Tag: Art Quilts

Who Am I? Has an Outing

Twin Pines Art Center in Belmont
Twin Pines Art Center in Belmont

Who Am I? is hanging at the Twin Pines Art Center in Belmont. I am very excited.

Women’s View is an annual San Mateo County exhibition recognizing, celebrating, and honoring women artists who live or work in San Mateo County. The exhibition is co-sponsored by the San Mateo County Arts Commission, the Commission on the Status of Women, and the Twin Pines Art Center in celebration of Women’s History Month.

Women's View 2025 poster
Women’s View 2025 poster

This is the 19th year of the exhibition and features over 60 artists who have expressed themselves in photography, painting, textiles (me!), and ceramics.

I was impressed with the variety of media this year in contrast to last year. I may be mistaken, but I thought there was a wider variety of media this year. I saw quite a few mixed media pieces, which I thought were interesting.

My piece, Who Am I?, was the only quilt. It had a great location in the largest gallery. I saw a lot of people stopping to look at it and talk about it. I tried to listen in to conversations (sshh!), but I either couldn’t understand what people were saying or kept getting distracted.

Although I have entered pieces I already had finished or in progress during the last two shows, I only entered pieces that I thought fit the theme. I looking at the various pieces, I wonder if my interpretation of the theme is too narrow? My interpretation for both exhibits was about how I am affected by the world or what my role is in the world. Many of the other artists chose flowers or other parts of nature. It made me think that, perhaps, my idea of the theme was too narrow. You can review the gallery guide and decide for yourself.

I did notice that there were some details that I would consider stereotypically female, as in the Amapolos de California piece above. Elizabeth Gomez has stitched a bit of the edge of the poppy with embroidery floss or thread. One of the winners did the same on a photograph of a hummingbird.

Women's View Winners
Women’s View Winners

I did not win a prize this time. Prizes were awarded by the president of the Commission on the Status of Women. One of the winning pieces was a mosaic table, which I thought did not fit the theme at all. But, if I am generous, it could be her view of the world. It was a beautiful piece. Still, I do like to win. 😉

Mom, DH and I went to the opening on Sunday and it was a very nice event. The show ends on March 30, so I hope, if you are local, you get to see it.

 

Another September 11

I was startled a week or so ago when I passed by a restaurant advertising its new hours. The sign read 9 – 11…. and that is all I saw. I had to stop and read the whole sign. I was upset that whomever put the sign up didn’t consider how it would look. I guess we can’t forbid “9-11” from showing up in everything.

There are now adults who weren’t even born on that day. There are even more adults who were too young to remember. Do they even care?  I still ask myself if anything has changed. The same old men are still in charge. There are still people dying in the Middle East. I am not excusing the radicals; I just don’t know if there is anything that can make everyone tolerate everyone else, stop killing each other for religion and stay in their lane. It is depressing to think about.

Fireball, 2001
Fireball, 2001

I made two quilts to commemorate the lives lost during the destruction of the Twin Towers. The first one was Fireball, which is the imagery I could see as I sat and watched TV the week after that event.

 I was doing woven art pieces at the time and this is one of them. It is chaotic, reminds me of smoke and flames. This is a small quilt, maybe 12×12, and I was able to channel the pure emotion into this piece as I made it very quickly. The quilt was shown at the Houston Quilt Festival that year.

What Comes Next, 2001-2002
What Comes Next, 2001-2002

The quilt I really wanted to make took longer. I wanted to plead for something different than what ended up coming out of that terrible day. I wished for something different than a 20+ year war. People just want to fight when they are attacked; they don’t want to talk.

This is a hard post for me to write. I force myself to do it every year, to get the message of What Comes Next out there, so, perhaps, people will think and do something different next time, though I hope there isn’t a next time.

