Tag: Group project

I take walks at lunch and there is a lot of construction going on around my office, which means I can’t walk the same way every day. I also don’t know the neighborhood very well and I walk on different streets every day, so I see different things every day.

I thought about cropping out that beige brick, but, frankly, I was too lazy. It is interesting how it came out in the default palette. The default goes for neutrals again. Two of the colors in the default palette are neutrals! That is crazy!

I went sort of random for the first palette. I am not sure that red works really well.

This is my monochromatic palette. I like the variety of turquoises in this palette.

I did another monochromatic palette – this time in green. I think combining palette two and three might be interesting.

The fourth palette is completely random. I tried to make one that was completely different and used different colors than showed up in some of the other palettes.

I had to do one more mostly turquoise palette. i wanted to make it different than n.2, but there are some similarities.

What is your favorite?

 

 

“We are often able to rise to our highest self if it is for someone else” (pg.118). This quote had a profound effect on me this week I worked very hard for the past month on a work project. In the past week, I spent every spare work moment on this project. I gave it my all. The effect was that my personal life was a bit of a mess. Two appointments snuck up on me. I paid the YM’s tuition at the last minute. I didn’t plan for a dish we needed to make for a party tomorrow.

The point of this chapter is that we go all out when we have something due for someone else. We let ourselves go. I think this has resulted in the self-care movement, which is good IMO, but also promotes the feeling of guilt in many of us.

We are, inherently, creative people. Before you even think that you are not creative, I will remind you about all of the creative ways you coerce…uh…encourage your children and pets to go outside, eat their dinner and a million other things. While you may not have picked out fabric for a new quilt, you are being creative.

Combine these creative problem solving skills with your making- your quiltmaking, knitting, whatever art or craft – and give the product away. I find yarn I like, knit a scarf and give it to my mom for the gift baskets her church makes for a local domestic violence organization. I get to knit, someone gets a gift and I don’t have a thousand scarves laying around my house.

Carrie talks about getting to yes. She points out that ‘no’ is about the parent. Extrapolating out, since I no longer have young children at home, how can we use creative problem solving to get to yes in our making? How can YOU have time for a few seams or to see a few inches of binding?

I am not going to recommend that you sit down for 15 minutes a day and just do it. That doesn’t work for me. There are too many things that people want me to do for just 15 minutes a day and none of them are sitting with my DH watching TV. ?

Figure out what works for you. Also, recognize the creativity you already employ in your life and celebrate that.

You can see the last post on this topic from a few weeks ago.

Nota bene: we are working through Carrie Bloomston’s book, The Little Spark. Buy it. Support the artist. Play along. There is much more to each spark than what I am writing. The original chapters will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of her fabulousness! You can see my book review, which is what started this flight of fancy.

Someone really should try to make dresses out of the blue that is this lake. It is an unbelievable color.

Default: look! not all neutrals, though the tool couldn’t avoid neutrals completely.

Palette 1: monochromatic. I worked hard to make sure the blues were different. One good thing about Kona is they have a lot of shades and tones.

Palette 2: also monochromatic. There are so many different blues in this photo.

Palette 4: cools and neutrals. I was going for an all green palette, but couldn’t quite make it.

What will you make?

There is a lot of building going on near my office. Barely moving my head, I can see at least 5 cranes when I get off the train without having to turn my head. The sound of jackhammers, hammering and other construction noises fill the air all day.

I walk around at lunch trying to get to know the neighborhood. It is hard, because it is changing rapidly. The other day I across this building. I love the windows and thought it would be great for this exercise. It is so whimsical.

I wanted to stop at this default palette. The blues are great, even without any turquoise and the Pewter makes a nice background. It is almost a perfect palette. Looking at it, however, I see that that green wasn’t touched or the orange.

I had to do another monochromatic palette to see how many blues I could include. I moved the circles, but some of the colors chosen are the same as the previous palette.

I admit that it isn’t quite monchromatic, but it is analgous. That green with the brighter blues looks really good.

I couldn’t avoid the orange. It is clearly some kind of construction fencing, which are, traditionally, that super bright orange. No matter where I moved the circles the brightest I could get was the Mango. I decided to embrace the vagaries of the computer and see what happened. This isn’t a palette I would have put together myself, but I think it works. It is definitely interesting.

I liked the Mango and wanted to keep it in. I also liked the green and turquoise, so I kept those. The others aren’t as successful this time. All extra grey, even the Graphite, which my eyes tell me is actually blue.

Let me know what you think of these palettes and if you make anything.

 

“Artist Marcel Duchamp believed that his work wasn’t finished until it was seen by people–that the viewing completed the work” (pg.113).

This is an interesting quote and it makes me think. I always show my quilts, at least to the guild, before they go wherever their final destination ends up. As much as possible, I try to show them in shows. I like to win, but I am not daunted by not winning.

Once my quilt Spiky Stars won Judge’s Choice at the Marin Needle Arts Guild show (now defunct). I was VERY excited and stood unobtrusively near my quilt for quite awhile listening to people talk about it. Not all of the comments were nice, but the ones that were warmed my heart.

Ms. Bloomston advocates selling work via a ‘lemonade stand’ and by that she means a low entry overhead venue such as a local craft fair or farmers’ market. She also mentions online retail. I am not interested in making much of an effort to sell my work. I have had offers, but they have been laughably low and not worth me not having the quilt. I make quilts for the pleasure of making them.

Carrie also mentions sharing via social media. I think this is important, but I think live viewings are more important. I do both, as you know. Use social media for yourself. Don’t expect the world to flock to your site or account. If  they do, it is an added bonus.

She give some tips for showing work as well, which is a nice bonus.

Go forth and share!

You can see the last post on this topic from a few weeks ago.

Nota bene: we are working through Carrie Bloomston’s book, The Little Spark. Buy it. Support the artist. Play along. There is much more to each spark than what I am writing. The original chapters will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of her fabulousness! You can see my book review, which is what started this flight of fancy.

One of the things I like about this book is that the chapters are short. I am looking at my next book to review and one is great, but the chapters are super long. Perhaps I can do a page a week?

This is another physical chapter. In this one, Carrie Bloomston starts out by saying that she is not the kind of person to tell you to go sit in your studio at the same time every day and for the same length of time until inspiration strikes. She continues by saying that it is a theory that when inspiration strikes you will be readying for it and in your workspace ready to go. She recommends taking the day off and going fishing or hanging out in nature so you can actively fill your senses with inspiration (pg.109). I actually agree.

I don’t have enough time in my studio, but when I go out to get inspiration I come back itching for more, because I am filled with ideas. I know that going to a museum or even out to dinner with a friend will show me something new that will inspire me or give me a problem solving idea.

The reality is that you can’t force creativity and looking at the same walls isn’t going to help. I get a daily dose of inspiration when I go out walking. I try to take a different path and I have made the most interesting discoveries – a lake! a building completely covered in 4×4 inch tiles! trees touching each other! All of these things are within a 10 or 15 minute walk from my office. There is a brake shop building of which I am particularly fond. I have to take a picture, but it seems silly.

“Don’t get me wrong. I also believe in working. I believe in worth through the boredom, the obstacles, the writer’s block. But there is a time and a place for everything. Sometimes you just have to run away” (pg.110).

So, take yourself on a date and take a bunch of photos and make some sketches or doodles or whatever you do.

You can see the last post on this topic from a few weeks ago.

Nota bene: we are working through Carrie Bloomston’s book, The Little Spark. Buy it. Support the artist. Play along. There is much more to each spark than what I am writing. The original chapters will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of her fabulousness! You can see my book review, which is what started this flight of fancy.