In 2014 Friend Julie, my mom and I went to Houston for Quilt Festival. I remembered a photo I took and went looking for it. Blue and Orange has been on my mind lately, so something in my subconscious must have nudged me. I assume that it has been on my mind because of my recent donation top finish.
I didn’t just want to show you a picture of bowls, but I wanted to show you how something like this photo can influence your quiltmaking. I don’t know if finishing the Wonky 9 Patch made me see these colors or not, but clearly, the bowls are similar as is the arrangement of colors.
The recent Orange Strip Donation top finish is in the same colors and I do feel strongly that I am not done with this combination.
I went to The Granary the other day and Friend Julie pointed out a row of greys. She called it the “problem with greys.” I thought the photo explained the ‘problem’ beautifully.
The colors in the photo look different from when I saw them with my eyes, but it doesn’t matter, because you, dear Reader, can still see the difference.
None of the colors would be called anything but grey. The bolt on the far right looks black but was a charcoal (you’ll have to trust me). The shelf sports a wide variety.
I like using a variety of greys as background on my quilts and it is a happy chore to find the right ones. You can see the variety in Flying Around. Mostly I like to use greys that are very close in tone to each other so there is no grey that obviously stands out. Also, I don’t like the taupe based greys. I am sure I have said that before.
In the photo of the Flying Around background, I have more variety. It might be because I want the eye to move around the background as well as the foreground or it might be laziness. Not sure or not admitting to anything. 😉
This is an example of why my rule of ‘make visual decisions visually’ is so important. It is impossible to match any color, perhaps particularly greys, without putting the bolts or pieces next to each other.
As mentioned, I have been working with red scraps. As I dived into the drawer, I found several pieces of fabric that had already been made from scraps.
Since I have a few Miquelrius journals that need covers, I decided to use some of the scraps to make a journal cover. It was fun to look at all of the made fabric and decide which pieces to use. I felt like I was picking out commercial fabric. It was nice to have a choice.
Because I had already done the hard work of making the fabric, I just had to make the piece large enough to fit the journal. (Sizing info can be fond in the journal covers tutorial). It went really quick, which was great, because I was in need of a quick finish. I am pleased with the chair print on the front as well as the disbursement of dot fabrics.
I use flannel instead of batting for the center of the journal covers. It gives the cover a little bit of body, but doesn’t make it bulky. I’d like to just use ShapeFlex, but it doesn’t stick very well to made fabric because of all the seams. If I am using a favorite commercial fabric and there aren’t a lot of seams, then I will use ShapeFlex.
I always cover the batting the another cotton fabric, but I forgot to do that this time, so the flannel serves as batting and backing. It is on the inside and doesn’t show much, so I think it will be ok. I haven’t been carting my journals around as much as I have in the past, so I think the flannel will stay clean. I am glad, however, this is just for me. I think I will need to read the tutorial again before I make the next one.
I finished the Red Chunk Donation Top and back on Monday morning. Hooray!
I am pleased with how it came out. I thought the border was rather perfect. I would have preferred to have enough fabric, so I didn’t have to have different corners, but it looks nice, so it is all good.
Another top for the BAM Community Quilt Project and another 3 yards used up this year.
I spent a happy afternoon on Sunday working on the Flying Geese Exchange quilt and the Red Improv Donation Top. The latter has exploded in size from the small piece it was when I last wrote about it to about 30 inches now.
I am thrilled to say that I am seeing the bottom of the red scrap drawer, too!
I used this project as leaders and enders for the Flying Geese Exchange. I wanted to concentrate on that one, but can’t work on it without leaders and enders.
Well, I did it. After what seemed like a lot of trauma, I finished the top last Wednesday in a couple of hours of free time after I finished my chores and work.
I thought I would just sew more chunks together, but it turned out that the quiltmaking goddess smiled on me and all my seams were straight and there was no (or minimal) ripping required.
Now we can really see the gradation and I make no bones about how hard I worked at it this time. It is interesting to see some areas that appear lighter IRL appear darker in the photo (check on the blues next to the bird in the middle of the quilt). I do like the way it looks like the columns are fading in and out. It also has that skyline effect, which is great.
I buckled down and made the back, binding and sleeve on Sunday. Yep! Even the sleeve. I feel quite virtuous.
This is a really hard exercise and I challenge you to do something similar.
There are a lot of pieces to sew for FOTY 2017, but I have, slowly, but surely, been making progress. I thought I could finish the top this past weekend. Even if I hadn’t worked with DH to replace our horrendous jerry-rigged, 20+ year old living room curtain rod, I wouldn’t have had enough time. There are just too many seams.
I am not being super precious about placement this time. I would never have started if I held myself to that standard this time around. I do still tweak placement as I go along, for better or for worse.
I am really looking forward to the whole thing being together as I want to see if it looks like a skyline.
I made quite a bit of progress during the last little while using this piece as leaders and enders for the FOTY 2017. I started out with some largish chunks and grew it.
I am not a huge fan of improv piecing, as you have heard a million times. I have to admit, however, it is fairly mindless and a good way to use up random scraps.
When I come across a larger piece, I am cutting it up into some of the shapes I am Hunting and Gathering for other projects. I especially need to beef up my collection of 2″ cool colors after the En Provence quilt.
So I am still beavering away to make something large enough for a baby quilt. The pieces are much more square, but I still have work to do.
I have been tired all week, but FOTY 2017 is progressing. I am sewing so I can arrange further. As per usual, the design wall is too small, though I think DH is happy otherwise I might make a quilt as large as the house. 😉
The piece shrinks a lot due to some trimming and also the seam allowances.
Yes, I started to sew. Yes, I started to sew even though not all of the patches are on the design wall. I don’t have the space and am letting go of a little bit of the control.
I am fairly pleased with the overall layout. I think the colors are pretty much in the right place except for the light blue/blue-green. The gradation seems ok at the bottom, but might not work towards the top. I still have time.
I do end up having to trim blocks. It is fine as I will do it a little at a time. I am still figuring out the math on this one – what size to cut, so I don’t ruin anything.
I rearranged all of the patches for FOTY 2017 and am feeling much better about the layout. I still have some design problems, but I feel like I am finally making good progress and am not feeling so much design despair.
The white and light patches will fill in the top of the piece to make it square.
Yes, colors need to be rearranged a bit and I need to slip in a column of turquoise, but otherwise I think this is basically the layout I will use. It is much better than my previous idea.
I know Angela loved the subway tile layout, but as a design concept, it wasn’t working. I may try that layout with smaller patches.
Again, my design wall cannot contain this series of quilts. I can’t tell you how frustrating this is. I have to figure out how to add 3 more columns to this piece without design wall support.
This might be the beginning of FOTY 2019. The pieces are the same size as FOTY 2018 as I have the Ellsworth Kelly idea and I might want to do one with black squares and one with slate squares. I could also combine the two and do a FOTY 2018/19. I am getting behind now that FOTY 2017 is not jelling. I could probably skip FOTY 2017 and get to FOTY 2018, but that seems wrong to me.
I resorted the patches and have started to arrange FOTY 2017 on the design wall. It isn’t going well.
Why? I don’t know. It just isn’t working.
I did some math and am thinking I need to make the piece 18 rows by 18 columns to make it square, though that does not use all of the patches. I could make it a little off square and make it 19 rows by 18 columns, but that would use more patches, which is my goal.