Everything Old is New Again

Some time ago, I saw an episode of Simply Quilts on Mosaic Quilting. The artist was a southern woman named Shannon Williams and her idea was really interesting. The blurb for the episode is:

“What can you do with all your scrap pieces of fabrics? Mosaic quilt designer Shannon Williams joins host Alex Anderson in studio to give us the answer. She uses scrap pieces to demonstrate a mosaic quilt project called Blooming Sunflower. Alex reads a letter from viewer Kelly Biddle about her mom, Peggy Biddle, and the 50th anniversary quilt she created for her parents. Then, Alex talks to Peggy on the phone in studio about her work. QLT-705”

At the time (2003), after a class with Gwen Marston, I was working on Women’s Work and had a lot of red scraps around, so I started working on a piece using Ms. Williams’ technique.

It is not a project in and of itself. The idea is that it is ongoing and someday will provide enough new fabric so I can cut other shapes out of it. So far, this is what I have:


The long piece is the one I started with and the shape, after awhile, became quite unwieldy, e.g. not square or rectangular and quite useless. I was unwilling to slap some big strips on to make it a more normal shape, because I wanted it to retain that mosaic quality, so I started the second piece (shorter one) in order to sew it to the first piece and make more normal shape. I have considered hacking off a part and sewing it back on to another side/part of the original, but haven’t gotten there yet.

I haven’t worked on it for a long time as the piece has been covered by strips that I still feel compelled to collect for the Spiderweb. I saw the mosaic pieces peeking out from under said strips the other day and was reminded that I have some reds I could add to make the piece larger. Since I haven’t done any sewing this week, I thought it would be something to share with you all.


This is actually the first photo that I took today, but I thought it didn’t show enough of the detail nor did it show the entire piece. Perhaps I should ditch it, but I do like the way you can see how the two pieces will look together. You can also get an idea of how I simplified the piecing for the second piece.


And here is a detail shot that shows the intricate piecing. At the beginning of this piece, I would fit any size scrap in, which made the piece beautifully complex, but also a nightmare of piecing. I need to add some of the intricate piecing to the second piece, but I haven’t gotten there yet.

The other thing about this technique and my particular piece, is color. Since I had the red and use a lot of red, generally, I thought I would make a red piece, because I was sure to use the ‘new fabric’ later. However, there are often other colors in fabric. You can see the white and some blue flowers and the brown in the coffee cup scrap. I think the other colors add interest, but I know that my eyes gravitate to the white. I don’t have a panacea for this, but it is something that I am playing with.

Another Little Exercise in Color/Pattern Arrangement

I got these squares from Hancock’s of Paducah. They are the fabrics which comprise Moda’s Poetry Collection by April Cornell. Again, I liked the fabrics, but they are the kind of fabrics that might just sit in my palette if I bought any yardage. Thus, the squares provided a good solution for me to work with the fabrics on a limited basis.

I have been having fun rearranging them. There is a wide variety, but the patterns on the fabric are the same. There are just different colorways. As a result it has been challenging. I don’t want all the same colors together, nor do I want all the same patterns next to each other. I would like the various patterns and colors spaced evenly and pleasingly over the piece. If I am not there yet, I am close.

Another challenge is that there are a couple of prints that stand out if they are near each other, like the dots (of which I did buy yardage). These patterns demand to be far from each other. If not, they scream “what moron put us so close together?” and they produce a lot of grumbling. There are also motifs which are different, but very similar in scale. This means that, from far away, I am looking at two fabrics in four colorways that look the same. I don’t think I can avoid having some of them together and my only option is to make sure that the colorways next to each other provide as much contrast as possible within the limits of the fabric group.

One reason, I like doing this sort of work is that it is easy. I don’t have to cut or press until I sew. I can arrange and rearrange forever with very little physical energy, yet there are some rules. Granted they are self-imposed, but all puzzles have rules. Also, it seems like it is good for my brain. I feel as though my brain is working when I am rearranging.

Once this one is sewed together, I will have three squares pieces. I haven’t the foggiest of what I will do with them. I still think table runners are in my future, but we will see. If nothing else, they will be good machine quilting practice.

BTW, Pamelala has a blog. It doesn’t look like she updates it very often, but the art she has up there is great! Her assemblage art is fantastic. She isn’t doing it anymore, so grab a piece while you can, especially since she is becoming famous for her quilts now.

Fabric Painting

After the CQFA Steering Committee meeting at KAM’s house, we did fabric painting. KAM organized the whole thing and it was a nice ending to the meeting.

This is my first attempt:
After my first attempt, we watched a five (or so) minute segment of Simply Quilts. It was good to watch after, because I wasn’t too influenced by the demonstrator.

Here is the piece that I finished after we watched the segment.

One thing I got out of the segment is that simple shapes seem to be better, so I worked on this one:

My final piece is the best one IMO.

It was GREAT not to have to do any organization for the project but to just start painting on fabric. KAM was so generous with her paint, fabric, etc. It was wonderful. As you may know, I am not a big fan of messy work. I did enjoy doing this project as I could just play and not worry about making a masterpiece.

I plan to try the presentor’s idea of doing some curved strip piecing through the middle of my piece. I don’t want to make these the center of a piece. I just don’t think they could stand up to the scrutiny.

DCM and I discussed not having enough time to just play and wreck fabric pieces. We are both having a hard time getting over the feeling that each piece we make must be perfect.

A topic for another day….

Kansas City Star Blocks

Several years ago I bought a book from the Central Oklahoma Quilters Guild. It is volume three of a multi-volume set of Kansas City Star blocks. I looked through it recently and was reminded that the blocks make me drool with possibilities. Of course, the blocks would have to be redrafted for piecing. I have to say that the women who made some of the blocks when the blocks were first published were no sewing wimps. Many of the blocks have inset seams, irregular shapes, very thin triangles, etc. In that vein, I began thinking about the newspaper clipping of a Laura Wheeler block (newspaper clipping) and tried to remake it.

Snowball Wreath Pattern
Snowball Wreath Pattern

I didn’t use the templates given in the newspaper clipping, because I only had a picture of the newspaper clipping and not the original clipping. Also, the shapes of the pieces were crazy – at least for my level of skill in piecing! I am pleased with the way my block came out, even though I used different techniques (piecing combined with applique’ than the original block.

Snowball Wreath by Jaye
Snowball Wreath by Jaye

I would like to try again different ways, using different fabrics. I don’t think I got the spacing quite right. There is something not quite right about the newspaper clipping when compared with the actual fabric sample I made. I don’t think it is an easy task to look at a picture of a newspaper clipping and then create it in fabric, but it was a puzzle that I couldn’t put away.

I feel the same way about some of the Kansas City Star blocks. It would be a great project to try and remake them all. What a lot of blocks that would be. Some of them would be fine, but some would be quite challenging.