Thinking More About Solids

I read a bit more of the Amish-Inspired Quilts book. One thing I noticed, as I was reading, was the picture of the quilt, Lorna’s Vine. You can only see a bit of it, but the thing that struck me is osmething that St. JCN and I discuss all the time: more fabric is beter than less. St. JCN has recently accepted that she prefers making scrap quilts with lots of fabrics. In this picture, the vine and leaves use many different solids, which adds a lot of interest to the quilt. Why in the world should a quilt be boring even if the fabrics are all solids? It shouldn’t. More fabric is better than less.

Visiting My Fabric

I spent the weekend of 8/10-8/14 visitng the fabric that I sent to Seattle with TFQ. I sent it to Seattle to visit its cousins and have its spa treatment (read: washing and ironing). Of course, visiting TFQ was much more important than the fabric. 😉

We spent the weekend immersed in fabric related activities, eating, sleeping and chatting a mile a minute. It was fantastic! I left my house stressed, catching a cold and in pain and returned refreshed, no cold in evidence and pain-free. it was a good reminder that fabric fun is good for my soul and good friends who don’t judge my whacky, and sometimes misguided ideas, are invaluable.

One of our main activities was visitng the Association of Pacific Northwest Quilters Show held at Seattle Center. The layout of the quilts was the same as 2004 and I was disappointed. I really thought that they should have returned to the layout they used in previous years. Despite my problems with the layout there were a number of wonderful quilts. Good colors, great execution of patterns, wonderful choices of fabric combinations. Unfortunately, however, nothing that made me say WOW! Photos of some of the quilts are posted at:
APNQ 2006 quilts pt.1
APNQ 2006 quilts pt.2

We also got started on an auction quilt that St. JCN promised to an organization, The Healing Center, which helps adults, children and families deal with grief. The quilt started out as multi-colored half square triangles so that it would appeal to parents of boys as well as girls, but St. JCN thinks that she will stick with predominantly blue and green and perhaps change the white to a light green. Even if she doesn’t use any of the squares we made together, it is always great to work together.

Here is a picture of the design as I left in Seattle:


As usual, I purchased a number of pieces of fabric. Many dot designs were purchased in order to add to my dots collection. Other fabrics were purchased with some specific projects in mind. I bought nearly the entire line of Denyse Schmidt fabrics. These were new designs to me – not design types and colors that I normally buy- but interesting none the less and it is always good to branch out form the norm. You can see the fabrics I bought in my Weekend Photos post. I also saw a quilt by Sugata Shah at the Quiltworks Northwest booth (for which they were selling the pattern) that I will probably make from the Denise Schmidt fabric — or at least start out with that idea! I didn’t buy the pattern, because it was just squares and I can manage something similar without a pattern. I have been thinking about that pattern, though and whether I should have purchased it for the inspiration. We’ll see. I will certainly credit Ms. Shah. No, there is no creativity involved, but I think it is important to get sewing. Of course, as projects move along, I tend to deviate from my original plans quite frequently, so who knows how the project will end up? In any case, I still need to get some browns for background.

Mostly St. JCN and I talked, caught up, shared tips and tricks for various things, shopped, did car required errands and relaxed. The worst part was the airport. I spent so much time in the airport that it was a major time sink for the trip, despite the fact that there were no real holdups. Earlier in the day there were major delays, especially at SeaTac once the British terrorist story broke. Fortunately, my flight was later, most people were well behaved. The no-water rule is really a problem for me, though. I was extremely thirsty after both flights.

Further Adventures of the Great Unwashed

If you want this fabric call Quilting Adventures at (804) 262-0005.

I actually put this in the washing machine tonight and plan to go and switch it to the dryer now. I am capable of ironing it and may even do that tomorrow. I want to make Dutchman’s Puzzle blocks out of this fabric and I want to do it soon. I want to keep up momentum.

I have to say that I almost didn’t wash it. It felt so good in my hands (YAY P&B!) that I just wanted to start cutting it up.

Weekend Photos

Mull over these photos from the weekend. Check back, I may annotate them. Until then, make up your own stories!

