Return of the Snowballs


I have not worked on the Flowering Snowballs in a while, because the last time I worked on it I used up the last of my non-red/pink corner pieces. That meant I needed to cut more blues, greens, purples and yellows. I finally did it! Now I can get busy and finish up some of the blocks that I started oh those many months ago. Stay tuned!

I also spent a few minutes of sewing time sewing the binding onto Serendipity Puzzle.

Flowering Snowballs

Had a cruddy day at work today, but came home to some Pineapple blocks on the wall and that made me smile. They weren’t new ones, but I really had a good look at them and was reminded how much I like dots!

In between working like a complete dog on the weekend clearing out my aunt’s craft room, I sewed a tiny bit on some Flowering Snowball (Cross Blocks). I did most of the sewing on the plane, but some in the morning over my coffee. I decided just to do corners, except for one block, because I was running out of the colored pieces and had mostly greens and pinks left. It is a scrap quilt, but I don’t want to have too many greens and pinks. It’ll be a balanced scrap quilt. 😉

When I got home I pressed all of the pieces and, on a whim, counted the finished blocks. I have a total of 22 finished Cross Blocks thus far. WOW! How did I get so many? Just plugging along, I guess.

My next task for this project is to cut blue, purple, orange and yellow corner pieces to round out my choices a bit.

I also talked to AJA this weekend. She lives near where I was working, but we couldn’t fit it in to get together. I didn’t e-mail her in time at the beginning of the week to remind her and she forgot to write it on her calendar. Not sure when I will be back, but we had a good chat. We discussed doing the next color Bullseye quilts. Purple, I think. She put me in charge. I will have to talk to JulieZS and see what we can work out.

A Little More Progress

I spent a lot of the day playing with Flickr, adding a lot of quilt photos so I could organize them in different ways. As a result, it meant that I didn’t sew much. I did finish another Flowering Snowball while watching some TV and worked a little on the Pineapples.

I am working on four at a time and I really should cut back to two, but I’d like to get them finished.

Snowballs Really Flowering

I spent the weekend in LA. No machine. I brought my handwork with me and was able to sew four Cross blocks (Flowering Snowballs)! I have said that each one takes me an hour and a half, but these, except perhaps the first, did not take me an hour and half each. I really blew through them.

One has two pinks, but I tried hard on the others to make all the corner pieces different colors. I started to run out of greens and really need to add some violet or purple to the mix. I’ll work on cutting some different colors this weekend.

Now that I have a good amount of blocks, I decided to lay them out. They are really looking good! I just love the design that is made when the blocks are set together.

Making Lemonade

When you have lemons, make lemonade.
As you know, the machine is gone and I can’t work on the Pineapples (Well, I suppose I could, but I want to be sure all of the problems are consistent by using the same machine). I have a Janome Jem, which I have only used a handful of times, so I have formulated a list of other things I can work on while giving the Jem a little workout. Here it is:

  • 6 baby blankets: three friends/colleagues are having babies-2 each
  • Binding for Sharon’s quilt.
  • Binding for Serendipity Puzzle.
  • Gift bags: I have lots of fabric for bags, and Christmas is coming.
  • Cut out fabric for test blocks. I am going to start looking at new machines soon and I want to have some piecing in my own fabrics, which I can use to test the machines.
  • Wash and press new fabric.
  • Replenish Pineapple strips.

I also have a lot of hand work, which I can now work on since the thimble came back from vacation:

  • Pamela’s self portrait from June 2006
  • Pamela’s garden from June 2006
  • Pamela’s house and garden from May 2007
  • Kissy Fish

So now I am going to get off my duff (computer) and start some of these projects.

One good thing about the machine being gone is that I could get a good picture of the Pineapple blocks.

Making Cross Blocks (Flowering Snowballs) Tutorial

Judith asked about making the Flowering Snowball blocks, so here is a visual tutorial. Please note that this is the “Jaye-Way” and may not get you an prizes at Houston.

I would suggest that you read the book by Jinny Beyer on handpiecing, as she has a lot of good tips, though she doesn’t recommend using a felt tip. You can use a mechanical pencil to mark, if you want.

I am using templates and handpiecing them. I use a black or red Pilot (formerly SCUF) ultrafine point felt tip pen to mark around the templates. I use grey Aurifil thread and a thimble. Sometimes I put wax on the thread to keep it from tangling. Use whatever needles you like. I use betweens for piecing.

Practice with the felt tip on fabric. You want a thin line with no blobs at the end. I usually run over the end of the template a little and start lessening pressure on the tip right at the end of the template. If you leave it in one place too long, you get a blob. Blobs are bad for precise handpiecing and they look ugly, too.

Trace around the templates on a hard surface. In this case, I am using the book as hard surface. Trace on the back/wrong side of the fabric.

That tiny print says to flip the template 180 in order to get the most pieces out of your fabric. I was cutting 4 pieces from each fabric, but found that to be too many. I will use the ones I have, but am now only cutting one or two. I am trying to keep this quilt to a reasonable size (HA!) and to have as much variety in the fabrics as possible. If I like the fabric, I can always go back and cut more of it, right?

