Fun and Games (QuiltCon Post #4)

I can’t really say that this post is about Day 4 of QuiltCon, because we spent day 4 driving home. We spent little pockets of time having some fun in the vendor hall and the various rooms full of quilts, however. Some of the fun was discussed in a previous post.

A Winner from Timeless Treasures
A Winner from Timeless Treasures

I won a fat quarter pack from Timeless Treasures. The ladies at the booth were very sweet and I was sad not to be able to spend time making a donation block with them. I may see if I can make one and send it along now that I am home.

Avoid a UFO sign
Avoid a UFO sign

We got soft tacos at the convention center for lunch one day. They were very good. While waiting in line, I saw this hilarious sign. Do you think it means you will start weird projects if you drink and sew? Or that injuries might be involved?

BAM Donation Quilt with others
BAM Donation Quilt with others

I mentioned that we saw the BAM donation quilt. Michelle, the BAM organizer, wanted to see how it looked with some of the other donation quilts.

Going for a walk with an exercise bike
Going for a walk with an exercise bike

Do you know that song about how nobody walks in LA? Julie pointed out a number of these young men walking exercise bikes down the street.

Annie Smith (& Jaye)
Annie Smith (& Jaye)

I was finally able to meet up with the fabulous and unbelievably kind Annie Smith (Frances’ best friend).

Quintessential So Cal
Quintessential So Cal

I am still on the fence about some of the quilts on exhibit, but I have to say that looking at them made me look at things a little differently. I am looking at scenes and shapes and scenery with an eye towards incorporating some of the lines into future quilts. With my newfound bias binding skills, lines are easier to contemplate.

Big Star Quilt (upper left)
Big Star Quilt (upper left)

I really liked the big star quilt at the Northcott booth. One of the things I like about it is that it is a big block on a field of negative space,b ut the negative space is softened a bit by the smaller stars sprinkled around the negative space. Those smaller stars are concentrated more heavily around the large block. This whole layout is much more interesting than it would be with just that big block.

Enjoying the end of a lovely dinner
Enjoying the end of a lovely dinner

Food was a little bit of an issue for me during the conference. One of the last days, I demanded Mexican food and there was a mexican place across the street from the convention center that appeared on my GF app. We were able to spend some time with Susan, the History Quilter, and Zina, @zanymouse, who were stuffed and only wanted a drink (not food). Regardless, we were able to catch up and I was able to get to know Zina better.

Northcott Booth
Northcott Booth

I also was a little bit ridiculous at the Northcott booth.

I was sad that my dress didn’t cause a sensation in the Free Spirit booth. I think the print was a few years old and the girls at the booth were glued to their phones. Oh well, it caused a sensation everywhere else. 😉

#QuiltconReject

My friend Charlotte wrote “Judges and juries can be pretty different in their ideas too.  Juries are often more concerned with what will make a good show and fitting quilts in and then judges get to choose from what the jury has given them.”

Charlotte’s comment made me feel a little better about my Fabric of the Year quilts not getting into QuiltCon. I knew the function of juries, but their job wasn’t on my radar and I was just thinking about *my* quilts not getting in. I wasn’t thinking about the overall look of the show. Thinking about the overall look of the show, I think that the jury did their job. She show was well coordinated and had good visual impact.

The question is: do I make a quilt I think will get into the show or do I continue doing what I am doing? The latter of course. I don’t want to make quilts I don’t like or quilts that use colors and fabrics that don’t appeal to me. That is a recipe for instant UFOs.

I think one idea of a show is to make a quiltmaker think. I am definitely thinking about what I saw. I have definitely been influenced by attending the show. I don’t know if what I saw will show up in some way in my work, but I think influences will.

One thing that won’t probably change is my love of complicated quilts. I have never been moved by minimalist art and translating that movement into quilts has not changed that. I don’t hate that style and will look at those pieces in a museum. I will always look at complexity and visual interest for longer.

