Handmade Style: 23 Must-Have Basics to Stitch, Use, and Wear by Anna Graham
I saw the Carry-All Pincushion somewhere and thought about making my own pattern. I never did it and when I saw the pincushion again I checked the library then I realized they had this book, so I borrowed it. I saved myself some time and got to take a look at a book by a designer whose patterns I have used and liked. Remember the Poolside Tote?
The first thing I noticed is that this book is photo heavy. I am not sure it has more photos than other books I have reviewed, but the arrangement makes it seem like more. Leafing through shows the number of photos and the organization of the book.
The text starts with a short introduction. The introduction has no biographical information, just Anna Graham’s wish for readers of the book and a little advice. There are a few pages of photos to pique the reader’s interest in the whole book. Each of the three sections has only photos with the name of the project. There are a few pictures of each project from different angles as well and the page on which the reader can find the instructions. The book is not organized with all the information together (e.g. project photos and instructions). I kind of like this arrangement.
The ‘To Wear’ section (pg.11-19) starts right after the introduction. This section has a dress, flip flops (!!!), pg.14-15, a tunic and metal bracelets.
‘To Wear’ is followed by ‘To Carry’ (pg20-39). The texture on the bag that designates this new section (pg.21) is great. It makes the bag look very sturdy and useful. The pictures show projects ranging from totes, pouches and cases to a variety of bags, zippered cases and wallets. The Market Bag (pg.26) is a favorite.
The final section is called ‘To Use’. This covers a myriad of projects including quilts, pillows, a floor poof (pg.50-51), and various baskets. This is the section where the Carry-All Pincushion (pg.56-57) can be found.
The photos used in the three sections are very appealing. They are staged well and make me want to make more than one of the projects.
The only how-to section covers the making and attaching of double fold bias tape, pg.62-63. After learning to make double fold bias tape, the instructions for the projects start on page 65. The project instructions are the bulk of the book.
The illustrations in the instructions all look hand drawn. Each pattern or project instruction is from 2-4 pages long. Some projects include tips in sidebar format about doing some step or a special technique. For example, off to the side of the Metal Bracelets instructions, pg.74-75, is a sidebar of how to install rivets and grommets (pg.75). In the Makeup Travel Case pattern, a sidebar on handmade piping is included, pg.95.
In addition to installing rivets and grommets and making piping, quite a few bagmaking techniques and other techniques are included in the book. These including installing an adjustable slider (pg.107), installing magnetic snaps (pg.100-101), adding darts (pg. 110-111) and a couple of different zipper techniques.
Some of the smaller projects, like the Gadget Case (pg.28-29, 86-87) would make relatively quick gifts.
There is a glossary, pg.138-139, which explains a lot of the terms used in the book. I like some of the definitions, such as ‘top stitching,’ but found some to be lacking. Fusible Interfacing is described as ‘interfacing with a special glue that adheres the interfacing to fabric with the heat of an iron.’ My question after reading that definition is WHY? Why do you need interfacing, what is it good for, etc.
The resources section has vendors with whom I am familiar. This is a 2015 book, so some vendors are out of business. I was pleased to see some new resources that might provide some new bag hardware finishes or different prices.
This book is worth a look.
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