ColorPlay Peacock

The Peacock - Jan 2017
The Peacock – Jan 2017

Since we have been obsessing over the Peacock, I decided to use the Peacock piece, as is, for ColorPlay this week. Ok, I have been obsessing

I would have cropped out more of my design wall, but decided just to leave it in and see what happened.

Since the colors are all cool colors, I thought I might finally develop the calm palette I have been seeking.

ColorPlay Jan 20 n.1
ColorPlay Jan 20 n.1

Using the Palette builder tool is always interesting. I am fascinated by the tool’s initial selections of locations on the photo. There are always circles on the edge. The choices the tool made tends towards darks and neutrals, in my opinion. If I were given the palette and then shown this quilt and asked if it was the palette for the  quilt I am not sure I would say yes. There are only 1 each of green and blue.

ColorPlay Jan 20 n.2
ColorPlay Jan 20 n.2

Fortunately, we can move the circles around. This palette is almost the perfect palette. It might actually be the perfect palette. While not complete, I do think it reflects the colors of the piece. I particularly like the addition of the green – Kona Blue Grass on the bottom of the list. The fabric I used was not that manufacturer, but it is a good match. I might need to use Kona Blue Grass if I run out of the solid that I have been using.

ColorPlay Jan 20 n.3
ColorPlay Jan 20 n.3

Of course, it is impossible for me to leave well enough alone. I moved the circles around again.

This is similar to the number 2 above, but tending more to the neutrals again. I wanted to get the lavender in the palette to see what that would add. Despite the Kona Blue Grass, I don’t like this palette as much.

ColorPlay Jan 20 n.4
ColorPlay Jan 20 n.4

I had to fix it, try to make it less depressing, so I tried again. The palette is still somewhat tending towards neutrals, but the Lapis, Holly and Stratosphere balance out the Kona Coal and Graphite.

It isn’t the perfect palette, but I am rather partial to Stratosphere and Lapis. They make great additions to almost any palette.

ColorPlay Jan 20 n.5
ColorPlay Jan 20 n.5

There is a gold color in some parts of the fabric and I wanted to try and get that into the palette and see what it did sitting alongside the other colors. I worked on trying to get it from the area with the greens. It shows up there in the original panel. The closest I could get with that strategy was Kona Peridot (second from the right on the bottom). Between the Peridot and Coal, the palette is starting to look depressing again.

ColorPlay Jan 20 n.6
ColorPlay Jan 20 n.6

Distracted from the gold for a minute, I moved more circles to try and get back to the first palette.

The palette I came up with is different than the first palette, but still quite pleasing. The addition of Kona Leaf (second from the right bottom) and Candy Blue (far left bottom) are wonderful. This looks like a very restful palette.

ColorPlay Jan 20 n.7
ColorPlay Jan 20 n.7

I got back to trying to capture that gold. It was a lot easier when I realized there was a gold center in one of the hexies towards the bottom. The fabric chosen by the tool is Kona Gold. It is fairly brown and I am not sure I like it.

It occurred to me, as I assessed these different palettes that each palette is very limited. I always use many more fabrics when making a quilt. The Peacock is actually one of the most limited in terms of fabrics, but I still have 7-10 different fabrics. It looks like more because of the way I cut up the Peacock panels. Combining all the different colors from the various palettes might be the way to go in making a quilt.

Let me know what you do with the Palette Builder.

Creative Spark #8: Process

Bloomston's The Little Spark
Bloomston’s The Little Spark

“Each moment you spend tending to the Spark, the more your life will go in that direction” (pg.37). I like this line because it is all about process without saying ‘process.’ The whole first part of the chapter is about telling the reader that how we live our lives or spend our days has a direct impact on how our lives turn out. “…if you are frustrated and rushing to the next part of your day, then you are creating a life of hurry and frustration” (pg.37).

When I read that I saw myself in my old job straining to the weekend to get away from the unhappy and sour people around me. It was an eye opener! How could that image be so fresh in my mind after two years? I don’t want to be frustrated and rushing around. I want to be pinning a Peaky to a Spike while I talk with tech clients about why they can’t find their content. I want my life to be infused with creativity whether it has to do with Peaky and Spike or whether I am puzzling out a creative solution to a search algorithm.