Women’s View Exhibit

Women's View Exhibit Information
Women’s View Exhibit Information

I would not be writing this post or showing you the art, if it weren’t for my friend Cyndi. She told me about this exhibition, she dropped off my quilt and also did some work for the hanging mechanism. I am not sure what I would do without her.

The Women’s View exhibit is installed in the County Center & Courthouse to celebrate Women’s History Month. This is the 18th year. I have never been before, but everything lined up really well. I took the day off work for an extra Sew Day and Cyndi and I left early to go to the artists reception.

Mike Callagi, County Executive
Mike Callagi, County Executive

We arrived and only had a short chance to look around before there were presentations.

Mike Callagy, the County Executive gave the opening  remarks. He was very complimentary about the quality of the art that was entered. He was also down to earth and funny.

Aimee Shapiro, Arts Commission
Aimee Shapiro, Arts Commission

Aimee Shapiro followed him. She is brand new. She has had her job on the Arts Commission for 3 weeks! She thanked a lot of people who helped and also announced the winners, of which I was one! Yes, I won one of the Honorable Mention awards.

Nancy Riffle, Silent Grandeur
Nancy Riffle, Silent Grandeur

I think Women’s Work 1 fit into the theme, but I was super pleased that my QUILT (women’s work) got honorable mention up against paintings. I was further pleased that Nancy won honorable mention as well. Her piece was a scene from her trip to the Yukon and beautifully done. It was not only stitched, but she painted some of the motifs and embroidered bits as well. It is lovely.

Rebecca Archer, Mother to Son: don't let them steal your sunshine
Rebecca Archer, Mother to Son: don’t let them steal your sunshine

Some of the other pieces were wonderful. I saw Rebecca Archer’s piece soon after I arrived and I really like it. It is multimedia as well. She used fabric and paper along with paint.

The inside of the house is mostly strips of paper while the leaves on the tree are fabric. I don’t know how she decided, but the overall design is very cohesive. The imagery doesn’t look like she just added motifs or used materials just to do it. Rebecca won first place. I took this photo before we heard the results.

Some other interesting images are above. I like Dana’s piece because of the washi tape she used. The Old Stem is interesting because it is a still life all in one color – or mostly one color with its compliment. I am a sucker for cake and dessert imagery, so Savitha’s piece is very appealing, especially since she added flowers. Linda’s chair remind me of wanting an Adirondack chair when the YM was a baby so I could sit with him in the backyard. I admire Echo’s technique and the way she used watercolor. Also,  she won Third place and I wanted to get all the winners, but missed second place and the other two honorable mentions.

It was exciting, but I was exhausted by the end of the day and almost didn’t cook dinner.

We were talking, at Sew Day, about all the work that military wives do when their husbands get new assignments and I might have inspiration for the next quilt in the Women’s Work series. I have never been in that life, so the idea might be too presumptuous for me to make. We’ll see.

The San Mateo County Women’s View exhibit has a Gallery Guide that includes all of the artist statements. I am so pleased that I am a part of this exhibit and am thinking I will enter Who Am I? in next year’s exhibit.

September 11…Once Again

I almost didn’t post about that horrific day this year. There are now adults who weren’t even born on that day. There are even more adults who were too young to remember. I still ask myself if anything has changed. The same old men are still in charge. There are still people dying in the Middle East. I am not excusing the radicals; I just don’t know if there is anything that can make everyone tolerate everyone else, stop killing each other for religion and stay in their lane. It is depressing to think about.

Fireball, 2001
Fireball, 2001

I made two quilts to commemorate the lives lost during the destruction of the Twin Towers. The first one was Fireball, which is the imagery I could see as I sat and watched TV the week after that event.

 I was doing woven art pieces at the time and this is one of them. It is chaotic, reminds me of smoke and flames. This is a small quilt, maybe 12×12, and I was able to channel the pure emotion into this piece as I made it very quickly. The quilt was shown at the Houston Quilt Festival that year.