I trim around the templates by eye. I don’t measure the seam allowance. I try to keep it to arounda quarter of an inch and not to get too close.

Detail of trimming.

Here are the pieces cut out.

Here is the pinning. First, I pin right in the corner just inside the drawn line. I poke it through the foreground (colored) fabric first.
This is the back of the pinning. Same deal goes here. I come up through the back. Get the pin right in the corner where the drawn lines intersect and just inside. Remember you have drawn around the template, so the drawn line is a little larger than the template. This is why I try to pin AND sew just inside the drawn line.

Here (above), the pinning is done. Note that I put two pins close together at the beginning, but I take the first one out right when I am ready to sew, so I can start. The second one holds the pieces together while I get started. I try to make small, even stitches that are evenly spaced. Remember to look at the back as you sew so that you are poking through the back right inside the drawn line.

It is ok that the piece is wrinkly, because you want to match up two curves that are going in opposite directions. Use the bias to make them match.

How the Pieces Go Together

My whole philosophy, which I am pretty sure is a general quiltmaking philosophy, is to go from smaller to larger. This means to build the blocks by making the smallest patches into larger units and then putting the larger units together to make a whole block.

First, take one corner piece and one background piece and sew them together. Sew/pin with right sides together. Curves require, at least for me, a lot of pinning. For pinning, start at each corner and put pins in by lining up the corners of each piece with each other.

When you sew the corner and background together you will have a unit that looks like the above unit. You can see how the felt tip lines show through, which is another reason to sew just inside the drawn lines. They won’t show on the front of the quilt if you keep them in the seam allowance.

Seeing the felt tips lines here also allows you to see how they line up, if you do the piecing correctly.

Add another background unit. Note: I am trying to use all different fabrics in each position in the block, but you don’t have to do that.

Now you have quite a large unit. You will need two of these units per block.

Sew the center patch to one of the corner (foreground) units.

Here is how he unit looks once the middle patch is attached to a corner.

Sew a second corner to the center patch.

With this unit complete, you are ready to attach the side unit to the center.

So, just do it. Attach a side unit to the center.

Once you add that unit to the middle piece you are nearly there. The above piecing is the hardest part (but not like you are taking the SATs without a prep course), because the seam is long and the middle section is quite floopy. It also takes a LOT of pins. Make sure you sew through where the seams match several times to keep it strong and make sure the seams line up. I care about that stuff, but you don’t have to match your seams.

I don’t always press the patches after I sew them, because I am sitting on the couch watching TV while I sew (why do you think I have a hand project?) and am too lazy to trudge upstairs to press. It makes the piecing a lot nicer if you press as you go.

Add the last unit and you are done!

Completed square. I usually trim the block after I am done with the hand piecing. Make sure you don’t cut over any of your seam lines, because your piecing will unravel if you do. This is not machine piecing.

Project Progress


I now have 15 Cross Blocks (Flowering Snowball). I could have laid them out in a 3×5 grid, but it didn’t look that good.
MavMomMary and I took the Pineapple Quilt Class together back in January. She is already putting her quilt together. I haven’t seen it since she had only done a few blocks and was thrilled to see it today. I think it looks fantastic. And very different from mine.

And a detail.


More Various and Sundry


These are the two hand pieced blocks that I made last week. Different sort of look. Not so cheerful, but not depressing, either. I am not sure what I was thinking when I put the two dot fabrics in the same block? I thought I wasn’t using dots in this piece. Oh well. It is a scrap quilt, so who cares?


More dots.

I went to Britex today to get some fabric for pants. I was on the second floor and remembered that they have quiltmaking fabric. While the girl was cutting my pants fabric, I took a quick peek at the quilt fabrics. Lo and behold! They had dots! Hooray! I picked up the two above. They also had the Robert Kaufman Tropical Pimatex dots in both sizes. I have enough so I didn’t buy any, but it was good to be reminded that they are downtown and do have fabric. DUH!
I also stopped at the Container Store and found these project cases. I have been thinking about something like this since I read Be*mused‘s piece on the scrapbook project cases she found (I looked for the article, but couldn’t find it and can’t find her search button either-DUH!). They are 12 1/2 wide and 17 and something long. I bought two of them just to see how they would work. I filled up one with the Cross Blocks (Flowering Snowballs) + the fabric for the center pieces, which I don’t want to “put away” and never be able to find it again.

I was told today to look at other kinds of art besides quilts to see what I am inspired by. I have some books. I guess I will look at those and see what I see.

I am still thinking about black and white line drawings in a new visual journal. I haven’t done anything about it yet.

The photos of some of the quilts to which I linked (to Artquiltmaker.com) in the past week looked really crappy and I was embarrassed after I posted them. I took 4 quilts including Ocean Ave, Get the Red Out, the Punk Rock Quilt and the Mary Whitehead quilt to be photographed. I want to put better pictures on my website.