I can’t infuse my worklife with creativity if I don’t have work. I have to remember that “…what feels productive doesn’t necessarily move me towards my goal” (pg.38). Part of the process is figuring out what your process is. Filling time to passing time isn’t necessarily productive in a money making sort of way. Filling time is filling time and you should recognize that. Recognize is for what it is and where it fits into part of your process.

My process is well described by Bloomston when she says “work as much as you can. Period. Be as mindful as you can about your process” (pg.39). My process is to have the next step in my mind and some pieces ready to sew. I don’t like wasting time figuring out what to do next if I have 10 minutes. When I have been sewing for a few hours I know what the next step is and can prepare it. Once it is prepared, the sewing is the easy part.

“…Enjoy the process free from choosing expectations. Be gentle as you find your voice and your wings” (pg. 39).

Bloomston has another worksheet in this chapter, which will help you define your process. Your process is YOURS. It is not better or worse than anyone else’s process. Know it. Document it. Honor it.

Nota bene: we are still working through Carrie Bloomston’s book, The Little Spark. Buy it. There is a lot more to it than what I am writing and it will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of the fabulousness!

 

ColorPlay New Year 2017

ColorPlay Jan 7 2017
ColorPlay Jan 7 2017

I took this photo on one of my walks. It was late in the afternoon so the sun was going down. One of the beautiful things about this time of year is the way the sun tinges the clouds with pink at about 4:45 or 5pm. I love it. Of course, the clouds help and they have been dumping rain on us. We don’t complain about the rain, but I will complain about the cold. It has been bitter for a place that doesn’t get snow regularly. I have been wearing so many layers!

ColorPlay Jan 7-n.1
ColorPlay Jan 7-n.1

My first iteration of a color palette has all of the circles clustered around the upper left hand corner. I am not sure why. However, this is almost a monochromatic palette with a serious number of blues. I see more colors, including a tinge of yellow in this picture, but I do think that the tool has got it mostly right.

ColorPlay Jan 7 n.2
ColorPlay Jan 7 n.2

For the second palette, I wanted to try and keep the monochromatic look, but add some contrast. I wanted the contrast to be light so I tried to find areas that might be in the white-cream-light grey realm. The Kona cream and ivory chosen by the tool both have a tinge of pink, which I think is a good choice.

ColorPlay Jan7 n.3
ColorPlay Jan7 n.3

I moved the circles around a little again for the third palette. I wanted to try and capture the yellow. I wasn’t really able to find that yellow in the photograph. I guess that is one reason we should take care of our eyes: they can see things our camera can’t. Still, the palette is pleasing and would make a very calming quilt.

 

Have you tried the Palette Builder? What have you made?

Creative Spark 7: Permission

Kind of ironic, huh, after yesterday’s posts?

Permission is an odd thing. Sometimes you need it to move forward. My husband has only once complained about the quilts we have at home. He helps me with quilt math and did all the figuring for the Triangle Technique chart. In these way he has given me permission to create.

He wasn’t, however, the first. We did a lot of creative things at home when I was a kid. My dad tied fly fishing flies and had us work along with him. My mom sewed and painted those plaster decorative pieces with us. My grandmothers all cooked and did needlework. We often received kits to make things as gifts. It was normal to be making at our houses.

I also remember various teachers who encouraged creativity and making. Mrs. Cole and Mrs. Kay created a entire play based on Fiddler on the Roof called Piddler on the Loose that included costumes, music and a completely rewritten script. There was also an art aspect to our learning in Mrs. Gellman’s class: kites when we studied Japan, a mission built by the entire class when we studied California history and something to color or glue in general.

Bloomston talks about her various teachers and how they inspired her. About one she writes “she gave her students nothing but space, time, materials and permission. She offered an open door to her wild studio filled with crazy, sophisticated materials and tools” (pg.33).

I don’t think we need “assignments, lectures or instructions” (pg.33). I think we need a sense of possibility and permission. Permission can be tricky, however. I don’t need someone to say “it is okay for you to go and sew today”. It is more that I need the space to be able to go and sew. My family giving me the mind space to make the decision to sew is a kind of permission.

