Periodically, I will find something interesting that is old and post it under the Vintage Tuesday tag. In this case, I am showing you an old quilt of mine. It can’t really be called vintage as it is only 24 years old, but you get the idea.
There are a few things that you should immediately see in this piece. They are:
another hexagon quilt – I really have done a few of them
not my colors
gradated to a certain extent – as much as could be with the colors I was using
This isn’t my first quilt, but I believe it was the first quilt I actually finished (the Sampler took me awhile, because of the hand quilting). It was finished in 1990.
I did in response to a challenge posed by one of the members of the quilt group of which I was a member at the time. We were all on board and one of the other members went to pick the fabric. It is all machine pieced-NOT paper pieced- and machine quilted as well.
Do you like that binding? I put the binding on by machine and then sewed all those miters down by hand.
I don’t think I have ever posted about the quilts I made around the events of September 11. I try not to think about the whole situation, because it is just depressing and senseless from so many angles. And the senselessness just seems to continue.
I decided to write about them this year, because my work is good and I still think the message I tried to send is good. I keep one of the quilts on my wall and look at the words and try to remember to walk the walk.
After September 11, Karey Bresenhan called for quilts to be made and sent for the Houston Quilt Market and Festival where they would be displayed 2 months later. Many, many quilts were made and displayed, including my quilt, Fireball.
The exhibit was followed up by a book. Fireball was included in the book. Fireball was successful, in a way (displayed at Houston and included in a book), but it wasn’t the quilt I wanted to make for 9/11. It was an immediate, viseral reaction to the horrifying images shown on TV.
What Comes Next
What Comes Next is the quilt I wanted to make. What Comes Next has a message that I wanted everyone to hear and see and heed. I wanted politicians to take up the call and act in a way that would truly show the US as a world leader.
It took me much longer to make What Comes Next than the month or so I had to make Fireball. I worked on the beading in the car heading to L.A. I worked on the rubber stamping at my SIL’s house during craft night. It is one of the quilts I have quilted myself. I worked hard on the quilt to send a message of hope and peace and to encourage people to think about what comes next after September 11. Nobody heard or saw or heeded. It just makes me sad.
Update 9/12/2011: Based on my friend Kathy’s post, I have changed the name of this post to include the year, 2001. I want to move past this date. I want 9/11/2001 to become part of the past, which is not to say that we should forget those affected. From Kathy’s post:
“The Elder said the thing that would keep the tragedy alive was the fact that we keep referring to September 11th in the present tense. Every time we say 911 or September 11 without including the date 2001, it continues to work on our psyche as a current event. He said that unless we can collectively place the event firmly in the past it will continue to haunt our todays and true healing would not be possible.”
I do not want this day to haunt my life forever. I want to remember the people with joy, I want to learn from the mistakes we, collectively have made in the quest for justice, and remember the heroes with awe. I want us all to consider What Comes Next and move forward confidently in a positive direction.
One of my first serious craft undertakings was cross stitch. Counted cross stitch. I started cross stitching when I escaped to Denmark for a week during a difficult year. I went to visit my Danish sister and her family. Ulla, my Danish sister’s mother, treated me like her long lost daughter. One of the things we did was go to downtown Copenhagen and buy a cross stitch pattern. The pattern I bought, daffodils, was Eva Rosenstand / Clara Waever brand, as is the one above. It was the perfect for a long, cold, snowy winter project. Ulla showed me how to follow the pattern and make perfect stitches.
I finished that daffodil wallhanging and gave it to her. The next time I went to see the family, my little cross stitch was hanging, framed, in a place of honor in her dining room. It made me feel so good.
Cross Stitch Sampler Top/Middle
I bought this pattern years later. I think I bought it in Solvang and it was wildly expensive. I worked diligently on it and was so proud when the border came out perfectly.
Cross Stitch Sampler Top Corner
I have never created a quilt border that perfectly. You can tell it is Danish, because of the extra letters from the Danish alphabet. No, I do not speak Danish.
I gave it to my grandmother as a gift fo her birthday. I didn’t have the money to have it framed, which was a shame, because the presentation would have been a lot better. She opened it and before she got the whole thing out of the box, her husband said “WHAT are we going to do with THAT?” I felt so deflated and I never saw the piece again. I worked so hard on it and I was sure that it went to Goodwill in one of the regular purges that my grandmother loves.
Cross Stitch Sampler Bottom
Last week, my mom gave me a small package wrapped in lime green tissue. I wanted to go to Solvang on the way to or from Long Beach to get another cross stitch pattern from the shop there. It just didn’t get high enough up on the priority list.
When I opened the package I almost cried. My grandmother had sent me back this sampler. She hadn’t gotten rid of it! I was thrilled. I really did a nice job on this project and I am going to get it framed and hang it in a place of honor.
The other day I was looking around the web to see if some company made solid charm packs. My mom is making a food quilt and wants to use the Corner Store design from Pretty Little Mini Quilts. I think that design must have another name, because I wasn’t able to find any photos of it by that name. I knew that one of my contacts had a photo so I have used that to show you the design. I have a lot of pattern names to look up!
Sampler
Anyway, I feel like I have a long history with solids. In my first quilt class, the teacher sent us out to buy fabric. She told us to purchase a light, medium and dark from the same color (I chose blue) and a few other colors to go with it (see the pink, green, purple and muslin above?).
I was pretty overwhelmed when I arrived at the quilt store. Even back in the dark ages, there was a lot of fabric to choose from. The shop I visited had a room, yes an entire ROOM, full of solids. I chose solids for my first project to kind of keep the noise level low. You might notice one print. I went back later and got that print when I felt more confident and decided I kind of liked this quilting thing.
I have used solids on and off since I made the above sampler, but have never done a whole project with solids again. TFQ and I did an exchange where we would send each other a block. I made blocks in solids and she made blocks in tone on tones. This exchange was a good learning experience for me, because I learned how to use tone-on-tones and could compare the interest level in a block made with tone-on-tones versus one made with solids.
Cherri House (don’t you love that name?) has also come out with a book on using solids and their blog is filled with glowing quilts using solids. The Stash blog reviews it here. I need to reserve that book at the library and take a look. Pat Sloan interviewed Cherri House on one of her Toginet Radio shows
In my search, I found that Kona, which came out with a zillion solids a few years ago does have charm packs of their solids. They actually say on their website that they have 221 solid colors. I recently heard about Bella Solids from Moda (love the aqua, green and jade, BTW). P.S. I quiltmentions the Bella Solids, so they are definitely out there.
I think visiting the Amish Exhibit really put solids back on my mind. They had been rattling around in the back because of the Fresh Modern quilts, but now they are firmly ensconced. As I mentioned, those quilts glow. I haven’t decided whether I want to make a whole quilt with solids, but I think I would like to get them back into my repertoire. I did use one solid in one of the teacher pillows as a border. That is a start. I need to practice so I can make solid quilts that glow. I have a large piece of Kona Snow and, perhaps, that is a good place to start.
I am thrilled that solids are out there again; that people are paying attention to solids again. I like having a wide variety of colors, and the subtle variations, to choose from. I’d love to have 5 yard cuts of each of the Bella and Kona solids. Wouldn’t it be great to have that many colors to choose from? Of course, I would need a fabric HOUSE to deal with all of those cuts.
What is going on? What is it with solids all of sudden? Everything old is new again? I am interested to see where this is all going and what people will do with the solids.