1. 2. 3. The photos above are of a tuffet. The pattern is sold through Quiltworks Northwest in Bellevue. I took the photo in order to see better how to make it. I urge you to buy the pattern.

4. Coneflowers, or echinacea, which I feel in love with over the weekend. Yes, I have seen it before, but somehow they struck me. I may have to plant them in my garden.

5. Sideways sunflowers. I am not sure if I get enough sun in my garden to grow sunflowers, but I may have to try.

6. 7. 8.
Two packs of Denyse Schmidt fabric.

9. Some of the fabric which was purchased during the Seattle weekend. Once again, St. JCN came to my rescue and the fabric came home washed and ironed.

More of the Story of the Great Unwashed

More of the Great Unwashed
More of the Great Unwashed

One of the benefits for me of my friendship with St.JCN is that she doesn’t mind ironing and pressing. Above is the great unwashed clean and pressed and ready for use! I had nothing to do with these neat piles of fabric. St.JCN pressed and folded it all.

She was quite disgusted that I had not washed all the fabric and packed it up and took it home with her to wash and press there. The fabric will also stay and play with its friends until the chaos here at home dies down.

Another Little Exercise in Color/Pattern Arrangement

I got these squares from Hancock’s of Paducah. They are the fabrics which comprise Moda’s Poetry Collection by April Cornell. Again, I liked the fabrics, but they are the kind of fabrics that might just sit in my palette if I bought any yardage. Thus, the squares provided a good solution for me to work with the fabrics on a limited basis.

I have been having fun rearranging them. There is a wide variety, but the patterns on the fabric are the same. There are just different colorways. As a result it has been challenging. I don’t want all the same colors together, nor do I want all the same patterns next to each other. I would like the various patterns and colors spaced evenly and pleasingly over the piece. If I am not there yet, I am close.

Another challenge is that there are a couple of prints that stand out if they are near each other, like the dots (of which I did buy yardage). These patterns demand to be far from each other. If not, they scream “what moron put us so close together?” and they produce a lot of grumbling. There are also motifs which are different, but very similar in scale. This means that, from far away, I am looking at two fabrics in four colorways that look the same. I don’t think I can avoid having some of them together and my only option is to make sure that the colorways next to each other provide as much contrast as possible within the limits of the fabric group.

One reason, I like doing this sort of work is that it is easy. I don’t have to cut or press until I sew. I can arrange and rearrange forever with very little physical energy, yet there are some rules. Granted they are self-imposed, but all puzzles have rules. Also, it seems like it is good for my brain. I feel as though my brain is working when I am rearranging.

Once this one is sewed together, I will have three squares pieces. I haven’t the foggiest of what I will do with them. I still think table runners are in my future, but we will see. If nothing else, they will be good machine quilting practice.

BTW, Pamelala has a blog. It doesn’t look like she updates it very often, but the art she has up there is great! Her assemblage art is fantastic. She isn’t doing it anymore, so grab a piece while you can, especially since she is becoming famous for her quilts now.

Mr. B’s Rectangles et al.

In the post about Sewing Accomplishments, I talked about some squares that I sewed together. They were, as I mentioned, a pack of squares from the Benartex squares club.

I got a different set of rectangles sometime previously, which I found Friday in the pile of the great unwashed (fabric). I washed them along with other fabrics and just sewed them together today. (Photo is prior to sewing them, but I used the same arrangement).

I probably wouldn’t use these types of fabrics, so this was a good solution. I thought that it might be a good beginning for a quilt for one of the older nieces or nephews, but it is an odd shape and those children are so large now that they are adults (or approaching adulthood) that I am not sure what would look good with it. I am not a tie-dye sort of person, so don’t think that I have much that would go with the fabrics. I do have many tone-on-tones, so I may be able to find something. I took down the piece after sewing the squares together and will let it percolate for awhile. In this case, sewing the squares together was a way of getting pieces that were really too small for anything else to cease being annoyingly in my way.