Check out some of the QuiltCon 2016 rejects:

Checked Out Quilts & Vendors (Quiltcon Day 3)

Another quick post to keep you in the QuiltCon loop.

Skyline Pasadena
Skyline Pasadena

Today was our day to look at the rest of the quilts and vendors. There weren’t a ton of vendors (PIQF has more), but the vendors did have interesting stuff and there was lots of free stuff – fat quarters and charm squares. It was kind of fun, but also somewhat overwhelming.

First, we looked at quilts. As usual there was a lack of understanding of what the judges were thinking.

hoenix by Anne Sullivan of Gaithersburg, Maryland (@playcrafts)
hoenix by Anne Sullivan of Gaithersburg, Maryland (@playcrafts)

One I liked was Phoenix by Anne Sullivan of Gaithersburg, Maryland (@playcrafts). Anne gave a lecture to BAMQG at some point in the not too distant past about color.

Colorfall by Timna Tarr of South Hadley, MA (@timnatarr) was very interesting. I really liked the quilting on this piece. It did not distract from the overall design and fit in very well.

Drip by Suzy Williams, Chicago, IL, (@suzyquilts)
Drip by Suzy Williams, Chicago, IL, (@suzyquilts)

Drip by Suzy Williams, Chicago, IL, (@suzyquilts) was one of my favorites. I think it was because of the colors. I saw it from across the room and it caught my attention. I am dying to make a quilt that invokes such a sense of calm.

Falling by Kathy York of Austin, TX and the Austin Modern Quilt Guild (@kakiyark) was another favorite. The balance is good. The colors work well together. The design isn’t too fussy or complicated. There is also repetition with variety. That little bit of handwork adds something, but not a lot. I love it and am inspired to make something just as fantastic.

I also really liked Cog by Emily Cier (@cpatchwork). I have always wanted to make a Jack’s Chain quilt. This is the same pattern except in Jack’s Chain the squares are replaced by 9 patches.

Putting on the Glitz by Tami Levin of Sunnyvale, Calif. (@lemontreetami)
Putting on the Glitz by Tami Levin of Sunnyvale, Calif. (@lemontreetami)

I love the addition of the trees in Putting on the Glitz by Tami Levin of Sunnyvale, Calif. (@lemontreetami). The colors used to imply the trees are perfect on top of the Michael Miller challenge quilts.

There were some quilts I wondered about, but there were many, many more quilts that wee really interesting in some way. I did wonder about the size of some of the quilts. I thought modern quilts were supposed to be utilitarian? The small quilts, unless they were large mug rugs, did not seem to be utilitarian to me.

One of the good things about the show is that it wasn’t just about looking at quilts and buying stuff. There were manufacturers there who were not there to sell, but to market their newest lines and concepts. A couple of the manufacturers were also working with attendees to make donation quilts.

Kona’s new Color of the Year, Highlight, was the theme of the booth. In addition to all the Highlight quilts being shown, they had a color activity where you could design your own palette around Kona’s new Color of the Year. Julie created her own palette and we both received FQs for her trouble. 😉 It might be interesting to work with.

Dear Stella Selfie
Dear Stella Selfie

Timeless Treasures was making a donation quilt in their Dear Stella booth. We didn’t have a chance to stop and make a block, but we did take some time to post a selfie so we could possibly win a pack of FQs. I posted the goofy selfie above!

ALS Donation Blocks
ALS Donation Blocks

Victoria Findlay Wolfe told us about the donation quilt that Marcus Fabrics was making to provide additional funds for ALS research. We needed to sit down for a minute, so we stopped there and made some blocks. We met a fellow class member from yesterday and chatted with her about her guild, the Omaha Modern Quilt Guild.

I made two blocks and we have some pieces from the class that we can use to make more. The blocks are hand pieced and I have stuff to make more with me. I hope to find the time to do it. You know how much I support efforts make donation quilts. The fabric is the new Victoria Findlay Wolfe Manor House line. Julie and I bought a layer cake and will share it.

