Commentary about works in progress, design & creativity
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I would love to see them in real life. I am glad they gave the names of the fabrics so I can look them up. I can’t think of what I would use them for. They would be gorgeous together.
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I didn’t buy the Frosted Stars kit that I talked about recently. I already have a lot of projects going, I have several projects to start, there were some things I didn’t like about it, it was lots of money, etc. You know all the reasoning.
Still I couldn’t get the thing out of my mind, so I went to look at it again today. In addition to p.s. i quilt shop‘s offerings, the Fat Quarter Shop has the pattern as well. I decided to do my due diligence.
Above is an image of all the Fruitcake prints from the Fat quarter shop. I looked there. I also went to the Moda site to look at the all of the fabrics from the Basic Grey Fruitcake collection. Fruitcake is the fabric collection Charlie Scott uses for the Frosted Stars quilt. It turns out, sadly, that I don’t really like most of the fabrics included in the Fruitcake collection. I still liked the pattern, however, and thought perhaps that I would make it anyway.
I looked around to see if the pattern was available. Charlie Scott, the designer, has a website and has a link to the pattern on the Moda Bake Shop site. YAY! This revelation expanded my options. I could make the quilt with other fabrics. I was thinking aqua/turquoise and red with a little green thrown in.
In the midst of all this I emailed my mom with the various links and she said not to buy the kit, but just to get the pattern and use my own fabrics or other fabrics. Sometimes it is nice to have someone agree with me.
Somehow, I ran across the Kate Spain Christmas fabrics. They are bright and cheerful and a definite possibility. I printed out the PDF so I could look at the individual fabrics. I am not fond of the motifs on a couple of them and I couldn’t use the panels, which are part of the collection. I don’t know if they come with the Jelly Rolls and Layer cakes.
I saw this Lumiere de Noel group as I was perusing the Fat Quarter Shop site. I thought that perhaps it might be a nice choice for the Frosted Stars pattern. It has a little bit of a grey tinge in this picture, but looks much brighter in the example quilt on the site. Take a look at the individual fabrics and let me know what you think.
More thinking required, I think.
WOW! July already! Can you believe it?21 days until Lil Sissy‘s birthday and 26 days until DH’s. July and August are huge birthday months for our family. I had better get busy!
Parts of this drawing didn’t come out the way I intended, but that is the way of the world.I’ll do better next time, right?
Take a look at the original prompt and add your own response.
This is the first part of a quilt I am making as a gift. I will tell you for whom it is intended once it is delivered.
I have been cutting blue 6.5″ squares, in a delusatory way, for the past year. I was sure I would get it done. Suddenly, it was April and I didn’t have nearly enough squares. I really wanted the quilt done by the beginning of June and was, thus, in a pickle. My deadline isn’t going to happen.
TFQ helped with my dilemna by cutting about 100 squares for me. That really, REALLY helped. I cut the rest and began sewing. I hope to have this top and back done in time to quilt it at my longarm appointment on July 30.
You all know that I cut a patch from each piece of fabric I buy in a given year. You also know that I do this in order to decide if I like the fabric so I can buy more before it goes out of style. These are my Fabric of the Year (FOTY) patches and this year I am cutting diamonds. In addition to my FOTY patches, there are other patches I cut from other pieces of fabric. Lately I have been cutting from both new and old, but it depends on the project.
First, in the upper left hand corner are the 6.5″ blue squares. Some blue green snuck in as well. These are for a quilt I am making for someone who reads this blog, so I can’t tell you any more until I get it done.
Next, upper right, are the 4×4″ squares. These are for TFQ, because she cheerfully cuts many, many patches of almost any size and shape I ask. I am cutting these from any fabric that I get out of my fabric closet and all new ones.
Third, lower left corner, are the Tumblers for Julie. Her quilt is king-sized, so until I see her put the thing together and get it quilted, I keep cutting. Mostly these are from new fabrics, but I hauled out a bunch of blues lately, so this stack happens to be blue.
Fourth, in the lower middle, are Eye Spy hexagons for my SIL’s Eye Spy project. I buy very few conversationals, so I don’t cut many of them yet. I don’t know if she has started cutting from her own stash yet. These are fun to fussy cut. The exercise makes me look at my fabrics differently.