What Comes Next, 2001-2002
What Comes Next, 2001-2002

The quilt I really wanted to make took longer. I wanted to plead for something different than what ended up coming out of that terrible day. I wished for something different than a 20+ year war. People just want to fight when they are attacked; they don’t want to talk.

This is a hard post for me to write. I force myself to do it every year, to get the message of What Comes Next out there, so, perhaps, people will think and do something different next time, though I hope there isn’t a next time.

More Who Am I? Updates

Who Am I? - January 2023
Who Am I? – January 2023

I made more progress. I am seeing light at the end of this tunnel.

Do the little that I have done really feels like a lot of progress. Of course, it is taking me forever to do a little.

I am happy with what I have done and am already thinking about quilting options. Shocking! I know. Who knows why quilting is even entering my mind, though this is an art quilt and there are things I want to say with it that I think I will say with quilting. More accurately, Colleen will say with quilting. 🙂

Who Am I? - January 2023 detail
Who Am I? – January 2023 detail

I did the line that says ‘Julie’s Friend’, using some Tula Pink ribbon I had. I used a lot of pins to keep it in place until I could sew it down. I think it looks pretty good.

As I mentioned, I had planned to do the last three lines using bias tape, but ‘Paul’s Wife’ put me off that idea. It’s disappointing, because I do like bias tape, especially the stretchiness of it.

More satin stitching comes next.

Remembering September 11

I still feel strong emotions when September 11 rolls around. As I implied last year, what has changed?

Fireball, 2001
Fireball, 2001

I made two quilts to commemorate the lives lost during the destruction of the Twin Towers. The first one was Fireball, which is what I could see as I sat and watched TV.

It is chaotic, reminds me of smoke and flames. This is a small quilt, maybe 12×12, and I was able to channel the pure emotion into this piece as I made it very quickly. I was doing woven art pieces at the time and this is one of them.

What Comes Next, 2001-2002
What Comes Next, 2001-2002

The quilt I really wanted to make took longer. I wanted to plead for something different than what we got. I wish something different than a 20+ year war could have come out of that. people just want to fight when they are attacked; they don’t want to talk.

This is a hard post for me to write. I force myself to do it every year, to get the message of What Comes Next out there, so, perhaps, people will think and do something different next time.

Rosie Lee Tompkins Exhibit pt.2

Rosie Lee Tompkins exhibit overall
Rosie Lee Tompkins exhibit overall

The other day I started writing about my visit to BAMPFA to see the Rosie Lee Tompkins exhibit. Today I plan to continue talking about the pieces that I liked.

In the photo, left, you can see how the quilts were arranged. You can also see the older quilts on the left and the newer quilts on the right.

As I mentioned before I preferred the older quilts, which seem to be mostly made from velvet, etc. On the right, you can see the newer quilts. These are mostly made from cotton. They seem to have more meaning, according to the signs, but they lack subtlety and their design elements are less nuanced. The impression I got from looking at those quilts is that Rosie’s supply or source of fabric had changed. Alternatively, someone may have told her that quilts were made from cottons. I don’t know, but I may find out once I read the catalog.

Rosie Lee Tompkins pink velvet
Rosie Lee Tompkins pink velvet

One of the velvet quilts used pink with black, which is a color combination I have not yet explored, though it is on my list.

In this piece, I think it is interesting how Ms. Tompkins used a few different pinks, including a peachy-pink that I would not have used. I am not a peach fan, but the artist uses it to good effect in this piece.

I am interested in the shape of the various pieces and wonder how she worked? Perhaps there will be some photos of her workspace in the book, which I have not yet read. Did she have a dedicated space? Did she work on her lap? I am not disturbed by the shape, I just see it in several of her pieces and wonder if it is the result of her workspace.

Rosie Lee Tompkins 'pinwheels'
Rosie Lee Tompkins ‘pinwheels’

The design of the exhibit was good. While the pieces were in chronological order, I could see that the curators selected pieces that showed a flow of her development. I know that pieces had to be selected from the vast number Rosie Lee Tompkins made.

