I may not have mentioned that I ripped out all of the Big Stitch quilting on this project. I am preparing it to go to Colleen.
To do so, I had to find some fabric for the binding. I wanted the main turquoise used for the background. I couldn’t find it anywhere.
I did find a slightly darker solid turquoise that I think will frame the piece better than the same color. I know the differentiation is hard to see, but I think you can see that the slight difference looks good for the binding.
I still haven’t done anything with the bits and bobs included by the others who worked on it.
I took some time to choose fabric for my Mom’s piece and was able to finish on Saturday. It is ready to hand in for quilting.
The batik is not an obvious choice, but I think it works. I chose it because of the bits of gold included in the surface. I also didn’t want an exact match to any of the other fabrics because they would blend into the border.
That particular batik, and its sister on the back, have been hanging around my fabric closet for a long time. It was time to use them up.
I don’t get a lot of fabric usage bang for my work, because the main part of the quilt was Mom’s fabric and work. Still, every little bit helps and the point is to make something beautiful so someone knows I (or someone) cares.
Remember when I talked about Sew Day? I mentioned a future donation quilt (no progress yet). I talked about some Sew Day Improv I worked on with Tim and Mary to create a quilt that would keep someone warm and comfy. I also talked about basting La Pass Month 10. What I didn’t talk about -yet- was Amy’s amazing rainbow quilt.
The first thing I saw was the line of strip stacks laid out on two long tables.
As the day progressed, I began to see the piece take shape. Amy struggled with not having a complete set of colors/shades/tones to make a smooth transition between colors. She was determined to make it work. I could sympathize after working with the various Fabric of the Year quilts. Unlike painting, generally we work with certain fabric prints and can’t alter them (yes, I know there is fabric painting and dyeing, but you know what I mean) like painters can on the fly.
The piece progressed well, I think. There was a lot of moving around of strips and a lot of people got involved.
Amy wasn’t super picky that everything flowed into one another. I think the rest of us were more invested in the outcome than she was.
Amy is cleaning out her workroom and I think this was a set of Allison Glass strips she wanted to use. I didn’t hear what her plans were for the final piece.
I did not get a picture of the final piece. This is close, though, to the final layout.
Maria helped Amy sew, so the piece could get finished by the end of Sew Day.
I thought the last bullseye I sewed with Julie and Adrienne was Passionate Purple. I looked back on my blog and found that the Original Bullseye was actually the last one that I finished. I am not sure when I started that one, but from my various blog posts, it sounds like I had stuck it somewhere and then found it again. The Original Bullseye was part of the project with Adrienne and Julie, but it was the kernel that started the whole Bullseye project.
We are now working on an orange bullseye. We will cut 48 squares of fabric at 10″ and then send them on to the next person, who will add a circle and send it on to the third person who will add another circle. Then the squares will come back to each of us. We will add another orange circle, cut the blocks into 4 and keep two. The other two quarters will be sent to each other.
Friend Julie has also started cutting and I think she landed on a good name, Orange You Glad. I have finished cutting my squares, but will press them so the centers are clear and to make it easier for my team members to line up their second circles. I cut my squares bigger so I can square them up, if necessary, later.
I also started cutting the small squares for the last round. I am getting ahead of myself, but I couldn’t help myself.
In order to find enough squares, I rummaged through my entire fabric closet. I found a lot of orange in random places and will take this opportunity to rearrange it.
I am considering the strip for the binding, though it isn’t quite the right color. I’ll have to see once the top is done.
I love the way Sue pieced some of the bags and also her fussy cutting. She said she will work on other projects for the door prizes in January.
I have to get myself together to organize the bags for the year. At the moment I have very few items to give away, but I can scrape together a bag for January. Then I’ll have plenty of time to worry about the rest of 2022.
Joelle described the construction and it seems a little different from the Persimmon Dumpling Pouches I made. This pouch has little shield in the bottom to keep things from falling out, I guess, which is clever.
Joelle said she didn’t like the way the zipper was put in. The technique leaves part of the zipper exposed. I can see what she means, but Joelle did a great job being precise about inserting the zipper so it looks nice and even.
