Tag: Group project

Someone really should try to make dresses out of the blue that is this lake. It is an unbelievable color.

Default: look! not all neutrals, though the tool couldn’t avoid neutrals completely.

Palette 1: monochromatic. I worked hard to make sure the blues were different. One good thing about Kona is they have a lot of shades and tones.

Palette 2: also monochromatic. There are so many different blues in this photo.

Palette 4: cools and neutrals. I was going for an all green palette, but couldn’t quite make it.

What will you make?

There is a lot of building going on near my office. Barely moving my head, I can see at least 5 cranes when I get off the train without having to turn my head. The sound of jackhammers, hammering and other construction noises fill the air all day.

I walk around at lunch trying to get to know the neighborhood. It is hard, because it is changing rapidly. The other day I across this building. I love the windows and thought it would be great for this exercise. It is so whimsical.

I wanted to stop at this default palette. The blues are great, even without any turquoise and the Pewter makes a nice background. It is almost a perfect palette. Looking at it, however, I see that that green wasn’t touched or the orange.

I had to do another monochromatic palette to see how many blues I could include. I moved the circles, but some of the colors chosen are the same as the previous palette.

I admit that it isn’t quite monchromatic, but it is analgous. That green with the brighter blues looks really good.

I couldn’t avoid the orange. It is clearly some kind of construction fencing, which are, traditionally, that super bright orange. No matter where I moved the circles the brightest I could get was the Mango. I decided to embrace the vagaries of the computer and see what happened. This isn’t a palette I would have put together myself, but I think it works. It is definitely interesting.

I liked the Mango and wanted to keep it in. I also liked the green and turquoise, so I kept those. The others aren’t as successful this time. All extra grey, even the Graphite, which my eyes tell me is actually blue.

Let me know what you think of these palettes and if you make anything.

 

“Artist Marcel Duchamp believed that his work wasn’t finished until it was seen by people–that the viewing completed the work” (pg.113).

This is an interesting quote and it makes me think. I always show my quilts, at least to the guild, before they go wherever their final destination ends up. As much as possible, I try to show them in shows. I like to win, but I am not daunted by not winning.

Once my quilt Spiky Stars won Judge’s Choice at the Marin Needle Arts Guild show (now defunct). I was VERY excited and stood unobtrusively near my quilt for quite awhile listening to people talk about it. Not all of the comments were nice, but the ones that were warmed my heart.

Ms. Bloomston advocates selling work via a ‘lemonade stand’ and by that she means a low entry overhead venue such as a local craft fair or farmers’ market. She also mentions online retail. I am not interested in making much of an effort to sell my work. I have had offers, but they have been laughably low and not worth me not having the quilt. I make quilts for the pleasure of making them.

Carrie also mentions sharing via social media. I think this is important, but I think live viewings are more important. I do both, as you know. Use social media for yourself. Don’t expect the world to flock to your site or account. If  they do, it is an added bonus.

She give some tips for showing work as well, which is a nice bonus.

Go forth and share!

You can see the last post on this topic from a few weeks ago.

Nota bene: we are working through Carrie Bloomston’s book, The Little Spark. Buy it. Support the artist. Play along. There is much more to each spark than what I am writing. The original chapters will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of her fabulousness! You can see my book review, which is what started this flight of fancy.

One of the things I like about this book is that the chapters are short. I am looking at my next book to review and one is great, but the chapters are super long. Perhaps I can do a page a week?

This is another physical chapter. In this one, Carrie Bloomston starts out by saying that she is not the kind of person to tell you to go sit in your studio at the same time every day and for the same length of time until inspiration strikes. She continues by saying that it is a theory that when inspiration strikes you will be readying for it and in your workspace ready to go. She recommends taking the day off and going fishing or hanging out in nature so you can actively fill your senses with inspiration (pg.109). I actually agree.

I don’t have enough time in my studio, but when I go out to get inspiration I come back itching for more, because I am filled with ideas. I know that going to a museum or even out to dinner with a friend will show me something new that will inspire me or give me a problem solving idea.

The reality is that you can’t force creativity and looking at the same walls isn’t going to help. I get a daily dose of inspiration when I go out walking. I try to take a different path and I have made the most interesting discoveries – a lake! a building completely covered in 4×4 inch tiles! trees touching each other! All of these things are within a 10 or 15 minute walk from my office. There is a brake shop building of which I am particularly fond. I have to take a picture, but it seems silly.

“Don’t get me wrong. I also believe in working. I believe in worth through the boredom, the obstacles, the writer’s block. But there is a time and a place for everything. Sometimes you just have to run away” (pg.110).

So, take yourself on a date and take a bunch of photos and make some sketches or doodles or whatever you do.

You can see the last post on this topic from a few weeks ago.

Nota bene: we are working through Carrie Bloomston’s book, The Little Spark. Buy it. Support the artist. Play along. There is much more to each spark than what I am writing. The original chapters will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of her fabulousness! You can see my book review, which is what started this flight of fancy.

A Soul Box is a way to do “soul archaeology…while making a meaningful reminder of what is most important to you?” (pg.105).

In this chapter, Bloomston gives the reader a list of supplies to make an actual box. This is a very physical activity. Sometimes, making something that is not in our regular media leads to a new place in your chosen medium. I get so much inspiration from making books, folding paper and gluing paper to things.

You can see the last post on this topic from a few weeks ago.

Nota bene: we are working through Carrie Bloomston’s book, The Little Spark. Buy it. Support the artist. Play along. There is much more to each spark than what I am writing. The original chapters will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of her fabulousness! You can see my book review, which is what started this flight of fancy.

“You have to let go of the feeling that you don’t deserve to be happy or that you could never have the freedom that you seek” (pg.102)

In my journal, at the back, I make a list of the small sewing achievements I make every day (in a good week). It might be something like “sewed 2 HRTs – 5/25/2018” or “finished a 2 inch strip of binding on Triple Star quilt – 5/18/2018.” I used to just put finished items on that list, but the entries were too few and too far between, so this is my comprise. These are seriously small victories, but I do it to make myself feel accomplished.

Celebrate the small victories. Pat YOURSELF on the back. Believe in yourself.

Carrie says that “believing in yourself is a practice. The more you practice, the better you get. And the more you practice, the more able you are to accept your limitations and shortcomings, because there is always another chance to try again, to do it differently and maybe better” (pg.102)

You can see the last post on this topic from a few weeks ago.

Nota bene: we are working through Carrie Bloomston’s book, The Little Spark. Buy it. Support the artist. Play along. There is much more to each spark than what I am writing. The original chapters will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of her fabulousness! You can see my book review, which is what started this flight of fancy.

This week’s photo was a bad choice. It is a gorgeous group of flowers and I really like the image, but there isn’t enough diversity in the colors to make interesting palettes.

As a result, after the default palette, I stuck to monochromatic palettes.

Green: the green looks really brown – or yellowish brown- in the palette.

Orange: I thought the orange would be great, but, again, the colors look very brown. This groups would make a great Thanksgiving quilt.

Pink: these colors aren’t bad. They do have a pink tinge to them, but I wouldn’t call them pink.

The tool was acting strange as well. The colors with names were not displaying on the side. It might be time to think up a new creativity/inspiration project.

Let me know if you use a palette to make something.