Commentary about works in progress, design & creativity
There are thousands of Dear Jane blocks posted on the two Flickr groups I have found. I think the choice of fabric and artistry of these blocks is amazing. Not to mention the dedication!
This one, initially, caught my attention because of the dots (of course!). After I got over the dots I noticed how what interesting patches the block has. Notice how the rectangles are not quite rectangles? They seem to be trapezoids. As a result, there is a lot of movement in this block.
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TalisCalifornia has made this very interesting version of the Dear Jane block, Dad’s Plaids. I love the way she has switched the background and the foreground within the block. It really has a nice effect that makes your eye move around the block without making them cross (like certain black and white fabrics would).
The Baby Jane group on Flickr is a testament to hope for the future of quiltmaking. These blocks are not easy to put together and they have really done, and continue to do, a wonderful job. They are moving through all of the Dear Jane blocks and I love seeing the progress.
I ponder doing the blocks along with them! I just don’t want to start another hand project until I make some progress on the Flowering Snowballs and my projects from Pamela Allen’s classes.
I have a wonderful problem. My trips to Seattle this year are starting to blur together a little bit. If I could go to Seattle every weekend, or every other weekend, I just might do it. I like that city and I feel so relaxed after I come back.
I think the blurring may bea result of both TFQ and I being creatures of habit. We like eating in the same places and going to the same stores. I welcome the variation that she provides for my trips when she asks me to go with her to some home store or we go and explore a shop we’ve never visited.
On one of my trips, we went to Quiltworks Northwest and saw their Block fo the Month club. One of the blocks they had up was one called, we found out later in Around the Block, Sarah’s Star.
I like it because of the way you can highlight the different spokes of the star and make it look like two pinwheels overlapped on each other. I want to try it with a black background.
As an added bonus, I finished one Flowering Snowball (Cross Block) last week. I particularly like this one, because it has the coffee print. I think I am close to the end of piecing these blocks. I want to do a self border so I have to make those blocks. It is just a feeling, so we’ll see how it progresses.
I know I should be writing about the Gabrielle (pronounced Gob-Ree-Yell) Swain class. In short, it was fantastic. More on that tomorrow; I am making it an early night.
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These are the two blocks that I started and finished last weekend. I am still kind of wondering about the larger background prints. Are they still background-y enough or do they blend in with the colors too much? Still considering.
Per a conversation on the AQSG list, I am posting a couple of photos of an old Laura Wheeler block called Snowball Wreath.
Notice the crazy shapes the newspaper printed for piecing (lower right). Could anyone actually make a quilt from those kinds of pieces? I would really love to see a 1930s or 1940s (or whenever this pattern was printed) quilt from this pattern.This is my attempt. I appliqued the circles on after piecing them.
I issued an informal challenge on a list and Julie made the one above.
The challenge required people to draft their own templates and I found that to be quite a challenge, because 1) I only had the information on the newspaper clipping image. I don’t have the actual newspaper; 2) the block is not made from a grid that I could figure out; and 3) the circles did not exactly line up.
It was a fun and challenging puzzle, one in which I am still interested.
The research of the real name of the Cross Block started with a stray comment I made on a list saying I wondered what the real name of my block was.
That sent Sarah on a frenzy of Googling, where she found that the Library of Congress has quilt photo called Royal Cross that has similar bones to the Cross Block. Sarah also found that Tazzie has a pattern for the Royal Cross.
Then Leslie chimed in with the sudden realization that she had a quilt from her Grandma in this [Royal Cross] pattern. She posted the pics, which I have reproduced here.
Full quilt
Detail
Comparison between the Royal Cross and the Cross Block.
Blocks are constantly modified to suit the needs of the maker and I am sure that these blocks are no exception. My block and the Royal Cross look similar in the middle, but the outside of the Royal Cross looks like it is meant to draw attention to those squares in the corner. I can’t say much about that as I went on and on in one post about the center of this, among other patterns, not actually being the center. I’ll have to look through the Barbara Brackman book and the Kansas City Star books and see what I can find. If all else fails I’ll post a picture on the AQSG Yahoogroup and start sending photos around to various quilt historians.
I had nothing to do with this project, but went to visit my friend from High Fiber Content and found out that she has been holding out on us on her blog. I took pictures of these blocks she got through a swap. I thought they were really a good group.