Jaye & Julie with donation blocks
Jaye & Julie with donation blocks

Finally we took some time to look at the vendors. There weren’t as many vendors as I expected, though others have said that there are twice as many vendors as last year. I loved seeing new and interesting fabrics (not the old stuff vendors bring to PIQF) and fun prints. I was also pleased to see Sizzix, Accuquilt, several machine manufacturers and small fabric stores like Crimson Tate.

I was thrilled when Coral messaged me asking to meet up. We met at the Marcus booth, because we were still working on our donation blocks. She was a sport in that she was willing to meet us there so we could finish. Coral is a lovely person who is a Bay Area native, but now lives in Canberra. We chatted for a few minutes, then she needed coffee and we needed to get back to our vendors.

Coral & Jaye
Coral & Jaye

It is fun to meet people I know from Instagram and Twitter.

I decided to look for some fabrics that I could mix in with my Timeless Treasures background for the VFW quilt. I won’t have enough of the original background and I want to make the design more interesting and the quilt larger. I took a piece of my fabric with me and compared it to various solids that were available. The above were some of the good choices. I also want to take a look at Moda Bella Seafoam and Moda Bella Big Chill. They look like they will work. I want the solids to blend, though, and not to stick out too much. It is a difficult problem because the TT fabric I used has a lighter fabric overlaid with a darker fabric.

Visiting QuiltCon
Visiting QuiltCon

All in all we had a fun time, met some nice people, saw some great products and quilts.

 

I Took a Class (QuiltCon Day 2)

This will be another quick post about my adventures at QuiltCon.

Quintessential Pasadena
Quintessential Pasadena

Today I was in class with Julie and Kathleen all day. We were pleased Leona was there as well. We took a class called Pies & Points from Victoria Findlay Wolfe.

Short version: she is a great teacher, I learned a lot want to buy a Sizzix Big Shot Pro. 🙂

Longer version

The class was called Pies & Points and is an updated version of a variation on the Drunkard’s Path. This pattern was popular several years ago and was called Snails Trails or something like that. I’ll look it up when I get home (if I remember). I have always wanted to make a quilt like this, so it was the perfect opportunity.

Victoria Findlay Wolfe is a great teacher and if you have the opportunity take a class from her. She was very clear. She was supportive and didn’t try to have us accomplish too much in one day. She was available, was walking around the room offering assistance and seam ripping services. VFW was also accessible and made the project accessible. She was pleasant and funny and very human. I liked her very much and want to be her BFF. She also wore leather capri pants, which were super cool.

I am not a project class person. This class kind of bordered on that type of class, but was full enough of technique that I could apply to other projects that the class worked for me. I could work within certain boundaries, but still spread my wings.

She gave a little bit of information and the Sizzix people passed out the Pies and Points die to us. We each got our own!!! I didn’t know that was going to happen and it was useful as well as exciting.

About this time, one of the QuiltCon people came in and announced that Victoria’s quilt, Mr. Swirly Bones, won Judge’s choice! We all clapped and she was very excited.

VFW showed us how to cut using the Sizzix and then how to sew the curved seams and then we got busy cutting and sewing. You can cut a lot of pieces at once, but there is still prep time for using the Sizzix. Without my normal setup, it took time to get the pieces cut.

I had a bunch of pieces cut and ready to sew, but wasn’t able to sew much before lunch. Right before lunch, I was able to sew one seam and that made me feel better.

Lunch was two hours. Very civilized IMO. We brought our lunch so wolfed it down and then went to check out the vendors and some of the quilts. There were not as many vendors as I expected, but there were manufacturers at the show giving away prizes and showing off stuff, but not selling.

The whole feeling of the show area is so light and airy. Everyone seems cheerful and there is very good energy. People seem excited to be there. I love that.

We looked at the vendors – more getting the lay of the land than shopping – and started to look at the quilts. After 1.75 hours it was time to head back to class and to sewing.