This green and gold piece was between the emerald piece I showed in the previous post and the pink and black quilt above. There were others with more triangles, but something about this one caught my eye.

Rosie Lee Tompkins more 'pinwheels'
Rosie Lee Tompkins more ‘pinwheels’

She showed a variety of blue and black quilts as well, which were also favorites. I looked at this one for a long time and like the subtle shading of the black and grey. I couldn’t decide if the fabrics were the same, but turned or brushed so the nap showed up differently and made the pattern or if the fabrics were different, but very close. She used bits of turquoise in various pieces and that was appealing. I like the purple and turquoise together.

This exhibit is well worth a visit.

 

Rosie Lee Tompkins Exhibit

Entryway BAMPFA
Entryway BAMPFA

I actually went to a museum the other day. I am fully vaccinated, wore a mask, stayed away from people and the place was almost empty. This trip contained a lot of firsts: first time in a museum in over a year, first trip across the Bay Bridge in over a year, first time in a car with a friend, first time wearing a mask for 5 hours or more (health care workers: I salute you!). Milestone day!

I went with my friend from CQFA, Nancy. Nancy is much more in tune with what is going on in local arts than I am and let me know that the Rosie Lee Tompkins exhibit was on for in person viewing. She got us tickets and I drove us over.

I used to live next door to BAMPFA, but hadn’t been there in years. The space is gorgeous. The entrance is made human by the mural you see when you walk in (above). The mural is part of an auditorium/amphitheater (??)/performance space. The walls of the museum are tall and white, so the mural grounds visitors as they come in – at least it did for me.

Rosie Lee Tompkins Exhibit entrance
Rosie Lee Tompkins Exhibit entrance

We went straight into the exhibit, which was on the ground floor near the entrance. There is not a lot of information about the quilts and most of them are untitled. I love to hear about inspiration, so this was disappointing, but not surprising. I don’t think people think about the making of their quilts as much as I do. In writing this, I realize that I think a lot more about placement of individual pieces and don’t write each of those comments down.

The brief description of the show says, in part, “…And while most of the Tompkins’s textiles are referred to as ‘quilts,’ this term technically only refers to works comprising pieced tops, insulating material, and backing that have been sewed together – a process she rarely undertook herself, instead leaving this finish work to other local quilters.” I love this, especially the last part, because it means that my quilts could someday end up in a museum!!

Rosie Lee Tompkins 'Lines' quilt
Rosie Lee Tompkins ‘Lines’ quilt

My two favorite quilts were from her older quilts. They were mostly made of velvet, crushed velvet and velveteen (I don’t really know if these are the same).

One of the things I like about this piece is the not so obvious improv piecing. Current improv piecing comes across as contrived to me sometimes, though you know I am not a huge fan. This piece looks like it was designed so that the pieces lean to the left. I am not sure I could make a piece with so much movement using improv techniques. This piece does not scream improv to me. It looks like Ms. Tompkins designed it that way. The color and sheen, which do not come through very well in the photo really add to the success of this quilt.

Rosie Lee Tompkins Emerald Velvet
Rosie Lee Tompkins Emerald Velvet

My second favorite is a piece that is jewel-like in its success. The various greens show up with some contrast in the photo. In real life the darker greens are much more subtle in their shading. This makes the chartreuse line of squares in the center-left stand out. Even though those four squares are the only green of that color, the design element seems to work. There are a couple of places where four squares show up and perhaps that is the reason. Again, the color and sheen really add to the success of this quilt.

Look for part 2 of my thoughts about this exhibit soon.

 

Election Day Reminder

Down the Drain: Finished
Down the Drain: Finished

I made this quilt to represent the rights I thought were in danger in 2016. I think they are in even more danger. The worst part is that most of them reveal that lawmakers are thinking too much about sex when they consider women.