Also, you can see in the interior view that the exposed zipper is not that noticeable.
I haven’t decided how I will use this pouch, but I have some hardware that might need a home.
These quilts are all made from the edges that are cut off of other quilts as they are being squared up. Sometimes I make the backs larger than needed so I get some large-ish pieces back. Those pieces are hard to store, so making some donation quilts out of them is a good idea.
You could also put scraps together into strips, add some background and make one of these. These are very improv-y and there isn’t a pattern. It is a good way to do something good with fabrics I wouldn’t otherwise use.
I don’t think this is my best work. there are a lot of disparate elements. Somehow it works. It kind of looks like buildings surrounding a park to me.
I struggled with this piece, because of the green and orange. I don’t sincerely dislike green, but I don’t make it a main color in any of my quilts except the Improv Color quilts. I also like orange, but somehow this was a struggle on which to work.
The back went relatively fast. I took both pieces to Sew Day and gave them to Peggy and the team for quilting.
I talked about one of the Triple Play Missouri Star videos in a recent Various & Sundry post. In this video, Jenny, Natalie and Misty take the same block pattern and make different quilts. I really liked what Natalie did with her version and I decided to try it out myself.
I thought it would be a quick test. Then I thought that I know how those quick “tests” go and started surfing around the Internet for fabric, thinking I would make an entire quilt. Fortunately, I got myself under control and decided to make one block with the True Kisses fabric I have and go from there. Cotton Cure still has packs of yardage.
I stopped and started the video as I followed along with the Missouri Star directions. Unlike other shows, Jenny and the gang tell viewers what sizes to cut, show you how to sew and press so you can follow along and make the block or quilt just from watching a free video. I like this about them.
The Missouri Star is a block they use for their logo. In this video they redid it. Jenny shrank the block and made a quilt from smaller versions. This version provided the directions for the center of Natalie’s block (above).
I didn’t choose good fabrics from the True Kisses line. There wasn’t enough contrast in the legs. Unfortunately I succumbed to the lure of those fabrics and the desire to just make something.
In the video, they show how to use the Clearly Perfect Trimmer**. I didn’t have that ruler so I tried their alternative method of using a regular ruler and it absolutely didn’t work. I should have saved myself the trouble and just squared up the various pieces the normal way.
My pieces were all the wrong size. Since I followed the Missouri Star method for making HSTs, all of my edges were on the bias. The small center block looked awful. I took the whole block apart, trimmed and put it back together again. I was reminded of how bias can work against me. I also think I didn’t completely understand the alternative method of trimming.
I did end buying the Clearly Perfect Trimmer**. I had never heard of this ruler and I was curious to try it out. I can’t really tell if it was any better than trimming the regular way. The one difference was that you only make two cuts vs making two cuts, turning your piece and making two more cuts.
I haven’t read all of the directions for this set of rulers, but I am interested in learning how to use more of its capabilities.
Despite all of the ripping, I am pretty pleased with the way the block came out. I won’t be making a whole quilt, however.
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Lindsay sent me a picture of the ‘Busy Quilt’ she made for her toddler (my baby friend). What a great idea! It’s a really good idea for a baby gift if you want to make a gift for later – or you don’t get around to the gift until the baby is one.
It also reminded me of the Fidget Quilts that BAM made for people with Alzheimer’s. Lindsay’s, of course, is much more vibrant. The Tula Pink fabrics make the piece visually interesting.
There are also some differences. In the middle, there are clips to move around that section. This is something to watch out for when making it for a patient or a toddler. Nobody wants the recipient to choke. I am sure Lindsay knows Baby A well enough to put the clips on when she is old enough.
The bottom middle has woven yarn or string with beads and buttons to move over the yarn. There are also laces, which make me think of the Dressy Bessy-update pattern I bought. I never made it for my niece. Now, perhaps, I should make it for Baby A?
Lindsay also used mesh to good effect. The bobbles are a great choice as are the Curiouser and Curiouser faces.
