One of my blocks for the QuiltCon challenge made on to today’s blog post: http://themodernquiltguild.com/2012/09/06/quiltcon-block-challenge-graphic-squares-rectangles-boxes/
I wrote about my blocks a few weeks ago and how sad I felt that mine seemed boring compared to some of the others entered by BAMQGers. It makes me happy that one of my blocks was featured. I am also happy that this blog was linked. Perhaps people will stop by and stay awhile!
I knew and meant to tell you earlier, but was really busy. Thanks to Adrianne of Little Bluebell for the reminder!
The fabric in these quilts cemented my friendship with TFQ, though we were well on our way already. 😉
The idea of the series is to play with ratios of color in such a way that subtle shifts in color or fabric changes the feeling of a quilt, though the designs are essentially the same for all the quilts in the series. These quilts started my experimentation with color, which I continue working at today. These quilts are the precursors, in a way to the Fabric of the Year quilts.
These quilts made me into an art quilt maker.
I bought the first batch of fabrics at a shop in Seattle called In the Beginning, which has since closed. At the time, I was in Seattle for a conference. I had been there briefly the month before on vacation, but didn’t get to do much quilty stuff. The day I purchased the fabric was a gorgeous, bright, sunny day and the sun was spilling into the shop lighting up these fabrics, which were arranged in rainbow order. I wanted them all. I was slightly horrified, but also excited at this visceral reaction, the strong desire to possess all of these fabrics. I think I even saw the series in my mind almost fully formed as I looked at the fabrics.
I bought some of each. I cut thousands of squares (WAY before Accuquilt cutting systems) and began sewing them into blocks. Though, I didn’t know it at the time, I did some chunking on these pieces.
I also paid attention to the use of color, which I had never done before. ‘Sun’ is much warmer feeling than ‘Ice’. I think ‘Ice’ is whiter and has a feeling of ice crystals or snow …. or something.
I had sense enough to concentrate the larger patches on the outside of the quilts to give a sense of borders. Definitely a happy accident, though I could have planned it. I just don’t remember.
The fabrics, by Debra Lunn and Michael Mrowka, have multiple colors on each piece of yardage – the colors gradate from dark to light or medium to dark or medium to light. There are many more tones and values that can be used than is obvious when you see some of the fabric. I didn’t realize this until I had the fabric out of the store.
In Pointillist Palette #3: Flower, I started to introduce other fabrics. The idea was that the last quilt (#6) would have barely any PP fabric in it.
The fabric I added was a group of larger scale reproduction flower fabrics. I think they were reproduced from a museum collection. I cut them up, sometimes fussy cutting, and included them with my Pointillist Palette fabrics.
I also started collecting other fabrics I thought I would use as the series went on.
Pointillist Palette #4: Night is still in progress and has been for a long time. I took that back of #1 apart to get the black aboriginal looking fabric out of it, so I could use it for the top of #4. People, who shall remain nameless, thought I had lost my mind. I needed a certain fabric and when I made the back of #1, I didn’t know I would need the fabric for #4. I had to make the right decision for the design of the quilt.
I pieced a few squares together recently and feel much more interested in working on this piece. I wonder if I can continue what I started so long ago?
I don’t really remember my ideas for #5 or #6. I may have notes and drawings somewhere. If not, perhaps this 6 piece series will turn into a 4 piece series?
All of the pieces are machine pieced, machine quilted (I did it myself!) and made using commercial fabrics.