Book Review: Material Obsessions

Material Obsession: Modern Quilts with Traditional RootsMaterial Obsession: Modern Quilts with Traditional Roots by Kathy Doughty
Material Obsession is one of the first books written by Kathy Doughty. This one is co-authored by Sarah Fielke and has a foreword by Kaffe Fassett. Great credentials!

The cover quilt is a good start as the quilt depicted is inspirational and VERY appealing. It is hard not to like the dotted background and Dresden blocks.

Kaffe Fassett’s foreword is very complimentary, as expected. It acknowledges the “much less-than-inspiring work that take up wall space in shops and exhibitions” (pg.6). I find it refreshing that he acknowledges that not all quilts are stellar (though, FYI, I do believe all quilts are worth making). He compares the high quality of the work shown at the shop to other work he sees in work of “teaching, lecturing and judging” (pg.6). Whether true or not, I tend to believe Kaffe Fassett’s assessment of the shop and work displayed there.

Essentially, this is a project book. Twenty-three projects are on offer (pg.14-168) followed by Quilting Basics (pg.174-196), a glossary (pg.200) – Yay!, an index (pg.202) – Yay!, sources for supplies (pg.203), about the authors (pg.204) and acknowledgements (pg.206). From the amount of pages, you can see that this is a substantial work.

Another premise of my quiltmaking is written in the Introduction (pg.10-12). “Material Obsession came to be as a reflection of our times. Our quilts reflect a lifestyle that is moving quickly and changing every day. Quilts were once a part of a slower-moving era, one of frugal use of leftovers and recycled fabrics”… “Quilters today are free to indulge in a huge range of color, shape, and texture”… “And they quilt for love, for enjoyment, and creativity rather than for necessity” (pg.10). this information reflects the changes in quiltmaking. Most of us do not quilt because we need to keep our families and friends warm. I appreciate the acknowledgement of that fact.

The Introduction segues smoothly from the changes in quiltmaking to the Material Obsession way of making a quilt. In this part of the Introduction the authors suggest choosing an inspiration fabric (pg.11), a fabric that sings to you. I have always heard of this fabric called a feature fabric or focus fabric and Christopher Tomlinson referred to this as a hero fabric in the lecture I attended at QuiltCon. The authors use ‘inspiration fabric’ as their term and do not use the other terms mentioned in their text.

Doughty and Fielke write words that are critical to me when I am teaching “If the fabrics look good to you, if you like them, then you have the beginnings of success” (pg.11). It is important to follow your heart and use fabrics that sing to you. If you are using fabrics you think you should use because they are traditional or part of a line or ‘modern’, but you don’t like them, you have made the first step towards an uninspiring project. Use fabrics you love!

The rest of the intro talks about using fabric and color, what makes a pattern, contrast (pg.11), how to vet a pile of fabrics, using digital images (pg.12) and inspiration. One thing that stands out in this commentary is the time taken to select the fabrics. I am guilty of grabbing fabrics just so I can get to the piecing. The time taken to carefully select fabrics is described by the authors as valuable because it makes a better quilt. The Introduction is helpful, inspirational and upbeat.

After the brief Introduction, the projects start. The first several quilts are not difficult at all – basically squares and triangles (Avalon-pg.16, Gypsy Squares-pg.20, Candy Store-pg.24, Corner Store-pg.30, Cowboy Baby-pg.38, Goodnight Sweet prints-pg.44).

Each pattern has a designation from easy to advanced. These designations make it easy for a beginner to work through the projects in order and improve skills. Complexity in the easy patterns comes from the careful use of fabric. This is a great technique for making simple quilts look complicated.

Patterns repeatedly suggest using 100% cotton (example pg.53) and testing for colors that might run (example pg.44). these are both good practices, though using non-cotton fabric is not a deal killer. I have seen gorgeous quilts using velvet and silk. I wouldn’t recommend starting your quilting life with these, but use the fabric that makes your heart sing!