The latest baby quilt, which my mom made and I paid to have quilted, is done. It has to be picked up from the quilter soon. She is quilting the Nosegay next.

Creative Journals

I have been feeling, for a long time, how I would like to work on a visual journal – painting, sketching, colored pencils…something. I am an inveterate journal keeper. I have been keeping a journal since about 1980. Perhaps earlier. I have scads of them everywhere. I used to put snippets of things in them and they would get quite fat and I would have to keep it in a big ziploc bag in order to ensure that the bits and pieces wouldn’t fall out. An old boyfriend spent the day reading my journals once and that was the end of him. Jerk. My journals are for my mental health and NOT for sharing. They are not nice, not always pretty, but they are a fantastic exercise.

Anyway, enough boring background.

Lately I have been writing bits and notes in my journal about Thr3fold journal in order to remind myself what I want to write in the review. Putting the notes in my journal keeps all the parts together. Today, I was reading an article in Cloth Paper Scissors. Jane Lafazio, Keeping Creative Sketchbooks, pg.24-27, March/April 2007 issue, writes a little lesson on drawing and the whole article is illustrated with pages from her notebooks. The images are fresh, alive, colorful drawings. They make me want to get closer, to know more. She also writes “The journaling makes my sketchbook more than a series of paintings; it becomes my illustrated personal story.” What a lovely thought. I love the thought of something being my personal story.

Darling Boy made a deal with me to draw every day. This is his picture. Of course it is about war, but I love the little alien in the upper right hand corner. I am tempted to enlarge it and paint it. Something about it appeals to me, perhaps the googly eyes.

Tonya showed a picture of one of her visual sketchbooks, so I have been reinspired all day to figure out how to do this.

And finally, I finished another Cross Block (Flowering Snowball). Two in one week! I am thrilled!

How do you like the fabric with the faces?

Stars in Alignment

For once, the stars were in alignment which made my technology work and me able to solve my template problem. As I mentioned, I was unable to locate my original EQ file. It has disappeared from my computer or was saved to such a weird location that I will only be able to find it by stumbling across it when I am looking for something else.

Since I had been researching the Cross Block’s real name, Flowering Snowball, I had found EQ’s version of the block in their database and had saved it to EQ6. I decided to try and print templates from their block to see if it would work with the piecing I have already done.

There were a lot of ifs in this little escapade. Since my printer was moved down to the laundry room, I haven’t been able to print from my computer. I thought I would need to get some boosters for my wireless network before printing would work again. In the meantime I have been saving to a flash drive, running downstairs and printing that way.

I forgot to change the printer to PDF and printed out templates in the correct size. I didn’t get an error message and that surprised me, so I went to the printer and, lo and behold, there was a template printout waiting there! What luck.

Daring not to hope that this could work, I went back to my work table, hauled out the other templates I have been using and measured the corner template against the printout. Yippee! The size was perfect! I was in business.

I made the template and cut out a couple of the middle squares and sewed them to a couple of the corner pieces as a test. All worked perfectly!

A Variety of Quiltmaking


Here are some Flowering Snowball blocks (Cross Block) in progress. Some of them you have seen before (many times?), but I put the new fragments with them to see how the piece can get away from the murky look. I felt it was a bit murky with the chocolate in the striped fabric and that particular orange.

I have lost the middle template for this block, which is holding up progress a bit. I looked at my EQ6 files and can’t find the project file, which means I have to recreate it somehow. I can cut most of the pieces and sew the corners to the middles, but at some point I have to deal with the loss of that template.


These are the fabrics from BatkisPlus and Quiltfabrics.com. I think that the batik on the right is the same one I used on Sharon’s quilt.


Here are Pineapple blocks 9 & 10. They are the first one using my new system of organzing the strips. I can’t really see much difference, except, perhaps, that these blocks are a bit darker. I think it was the way the strips fell. In the last rows I skipped over the dark blues and stuck with turquoise.

Sunday, Monday and Tuesday


I started work on the back of the Nosegay on Sunday. This is how far as I got – a strip approximately 5ft by 2ft. UGH! I cursed the size of this quilt the entire time. Something about this piece makes it seem so much harder. Still, I am determined to soldier and use up those 1930s fabrics. I am hoping that some miracle will make it go faster this weekend. Perhaps a change of attitude?


The fun thing I did on Monday was finish blocks 5 & 6 for the Pineapple. I have been slowly adding strips in between working on the backs of various quilts and other projects. A little work goes a long way.


I couldn’t resist setting them all together and taking a photo. I worried about the corners being too close in color, but I think they look OK. I have since moved the top middle block 90 degrees, but left it in the same spot and I am happy with it.


I finished another one of the Cross Blocks on Monday at Craft Night. I probably should not have put the two yellows together, but I did. After I make a few more blocks, I will look at the effect and see if want to take the second yellow piece off.


I decided to take Laume’s advice and do the scrappy look like she suggested in Cross Block Redux. This means that I have more flexibility in using and placing fabrics, which is a great relief. Whatever I do, these two blocks need to be far apart in the quilt. That stripe is very noticeable.