This squares thing is very interesting to me. It satisfies a need in me to see an entire line of fabric, yet doesn’t make a big investment in fabric that I probably wouldn’t use in large quantities. I do have an appreciation for most types and colors of fabrics (though baby poop brown still proves to be difficult), but I don’t usually want them all in large quantities…. or any quantities for that matter. This means that the fabric squares are a good choice.

I cut some more squares for Thoughts on Dots. I also ejected some squares from the piece. I went back to that heavy/light method of choosing fabrics and ejected the two fabrics (the blue Terry Mangat fabric and the dark-ish green) that I had identified as iffy a few postings ago. They were both in the third row of that previous posting.

TFQ pointed out that some of the reds are not reading as dots. I have to think about if I care how the fabrics look from both far and near or if I want different looks depending on how far you are from the quilt, e.g. as you come closer you see different things. I said that a feeling of heavy and light was important, but in this case color is as well. I think that some of the reds don’t read as dots, because the dots are too light. I have to think about whether the reds become black holes of doom now that the very darks are gone. It is definitely an interesting exercise.

In arranging the squares this time, I tried putting a pink or yellow square in every other spot. In doing this type of arrangement, I realized that I need some violet. I had to remind myself that I have not even scratched the surface of the dots that I own and will get to the violets soon. I also need some more yellows. I am not sure I like this arrangement, but will work through its possibilities until I decide it works or doesn’t work.

One of the joys I am finding with these dots and with the size of the squares is the playfulness. I find that I am not agonizing about blocks going together because I am only working with squares.

The other thing that occurred to me is that I want this quilt to be larger than my design wall. I intend to wrap up in it when the weather is ugly and I need a boost. The question, then, becomes do I sew the squares that I have together, take them off the wall and do the next section? OR Do I take a photo of the squares and then take them off the wall recreating the piece from photos once I am ready to sew. The former would be fun and provide an element of surprise, but runs the risk of some major color disasters. The latter is very safe.

Finally, I was getting another load of the great unwashed ready to be redeemed and saw these two fabrics end up near each other. It occurred to me that these are the two things to which women resort to escape. Drugs, I suppose, are another, but alcohol and chocolate are much easier to procure and also legal. I think that these two fabrics have provided inspiration for another of the Women’s Work series (currently only a series of one!). I have lots of perfect fabrics and ideas, but not many completed quilts. I had better get busy.

More New Fabric

Another batch of new fabric arrived yesterday. One problem with online ordering is that the actual stuff doesn’t arrive until a week or so later. At the time I am usually gratified to have ordered it, but I don’t get the true sense of instant gratification, because it isn’t in my hands. Perhaps that should give me pause. It doesn’t, though. Still, the fabrics I received are very nice and will go well with the other dots.
It appears that I am on a total pink binge. I think I may have purchased one of these pinks for the third time! The good thing about pink is that it makes any quilt look floatier and lighter.

The orange and blue with the specks on the bottom left are definitely duplicates. I bought a pack of all the colorways at APNQ a couple of years ago and these are in that pack.

I noticed that some of these fabrics do not look at all like the picture on the website. That is another problem with shopping online. Still, you can’t beat the online experience for not having to spend the time getting in the car and driving somewhere only to be subjected to a limited palette from which to choose. Shopping online really opens up the possibilities.

Creative Effort of the Week


The shower on Sunday was, by all accounts, a big success. The shower ended at 5pm and everyone was gone by 5:10, however, including the guest of honor, so I am not so sure.

The delight to the left is my creative effort of the week. I saw an article in the SF Chronicle a few weeks ago and knew it was the perfect thing for the party. Apparently, cupcake cakes are all the rage these days. I read that people are even using them instead of wedding cakes. The theory is that they inject a dose of fun into the event, are easy to eat and bring people’s senses back to when they were children. Very interesting!

The quilt squares were also a big success. More on those when I can post the photos. I am pleased to say that nobody complained about not be able to draw and some lovely squares were produced.