Part of permission is the mindspace, but Bloomston points out that the “blessings and resources in our lives that allows us freedom – open doors, yesses, possibility” all have a hand in getting us to create. The good thing is that no matter how much money a person has, anyone can take a pen and draw lines on the least expensive piece of paper and make art.

Bloomston says “Seek out people who say yes. Seek out people who give you permission, whether teachers or friends” (pg.34).  One of the most important things that helps me to create are the people in my guilds. The fact that they show up and show their work inspires me so much! It makes me want to make that or this other project as well.

Bloomston has some worksheets in this chapter, which will help you focus on the things discussed in this chapter. Take a look at the book.

Nota bene: we are still working through Carrie Bloomston’s book, The Little Spark. Buy it. There is a lot more to it than what I am writing and it will help you. Go buy Carrie Bloomston’s book, so you get the full benefit of the fabulousness!

Late Pre-Christmas ColorPlay

Nobody died, but I did have a slightly stressful week, which you can see on Instagram and Twitter, if you are interested. I post more about my life there. No quilt related emergencies. thus, the late posting of ColorPlay and little other posting this week. I also haven’t sewed much.

ColorPlay Christmas 2016
ColorPlay Christmas 2016

This is an old photo from a prior Thanksgiving dinner, but I thought it would make a nice themed ColorPlay this week.

ColorPlay Christmas n.1
ColorPlay Christmas n.1

The first color palette is the default. It is what the tool gave me out of the gate; I didn’t make any changes. I really like it, mostly because I got two in the red area right off. I also like the neutrals.

ColorPlay Christmas n.2
ColorPlay Christmas n.2

I fooled around with the dots a bit on the second option, keeping the reds, but changing up the neutrals. I also added some additional greens, which, though present in the first palette, were not representative of the theme of the tablecloth.

ColorPlay Christmas n.3
ColorPlay Christmas n.3

Finally, this is my masterpiece. I really like this color palette. I like the various greens – they are brighter – in combination with the two reds and only one neutral and think it would make a great quilt.

ColorPlay December 16

ColorPlay December 16
ColorPlay December 16

More torture for you for the sake of color. This is an example of a standard sundae you can order at almost any Austrian cafe. I indulged several times with different sundaes while I was in Austria. I had this one in Steiermark near GroB St. Florian. I didn’t think much about what I was eating while I was there, though I didn’t stuff myself either.

This one is called Pfirsich Melba, I think, meaning Peach Melba. I’d give a lot for another one in Austria just now.

ColorPlay Dec 16 n.2
ColorPlay Dec 16 n.2

The first one, the standard made by the tool, has a load of neutrals as the others in previous editions had. I kind of like the coffee colors and the combination, but would probably never make a quilt with these colors. I get depressed using dark purple fabric in the winter. No pink; I’d get depressed and never finish it or toss it or give it to the Charity Girls. If I ever go live in Hawaii I’ll think about trying a neutral quilt.

ColorPlay Dec 16 n.1
ColorPlay Dec 16 n.1

I made some changes to the location of the circles to get some color.

I got some red and a kind of gold Kona calls Yarrow. I wanted to keep some of the neutrals to see how it would look.

More color. I needed more color. I didn’t have much with which to work.

ColorPlay Dec 16 n3
ColorPlay Dec 16 n3

The third time I put all the circles on the colored areas. Lots of red, mauve dusty rose, which are really called Cayenne, Sienna and Deep Rose in the Kona world.  Yarrow is back as well.

One thing that this exercise does is it makes me look – really LOOK – at the photos. After trying to get more pink or color, I finally saw the blue towards the base of the dish. The blue looks lighter to me than the Palette Builder determined.

ColorPlay Dec 16 n.5
ColorPlay Dec 16 n.5

Kona Everglade was added to the mix. As usual, the work paid off and this is the best of the lot.

Have you made something with one of the palettes. Let me see it.