The first intermediate pattern is called Snuggling Letters (pg.56-61). It includes a Peaky and Spike unit. The pattern includes templates for that unit, but also recommends purchasing a special ruler. The units seem to be 3.5″, which means you also might be able to use the Accuquilt die for easier cutting, though that is not mentioned. Sizzix has similar die. Check unit sizes in the patterns before purchasing dies or rulers.

The first picture in each pattern, in all of the patterns is a lifestyle shot, which doesn’t show much of the quilt. Each quilt is also shown in a straight on format photo towards the end of each pattern.

The advanced quilts are truly advanced as opposed to fake advanced. Girlfriends Galore (pg.104-111) includes a Lone Star with multiple on point borders. The bias aspect is enough for me to toss it into the advanced pile.

Probably my favorite quilt project of the whole book is the cover quilt, Dotty for Dresden (pg.120-128). The dots that stand out in this quilt are immediately appealing. I also like the larger than normal center circles. The selection of fabrics does not scream an era – the fabrics are clearly contemporary, but also timeless, in a way. I like quilts that won’t look dated in 10 years.

The patterns do fall into the trap of giving cutting directions based on the fabric (example pg.122) rather than using the location (e.g. background) of the pieces. This can be confusing for makers who aren’t using the same fabric.

I also like the uniqueness of the Three-Ring Circus hexagon quilt (pg.128-133). The colors of the The Big Pineapple (pg.134-139) are appealing , but I also like that the quilt is actually the classic Pineapple pattern.

Each pattern has a short essay on the inspiration behind each quilt (example, pg.140). These sections are too short to be very satisfying to me. I love hearing about people’s inspiration.

The patterns are not boring and I was pleased to see a Nosegay pattern included (pg.162-167). The use of fabrics in the various quilts is quite varied and also not boring. Excellent use of stripes, and dots and large prints can be found throughout the book.

I wish they had more examples of pattern quilts in different fabrics, different examples of quilts in different colorways. I’d like to see which of these designs work with a two color quilt color selection.

As is usual with many quilt books, this one has a section on quilting basics. This section is a little more robust than others I have seen. Parts of a quilt (pg.176) are described as are different types of batting (pg.176). Points are illustrated by referring back to quilt patterns.

I don’t remember seeing fabric grain discussed in other books, but Doughty and Fielke write about it in some detail on page 177. Preparing fabric such as the benefits of pre-washing and running colors merit a sidebar (pg.177). A section on choosing thread, equipment and rotary cutter safety (pg.178-179) are well written. After a part on accessories, which includes template plastic, pins and scissors (pg.180), the authors write about cutting fabric and measuring (pg.182-183). Rotary cutting shapes is also covered (pg. 183-187). Because of all of the applique, cutting shapes by hand and fussy cutting are thoroughly discussed as well (pg.188). Various applique methods are explained alongside piecing (pg.189-190). Laying out a quilt in a straight set and on point precede adding borders (pg.191). The book does not include the technique of measuring the quilt three times and averaging to get the size of the borders. Look that up elsewhere. Layering and basting are covered and illustrated with quilts using bright colors (pg.192-193). Quilting is covered in two pages (pg.194-195), which I always find amazing, and binding is covered in one. The binding information comes with useful illustrations (pg.196-197).

My librarian heart is warmed when looking at the glossary (pg.200-201). It is excellent! Terms such as ‘ease’, ‘chain piecing’ and ‘weft’ are included. The authors get additional bonus points for including an index (pg.202-203). The source of supplies (pg.203) is a good place to start, though the list may become dated and won’t include newer, more up to date tools and supplies.

I love the bios (pg.204-205). They give me insight into the authors.

Abrams books are fabulous. They are large, lush and gorgeous. This book is no exception. I love the colors, the many photos and all of the different fabrics shown. The drawings give the overall book a friendly feel. The combination of hand and machine techniques offer options for all different types and skill levels of makers.

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Revisiting the BAMaQG IRR

BAMaQG IRR, in 2018
BAMaQG IRR, in 2018

After the Big Stitch class, I started thinking about the BAMaQG IRR project. This is one of the projects on the 26 Projects list that I had low hopes of getting done. Now I feel better about the project’s completion because I think that it would be a good venue for Big Stitch.