This is one of my favorites.
I like the color combination of this block as well.
Take a look at Toni’s site for some great Star patterns. I particularly like this one, though I would use different colors:
I spent most of the week’s creativity allotment piling junk to be filed on my sewing table. I was able to take photos of SLB’s quilt squares, however.
I got a sample of Mrs. Meyer’s dishwashing soap. The scent was geranium. This is not a scent I have ever thought much a about. I don’t think I knew that geraniums had a scent, but I tossed the sample soap into my dishwater last night and it was amazing! Very light, not chemical-ly, not overpowering. I have been thinking about it all day. I was disappointed not to have had more of it tonight when I did the dishes again. Fortunatley, the sell it at drugstore.com, so I can get some with my next order. Aromatherapy in action? I think it has made me happier today…as odd as that sounds.
Happiness brings productivity in quiltmaking. All weekend, I worked on SLB’s blocks. My calendar dutifully informed me that I have only 13 days until the shower. Most of the blocks have three sides of sashing sewn on to them. (A good thing) I have been making progress using chain piecing methods and sheer determination. I need to 1) count the blocks; 2) figure out how many blocks I will need to make a nice sized quilt and, finally, 3) figure out if there are people who might like to contribute who will not be at the shower. I think ESGL and MCLB will both like to make a block. We’ll see.
I took the bull by the horns and started the block exchange that JCN and I have been planning. Yes, I did tell her when we were on the phone this afternoon. Again, we’ll have to see what happens. My block is a Sawtooth Star on point, which JCN says is called Evening Star:
Additionally, I cut a couple more blocks for the Thoughts on Dots piece. Immerhin.
The addition of the blue dot square (Alexander Henry??) looks good. I think pink and yellow make an excellent combination, but want to use more of my dots than just pink and yellow. I have a chocolate brown with dots that I will have to dig out, as well. I think ToD may be the one use I will find for it.
All of this block making (SLB’s and the ToD) is sort of related to the Judy Martin’s Scraps book. I started reading it last night and she has an interesting essay on scrap quilts. One of the things she says (paraphrased) is that if you use the same fabrics for all of your blocks, the creativity ends after the selection of fabrics, but if you use scraps, each block is a new work of art. I like that thought and I think it is true. SLB’s blocks all have different sashing, which make them somewhat scrappy. It will definitely look scrappy once it is put together. It makes me much happier working on SLB’s blocks to have so many different fabrics to work with.
This is the block that I made today. I wanted to get it done to show my students and just hadn’t made the time. I decided that I was in the groove and did it this morning. I thought I would run my errands first, but realized that that was deadly and did the pieced part of the block first. After cutting, it took me about half an hour to do the main part of the piecing. HALF AN HOUR!!! That is nothing. How could I forget that piecing, once you know what you are doing, takes no time??!!?? Later this afternoon I appliqued the handle and sewed the two halves togther.
I am pretty excited now and will, perhaps, make the Nosegay. I gave the Nosegay to the students as an alternate block to the 8-pointed star. I always give an alternate block, but haven’t made many of them for this project. Nobody has done the Nosegay including me. It is the traditional version with inset seams and not Doreen Speckman’s version with no insets.
I think the colors are pretty bright, but I like the brightness and the different way in which the fabrics react with each. The purse fabric is a new colorway, as I ran out of the other colorway. I like this colorway better with the bright green and pink. I am wondering if I should redo the other blocks with this colorway? Seems a little crazy, but I am the woman who took apart a whole back of a quilt, because I needed to use some of the fabric on the front of another quilt. Stranger things have happened. 😉
My sis said she didn’t really like the color combination. Oh well. I have to admit that I was getting tired of it until this most recent block. I like it. We’ll see how it ends up.
This is an interesting photo that I took before I cut and placed the middle pieces. You can see that I was having some trouble cutting the background so that it all lined up. I eventually got it right, which you can confirm in the photo at the top.
My problem with lining up the fabric the way I did is that two sides of the block (top and left) are on the bias. I have to remember that so that I can take care in handling the block later.
I still have to applique the Grandmother’s Flower Garden to a background, so perhaps I should do that instead of starting the Nosegay. It shouldn’t take too much time, especially if I machine applique the petals. Stay tuned.
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