Go Vote and think about what YOU want your future to be like. Don’t consider what others are telling you. You are smart enough to decide for yourself.

 

Remembering September 11

September 11 comes around every year. This year feels different. Victim deaths of the pandemic have surpassed September 11 victims by leaps and bounds, though perhaps not in the numbers of the victims of the aftermath of 9/11. Still, that day is seared into my mind.

I was home alone that morning as DH was out of town and I was trying to get the YM to pre-school and get to my job. If anyone says ‘September 11’, I think about my mom calling me and sort of screeching at me to turn on the TV. My mom doesn’t really screech, so this is probably my imagination. I also remember how turning on the TV made the whole situation real. I was in my house getting ready to go to work, getting my almost 5YO YM ready for school, minding my own business and as soon as I turned on the TV, the world was different – meaner, more revenge oriented, less tolerant and more violent. Everything changed that morning even though I didn’t know it.

I couldn’t process those planes crashing into the World Trade Center. I couldn’t process the passengers taking over the flight that eventually crashed in the field in Pennsylvania or the flight that eventually affected the Pentagon. I can’t help but think of how quiet the skies were for days after. Now that I think about, it reminds me of how quiet everything was at the end of March 2020 when everyone was sheltering-in-place.  I remember watching TV for hours with DH (once he returned) and seeing the same images over and over. I think of the years of violence that make up our lives today.

Fireball
Fireball

I ended up making two quilts as a reaction to OR to do something to mark-commemorate-remember (I don’t know the right word. Send a message?) the day and my feelings. The first was done very quickly and sent off to Houston to be displayed in a commemorative display at Quilt Festival and Market.

Fireball is a reaction to all the fire that was shown on TV. It is a woven quilt and messy looking. The strips are raw edge so the whole piece reflects the chaos of the day and the aftermath.

What Comes Next, 2011-2012
What Comes Next, 2011-2012

The second quilt is also an art quilt. It took me longer and was my wish/prayer for the future. It is called What Comes Next. Clearly my wishes were not acknowledged because the things I wanted to come out of that terrible day were the exact opposite of what actually came out of it.

This quilt has similarities to my Blood and Oil quilt and the more recent, Down the Drain quilt. Someday I’d like to use those paper doll motifs again.

September 11…Again

September 11 comes around every year.

If anyone says September 11, I think about my mom calling me and telling me to turn on the TV and how that changed everything even though I didn’t know it. I was home alone that morning as DH was out of town and I was trying to get the YM to pre-school and get to my job. I couldn’t process those planes crashing into the World Trade Center, the passengers taking over the flight that eventually crashed in the field in Pennsylvania and the Pentagon. I think of how quiet the skies were for days after. I remember watching TV for hours with DH and seeing the same images over and over. I think of the years of violence that make up our lives today.

Fireball
Fireball

I made two quilts to do something to mark-commemorate-remember (I don’t really know the right word. Send a message?). The first was done very quickly and sent off to Houston to be displayed in a commemorative display at Quilt Festival and Market.

Fireball is a reaction to all the fire that was shown on TV. It is a woven quilt. I have made a few woven quilts, though not in a while. I cut the strips and wove them together, then quilted over the top of the weaving. The strips were raw edge.

What Comes Next, 2011-2012
What Comes Next, 2011-2012

The second quilt is also an art quilt. It took me longer and was my wish/prayer for the future. It is called What Comes Next. Clearly my wishes were not acknowledged because the things I wanted to come out of that terrible day were not what came out of it.

This quilt has similarities to my Blood and Oil quiltand the more recent, Down the Drain quilt. Someday I’d like to use those paper doll motifs again.

Fabric Collage by Deena

Goodness! September already! It seems like yesterday when I was writing about my goals for the year.

As mentioned I went to a BBQ on Saturday and got to see a quilt extravaganza. The hostess is also a quiltmaker, but does art quilts and is preparing to sell a bunch of them.