I talked with Julie about my idea at dinner the other night. I need to square it up, then make a back. My thought is that I will do some minimal machine quilting and then use Big Stitch to stitch the rest together. Alternatively, I will just Big Stitch the whole thing and skip the machine quilting. I’ll get it into the hoop a lot faster if I skip the machine quilting piece.  I will have to baste, which is a trial any way you look at it. I could use a big hand project like this right about now, so stay tuned.

The last time I thought about this project was in June of 2016! I think it is good to attend a class and have it stay on your mind after the class ends.

 

Stepping Stones n.2 Progresses

I have been cutting a lot of fabrics for this quilt. As a result, I was reminded of why I like Hunting and Gathering. I have not hunted or gathered fabrics for this project, so I have to cut fabric in order to finish. If I had done some Hunting and Gathering, I would have all of the cutting completed and be on to piecing. I don’t really like cutting a lot all at once. For a scrappy quilt, there is a lot of cutting.

Stepping Stones n.2- end of Feb 2018
Stepping Stones n.2- end of Feb 2018

Fortunately, I just got to it, listened to a book and cut away. Since the beast is so big, i can only really work on two sides at a time. In the photo, right, I am working on the top and the right hand side. While only working on two sides, I am still cutting for the left and bottom. Compared to the photo I showed you last week, you can see that this piece is progressing well. You can also see the design coming together.

I finally cut enough fabric so that I could put a couple of blocks together. I just had to do it. I felt like I was making no progress, even though I could see that I was cutting. So, I made the blocks. What a relief. Now I feel like I am making progress. It is just tedious to keep cutting, cutting, cutting all the time.

Stepping Stones: right hand top corner
Stepping Stones: right hand top corner

The block with the green and blue HSTs is one of the corner blocks. With the red 4 patch, you can see how the border integrates into the quilt design as a whole.

 

As mentioned I was able to piece two blocks. You can see the red four patches and the rest of the blocks in more detail above. While there are some duplicates, most of the border blocks are made especially for one location in the quilt. I designed the border this way, so the center motif would be finished and not cut off along the edges.

Superhero Apron

Superhero Apron in process
Superhero Apron in process

ColorPlay and the Creative Spark will return soon!

I finally cut out the apron I had in mind for one of my nieces. Not great progress, but a start. The pattern is an old Simplicity pattern. I think I bought it for a sewing class I took after I graduated from college. I noticed the price of the pattern was $3.95, so it had to be a few years ago. 😉

I making a few modifications, but have consulted with Mary about most of them, so I feel pretty confident.

I haven’t done the yellow or the lacing yet, which will accent below the neck. I was inspired by a dress I saw at Bay Quilts. I will get that part together soon.

Superhero apron pockets
Superhero apron pockets

I also made pockets. These are a little different than those called for by the pattern. I measured my phone and made pockets from a combination of the size of my phone and the pattern on the fabric.

I have to be happy with the small amount of progress.

Cowl

Cowl
Cowl

Keeping my YM warm is a theme since Thanksgiving. We saw him last weekend and the question was why he was wearing two shortsleeve t-shirts rather than a longsleeve. Answer: out of clean laundry. Sigh.

To that end, I made him a cowl. I had some leftover yarn after making him the hat, so I decided to make him a cowl after realizing I didn’t have enough yarn for another hat.

It didn’t come out as well as I had hoped. It looks good but was too large so kind of flapped around his neck (when I saw it in the wild). I think I needed to cast on fewer stitches to start. Next time – there is always more yarn.

More Hansel & Gretel Progress

Hansel & Gretel in Progress
Hansel & Gretel in Progress

As I said the other day, I got the kids partially stuffed. They are going to be able to sit and bend their arms. I actually understood the directions and how to get that done. Both of the previous dolls, Coral the Mermaid and Little Red Riding Hood. had stiff legs.

To me, this means I am progressing in my skills. It also means more work. I couldn’t just stuff and finish the dolls. I had to stuff, then sew, then stuff some more before finishing. It worked fine, though it took more time.

The skirt for Gretel is the last piece of this set. It is mostly made, but I needed Gretel to be done, so I could finish the skirt to fit Gretel’s waist. I plan to finish this last bit and send the set off to my niece soon.