Otherwise, I have been buying, receiving and washing fabric. St. JCN is coming for a visit. Saint, I say, because she offered (I did ask!) to iron about 3 million yards of fabric that I have bought and never washed. Talk about a true friend!!! In preparation for this miracle, I have started to wash it. This was the first load. As you can see, there is plethora of dots and icky green.


The dots are for the Thoughts on Dots piece that I have been fiddling with. As you can see I have cut more squares. Some of the fabrics I added are from the washing pile. I did press some of them on my own.

This picture is a great example of what I was talking about when I mentioned heavy and light. I have a theory that no fabric is set in stone until the quilt is quilted and the entire quilt has the binding on. I have been known to take apart a back in order to get a piece of fabric out of it. At the moment I am trying out these pieces. I want this piece to look like sherbet… light and fluffy, perhaps a bit foofy; happy. NOT rainy. NOT depressing. The Terri Mangat fabric in the middle is dots, but it might be too heavy. As well, the green dots on the left next to the light aqua Kaffe Fassett design. The fabrics with the white backgrounds are also an issue. I don’t want the viewer’s eye drawn to the white. I do love the fabrics, though, so I will play with placement quite a bit before I decide. I have a feeling that whether they stay or go depends on the amount of yellow I put into the piece. We’ll have to see as I cut more fabrics.


Since, after washing that first load of fabric, I seem to have nearly every dot known to quilters-kind, I have no business buying more. Too bad TDOTNB drove me to shop online. I received the first shipment a few days ago and as you can see: more dots. These are not washed yet, but hopefully will be this weekend.

I also got a squares pack of April Cornell’s Poetry Collection. I felt that my other attempt at sewing a whole collection of squares together was very successful. I loved the fabrics in the Poetry Collection, but didn’t feel that I wanted yardage. This was a good solution. I haven’t sewn them together yet, but will do it soon. Who knows? Perhaps another table runner is in my future!

It occurred to me that I am getting so many dot fabrics with white backgrounds that I may just have to make one of these 6.5″ squares quilts with all dot fabrics with white backgrounds. It is a thought. I don’t want to bore myself, though. Such a limited project may drive, even me, batty.

Go to your studio and make stuff!

Wash Day

SLB’s Shower is fast approaching. I MUST get the invites out and the quilt blocks started. Before I could start I had to wash the background fabric. It is a Moda, I believe and will look very nice:

I know it is difficult to see the subtle shades of pink and yellow, but it will be a nice background on which people can draw.

Not wanting to waste water, I decided to wash other fabrics as well. They were:

I want to use this as a background for the next Interlocking Triangles quilt. It isn’t started yet, but I have the background:

This fabric will be perfect for another in the Women’s Work series.

I have been updating Artquiltmaker.com and reading over some of the statements has helped in my creative process, I think. Now I just need time and energy!

Editing

In my post of October 31, I mentioned the things I was thinking about. One was ‘editing’, a new term used by designers which seems to mean tossing old junk. JCN helped me go through my fabric and junk fabric that I will never use.

Lesson 1: use your precious fabric (or embellishments or paints or supplies) or they may not be so precious to you after awhile.

We took three grocery bags full of fabric to the Children’s Quilt Project drop off place at New Pieces. My fabric closet and studio feel lighter. I don’t feel as oppressed by my stuff.

Lesson 2: choose carefully what you bring into your life.

I have also decided that people like to give me things. Because I have a well developed sense of guilt and cannot give things away? Perhaps? No more. Out went the lacy edging that had been gathering spiderwebs in the corner for 8.5 years.

Lesson 3: save money. Only buy what you love.

Lesson 4: save heartache later. Only take what you love from other people.

As we are getting ready to do some work on our house, I am ‘editing’ more of my space. I meant to clean out my closet over the break, but didn’t seem to get to it. I am off on Wednesday and may try to do it then. I feel that even doing small chunks makes progress. Perhaps I can get the shoes and purses done. We will see. I am ok with doing one drawer or one corner.

Lesson 5: ‘edit’ in small chunks.

