a few months ago. She had worked with that material and recommended the roller foot. I bought one for only $7. One of the things I love about my Janome is the inexpensive price of the feet. And I have never broken one.  My quarter inch foot got bent once and I had to buy a new one. I think I stepped on it, which doesn’t count as breaking.

I am excited to try it and, frankly, I feel like I am about to begin a 3 week sewing vacation where I can sew tote bags and take a break from some of my ongoing projects. I will miss the fact that I may not be able to work on my projects – will have to see what kind of adjustments I can make to the zigzag – but it might give me some perspective.

This is the thing set up with some of the FOTY patches placed on it. I have to say that it is a bit wobbly. By that I mean that if you walk by, it waves a bit in the breeze you make. I may buy two extra legs to kind of stabilize it.

Once I put up the most recently cut patches, I had a sinking feeling that the FOTY 2008 quilt will be quite large. A lesson? Perhaps.

I am determined to get the piece sewn together this weekend. That may be more challenging than I originally thought, mostly due to the Blue. I really like all those blues together. You can see, in the photo above, that I have placed them together. In a kind of test, I also placed the greens and white background fabrics together (above). I like the look. This means that I my have to unsew all the patches I have already sewn together. Before I lose my mind, I am going to post them all up on the design wall to see what they all look like. I also have to remember that I cut second blue patches and have been doing so as I dig into other blues, so I don’t need to keep those blues together to get the same look.

I had planned a Rail Fence type setting, but may sew them together up and down as shown above. We’ll have to see. Your opinions are welcome.

I want this to be a year of creativity. I can’t say that this is on my to do list, but it is in the back of my mind. One way to do that is to sew as much as possible.

To that end, I took the longarm certification course at Always Quilting on January 9, 2009. As a result, I am now a certified longarmer at Always Quilting. Don’t be too impressed as this certification only gives me the privilege of renting their longarm to quilt my quilts. Still: YAY!

After seeing the demo in November with the CQFA team, I signed up for the class. I was curious about the whole longarm process and because I wanted to see how I could incorporate the longarm as a tool into my repertoire.

That being said, I learned a few things about longarming:

1. Using the machine takes practice and people who machine quilt well should be admired greatly
2. There is much more to learn
3. I will never be Colleen. I also don’t want to be her and will still use her fabulous services for some of my quilts
4. I am not going to quilt all of my quilts myself
5. Using a pantograph is hard
6. Taking the class will improve the quilts I prepare for someone else to quilt

I really enjoyed the class. It was an expanded version of what we learned at the demo. It was great to hear some of the same information again as it helps to cement it into my mind. Some of the information she gave about preparing quilts, especially, applies to the computerized machine they use to quilt quilts for customers. It is a large computerized machine.

One thing I learned was that the longarm professionals vary, but if you understand some of the backgrouway the process works, you can work with your longarm professional of choice much more effectively.

Always Quilting wants you to have square corners. No lopped off edges or strangely shaped corners, because you use the corners to pin the quilt to the machine. Oh! Now I get it. Better fix that I Spy quilt.

Kit also suggested practicing good pressing habits in order to reduce bulk where seams meet. The centers of pinwheels and 8 pointed stars can be a challenge for the machine. I was surprised to learn that the machines have a hard time going through selvedges! I’ll have to look at some of the quilts that Colleen has quilted for me to see what she does in this circumstance.

• The Always Quilting staff wants the backs 6″ wider than the quilt and had several suggestions for the back. The back needs to be longer than the top, but they don’t care how long.
• It is ok to piece the back, but they don’t encourage it and the same rules about bulk and bulky seams apply.
• Kit suggested using large pieces of fabric rather than piecing a second top for the back.
• She also said to consider pressing seams open on the back and using a larger seam allowance to help reduce bulk.
• Both top and back should be square and FLAT. Kit reiterated that quilting does not cure all evils. She gave some tips about measuring the top before one cuts and attaches borders that were really interesting, especially to make sure that there isn’t more fabric in your border than in the quilt top.

Always Quilting prefers batting such as Hobbs Natural and Warm & Natural, both of which they carry. A quiltmaker can bring her own batting but they reserve the right to not allow you to use it. Apparently, batting with scrim works best. As you know, Colleen has quilted my quilts using Hobbs Organic for awhile with no problem, so I am not sure what I am going to do about that.

Kit said that they want a quiltmaker to use the shop thread, because of the way it interacts with the machine. Again, you can bring your own, but they reserve the right to not let you use it. They use Signature, King Tut by Superior and Permacore, which is their preference. The Permacore is polyester wrapped in cotton. Bad thread can incapacitate the machine, which is why they encourage quiltmakers to use theshop thread. They have hundreds of colors.

To put the quilt on the machine:

1. Put the back on first, right side DOWN. You could put a quilt on the machine sideways. This orientation works well for row quilts because it is easier to quilt different things in rows.
2. Find the center of the back by folding it in half.
3. Pin the back to the leader about 1/4″ down from the edge of the leader. There are notes in Sharpie on what attaches to what leader. There is a black mark in the center. Pin from the center out.
4. Ask your helper if the machine has been oiled
5. Brush the lint out of the bobbin area. There is a very important disk in the bobbin. Hold on to it when changing or cleaning the bobbin.
6. Line up batting on backing right below the pins on the leader.
7. Use a single stitch to baste the batting to the backing.
8. Baste top to batting, lining it up just under the batting.

I have found it important to doodle a bit before going to class. It seems to train your brain to sew a continuous line. It helps with practicing for achieving a smooth, continuous line. I assume this would be rule for going to quilt as well. It gears up your muscles for the quilting motion. Above are doodles I made during class. They are my own variations inspired by designs from the various books the shop had. I wasn’t able to try them all out on the machine.

One of the books we were able to look at was one by Trillium House Designs. They have a set of three books called Pocket Guides to Freehanding containing a multitude of quilting designs. Kit said Always Quilting didn’t carry them, because books 2&3 were too advanced and the company did not sell book 1 separately. The price for the set is also $55, which is a bit steep.

I think that there are a lot of continuous quilting designs out there you can use as a guide for your own quilting. It would pay off to start collecting some of those designs and practicing them with pencil and paper before renting the longarm.

My section of free motion quilting loops. This is the pattern they encourage their students to use for most quilting project. They also encourage people to use this size of pattern when quilting.

My attempts at using the pantograph (above). It was very hard to get the shapes smooth and I thought I would have an easier time posting the design on the wall and following it with my eyes, rather than trying to trace it using the laser.

I am scheduled to quilt one of my own quilts on February 6. I am planning to quilt the Crazy Test. I was planning to quilt the hexagon/I Spy quilt, but decided to do something I didn’t care about much before quilting something I did care about. I do have to make the back before I can quilt it. The longarm doesn’t work very well without a back!

I was really pleased with this class. I thought it was well run and thorough.