Cutting Corners Donation Quilt

Cutting Corners Donation Quilt Finished!
Cutting Corners Donation Quilt Finished!

This quilt came to mind the other day when I saw a similar technique on Fons & Porter.

Pam was doing the finishing, as I mentioned, and she was finally able to finish the binding.

It was nice to see it and I am really glad it is finished. I like the look of the stars, though I wonder about my fabric choices.

Also, I wonder if the Folded Corners Ruler I bought would do the same thing? I think it would enable me to put the stars in the sashing, but not add the background border (white in the photo, left). I really need to try that ruler.

QuiltCon Day 5 -Last Day

Well, as you read this, I will be getting back to real life.

Yesterday was class day. A lot of people were done with the conference – tired, ready to go home, out of money, etc. I was ready to sew, so a class was just what I needed.

We got up at, what felt like, the crack of dawn and hustled over to the classroom. We wanted to get there a little early because we wanted seats that we wanted. There were two different Janome machines to use. We both chose the 6700 models (I think there were letters after them, but I forget what they were.

Libs Elliott is a lovely person and a great teacher. The content was sufficient to complete in the class and she was available and supportive during the entire class. The class was Dynamic Stripes. If you want more than that, take the class. 🙂

We made stripes from solids and semi solids and then cut them up. There were several options. The strip sets I made were two of the options. One was the regular set and the other Libs called Biggie Smalls. I decided to go with the easiest options so I could get the jist of the technique.

Dynamic Stripes, first version
Dynamic Stripes, first version

Once I cut up the strip sets, I was able to put the blocks on the design wall and look at them. The triangles don’t all go together, because the fabrics were slightly different. Still, I was pretty happy with my first version.

Finished Dynamic Stripes top
Finished Dynamic Stripes top

I moved the units around and then started sewing. I came away from the class with a small finished quilt top and I am pleased. I need to press it a lot better, but I am happy with it.

I added in the solid HSTs to fill in where I was two blocks short. I think this is an ok piece. I think the technique is interesting, but my piece is definitely a practice piece. I’d like to try the technique with actual striped fabric (smaller blocks) to see what I could make. I am not sure I will use this technique in general, but I am glad to know it and I am really glad I took the class.

 

February Donation Blocks

I have been working on donation blocks in between the other projects (like FOTY 2016). They are stacking up and I can’t wait to bring a bunch to the guild meeting next time.

 

QuiltCon 2018 Day 4

We are starting to get tired. walking on concrete all day for several days is difficult. The show and the ancillary events are super fun, but also tiring. We went to the main hall to finish looking at the quilts and finish looking at the vendors. Today was also class day for both of us.

Other people are also getting tired, I think because even though people were friendly, they were not as gregarious.

Sarah Fielke demoing Big Stitch
Sarah Fielke demoing Big Stitch

Probably the most important event of the day was the Sarah Fielke class I took. This was a fabulous class on Big Stitch. I was concerned that it wouldn’t be what I needed. I started to obsess about the class being a hand quilting class when I wanted to learn any special techniques to use Perle Cotton. My fears were unfounded. It was a great class. It was, basically a hand quilting class, but Sarah built on my existing store of hand quilting knowledge and refined it so I could wield a needle with Perle Cotton like a pro.

Big Stitch sample piece
Big Stitch sample piece

The instruction lasted about 10 minutes, once the introduction was finished and a lot of techniques and information came together in my mind. I finally understand the rocking motion that is so critical to good hand quilting.  Not only do I understand it, but I can do it with confidence. YAY! As an added bonus, I got to try out the many spools of Aurifil and Sue Spargo Perle Cotton I have been collecting. But wait! There’s more! It was fun. I enjoyed sitting there and practicing the stitching. The class was totally worth the time and money.

Julie took an Angela Walters class while I was in Big Stitch. We have another class tomorrow with Libs Elliott.