Sewing Pie Points
Sewing Pie Points

I got right down to business and started sewing. I had a lot of little pieces to sew together, but the first seams to get the middle arc were all straight seams. Once I got a few of the arcs done, I started making quarter blocks.

The class was supplied with Sizzix machines, rotary mats, rulers and cutters, irons and sewing machines. The sewing machine I was using was a Juki electronic machine. I wrote down the model, but am too lazy to go look for it. I’ll post about it later. It is a little disconcerting to use a different machine. This one kept lifting the presser foot every time I stopped the machine. It made it really hard to line up the edges of the curved seams. There was a Juki lady, Chris, who was there to help with machines and she changed a setting so I didn’t have to deal with that. I could probably learn to use that feature, but for one day I didn’t want to deal with it.

Without too much pain and suffering I made a whole block. I planned to put them together in her Snail Trails arrangement.

Whole block
Whole block

After working on the one block and looking at the options I had chosen for myself, I decided to make some of the other parts and mix it up a bit. No photos of that to share yet, but soon.

I want to work some more on this piece. I may add some different backgrounds to add interest (my idea turned out to be more boring than cool looking) and because I only have about a yard left and I’d like to make a larger quilt than a wall hanging. I also have the Sizzix problem. I do not have a Sizzix. There a few reasons I am not buying one, but the most important is that I have no place to put it. It is a desktop model and it stays out on a table (desk, worktop, etc). This is problematic since I have to cut more pieces for the quilt. I hope one of the local shops has one to rent and, perhaps, I will buy one at some point. I can also make templates and cut the pieces that way, though …. bleah.

Julie rested after the class and I walked around the show a little bit more. we went to a Brazilian steakhouse for dinner. They bring all different kinds of meat around and you can take what you want. It was a little bit on the pricey side, but extremely tasty. I was a little protein deficient, so it was just what the doctor ordered.

One of the projects was posted on Instagram. I didn’t take a lot of pictures of other students work 🙁 , but I did take a few.

Stacy's pieces
Stacy’s pieces

You can see some of the options available in the above blocks. My latest block has the pieced center like Stacy’s bottom block.

Quick QuiltCon Day 1

This will be a super quick post, because I wasn’t planning on writing anything else today, but I feel inspired.

This is the first really big quilt trip I have made since we went to Houston in 2014.

Julie and I drove down to Pasadena and it was amazing to see the green-green hills. We arrived at about 4 at our hotel. We didn’t have to drive through the whole of LA, which was nice, but the traffic on the 210 was bad enough so we were both done with it by the time we got to the hotel. We checked in and sprawled on the beds for awhile until it was time to go and register. By this time it was raining (yes, raining!) and it was dark, so it was a challenging drive: rain, dark, unfamiliar territory. Julie was a champ and got us to the convention center in one piece.

We ran through the rain (my feet got soaked) to the entrance and there were more than a few people milling around.

Swag
Swag
QuiltCon bag
QuiltCon bag

We registered and I was told to get a bag. I went and got a huge bag filled with stuff: mini charms, batting samples, a Soak sample, a magazine and other stuff. I was surprised and pleased. It turned out that the first 1,000 registrants got a gift bag. Nice!

We also saw Kathleen right by the registration desk!

After chatting with Kathleen and a couple of people she was talking with (one-Jennifer Moore- has a new blog sewingreport.com ), we went to look at the donation quilts. They were great and we did see the BAM quilt!

The top left is my favorite, but they were all awesome.

I was also really excited by this quilt, which has great quilting.

I was able to find the BAM donation quilt and was excited about that.

BAM Donation Quilt
BAM Donation Quilt

The exhibit hall, etc is not yet open and these quilts were just a little teaser.

We went to Trader Joe’s and got some stuff for dinner and lunch tomorrow. It is pouring rain outside and I need to get some sleep. I am looking forward to tomorrow’s class.

Have a great day!!!

