Commentary about works in progress, design & creativity
I took some packs of leaders and enders at Sew Day. I wanted to make a couple of blocks in between sewing the zipper pouches. I used the packs that Peggy always has available.
This is the first time I have made the postage stamp blocks in awhile and it was kind of fun, though my fabric placement was a bit off.
I worked on Flying Around over the weekend, as mentioned. In addition, I made the orange strip donation blocks as leaders and enders.
These are harder to make. Not in terms of technical skills, but in terms of fabric. I don’t have as many orange scraps as I have other scraps. I went through the unsorted scrap pile on my cutting table and came up with a few strips and chunks that will help with the effort. I may have to abandon the strip idea and go straight to more of a chunk/improv look.
As I make these blocks, I am amazed at how much I love the fabrics in my orange scrap bin. As I said, I don’t have a lot of orange scraps, but most of those I do have speak to me. perhaps I chose well when buying orange fabrics?
I love blocks. I have always loved quilt blocks. I love how they can be broken down into component parts and combined with different blocks built of the same component parts to form a whole new look. I love they way they can be combined. I love how you can make the same block from different fabrics and have a completely different look. It seems, though, blocks are not popular now, being deemed old fashioned by the Modern Quilt Guild.
I am in a closed Facebook Group that is talking, in a sort of roundabout way, about blocks. The overall theme is the 1930s, so naturally the block patterns in newspapers came up. I have been interested in block designs since I started quiltmaking. One of the first books I bought was The Quilter’s Album of Blocks and Borders, the precursor to the more complete Quilter’s Album of Patchwork Patterns. Both are written/compiled by Jinny Beyer.
I don’t know the history of blocks, in general, though I have read enough about them. The most famous publisher, probably, was the Kansas City Star, because they published quilt patterns in their newspaper. The patterns were syndicated across the country. Quilter By Design says that these patterns were published from 1928-1961, first weekly then monthly. I have not checked the veracity of these date. I am fortunate enough to have set of the newspaper clippings reproduced and spiralbound. In this set is a wealth of inspiration. There are amazing blocks and quilts that spurred on the quilt imagination of a generation of quiltmakers.
I have heard that many of the blocks were not designed by quiltmakers, but by journalists and were never made. The Snowball Wreath is one of those blocks and Barbara Brackman does a great job describing it and showing photos on her blog. Apparently few of this particular block pattern were made into quilts. I salute those ladies! I did a search and saw some that had been made recently. I did a project a few years ago to try and make a block. I made it a little differently than the pattern implies, but didn’t want to make myself crazy.
The oldest block design Jinny Beyer found in her research was from the January 1835 issue of Godey’s Lady’s Book, a hexagon design. Ladies Art Company published quilt and other needlework designs starting in 1889. Beyer reminds us that many block designs in a publication such as Ladies Art Company were republished later by other companies.
One thing modern quilters have done is revived old blocks using new methods. Paper piecing is a great way to get good results without too many tears. Rotary cutting templates make the cutting of strange shapes easy. Jen Kingwell revived the Circle Within a Circle (Ladies Art Company, 1897. It was also published as Bird’s Eye View by Clara Stone in Practical Needlework, 1906**) block, calling it Steampunk. You can see a version of the current incarnation on the Diary of a Quilter page. My only objection to this revival is the lack of citing sources. I can’t complain much since Clara Stone didn’t cite her Ladies Art Company source.
I would love to make at least one of the all the Kansas City Star blocks. I would also like to make one of all the blocks in Jinny Beyer’s Quilter’s Album of Patchwork Patterns. I don’t think I have enough time left in my life. I also am refusing to let myself think of that as a real, possible project. Perhaps a project for me and 100 of my friends?
One of the things I have is knowledge about blocks. I was taught to make quilts using blocks and in the teaching I learned about grids. Now, for the most part, I can break a quilt down into pieces and have a good idea of how to make the quilt. Sometimes having a pattern is easier, but not having to spend $12 on a pattern I will make once is something to think about. Of course, I support the designers when I think I will make a quilt. Remember Metroscape?
Anyway, I love blocks. What about you?
** This information came from The Quilter’s Album of Patchwork Patterns by Jinny Beyer, ©2009
Yes! It’s all about red lately!
I finally finished all of the blocks for the second Red Strip Donation Top. As mentioned before, not all of these scraps were strips, like in the Green Strip Donation Top. There are a lot of chunks. Perhaps I should call it the Red Chunk Donation top? That would differentiate it from the first one.
One of the things I like about working on a design wall is that I see different things after I put the blocks (or pieces) up. In this case, I saw that the quilt looked pretty good with thin white strips in between the blocks. I may cut strips and try that as a layout. I’d use cornerstones as well. More scraps to use up.
The quilt won’t end up as large as the Green Strip, the Purple Strip or the first Red Strip Donation quilts, but it will still be big enough for something. The layout will be a little different than the first red version.
I am heading to the finish line making blocks for the second Red Strip Donation Quilt, but it is painful. The other day I had 7 left to make and I still have 1 left to finish. It is almost done. Maddeningly, it needs a very small strip on the top or bottom to make it the right size. ERGH!
I thought I would be able to finish by the meeting, but I doubt it now. Fortunately, there is no deadline except in my head.
The Purple Improv donation top wasn’t even off the design wall before I started in on red scrap strip blocks, the next color in this unexpected series.
I have 15 more blocks to make, but they go fast and I have 3 in process at the moment.
There is something very satisfying about sitting at my sewing machine, grabbing strips and shards from a drawer right next to the machine and ending up with a quilt top. When I started the Green Thing, it was kind of a lark, an experiment to try the blocks that were inspired by Alison. Now this seems to be a whole project. It’s unexpected, but oddly satisfying.