Waves by Etsuko Takahashi, 1998
Waves by Etsuko Takahashi, 1998

I was pleased to see a SAQA exhibit, Modern Inspirations; Art Quilts From the 1970s through Today, in the back of the hall near the demo station. It was filled with ‘modern’ quilts made over the past 30 years. Some looked like they would fit right in with the quilts in QuiltCon’s 2018 exhibit.

Waves by Etsuko Takahashi, 1998 was one of my favorites in this exhibit. It is made from Pointillist Palette fabric and is such a fantastic use of the fabric that it takes my breath away. Though the fabric is already ombre, the gradation between fabrics is incredible. All of the quilts fit right into the QuiltCon exhibition.

Carolyn Friedlander keynote
Carolyn Friedlander keynote

Early in the day, we heard the Keynote Carolyn Friedlander. She spoke about her inspiration, her various fabric lines and a book. One thing she does is make quilts over and over exploring different options in each iteration. I was interested in her talk and thought she did a great job. Many people walked out, grumbling that the keynote wasn’t what they expected. ??? I was confused about that, because I got what I thought I was going to get and thought Carolyn did a great job. People are weird.

The keynote was right at noon, which made lunching difficult, so, perhaps, people were cranky?

Template Handle
Template Handle

I think the vendors were tired as well. They were perfectly friendly and helpful, but not as perky. Early in the day we walked around the hall a little. I bought an interesting template handle. It is much smaller than others I have seen, but I thought it might be useful for my smaller rulers as well.

Daylight Clip-on Lamp
Daylight Clip-on Lamp

I also bought a Daylight lamp. It is a small, portable clip on lamp that I hope will illuminate my work surface even more.

We skipped the QuiltCon Happy Hour. Julie went back to the hotel and I went to dinner with Tim and Cyndi at an Italian restaurant. The waiter was fabulous and my pizza was delicious. The restaurant was far away so it took me awhile to get my food. 😉 It was worth the wait.

One more day then back to real life.

QuiltCon 2018 Day 3

Day 3 was just as good as Days 1 & 2, but I don’t feel like I saw as much. We stayed mostly in the vendor hall, which also has quilts. All of the winners are in the hall with the vendors and we decided it was time to look at them. I saw so many of them posted on social media that I didn’t think it would be worthwhile to see them in person, but it is such a different experience. Social media is awesome if you can’t be there in person, but I see the quilts differently in person.

We spent the first part of the day looking at the quilts. The winners were pretty amazing in some manner. The secondary winners (challenges, etc) were interesting as well. Once quilt I really liked was Clambake by Heather Black. I liked it when I saw it, but liked it even more after reviewing photos on my phone.

It is a simple design, but not boring.The background red is an interesting shade.

I also really liked the Heart of Gold quilt by Beth Chinderie.

I like it that the pieces that make up the heart are not pieced or appliqued, that they are fused (possibly), then quilted down.

This endeavor migrated to looking at vendors after about 5 rows of quilts.

Michael Miller Charity Charm Pack
Michael Miller Charity Charm Pack

Michael Miller is collecting charity blocks to make quilts. We got some free charm packs to make blocks for the quilts. After QuiltCon 2017, they made 9 quilts out of donated blocks to donate to kids with cancer. I have a charm pack of 12 charms and I am thinking about how I can use it to make the most 6.5×6.5 blocks possible. I might make some checkerboard blocks just to maximize the number of quilts I can make.

In the Michael Miller booth, as an added bonus, I got to meet HollyAnne, a Twilter, who is the CEO of Quilts for a Cure. She is a lovely person, which made the meeting fabulous. She turned us on to a little giveaway game. We went around to different booths and got punches, chatting with people as we went. In the course of getting punches, I found out that my rotary cutter, which broke recently, has a lifetime warranty! I have to call the customer service number and see what they can do for me.

We also checked out the Daylight Lighting company and I am sorely tempted to buy multiple products. We’ll see what I actually do buy. I plan to to at least buy one of the clip on, portable lights, but may buy a larger one as well.

QuiltCon Day 3 Purchases
QuiltCon Day 3 Purchases

I did buy some things .There is so much available and I have my limits in terms of space and time. Some of the things shown in the photo (right) were freebies as well.