QuiltCon Homework #1

Weeks Ringle issued some homework in her lecture at QuiltCon and then posted it to her blog for the rest of us. In a recent Various & Sundry post, I briefly mentioned the QuiltCon homework. I glanced at it first and thought I would pass it on, which I did in that post.

Then I went back and looked at it further and thought it would be a good exercise. I thought I would print and paste the homework into my journal and maybe write something about each section and make myself a better quiltmaker.

I decided that I would do it here for all of you to read. Won’t you join me?

Quilt Con Homework #1
Weeks Ringle’s Quilt Con Homework #1

#1 is Know Thyself

Do you know yourself as a quiltmaker?

Weeks writes “Know thyself. Make a list of what you’re good at – use your strengths to develop your own techniques and your own pattern. Now make a list of things that you don’t know how to do – then figure out how to whittle away at this list to expand your skill set”

In order for me to make a list of what I am good at I first need to make a list of what I like and what is important to me about quiltmaking and relate it to myself.

  • I like bright colors, so I work in bright colors. It might be good for me to try out some beiges, but I don’t like beiges. I have bought some chocolate browns lately, so I am considering that to be expanding my horizons into the realm of depressing colors because there is no way I am making beige quilts.
  • I want to make cheerful quilts. I want to make quilts that make people sing in happiness. I want to make quilts that make people smile when they look at them. So what if they aren’t dignified?
  • I don’t believe in the adage “buy ugly fabric, because it makes your pretty fabric look prettier.” To me, ugly fabric is just ugly. I have been down that road and refuse to do it again. Fabric is getting to be too expensive to buy what I don’t like.
  • I like good technique, because *I* think bad technique can take away from the look of the piece. If that means making my half square triangles 1/8″ larger and trimming, so be it.
  • I like to make well made pieces, because I don’t want my pieces to fall apart. I take my time in finishing and I rip out seams a lot.
  • I don’t want to be categorized as making a certain kind of quilt. This is such a hard thing to explain. I want to make the quilts that I want to make in the style and fabrics I want to use. I don’t want to be a traditional quiltmaker, I don’t want to be labeled a modern quiltmaker or an art quiltmaker (ironic, huh?). I want to make the quilts the my mood dictates.
  • I like to work on projects that I like. This is my hobby/passion/vocation, but I don’t get money from it, so I want to make what I want to make.
  • I like to reshape ideas into my own. This might mean that I take a block from the 1930s and make it over in Martha Negley and Philip Jacobs prints.
  • I think knowing quilt history is important. Kind of like that old saying “knowing history prevents us from repeating the past.” I like to remind myself that women came before me and have done all this before. I appreciate different ways of doing things and different tools to get the job done, but I have no illusions that I am doing anything brand spanking new that nobody has done before. I have block books, so I can try and figure out who did it before and where I might find more information on how they did whatever the task is. To recognize those quiltmakers who came before me makes me feel like I am part of something.
  • I think it is important to step up. People before me shared tips and tricks.  I have some knowledge and I might as well share it. The blog makes it easier. That is why I work with Sandy on her podcast, post tutorials, etc.
  • It is important to support the community. I don’t mind sharing my tutorials. I want everyone to make quilts, buy fabric. Perhaps some of that karma will come back to me someday.
  • I don’t like it when people steal from my blog. It hurts when I have spent a long time working on a project and taking the time to post.
  • I find it important to use part of my quiltmaking time for charity. If I can’t make a quilt, I’ll make a quilt top. If I can’t make a top, I’ll make some pillowcases. There is always someone who needs to know that someone else cares. I think charity/donation quilts should be pretty. While I am making them, I can learn something new or try out a new pattern I normally wouldn’t work on.

As a result of the above, here is my to do list. These are not resolutions; these are things I will work on over the next 50 years.

To Do:

  • Be more patient
  • Practice curves
  • Don’t let my fabric sit around.
  • Get back to that Pineapple quilt.

I am sure I will think of more, but this is a start.

 

 

 

*No copyright claimed to Weeks Ringle’s chart of points.