Deena's largest quilt
Deena’s largest quilt

Deena’s quilts are all wall hangings. She starts out making a bargello background. After she is happy with the background, she fussy cuts motifs out of fabric and fuses them to the front.

The large quilt shown is one of the plainest of her quilts that I have seen. Most of them are beautifully embellished with a variety of motifs. Her newest collection is a Noel collection. Lots of cardinals are featured.

Deena Farrah Art Quilt: For Sale: Garden Path II Frame size: 8 x 10 Price: $135
Deena Farrah Art Quilt: For Sale: Garden Path II Frame size: 8 x 10 Price: $135

Take a look at Deena’s quilts on her FB page.

Under the Sea Pillow FINISHED!

Under the Sea Pillow Finished- front
Under the Sea Pillow Finished- front

Yep. It’s true. I have finished the Under the Sea piece after many years of working on it. I can hardly believe it.

I am so thrilled that I have one hand project that is finally done. Granted, I could have just said “this is done” and moved on, but projects speak to me and this one was very chatty. I finally feel like it is really and truly done – enough embroidery, enough embellishment, enough stitching.

Under the Sea Pillow Finished- back
Under the Sea Pillow Finished- back

As I have said, I started this piece in a Pamela Allen class in April of 2009. I hope it was worth 10 years of work (not constant work).

The London Portfolio fabric seems to fit the front pretty well and I am pleased with the black binding.

This was not an easy project to finish and included a lot of ripping out, but like Beach Town and the Flower Garden, I am pleased with the style of working and the results. Pamela Allen is a design genius and if you want to learn to design quilts, she is a great teacher.

Under the Sea Pillow

Under the Sea ready to bind
Under the Sea ready to bind

I wanted to finish Under the Sea by now, but I had to backtrack and do some repairs, so finishing will take longer.

I made the piece into a pillow. To do that I used up the polyfil I had leftover from the dolls I made for my little niece. I didn’t have enough, so I cleared out my batting scraps and used bits of batting for the rest of the stuffing. I would have preferred all polyfil, but as a lot of this project was from reclaimed materials, I thought the batting scraps were fitting.

Under the Sea back - Michael Miller print
Under the Sea back – Michael Miller print

I wanted to control where the stitching went, so I didn’t plan on sewing right sides together and turning the piece. I sewed wrong sides together, then left an opening I could use to fill the pillow.

The backing fabric is from the Michael Miller London Portfolio collection. This particular print is called Anjou Pour Vous. I don’t know why it would be called that if the collection is called London Portfolio, but I am sure the designer has a reason. I have a number of these prints and will have to use one for a backing.

I also wanted to put a black binding on. I did that to cover the raw edges, then machine sewed the back down. I ran into problems with the black thread catching some of the pillow top and also showing in the corners where it didn’t quite match up with the top binding. Again, I ripped and replaced the bobbin with Aurifil monofilament and restitched the binding so the mismatched binding front wouldn’t have a black line around the corners on the actual top.

Also  the larger glass beads are coming off. For some reason, my French knots are not strong enough to hold them with the stress of handling. Again, I am using Aurifil monofilament to secure the beads and not disturb my overall design. The Aurifil monofilament is a hassle to use, so that is also a thankless task.

I will be so glad not to see this project on my to do list when I am finished. I know I will like it again, but right now I don’t.

 

Under the Sea Top Finished

Under the Sea finished top
Under the Sea finished top

After several false finishes, I am really done with the top of Under the Sea. This is a HUGE, because I started it in April of 2009 and getting it done has been on my list for awhile. One less handwork project to do can’t be bad either.

I want to make it into a small pillow. Some of the embroidery and beading are close to the edge, so I have to worry about that a little bit. There is still work to do on this piece.

Since this was heavily embellished, I will enter it in the fair in the embellishment category and hope for a prize.

Hooray for progress.