As you may have read elsewhere, I found a mosaic maker from Big Huge Labs. This is my first attempt and I am pleased. It works with Flickr, so I did learn a few things. I need to organize my Flickr files better, especially the Favorites is the major one. In the meantime enjoy this mosaic. The upper lefthand corner quilt is from Jan over at Be*Mused blog.
TFQ and I went to Quiltworks Northwest in Bellevue on Friday. At the shop, TFQ saw this bag made up and bought the pattern. The pattern is called Eco Market Tote and is from Favorite Things. I don’t normally buy or even think about non-quilt things, so I didn’t pay much attention. I was interested, but not from the making point of view. I am not sure what lit the spark, but after we visited the Quilting Loft and saw the Alexander Henry Home Dec fabrics, I knew I wanted to make one. TFQ suggested that we make them and it was a great idea. I would have never finished mine if TFQ and I had made the first ones together/at the same time. While we were working with our own fabrics, we puzzled out the directions together. We, unfortunately, got the first printing of the pattern and there are a few mistakes, which have, since, been corrected (TFQ contacted the company). We also made some adjustments, like making the handles wider than the pattern calls for.
The fabulous thing that I found is that this is a great opportunity to work in series. No, it is not a quilt, but it is a great canvas for showcasing fabric combinations. There is also a lot of room for creativity – different types of pockets, different fabric combinations, different fabric ratios and even embellishment. I know that TFQ has picked out fabrics for two more and I would like to make more as well. I have several large conversational fabrics in the quilt backs stack that would really be great as bags. I also have some great French fabrics that a friend brought me from France that would make excellent totes.
This is my bag. As mentioned, the fabrics are from the Alexander Henry Home Collection. They feel like canvas, but may be a kind of cotton duck. I am actually kind of stunned that I picked them out as the accent fabric has a lot of brown and all of the fabrics are very 1960s looking.
This was a great project to branch out in the fabric department and try something new. I wouldn’t buy these for a quilt, but for this bag, they are great!
Back of the bag in construction phase.Front of bag with pocket pinned on. The back and front are the same until you put the pocket on. The above picture is how that back looks and the picture below, as you can see from the picture of the finished product, is how the front looks.
This is the third bag. TFQ made it today.
She added two more pockets on this side to break up all the black. The new pockets do a good job of bringing the red fabric back into the limelight.
The lovely piece below has the distinction of being the first bag we completed. It is TFQ’s bag, but I think it was a real collaborative effort – at least int he brain power department. This was also the bag we learned on. The fabrics are fabulous and it turned out really well.
Detail of the the reinforcing X stitching to keep the handle secure.
After reading Cloth Paper Scissors all week, I got a bug in my ear to paint and layer stuff. It had been germinating for awhile and the CPS just put all the pieces together. I used to make book covers and postcards by cutting out pictures from magazines, gluing them down and covering them with contact paper. I still have at least one bookcover with such a collage. Not as sophisticated a process as the ones CPS describes, but creative nonetheless. I like to make things that are useful, I guess.
The World’s Finest Chocolate boxes are cool. Darling Boy sells chocolate from them every year and I love the shape. They are like little suitcases and I just couldn’t toss them out. I thought I could decorate them and make something.
First, I went through my supply closet and pulled out all of the possible supplies.
Then I carted everything downstairs, covered the table DH had set up for me with newspaper and set out for the craft store. I knew, from reading CPS, that I needed Diamond Gel Medium. I don’t have a good art store nearby and the craft store didn’t have it so I reverted to some dark depths from my painting past and bought Gesso. On a whim, I also bought some Sparkle Glaze and some dotted scrapbook papers as well as a pack of cheap brushes.
Next, I covered the box with Gesso and let it dry.
Drying was a problem. I didn’t factor that into the whole process. Not only did the drying take a long time, but the layers weren’t completely dry even after I waited. I have to admit that I was impatient to engage in the process.
First I used a Stampin’ Up roller wheel and I stamped/rolled dots all over it in purple ink. I didn’t do that well, because I didn’t know how to ink the roller and roll at the same time. I wish I had paid more attention in Karenlee’s classes!
Next I ripped up some of the scrapbook paper and applied it with decoupage medium. I had some around from when I wanted to make a type of prayer box (still have the stuff, except for some of the decoupage medium).
After the first layer, I began to feel some confidence and added some more scrapbook paper (see the yellow ripped into circles?) and began to add other pictures.
I also stamped the large cups and flowers on it. Some of the rubberstamping smeared after I put a layer of Sparkle Glaze on to finish the piece. This is pretty much how the outside of the finished piece looks.
I was really out of my comfort zone doing this project, which I think is good. I thought it was fun. It was good to have enough time, though I know now that I need to leave the piece to dry longer. It didn’t come out as well as I would have liked, but I am not ashamed of it either. I have some more of these boxes and might like to try this project again. It got something out of my system.
Some time ago, I saw an episode of Simply Quilts on Mosaic Quilting. The artist was a southern woman named Shannon Williams and her idea was really interesting. The blurb for the episode is:
“What can you do with all your scrap pieces of fabrics? Mosaic quilt designer Shannon Williams joins host Alex Anderson in studio to give us the answer. She uses scrap pieces to demonstrate a mosaic quilt project called Blooming Sunflower. Alex reads a letter from viewer Kelly Biddle about her mom, Peggy Biddle, and the 50th anniversary quilt she created for her parents. Then, Alex talks to Peggy on the phone in studio about her work. QLT-705”
At the time (2003), after a class with Gwen Marston, I was working on Women’s Work and had a lot of red scraps around, so I started working on a piece using Ms. Williams’ technique.