I have a new, year long work contract that is going to be taking a lot of my time. Between the time I found out and the day I started, I had about two weeks where I finished other projects, sewed like a demon and saw friends. Fortunately, the COVID cases were down enough and we were all vaccinated, so I felt comfortable going to people’s houses. One thing I did was have a mini Sew Day with Gerre. Mostly we talk and eat, but this time we sewed quite a bit as well. Our last Sew Day was too long ago.
I took my batch of Gelato strips to Gerre’s house and worked on sewing them together. The numbered pins really helped. In a flash, I was able to finish it. I think chatting and sewing made the project go faster.
Gerre held it up for me so I could take a photo. I was pleased to see that in different light and against a dark background, the quilt still glowed.
Gerre worked on her Ring quilt and was able to finish the top.
We had Thai food, which I like and don’t get a chance to eat very often.
I am on the fence about how this quilt is looking. I don’t have the exact colors that Tim used, so I am using what I have. I don’t know if it is working.
When I talked about this quilt before, I had finished sewing the parts Tim gave me to the piece and had just added a strip of my own.
I made this improv checkerboard to add to the sides as the first piece that was all my own. It was kind of fun to play around with different sized strips. The green, however is a little more chartreuse than Tim used. While I like the shape, I am concerned about the colors and how they fit in with what went before.
I plan to put part of the checkerboard on another side perpendicular to the checkerboard I already sewed to the top.
I don’t think it looks terrible and that might be good enough for a donation quilt. I don’t mean that it is ugly so it is only good enough for a donation quilt, but that it is not too ugly to give as a donation quilt.
I really don’t nee to make it much bigger, but I want it to have a relatively cohesive design without me spending 50 hours on it.
This is not my work, except for the repair job I just finished. At some point this quilt got a rip in the border. I decided to take off the extra border and put a new binding on it. Sadly, I did not have enough of that fabulous green, but the red-violet looks good, I think
This was a gift from two of my sisters-in-law when I graduated from my Master’s program. I have a Master’s degree in Library and Information Studies from the University of California, Berkeley. At the time, the program was, what we in the business call, ALA accredited. That means that I can work in public and academic libraries, which require that accreditation. Sadly, I was in the last graduating class from that program. They have a School of Information, but no longer train librarians.
Anyway, this is an awesome snapshot of a time in my life. Each book represents a facet of my life and all are still important to me. The upper left shows the insignia of my sorority. Most of my good friends come from that experience. While you may think of ‘Animal House’ when you hear sorority, I met lifelong friends, received a scholarship which allowed me to complete my Master’s degree and learned what philanthropy was all about.
The upper right shows a book with my degree on the spine. I am the first person in my family to receive a Master’s degree. My dad would have preferred I became a salesperson, but I feel I have done well and been happy as a librarian.
The lower left represents the University of California, Berkeley. Many of the members of DH’s family have degrees from Cal, as it is affectionately named. I have both my Bachelor’s and Master’s from UC Berkeley. It is also the joint family activity to attend Cal football games. They generally do not do well, but hope springs eternal and stories about trips to bowl games are regularly recounted.
Finally, in the lower right is a book that says ‘QuiltNet’ on the spine. QuiltNet was probably the very first listserv, or email list about quilting. At that time, you had to find space on a server that would allow you to create an email list. You couldn’t create an account on Groups.io and have an email list running in 10 minutes. I don’t remember very well how most people got their messages, but I remember logging into a UNIX server and reading messages using a tool called ‘vi’. No WYSIWYG! We talked about quiltmaking and described our quilts because there was no way to take a photo then attach it to an email message. It was a very vibrant list that led to a variety of friendships, exchanges and information about all sorts of quiltmaking topics. QuiltNet really opened up quiltmaking to me.
I am so pleased that I finished, finally, repairing this quilt. It has been on my list for ages. Now it is time to hang it up again so I can enjoy it.
Tim made part of a top in a Sherri Lynn Wood class. He didn’t want it hanging around anymore because he didn’t like the class and didn’t think he would finish it. I offered to finish it into a donation top for the guild and get it out of his life.
I sewed a strip Tim gave me to the right of the quilt (the strip with 4 patches). I looked for fabric that would match, but I couldn’t find anything really similar. I chose a more reddish orange and am adding various bits to the piece.