Creative Spark 6: Perfectionism & Messes

“Perfectionism is the enemy of the creative act.” pg. 29

The above quote cannot be learned. It has to be infused into your bones. The single thing that prevents it from being infused, possibly forever, is someone (mother, father, grandmother, well meaning person) crying “how did you get so dirty?” These simple, seemingly innocuous words can doom someone to a lifetime of cleanliness and perfectionism. I know this because I have only made some strides into messiness. When I am in the midst of projects, my workroom is terribly messy. The boys are scared to walk across the room lest they step on something important. The YM gives me dirty looks and stern admonishments as he walks through the bathroom he uses.

The strides I have not made are into dyeing and painting. I do both very occasionally, but they are just too messy. My godmother had a lot of good qualities, but encouraging and supporting messiness was not one of them.

However, it is important to encourage creativity and one way is to validate process and exploration. “Life is filled with opportunities and if you are worried about getting dirty or making a mess…then you will be limited in your possibilities” (pg.29).

Life isn’t a show. people are messy. Perfectionism “constricts and confines you” (pg. 29). Your life and work “doesn’t have to be tidy. It doesn’t have to be tidy. It doesn’t have to look perfect. But it does have to be true to you” (pg.30). I have started to get rid of fabric that I bought because people said I needed to add ugly fabric to quilts to make them sing. This is not my authentic style: out they go. I look at fabric in a quilt store in the context of the fabric I have at home not in the context of the quilt store, so I can bring home fabric that works with the fabric I have. Most fabric looks fantastic in a quilt store; not all fabric looks good in my workroom. I want the fabric I buy to be authentic to what I am making, so I can include it in quilts that will end up being my style.

The other thing is that allowing the messy part out allows you to grow as a person. “Allowing the messy part of the self-the unresolved part- to have a voice is a way of healing and a way of understanding yourself and the world” (pg.30). Not all of your work will be perfect. There will be tears and raw edges and corners that don’t match. You won’t ever get to perfect without these things.

In this Spark, I am reminded of the 10,000 hours. Someone said you had to do 10,000 hours worth of work in your chosen field in order to master it. I don’t know if that is true, but if things aren’t going well for me in my work, I think about that and tell myself I have to put in the hours.

I was reminded on Saturday, at the CQFA meeting, how much I enjoy hearing about people’s process and how they got to the piece they are showing. It shows work and a process and trying things out that might have sort of worked or didn’t work. It shows tweaking and thinking.

Anne Lamott wrote (and Bloomston shared) “Perfectionism is the voice of the oppressor, the enemy of hte people. It will keep you cramped and insane your whole life…Perfectionism is a mean, frozen form of idealism, while messes are the artist’s true friend” (pg.31).

Nota bene: we are still working through Carrie Bloomston’s book, The Little Spark. Buy it. There is a lot more to it than what I am writing and it will help you.

 

 

ColorPlay Dec 2

Dishes
Dishes

These dishes caught my attention when I was in Franziskanerplatz in Graz. Later I saw a set of four cups in an antique shop and I thought of buying them as a thank you gift for one of my friends. Unfortunately, the cups were 25 Euros each, which was out of my budget right at that moment. If I had a vacation house, I would buy a set for it. However, a person can only use so many dishes and I have enough at the moment. They are so bright and cheerful, though not clunky and chunky like some other colorful styles. I especially like the purple.

The dishes are by Lilien AT and the style is from 2010, called Daisy. I don’t know if they are still available, though I doubt it as they are not listed on the Lilien website.

This was an appropriate photo for this week since I, and my house, are still recovering from Thanksgiving. The colors are cheerful and springlike.

ColorPlay Dec 2, Palette n.1
ColorPlay Dec 2, Palette n.1

I had fun with the palettes. I was shocked at the default palette that the tool came up with. Can you believe all the browns and neutrals. It is as though the tool is design to select from the edges of the image. I was really shocked at this palette considering the bright colors of the dishes.

ColorPlay Dec 2, Palette n.2
ColorPlay Dec 2, Palette n.2

Of course, I got busy and moved the bubbles around. I wanted to try and get all those gorgeous springy colors. One thing I noticed was that within the colorful areas, it was possible to get different versions of the colors we see. For example, at one point Kona Maize was part of the palette instead of Kona Sunflower. There are shadows that are difficult to see in the photo and that affects the palette.