Last are the blue rectangles (2.5″x4.5″). I am in deep love with that rectangle shape I used for FOTY 2008. I look at the quilt every day at work and adore it, so I decided I wanted to make another out of blues. It takes a lot of cutting, so it will be here for awhile. After starting to sew the Blue Quilt together I am thinking that a blue rectangle quilt might not have been such a great idea.
Not pictured are the food fabric squares, 6.5″, I am cutting for my mom. She is making a replacement quilt for her step grandson, whose quilt was burned up in a fire. I will probably help her with it. We are seriously considering the Corner Store pattern from Pretty Little Mini Quilts, which is like M Dugan’s version on Flickr. I may try this quilt out myself, too. Back to my mom, though. I hope we do get to work on it together. I think it would be fun.
I also cut 2×2″ squares and make four patches as warm-ups.
I often press and cut fabric while I am on the phone. I am not much of a phone person, so there are only a few people to whom I speak on the phone for extended periods of time. On a recent conversation with TFQ, I was amazed to see how much I cut. I am not a fast presser or cutter, so I was pleased.
I hope this preparation doesn’t seem terribly schizophrenic. Sometimes it does feel that way, but I am so glad when I have enough of one patch and can just start sewing. I don’t like to do all my cutting at once and this is a good way for me to do it incrementally.
Sandy talked about scraps and what she cuts for scrap quilts on a recent podcast, so I don’t feel quite as crazy. It was interesting to hear what she said about the pieces she cut.
Post the direct URL (link) where your drawing, doodle, artwork is posted (e.g. your blog, Flickr) in the comments area of this post. I would really like to keep all the artwork together and provide a way for others to see your work and/or your blog.
The Creative Prompt Project, also, has a Flickr group, which you can join to post your responses. I created this spot so those of you without blogs and websites would have a place to post your responses.
The US celebration, the 4th of July, is coming this weekend. I thought I would take the opportunity to post this word.
Definition: 1 : to perform (a sacrament or solemn ceremony) publicly and with appropriate rites
2 a : to honor (as a holiday) especially by solemn ceremonies or by refraining from ordinary business b : to mark (as an anniversary) by festivities or other deviation from routine
3 : to hold up or play up for public notice <her poetry celebrates the glory of nature>intransitive verb 1 : to observe a holiday, perform a religious ceremony, or take part in a festival
2 : to observe a notable occasion with festivities
to take note of something extraordinary
party
Kool & the Gang Celebration song
ceremony
Yes, the Knitting Box, which seemed like such a failure, is finished. It took me much longer than I thought it would. Even though I should be done with this project, I am tempted to make another just because I would like to perfect the process as well as make a few modifications.
SIL likes it and I hope she will find it useful. I was nearly finished when she dropped off her child and requested a wrist band instead of the belt loop she originally requested.
No dice. I did not want to rip out the seam and insert a longer loop. I didn’t have it in me. Fortunately, SIL is very thin and the belt loop was generous enough to fit over her hand. It is tight enough not to slip off as she is in transit.
The above photo shows that I added some snaps. I had some large black snaps on hand, which SIL said would be fine to use. I decided I wanted something to match the piece. I looked for pink snaps in several local shops with no success. I am sure I have seen colored snaps before, but I couldn’t find any. I must have seen them online. I finally bought clear snaps and they work well to keep the box closed. I was able to finish it while she was out.
Part of what I wanted to do was secure the corners into a small box shape. I did that with beads and Laura Wasilowski hand dyed Perl Cotton. I hope it holds up. If not, I can fix it.
Above you can see the snaps and unfolding action as well as a bit of the corner detail.
I put two snaps on the edge covering the section where the yarn will come out. I thought that SIL could only snap one in order to allow the yarn to flow out more smoothly.
You can see how the yarn would come out with one snap open.
I will be really interested in how this project actually works in practice and if SIL uses it. I like the way the box looks in this picture and wonder if it will stay like that while she is on the go and knitting.
One of the things I really ended up liking about this project is how it became a group effort. I appreciate my SIL and my niece helping me figure out the solution to my challenges and to all of my readers who gave me resources. I also appreciate the opportunity to do something a little different and to Ruthann Logsdon Zarroff of Mirkwood Designs for posting the original Truffle Box pattern.