I worked the other night while DH was out on clearing out my purple scrap bin. This resulted in a new set of blocks for BAM’s community quilting project.
There are a couple of duplicates as I had some long strips that resulted in two blocks.
There are also a lot of light scraps – lavender and very light purple. I was surprised at the variation in color. I don’t think I am a strictly dark purple lover.
I also made 6 more blocks than I did for the Green Strip quilt. I was on a roll and had the blocks in process before I realized how far along I was. It will be a slightly larger quilt. I haven’t decided what color to put with it for the plain blocks (I am using the same design as the Green Strip quilt). Chartreuse is across from purple on the color wheel I use.
I don’t feel like I used up enough of the purple scraps. The bin is definitely more empty, but still not empty enough. I even sorted out some super small pieces that would be much better as pet bed filling. Still I need to make more headway on purple scraps. Another similar quilt? Should I make this one larger?
It is a little early to post a complete list of donation blocks for February. I am dong it anyway. I have been doing quilt a bit of gift sewing, which I can’t show for a few weeks, so here we are.
It was easier while I was working on my secret project to make donation blocks rather than work on the back of the City Sampler, thus I used the 2.5 inch squares as my leaders and enders. I’ll finish up the city Sampler back today.
Not a ton, but some progress. I have more ends to use up, so I may work on that next.
A few days ago, I wrote about some new strip donation blocks I was working on. I have made a few more as I have worked on other projects. I think they are looking good.
Mrs. K was interested and pointed out some challenges with my previous post. I know she didn’t do it intentionally, but I was glad to be reminded that I am not one of those people who hides information so I can sell a kit.
Each block is 4.5″ x 8.5″ unfinished. I sew them with whatever strips I have, trying to keep the bias straight since I am not using a foundation. Once I have a large enough piece, I trim it with my Creative Grids 4.5 x 8.5″ ruler. This is a ruler I use all the time. I keep it on my cutting table for quick cuts, because it fits my hand really well, but is also useful for cutting 2.5″ squares and other sizes I am Hunting and Gathering.
My plan is to alternate them with plain blocks. I will make enough for 5 rows of five blocks, which I think is a total of 20 blocks. I’ll have to actually draw a picture to be sure.
This is an exercise in scrap clearance and workings towards my goal of using 100 yards of fabric (net).
Bonnie Hunter has a pattern using the same technique, but with foundations and set a different way. Having a real plan might be better for some of you than my random way of working.
I am not sure what exactly made me think of it, but part of it was contemplating my scrap pile. After cutting a bunch of squares with the Accuquilt, I still had a lot of strips. Also, as I have said, a block Alison showed me and our discussion inspired me. Instead of making the regular 16 patches, I have been making these strip blocks. I want to use up scraps and I have a lot of strips left.
I decided to start with my green scrap drawer. It is closest to my sewing machine.
So far I have three blocks done. I’d like to make the blocks for the entire quilt green, but I don’t know if I will have enough strips/scraps to do that. I’ll see and will be flexible.
I finished another Spiky 16 patch over the weekend, so my collection is growing. I need to start thinking about how I will set these blocks. I could do another quilt like either n.1 or n.2. I am trying to think of something different. Something different might be a small addition like Mrs. K added to her corners.
On point settings are kind of a hassle, but so effective. I have two more blocks to make before I have to decide.
Resources:
I have been working a little at a time on these blocks. Thanksgiving took up a lot of time last week and I didn’t get much time to sew until Friday.
As mentioned the other day, I had to make some right facing HRTs. I made a few so I could finish this block.
I want these blocks to, at least, have the appearance of being scrappy, so I can’t make many of the individual units without getting too much duplication. I am pleased with this one.
Resources:
I am getting started again on a third Spiky 16 Patch donation quilt.
It is easy just to keep making 16 patches. They are pretty rote, but I have a lot of the prep done for more spiky 16 patches and the units don’t help anyone laying around the workroom. I made the first block with no problems. The first block is always the hurdle. Now I feel like I can zoom through the process.
The stack of the 16 patches and the half rectangle triangles made a good start.
As you can see the rectangles point in different directions I am a bit short of the ones that point to the right (on the bottom row). I had to make a few to finish this block. I will need to make more to finish the rest of the quilt as well. It is a little confusing to know which way to cut the fabric to get the triangles to point in the right direction. I think it is with the print fabric on top. I want to dig out the Split Recs ruler directions to see if that particular piece of information is clearly noted. If it is clear, then I won’t have to try and remember. Small details like that disappear when there is space between projects.
Resources:
I sent off my #girlscouthearts on Tuesday. I made six of the small size on Monday afternoon. I just returned from my 4th of 4 trips in a 4 week period and was pretending it was Sunday.
I find the Cluck Cluck Sew heart block good for these types of projects. It is easy to make and the symbolism is appropriate. I had been wondering what to do with the leftovers from the Ariel pillowcase I made for my little niece. This was the perfect solution, except for the color. The request was for bright greens and kelly greens, so I was worried that my blocks would not be included. I took a look at the #girlscouthearts hashtag and found that some of the blocks are similar in color to mine. Also, I can only do what I can do.
I might make more, but we will see.
I was able to up my donation block production in October a little bit, which makes me really happy. I did forget to bring the blocks for the past couple of months to the meeting, however, so I will, with any luck, have a huge pile to bring in November.
I am working through some of the 2.5 inch squares I cut with the Accuquilt at Craft Night a few weeks ago. Going through one color scrap pile limits my options, though. Design challenge, right?