ColorPlay Dec 2, Palette n.3
ColorPlay Dec 2, Palette n.3

I tried again, still going for the bright colors and made a slightly different palette. Kona Maize is back instead of Sunflower and Kona Peach is in place of Kona Salmon. I forgot to move one bubble off the window frame, so Kona Juniper is also included.

It just occurred to me (DUH!) that there are tone-on-tones that I could match to this palette instead of going to buy the solids. Not sure why that leap of inspiration didn’t occur to me before.

ColorPlay November 25

Postamt Boden
Postamt Boden

I owe you a chapter from The Little Spark book, but that chapter will not be this week. Thanksgiving kicked my butt and after I post this, I am going to lay on the floor of my workroom and pretend I am sewing.

Once again we are looking at color palettes. This is an endlessly fascinating topic for me.

I saw this floor in the Postamt at Neutorgasse 46 in Graz when I went to mail some postcards home. I love mosaics and tile as you well know and despite the grime and poor repair of this floor, I thought it was a beautiful design.

ColorPlay November 25 n.1
ColorPlay November 25 n.1

I tried to get a pleasing array of the neutrals. Again, lots of neutrals and ‘repro’ colors. Another challenge. Lots of chocolate and mocha type colors. The Kona Taupe definitely has a pink cast and the Ash looks silvery. The two of them keep this palette from being too depressing.

ColorPlay November 25 n.2
ColorPlay November 25 n.2

I worked hard to keep that taupe in the palette on my second attempt. This second palette is somewhat brighter, especially with the Wheat.

If you make anything from one of the palettes above, let me know.

 

ColorPlay November 18

Glockenspiel on Glockenspielplatz
Glockenspiel on Glockenspielplatz

I am working, today, with another photo from my trip to Austria.

I used to live at Glockenspielplatz 6/3/13 and this is the Glockenspiel (chimes, carillon) across from the main house door. I don’t remember that giant tower and will have to look up some photos from my last trip to Graz to see if I simply don’t remember.

Again, I am playing with neutrals, apparently. The colors of the buildings are remarkably consistent in Graz. The yellowing stone of the buildings, the red tile (slate???) roofs and the green copper of some towers or other architectural details. No fuchsia or turquoise here.

ColorPlay November 18 n.2
ColorPlay November 18 n.2

The Palette Builder tool created a much more neutral heavy palette, which makes me wonder how the circles are placed on the image by the programming. The circles seem to gravitate to the darker sections of the photo. You can see that none of the gold or sand colors have a circle on them.

Still the tool selected a bit of blue, which adds to the palette, though I was sorely tempted to move the blue circle to a darker section of the sky.

ColorPlay November 18
ColorPlay November 18

I thought my first attempt would also be somewhat depressing (I am gaining more of an appreciation for neutrals, however), but the yellow and the blues add some cheeriness.

I wanted to get a good color for the green copper, but wasn’t really successful. This made me think about whether I was expecting a matching color from my mind or if I was truly seeing that green color. Yes, I do know there are a variety of greens in that architectural detail.

ColorPlay November 18 n.3
ColorPlay November 18 n.3

Since I seemed to be stuck on greens, I decided to try and create an almost completely green palette using that copper covered tower.

I am not sure if Limestone, Shale and OD Green are actually greens. If I assume they are, I have to say they lean heavily towards the grey end of the green spectrum. Yes, I did move that blue circle to a spot that would register Stratosphere.

Let me know if you make something from either of these color palettes.

ColorPlay Friday

Dornbirn Window Boxes
Dornbirn Window Boxes

On my first day in Dornbirn, I went with my Austrian mom to the natural grocery store (Bioladen). Across the street was the house above. I love the painted shutters and the window boxes. September is such a lovely month in Vorarlberg.

I decided to use the photo to see what kind of palette I could make. I have recently been fascinated with the combinations of neutrals. I see a lot of houses in the neighborhood painted in a pleasing combination of neutrals. I am reluctant to commit to such a color combination, however. There is a difference between admiring as I amble by and being forced to look at it each time I drive up and walk in.