Thanks!
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The food fabrics above are for the quilt my mom is making for her step grandson. I talked about it last week. Maureen saw my post and offered me some squares of food fabric. She even cut them. The first 3 rows above are the fabrics she gave me. The last row are fabrics I bought and have cut for mom. I don’t know how many blocks she has, but it must be nearing 100. That should be a good sized quilt.
I have been cutting and pressing fabrics like a demon lately and here is another group. I have found that this number of diamonds is the right number to photograph, so I have a few more on the wall that will be in the next photo.
One of the things about this group is that there are a lot of the Fizz by P&B fabrics and I am really loving those fabrics. I would love it if they would come out with another dozen colors in between the colors they already have. There are a lot of colors in the group already so that would mean that their colorists would really have to work over time. I would love it if these became a staple background fabric. Fabrics go so quickly out of fashion that I doubt that will happen. I plan to use these fabrics in another Interlocking Triangle quilt.
An idea that occurred to me with these Fizz fabrics is that I could arrange them in a color wheel and then radiate the other diamonds out from them. I think that would make the piecing a challenge, but all ideas are worth considering. It might be a problem with the colors which I don’t buy very often.
I haven’t decided if I am cutting diamonds from the food fabrics for my mom. I am intermittently, so some show up as diamonds and some don’t.
The other thing I am doing is cutting pieces from a few fabrics I have pulled out of the stash. An example is the red at the tip of the diamond. These fabrics have never had a piece cut from them. My project, my rules.
Mary Engelbreit was the inspiration for this drawing, as well as other drawings in my series of responses.
Check out the original prompt.
Blogger’s Concierge is looking for A List blogs. Who knows if this is a real thing to get real attention or not, but it is worth a quick post to try.
ArtQuiltmaker Blog IS an A List blog. It is an A List blog, because the goal is to provide:
Linda Poole said that my blog was like a magazine. I really never know what I am going to post until I post it. I constantly rearrange posts until I am happy with the way my posts look. i want people who read to keep coming back and be surprised and pleased at what they find. While all of this excitement is based on fabric and quilts, the blog branches out into art, exhibits and other inspiration.
You might remember that there was some devastating flooding in Central Tennessee earlier this year. This is Anna Maria Horner’s neighborhood. She created a project, which I talked about on Thursday, called Rainbow Around the Block. Simply, she is collecting 12.5″ unfinished 2 color blocks (e.g. red and white, blue and orange, etc). These blocks will be made into quilts and given to families who lost their homes, belongings, etc.
Last week, she sat down with her children and designed blocks. I think this is a very nice idea. I can picture the children drawing and coloring and talking with their mom about helping these neighborhood families. We have these kind of times in my family where the lull of filling in a spot with color without the distraction of screen noise helps to free the mind from the mind’s monkey chatter and allows people to bring up interesting conversation topics.
She intends to post a version of each child’s work on the Rainbow Around the Block page as a group called The Horner Family Blocks. The first one, The Joseph Block, is up already. It is a simplified version of a Square in a Square block and simple directions are given for sewing it together. I am concerned about the way she suggests cutting a square into the quarters that the quiltmakers will have a lot of bias blocks to work with. Perhaps that is part of the plan? In any case, you can make any block you wish and a variety are already posted for your viewing pleasure in the Flickr Group.
I made two blocks. I don’t normally make 12×12″ (finished blocks) and the pieces seemed so large. I just made them, though, without questioning or quibbling. The first deadline is July 1. Close to 100 blocks have been posted to the Rainbow Around the Block Flickr Group. People have really taken the idea of letting the fabric do the work, that I talked about from the Jane Sassaman lecture, to heart. I guess they got the message sooner than I did!
What will YOU make?
I am trying to force myself to sew, so last Friday, I planned a day to baste the Tarts Come to Tea. I am not in the groove since I was sick and that is a weird thing.
It has been a long time since I basted a quilt. The last time I remember doing it was on our kitchen floor before we remodeled the kitchen 3 years ago. I think it was a long time before the remodel, too.