It is not a project in and of itself. The idea is that it is ongoing and someday will provide enough new fabric so I can cut other shapes out of it. So far, this is what I have:
The long piece is the one I started with and the shape, after awhile, became quite unwieldy, e.g. not square or rectangular and quite useless. I was unwilling to slap some big strips on to make it a more normal shape, because I wanted it to retain that mosaic quality, so I started the second piece (shorter one) in order to sew it to the first piece and make more normal shape. I have considered hacking off a part and sewing it back on to another side/part of the original, but haven’t gotten there yet.
I haven’t worked on it for a long time as the piece has been covered by strips that I still feel compelled to collect for the Spiderweb. I saw the mosaic pieces peeking out from under said strips the other day and was reminded that I have some reds I could add to make the piece larger. Since I haven’t done any sewing this week, I thought it would be something to share with you all.
This is actually the first photo that I took today, but I thought it didn’t show enough of the detail nor did it show the entire piece. Perhaps I should ditch it, but I do like the way you can see how the two pieces will look together. You can also get an idea of how I simplified the piecing for the second piece.
And here is a detail shot that shows the intricate piecing. At the beginning of this piece, I would fit any size scrap in, which made the piece beautifully complex, but also a nightmare of piecing. I need to add some of the intricate piecing to the second piece, but I haven’t gotten there yet.
The other thing about this technique and my particular piece, is color. Since I had the red and use a lot of red, generally, I thought I would make a red piece, because I was sure to use the ‘new fabric’ later. However, there are often other colors in fabric. You can see the white and some blue flowers and the brown in the coffee cup scrap. I think the other colors add interest, but I know that my eyes gravitate to the white. I don’t have a panacea for this, but it is something that I am playing with.
I got these squares from Hancock’s of Paducah. They are the fabrics which comprise Moda’s Poetry Collection by April Cornell. Again, I liked the fabrics, but they are the kind of fabrics that might just sit in my palette if I bought any yardage. Thus, the squares provided a good solution for me to work with the fabrics on a limited basis.
I have been having fun rearranging them. There is a wide variety, but the patterns on the fabric are the same. There are just different colorways. As a result it has been challenging. I don’t want all the same colors together, nor do I want all the same patterns next to each other. I would like the various patterns and colors spaced evenly and pleasingly over the piece. If I am not there yet, I am close.
Another challenge is that there are a couple of prints that stand out if they are near each other, like the dots (of which I did buy yardage). These patterns demand to be far from each other. If not, they scream “what moron put us so close together?” and they produce a lot of grumbling. There are also motifs which are different, but very similar in scale. This means that, from far away, I am looking at two fabrics in four colorways that look the same. I don’t think I can avoid having some of them together and my only option is to make sure that the colorways next to each other provide as much contrast as possible within the limits of the fabric group.
One reason, I like doing this sort of work is that it is easy. I don’t have to cut or press until I sew. I can arrange and rearrange forever with very little physical energy, yet there are some rules. Granted they are self-imposed, but all puzzles have rules. Also, it seems like it is good for my brain. I feel as though my brain is working when I am rearranging.
Once this one is sewed together, I will have three squares pieces. I haven’t the foggiest of what I will do with them. I still think table runners are in my future, but we will see. If nothing else, they will be good machine quilting practice.
BTW, Pamelala has a blog. It doesn’t look like she updates it very often, but the art she has up there is great! Her assemblage art is fantastic. She isn’t doing it anymore, so grab a piece while you can, especially since she is becoming famous for her quilts now.
After the CQFA Steering Committee meeting at KAM’s house, we did fabric painting. KAM organized the whole thing and it was a nice ending to the meeting.
It was GREAT not to have to do any organization for the project but to just start painting on fabric. KAM was so generous with her paint, fabric, etc. It was wonderful. As you may know, I am not a big fan of messy work. I did enjoy doing this project as I could just play and not worry about making a masterpiece.
I plan to try the presentor’s idea of doing some curved strip piecing through the middle of my piece. I don’t want to make these the center of a piece. I just don’t think they could stand up to the scrutiny.
DCM and I discussed not having enough time to just play and wreck fabric pieces. We are both having a hard time getting over the feeling that each piece we make must be perfect.
A topic for another day….
Several years ago I bought a book from the Central Oklahoma Quilters Guild. It is volume three of a multi-volume set of Kansas City Star blocks. I looked through it recently and was reminded that the blocks make me drool with possibilities. Of course, the blocks would have to be redrafted for piecing. I have to say that the women who made some of the blocks when the blocks were first published were no sewing wimps. Many of the blocks have inset seams, irregular shapes, very thin triangles, etc. In that vein, I began thinking about the newspaper clipping of a Laura Wheeler block (newspaper clipping) and tried to remake it.
I didn’t use the templates given in the newspaper clipping, because I only had a picture of the newspaper clipping and not the original clipping. Also, the shapes of the pieces were crazy – at least for my level of skill in piecing! I am pleased with the way my block came out, even though I used different techniques (piecing combined with applique’ than the original block.
I would like to try again different ways, using different fabrics. I don’t think I got the spacing quite right. There is something not quite right about the newspaper clipping when compared with the actual fabric sample I made. I don’t think it is an easy task to look at a picture of a newspaper clipping and then create it in fabric, but it was a puzzle that I couldn’t put away.
I feel the same way about some of the Kansas City Star blocks. It would be a great project to try and remake them all. What a lot of blocks that would be. Some of them would be fine, but some would be quite challenging.