ColorPlay Nov 11 n.1
ColorPlay Nov 11 n.1

This photo has some interesting neutrals. I focused on the neutrals in the first palette. As individual colors combined with super brights, as per my usual, I can imagine using them. I am not sure about the palette above. I was trying to get a white, but the Palette Builder recognized the color as baby blue. It is interesting to think about using a very, very pale blue instead of white. This is when I need a team of assistants to sew on command. 😉

ColorPlay Nov 11 n.2
ColorPlay Nov 11 n.2

Kind of depressing, especially after Tuesday, so I tried to create a brighter version. Not much to work with, but I do like the result. The watermelon is an interesting color.

What have you made?

ColorPlay: Soup Tureen

My recent trip to Austria was a complete feast for the eyes. Everywhere I looked I wanted to capture the images – the layering, the lines and especially the color.

Silberkammer: pantry
Silberkammer: pantry

It is hard to choose a favorite museum, but right now I am in love with the Silberkammer in Vienna. It is the museum of the Kitchens and Dining of the Hapsburgs. There are dishes, serveware and set tables everywhere. Above shows one of the rooms of the pantries that remain. There were several, but some are now used for other purposes. Ever since I saw the butler’s pantry at my friend Kathy’s childhood home in Upstate New York, I have wanted a pantry. Of course, the one shown above would take up half of the main floor of my house (kitchen, dining room and part of the living). To have somewhere to keep china, crystal and silver would be fantastic.

Silberkammer: Soup tureen
Silberkammer: Soup tureen

One of the sets of china includes a soup tureen decorated with a lovely jade color. I am using it as our color play today.

The color scheme the Palette Builder tool originated was all neutrals. That lovely green color was not included. I didn’t even save that palette. I moved all the circles around to come up with something better

Soup Tureen Palette
Soup Tureen Palette

It is interesting that the green is considered Kona Bluegrass. I’ll have to go and look up what color Kona Jade is, if there is such a color.

Again the tool had problems with the pinks/fuschias. I moved the little bubble around quite a bit and the Kona Crimson was the only red I could get. I think the angle of the photo had something to do with the results as well.

I would definitely change out some of the colors if I made a quilt with this color palette.

Let me know your thoughts or if you make something from this color palette.

ColorPlay Mountains

Once again, I used the palette builder to…well… build some palettes for you.

Mountain photo
Mountain photo

The photo is a photo I took from the car window as my friends drove me around GroBes Walser Tal in Vorarlberg, Austria. I chose this picture deliberately because there were a lot of blues and I wanted to see if the Palette Builder could deal with them.

Mountains & Sky
Mountains & Sky

I am pretty pleased with the palette the tool built. I didn’t even move the circles around.

Mountains & Sky 2
Mountains & Sky 2

mtn-palette2I like some of the colors in the second palette, but I am not as excited about it overall. Peacock and Glacier are two of my favorite Kona solid colors. The others are ok.

This is a fun tool, as I have said, and I could make 50 more palettes with this one photo. Go and make a quilt with this palette.

ColorPlay Chocolate

Milka HaselnuB
Milka HaselnuB

Yes, I am going to torture you today. I am not really very sorry. It is helping me to remember my trip.

Milka is a brand of chocolate sold in Austria. Occasionally, I can buy it at World Market, but not regularly. It might be sold elsewhere, but it is not widely available here in the US. When I visit friends in Austria, I indulge.

Yes, chocolate snobs are sticking their noses up, because this bar is made from milk chocolate. I am also a dark chocolate fan, but this milk chocolate is no Hershey’s. It is so creamy and rich that it calms fretful children and makes grown men weep when they eat it.

Now that you are frantically rummaging through your desk drawers looking for chocolate crumbs, let’s get to the ColorPlay. 😉

I took the wrapper and ran it through the Palette Builder tool. If you still haven’t tried it, get some colorful photos and have some fun.

Milka ColorPlay
Milka ColorPlay

I didn’t crop this photo, but when I ran it through the tool, I moved the circles off the background and focused on the wrapper. Yes, I can control the colors to a certain degree, as you know, by moving the little circles around. The palette above is a little heavy with those particular shades of red and green. Thus, I decided to make a new palette and try to make it lighter.

