This is not the first book by Louisa Smith that has intrigued me. She has an interesting style. This one wasn’t on my list, but it intrigued me and I bought it on impulse at Stitch in Ferndale. The first thing that attracted me were the bright colors on the cover. In looking at the cover again, I can imagine using Dale Fleming’s circle technique to make it.
This is a ‘normal sized’ C&T book which includes 94 pages, 11 projects, a gallery and lots of technique information so readers can make the projects their own. After the detailed table of contents (pg.3) and a short introduction (pg.4), the book begins with a section called “how it started” (pg.5-6). Smith discusses her idea, her inspiration, all the while implying the importance of doodling. She goes on to discuss how changes in her design led to other versions and the second section, “Working in a Series” (pg.6).
Working in a Series is all about the ‘what if’ of the creative process – those spin off ideas that pop into your mind as you work on one piece. As you know, I often work in a series because of this reason. See more about my series quilts.
The colors throughout the book continue to be a huge draw for me. As I page through the book, I am kept interested.
In “The Layered Approach” (pg.8-10) she talks about how layers improve/make these quilts. Layering fabric is something I have played with on and off, so I can appreciate the value of such an approach.
This book has basic construction techniques. I don’t mind it because the instructions are related to this specific technique, for the mist part. There is a very brief section on quilting (pg.85) – just commentary. It is not a how-to. She also talks about her method of piecing a back (pg.35). The instructions are brief, but useful. She covers blocking (pg.36), binding and facing (pg.36-38), displaying using stretcher frames and making a sleeve (pg.39).
If you are a beginner expecting full instructions for every step, you will be disappointed and will need another book with basic instructions or check out my quilt class tutorials. The security tips given are specifically dedicated to help you make these quilts.
The 3 methods of construction described are “Using a Grid of Blocks with 1/4 KISSes and No Fusing” (pg.11-12), “Using a Grid and Fusing” (pg.13), “Using an Invisible Grid with Multiple Layers of HUGs and KISSes” (pg.16). Method 2 is split into two parts, thus you see four methods listed.
“Color” (pg.17-25) is a long and valuable section. The author discusses value (pg.17-18), finding a color scheme (pg.19-24) as well as balancing color (pg.24-25) and using a proportional color wheel (pg.25). The section on choosing a color scheme is well developed and includes examples. The examples really help to improve the reader’s color knowledge.
The section on “Machine Applique’ ” (pg.26-29) includes examples of stitches (pg.27), basic applique’ techniques (pg.26) and has a lot of pictures. She suggests experimenting with your machine before starting on your Double Vision quilt. I agree I always do a test of the satin stitch (or whatever applique’ stitch I am using) to figure out the density, whether I like the thread and sheen, etc.
Smith defines Embellishing, another section (pg.30-32), as “…adding something to the quilt top to make it better” (pg.30). I think of embroidering or beading as embellishment. While she talks a bit about machine embroidery (pg.32), most of the section refers to layering on shapes.
“The Gallery” (pg.40-46) is fantastic. The section shows a lot of quilts, tells what method was used to make than as well as the artist. It is a feast for the eyes!
Finally, comes the “Projects” section (pg.47-88). Each pattern has a picture of the quilt on the section’s main page as well as a larger picture on the main project page. As you would expect, the pattern shows fabric requirements. These are a little different because the fabric requirements are divided up into layers. Fabric is followed by cutting and assembling directions. Applique’ and embellishing are included, if applicable to the pattern. The colors throughout the project section are phenomenal. Finally, the book has full sized templates coded to the relevant pattern (pg.89-94).
This book is interesting. It is definitely not the same-old, same-old. It will really stretch the reader, both in skills and in fabrics. This book is definitely worth a look.