Great Petaluma Quilt Show

Mom and I went to the Great Petaluma Quilt Show last weekend (8/13). We had a good time spending time with each other (a rarity these days) and looking at the quilts. We had a nice time – lunch at McNear’s and iced coffees at a smoothie place that was brand new. It wasn’t hot, but I was comfortable in my skort and t-shirt. I had my jacket along and kept putting it on and taking it off as the clouds passed overhead. I was hoping for kind of hot weather as we have seen nothing but fog at home since mid June.

Petaluma is a nice little town, once the egg capital of the world. Kentucky Street has great, period storefronts, both architecture-wise and retail-wise. I bought a couple of Christmas gifts (yes already!) at an interesting shop that I was sure I would remember the name of, but have since forgotten. I also admired the tiles in the entryways of the various establishments. As I am such a fan of tile and mosaics, I took some photos of the more interesting (and clean) ones for future inspiration.

Tile Entry
Tile Entry

The thing I like about tile and mosaics, in general, is that the designs relate to quilt designs, thus providing inspiration. I also marvel at the workmanship of the designs.

Tile Entry detail
Tile Entry detail

The quilts were hung outdoors along Kentucky Street, which seems to be one of the main downtown streets in Petaluma. I hadn’t been to the show in a long time. Mom claims that we went together last time and it was over 10 years ago. I am not sure about the date, but I am sure I could dig up photos if I looked hard enough.

The quilts were nice, but there didn’t seem to be very many of them. They were getting a bit beaten up, because of the wind. I saw one red and white quilt I liked that had redwork on it. It wasn’t classic redwork, but motifs of a paperdoll and her clothes. The border was of little Mary Engelbreit-esque flowers. I really liked it. It was a good design and I am a sucker for red and white quilts.

Opportunity quilts were displayed as well. We walked by at least 5 guilds with their quilts out selling tickets. I bought a few tickets, but not all. The Marin Needle Arts ladies had a prime spot in front of the town museum.

Marin Needle Arts Guild
Marin Needle Arts Guild

The town museum used to be a library. It is a gorgeous stone building with two stories, the second of which is in a balcony/mezzanine type configuration, with a huge leaded and colored glass dome in the ceiling. The entry to the building has tile, which says Free to All. My camera was acting up (long story) so I didn’t get a photo of it, but I will sometime. Inside the museum, aside from the local history exhibits, were the Hoffman Challenge quilts. My favorite was a peacock. It was a small quilt, but the tail was heavily machine embroidered. It was fabulous.

The park at the end of the street (closer to the freeway) was filled with vendors.From the vendors, it seemed that they had combined a normal Farmer’s Market Day with the quilt show. As with most Farmer’s Markets, there were fruit and flower vendors. Along with the vegetable and lavender tables were quilt vendors as well. CG was there in her capacity as fabric sales woman and I couldn’t leave without buying some of the fabric I had seen when I picked up my quilts. I bought what CG and her cohorts call “niblets.”

Fabrics
Fabrics

The “niblets” are the red and yellow fabrics. They are from a collection of subtle food fabrics. The icky green is close, but not the same group. I like this grouping of fabrics and may try to keep them together in order to make a quilt sometime. The group is a little on the dark, Autumn side, but not too dark. I am sure the yellow would spark it up enough. Not sure what kind of design I would use, but I have enough projects to keep me busy, so will let it percolate for awhile.

There were a number of vintage quilt vendors. One vendor had bought an old quilt from another vendor and she let me take a photo of one of the blocks. It was a block that was completely on the bias, but I liked it. I’ll have to revise this post and post it later, as those pictures are in a disposal camera that I bought after the battery on my digital failed once and for all.

After the show we stopped at the Quilted Angel. I hadn’t been there in a long time, but it was just as I remembered. They had a room in the back with LOTS of books. I didn’t remember that room from before, so perhaps that room was added since I went there last. I couldn’t resist buying more fabric.

Petaluma Quilt Show Purchases
Petaluma Quilt Show Purchases

The above picture shows all that I bought. I also love the grouping of fabrics with the dots.

I would love to have a day or two to whip out an easy, but graphic block quilt with these fabrics. I don’t see it happening in the near future.