Tool Tote by Quilts Illustrated
Tool Tote by Quilts Illustrated

I found a bag pattern that I had to buy. It is a tool tote with an interesting design and a super cute look. I have a the Oslo Tote by Sew Sweetness, which I think is similar.  Of course, the fabric helps to make it appealing. It is a tester for a project on which I might be working (far left, top) and it is called the Tool Tote. It has a frame to keep it wide open (see photos below). I have tried a pattern with a frame, though I have another pattern that calls for one. I am kind of excited about trying out a pattern with a frame. To go with that pattern, I bought Bosall and a zipper. The Bosall is like Soft & Stable, but is fusible. My Organizer Club by Crafy Gemini calls for this product. I thought it was a Soft & Stable knockoff until I talked to the lady at the Elkhorn Quilts booth (great company, fab bag patterns and supplies, BTW). I didn’t realize the Bosall was fusible. Not only does the Organizer Club call for this, but this tool tote does as well. I am not sure *I* would use a bag like this, but I might and the design is so fabulous.

Tool Tote, open, by Quilts Illustrated
Tool Tote, open, by Quilts Illustrated

Gretchen has been talking about the Jelly Roll Rug. I saw a pattern and bought it on impulse. I got a brief lesson on the making of it in the Moda booth and can visualize how it is done in my mind now. I am not sure where I would put one, but may make one anyway.

I bought a few pieces of fabric. I couldn’t find any Northcott charm packs in white, but I did find some by Paintbrush Studios, so I bought those to have on hand when I need to make more donation blocks. These were the one thing I planned on buying. I bought a great red and a text fabric. I am still trying to be restrained.

Moda Quilts made with Confetti Ombre by Vanessa Christesen
Moda Quilts made with Confetti Ombre by Vanessa Christesen

Not all of the booths were there to sell things. Some were promotional only. I stopped by the Moda booth while Julie was ont he phone and talked with Vanessa Christensen about her new Confetti (metallic dots) Ombre Line. It is Moda, but I love the designs.

Vanessa Christensen was in the booth showing the ins and outs of her ombre/metallic dot fabric. I am particularly fond of the heart quilt. I am not much of a heart person, but this quilt is really great.

We spent time in another lecture today. Today’s lecture was with Pamela Wiley. If you haven’t seen her quilting, it is amazing. She talked about finding your own stitch identity/style. Her talk was about getting inspiration from her surroundings and using the inspiration for her work – what she sees, how she thinking about it, how she tries to translate into something I could read.

Happy was spent at Porto Alegro. We started out there with Tim and Cyndi. When we left, Anna L, Mary C, Amy M, Christina T and Christy were all there as well. We had some drinks, talked about whate we liked and disliked about quiltmaking and the world and generally had a rowdy time.

I am starting to itch to stitch.

QuiltCon 2018 Day 2

No, I won't hem your pants
No, I won’t hem your pants

ColorPlay and the Creative Spark will return soon!

Day 2 of QuiltCon 2018 started out slowly. We didn’t have any classes and our lecture wasn’t until late, so we lazed around a little bit in the hotel. It may not have been the wisest move, because I poured hot water all over my hand and had to stand letting cold water run over it for several minutes. It was painful all day, but after many applications of cream and some Argan oil, I don’t have a blister and it doesn’t hurt anymore.

Quilts

Once we got to the show, we went straight into the hall that just had quilts. (The other hall has vendors and quilts). It was a nice viewing experience. There was good light and it wasn’t super crowded.

Overall impressions: solids, improv

Singularity by Jenn Nevitt
Singularity by Jenn Nevitt

My favorite quilt, Singularity by Jenn Nevitt of Fort Worth, TX, was almost the first one we saw it was made up of half square triangles. This quilt does not have any improv, which is an added bonus for me. I like the precision, the distribution of color and the varied sizes of blocks. It shows the power of a single block and the impact that one block can have if a design is executed thoughtfully

I thought I would feel resentful at all of the solids, but I didn’t. Some quilts I didn’t care for, but the ones I liked I thought were really well done – good fabric choices, interesting designs. I do know why the Carpenter’s Wheel didn’t get in this year. It wasn’t made of solids.