I wasn’t sure how long it would take me, so I planned to spend the whole day. First, we had to set up the tables, which we planned to do the night before.There was NO way I was crawling around on the floor and the tables are large enough so this configuration was the perfect size. When we went to set them up, one was missing. SIL and BIL kindly offered to come over and bring our table back (it gets shared around the family) that evening. Once it was found and delivered, DH and I set two of them up downstairs. It was a tight squeeze downstairs, but worked fine in the end.
First, however, I needed batting and I didn’t remember that critical piece of information until I was at class at 7am on Friday morning. I did remember the night before and vaguely thought about looking to see if I had a piece, but didn’t get to it. The gang was over watching the Lakers vs. Celtics game. I looked when I got home from class and found nothing big enough. I did find two leftovers I could piece together. I have pieced batting before and think I learned the technique from one of Harriet Hargrave‘s books. I just use a big zigzag and butt the two pieces of batting together but not overlapping. Once quilted, there is no problem with shifting or anything. I try to use the biggest pieces possible and not have too many seams. This a good use of leftover batting.
If you look carefully in the photo above, you can see the zigzagged seam. I thought about turning the piece over and going over it again, but decided that would be overkill. I did pay attention to where the seam ended up in the quilt (lower photo). I want to keep track of where it is as I quilt so I can see if there is any difference in how that section looks. Obviously, I won’t highlight it. I just want to see how it comes out.
For the first time ever, I basted on a table. One of the things that was preventing me from quilting my own quilts (and there are many) was basting on the floor.
The two tables made a HUGE, GIGANTIC difference on how my body felt afterwards. I am no longer the limber gymnast I was at 15 and crawling around on the floor just isn’t an option! This basting experience was awesome! I sat or stood around the table and listened to some podcasts while I pinned. It really put me a good mood to move forward on the rest of the process.
One of the things about a quilting border is that it protects the end seams. Sometimes seams on the edge of the quilt come apart as I work with the quilt. The quilting border, which I like to add (though don’t always remember), help keep those seams tidy. I talked a bit about the quilting border in a previous post.
I tried very hard not to stretch the quilt top or back while I was taping regardless of how tempting it was to make the piece tight as a drum. It was taut, but not tight.
I tried not to put pins in the actual motifs, thought I had to do so on occasion. I find that the combination of the fusible and the safety pins creates a hole. If I get a hole, I rub it with my fingernail, but sometimes it stays even with that treatment.
You can see above that I broke my self imposed rule. The curvy teapot was just too large a space to go without pins. I am scared that there will be a giant ugly hole. We’ll see.
In my first quilting class, I learned to use a white pencil to mark quilts. They are difficult to use, but are not permanent. The thing I like about them is that they are white and not permanent.
I don’t like that I can’t sharpen them to a really find point. I also don’t like it that I have to go over and over the line. I found as I was quilting, that the light in my workroom (and the foggy grey weather) made it hard to see the white lines as well.
Deirdre sent me some .9mm chalk ‘lead’ that can be inserted into a mechanical pencil. I am sure these will work better, but haven’t had the chance to go to a stationery store and get a new pencil.
Despite these problems, I am not prepared to try a water soluble marker. I may leave my quilts marked and unquilted for years and I know that won’t work with a water soluble marker. Nadine Ruggles has a great podcast episode giving instructions on using a water soluble marker. I feel more confident with her instructions supporting me, but still don’t want my first effort to be on this quilt.
After the above photo of the curvy teapot and my brilliant success at basting, I was ready to quilt. Mentally, I was ready to quilt.
I know that I quilted Beach Town last year. Beach Town, however is small and does not need quilt wrestling. I don’t remember the last time I quilt wrestled. It had to be more than 10 years ago. Aside from the quilt wrestling aspect of quilting a large quilt, I was reminded that I am not a fan of the actual designing of quilt motifs. I have to look at my Flickr set. I don’t know if any motifs will be appropriate, but I will, at least, look.
I did some basic quilting on the 3 Cups block. It isn’t enough. I should have remembered that I like my quilts to be densely quilted. Now I don’t know whether I should quilt within the lines I created using a free motion foot or whether I should leave it and move on. I don’t like the puffiness. If I go back and quilt more, will I get folds or tucks?
Let me know your thoughts on how this block looks. I went around each cup (in the green) with green thread, but didn’t do any quilting within the cups. I think I need some. Again, I have to think about giant holes through the fusible.