Milka HaselnuB 2
Milka HaselnuB 2

Perhaps the Daffodil and Ruby, in the middle photo above, add to the palette in ways that I cannot imagine without sewing. My favorite, however, is the second palette. Yes, there is a lot of purply tones, but it feels lighter and fresher to me. What do you think?

The whole idea is to give you ideas for palettes for your quilts, so let me know if you create a project with either of these palettes.

Creative Spark 5: Time

“Forever is composed of nows. Emily Dickinson” (pg.25)

Have you ever driven to work, to the grocery store or to your hair appointment and all the lights were green, there were no idiot drivers and you found a parking spot right in front of your destination? “If I am struggling with anything, I generally feel like I need to find a better way” (pg.25). The first page of this section confirms what I have thought – I know when I am on the right track because everything comes together easily.

When I saw the above quote on the page in the Bloomston book, I couldn’t stop thinking about what it meant. I don’t think it means don’t plan for the future. I do think it means don’t live in the future.

In finding time, it is important to do a little self reflection. Bloomston has some questions to answer, among them “What is your best time of day?” This is impoetant to know and often hard to be real about because of societal pressures and age. College students and young adults are often pressured by their peers to stay up late. Teenagers would rather be in bed at 8am than in the classroom.

I am a morning person. If I can focus, I can get a lot done in the morning. I am at my best then. Depending on the day, I either start out at the gym or with some work and then a walk. I try to get my work and errands done early, especially the “fixed” errands like grocery shopping. As the day moves on my mind starts to drift so I will do errands at about 3 or 4 pm, attend meetings or other random to dos. It kills me not to be able to work on my quiltmaking every morning. I know I would be able to churn out some fantastic work.

I am not in the habit of working on my quiltmaking during the week because I get so engrossed that I forget to work (paying work). Probably, I just make the decision to take the day off and damn the consequences. My boss is pretty lenient, but it makes my paychecks pretty thin. On the weekends I devote as much time as possible to quiltmaking. I have found, however, that late in the day during the week, before my people get home, is a good time to do prep work -not intensive thinking work – but prep work. Recently, I dragged out a bunch of pillowcase fabric and used about an hour to find cuff fabric, cut the body fabric and generally get the body ready to sew. This has helped me to relax after work and get a lot more accomplished on the weekends.

Bloomston writes “…so I had to tune in and not miss the opportunity” (pg.26). I think that the experience of working for 30 minutes-1 hour in the evenings during the week was an example of taking advantage of an opportunity. I took advantage of something that presented itself and it turned into something positive. I also created a process that ended with a big bang of work on the weekends.

“To squeeze the most out of his creative life, he found a way to squeeze it into his life. No doubt, this takes dedication, persistence, and sacrifice. We have to tune into our own lives to locate those precious hours” (pg.27). In order to get better, you have to work – and that applies to everything, including your quiltmaking and artwork. It’s not all about the inspiration, you have to work to get the process and the habit into muscle memory. Working also creates more work. Have you seen my Petrillo Bags? I did not, as you know, create the pattern. I made the first bag as written and I liked it. However, I looked at the bag and thought ‘I wonder what would happen if…’ which is always the best feeling, because it means that I am inspired to make a pattern different or better. Since the first one, I have made two more, each with some changes, hacks or tweaks. As you read recently, I finished the third one. Despite the fact that I have made many, many bag patterns I want to make a fourth Petrillo bag just to make that particular pattern a little more useful for me.  You have to take the time to make progress.

Because there is a finite amount of time in the day and I like my beauty sleep I try to add time to be creative into little pockets of the day. As I wrote the first draft of this blog post, I wrote it my journal with a lime green Sarasa pen. Writing is one aspect of my creatiivty but I try to make it a visual exercise by using a different colored pen every day so my journal is pretty while still being useful.

You need time.

You can find the time if you only look at what is important. Only read your social media while you are standing in line. Make menus and go grocery shopping once a week. You have to become the mistress (or master) of your time. There is only so much. Don’t waste it.