Vendors

Canvas Fabric, Day 2 QuiltCon
Canvas Fabric, Day 2 QuiltCon

Canvas Fabric, Day 1 QuiltCon

We haven’t gone through the entire vendor hall, but there seem to be more vendors that last time. We have gone through about a row and a half of vendors and I bought one yard of fabric. It is canvas and I plan to use it for a bag, perhaps the Rockstar bag by Sew Sweetness. Perhaps something else. We will see. I am determined to make something out of it soon and now allow it to lay around.

The FreeSpirit fabrics are flying off the shelves. I saw bolts that had just been cut in almost all of the booths we visited. I am sure the designers, if not FreeSpirit itself, will be snapped up quickly and things will continue, mostly, as before. Still, I guess the smart move is to get your fabrics while the getting is good. 😉

I saw a lot of fabric and supplies I liked, but didn’t want to commit to buying yet. Beyond the Reef had a lot of great fabrics, but I restrained myself from buying the Palm Country Layer Cake and random other yards of fabric from them for the moment. I did want a few of them, but don’t have an immediate use. I may go back and buy some things later, but want to see if I am still thinking about them tomorrow or the next day.

Brooklyn Haberdashery Knitting Needle Case
Brooklyn Haberdashery Knitting Needle Case

Brooklyn Haberdashery was there and they had a knitting needle case that I covet. It was $95, however, and that is just not happening, especially since I just bought needlecases with some Christmas money.

Binding Buddy
Binding Buddy

One thing I may buy is a binding buddy. They are about $17 and slightly too cutesy for me, but they seem really useful. Shari Butler was showing how they work. You roll your binding around the body of the binding buddy, When you are ready to bind a quilt, you put the Binding Buddy on the thread holder, which allows the binding to roll of the buddy either from the back or the front depending on the way it is originally rolled on to the binding buddy. The nice part is that you have somewhere to store your binding while finishing the quilt.

Education

Christopher Tomlinson: The Fashion of Prints
Christopher Tomlinson: The Fashion of Prints

As mentioned we had a lecture yesterday. The speaker was Christopher Tomlinson (IG: the_tattooed_quilter). He spoke about using prints in quilts.

He comes from the fashion industry so is influenced by the work they do when creating fashion lines and color ranges that support those lines. Surprisingly, he uses the focus fabric method (that I describe in one of my tutorials)! Chris, like me, also considers scale while selecting colors. In the process, he uses terms that are more fun than mine. Instead of focus fabric he calls it a Hero print. Large Marge is a large scale print, Tiny Dancer is a small scale print, etc. Perhaps I’ll be up there presenting if I had better terms and was more entertaining. 😉

He admitted to not knowing the technical terms for color theory, so there was some confusion when he was talking about shades and tones, but I ended up getting the jist.

The lecture wasn’t a revelation to me but it also wasn’t boring and was definitely entertaining. The slides were really well done.

Social

Jaye, Luana and Julie
Jaye, Luana and Julie

Today was also a day of visiting with friends. We ran into a number people from the guild, had dinner with Tim while Cyndi took a class. We ran into Annie Smith in the vendor hall as well.

We were also able to have some coffee with Luana, the owner of eQuilter. We had about 45 minutes to chat and the location was pleasant since we were surrounded by charity quilts.

We chatted briefly with Zina (IG: zanymouse) about dinner.

At one point, Julie wanted to sit down , so I went into the vendor hall. Almost immediately ran into the fabulous Christa Watson (IG: christaquilts). I chatted with her for 10 minutes or so until I had to leave to meet up with Julie. We talked about her new line of fabric and I helped her rearrange her display of quilt samples and books. She told me about her fabric and that she will be coming out with a new line as well. It was great to catch up with her. She is just as positive in person as she is online.

Tokyo Wako Dinner Show
Tokyo Wako Dinner Show

We went to Tokyo Wako, a restaurant across from the convention center for dinner with Tim (IG: timnrwc). It is. The food was really good and the whole experience was fun!! They were very attentive to my #glutenfree needs, which was great.

The chef came over and put on a little show while he cooked on the grill in front of us. He was nice and was able to cook the food exactly to our liking.

It was a great day, though tiring. I look forward to a good day today as well.

QuiltCon 2018 Day 1

We are already having a good time. I drove down to Julie’s house Tuesday and spent the night. I had dinner with her family and looked at all of her quilt stuff before we left. We set off for SoCal on Wednesday.

The drive was not bad. I mean we were in the car for several hours, which isn’t that great, but there was limited traffic. Julie was able to drive the whole way, probably because we needed to stop every two hours or so.

We made it to Pasadena by 3 or so. We checked into our hotel room and got settled a little bit. Sadly, my ladies maid was sick, so I had to do most of the settling myself.

Checkin line
Checkin line

At about 4:40 we headed over the Convention Center to get our badges and enjoy happy hour sponsored by Culcita Fabrics. The line was LONG.

QuiltCon 2018 Goodie Bag
QuiltCon 2018 Goodie Bag

It was fine. We saw some people we knew so we could chat while we waited. They started checking people in a few minutes after 5pm. Julie and I both received goodie bags, which were moderate this time, but had some useful stuff.  We met Tim and Cyndi as well as Kathleen and Sarah. The drinks for the happy hour were really expensive, so popped over to the Sheraton and took advantage of their happy hour prices.

We checked out the Culcita Fabrics booth, which was right outside the registration area. They have a modern fabric subscription. They send out bundles of fabric every month or two months. They have specials for QuiltCon. The fat quarter bundles seem reasonably priced, but I thought the half yard options were a little on the pricey side. Of course I am tempted, but 1) space in my fabric closet is at a premium, 2) I have plenty of fabric. They have bundles from past months for sale and I might buy one of those. We’ll see.

Brazlillian meat skewer
Brazlillian meat skewer

Kathleen rushed us off to dinner and it turned out to be a group of 7 – Julie and me, Kathleen, two Canadians, Marianne and Susan, and two ladies from Sacramento, Angelina and Judy. It was great to chat with them. It was a very intelligent group of women.

We gorged ourselves on Brazillian style skewered meat served at the table by cutting off slices. There was also a buffet of a variety of salads. I ate a really nice beet salad, some rice, fruit and cheese.

We had a lot to talk about so the conversation was free flowing the whole time. There were definite opinions about a lot of things (me and improv!).

Brazillian Skewer Dinner Group
Brazillian Skewer Dinner Group

All this and guess what? The actual show doesn’t start until tomorrow!

Stepping Stones n.2 On the Wall

Stepping Stones n.2 in process
Stepping Stones n.2 in process

After FOTY 2016, I put the Stepping Stones n.2 on the wall. I thought of doing the Blue Gradation quilt, but I needed something relatively easy.

HA! I chose wrong. This quilt isn’t difficult and all the center blocks are finished. I need to make all the border blocks and in the design of the border, I am using the self bordering technique. This means that the border is made from blocks that, when viewed together, form a border.

I had completely designed the border, which was good and just needed to make it. I found that I had no green patches, no blue 4.5″ patches and no HSTs. Basically I had to made the whole border from scratch – cutting everything, making the blocks and finally sewing.

No problem, right?

Well, it was a little bit of a problem, because the quilt is too big for my design wall. Sigh. I have to make part of the quilt and then move the quilt over and make the rest. It is a strategy, but not an ideal strategy.

I have about two complete border blocks done, mostly because I needed to see some progress. The style of the quilt requires a lot of different fabrics, so a lot of cutting.

Hansel and Gretel Progress

Hansel & Gretel Finished Elements
Hansel & Gretel Finished Elements

I am making progress on Hansel and Gretel. The pillow, bunny and bear are done, as is the quilt.

The kids are stuffed partially, but since I am making them sit down this time, I have to do some intermediate sewing before I can stuff them some more. I also had to buy more stuffing.

Hansel & Gretel Quilt Back
Hansel & Gretel Quilt Back

Yes, I did quilt the quilt myself. I used the pillowcase method of binding. I didn’t have much trouble with bubbles, which was a relief.

These are part of my effort to clear things off the to do list.