A couple of weeks ago I went back to A Work of Heart for a Juicy Soul Retreat. I really had no idea what a juicy soul was or how it could be retreated. I went because I needed a bit of a creative change and Andrea and her good energy were just what I needed.
Andrea
It was the right thing to do. I really enjoyed the day, got a lot done and got my head a bit straighter than it was.
Finished Cover + Marker
I thought about the journal I wanted to make and wasn’t sure so I bought a new journal and brought my Purpose journal as well. I was thinking I might be able to add to that one.
One of the things that was different about this class than the other journaling classes I have attended at AWOH was that we all introduced ourselves and shared a little bit about ourselves. Some people shared why they were there-what they hoped to achieve- and others shared something about their art. My friend, though quite young, is staring retirement in the face and she was there to work on figuring out what’s next.
That struck a chord with me and I started working on the new journal. Some of the techniques for making backgrounds were similar to those I had used in other AWOH classes, but there was plenty of new stuff as well. Also, I don’t take notes in Andrea’s classes; I try to absorb the techniques, so I don’t remember some of the nuances from previous classes.
Darcy’s Background
I tried to get the backgrounds for the new journal done, but there just wasn’t enough time. It was probably a good thing. I have to remember that it isn’t about the finished product, but about the process.
The ProcessAWOH Hearts
Andrea is revamping half of her studio space and she has some of her work displayed on the new shelves there. I love the hearts. The pink background is such a wonderful pink. It isn’t too sickly sweet or light.
She has a project of her own in which she is creating 1000 houses-images of houses. I love the idea of choosing a shape and creating a series using that shape. The house shape is simple, but has a lot of possibilities. Hearts would also work. A 1000 is an amazing number of pieces of art. It is large enough to be a challenge, but also obtainable. She eventually wants to raffle the collection off to raise money for a charity.
I went to a quilt retreat this past weekend and was thrilled to receive 8 more blocks!
Bron’s Retreat Stars
Bron is a star herself and came through with 3 more blocks. These are her best yet, I think! I am fickle, though, because every time she gives me more blocks I like the new ones best.
I like the fabrics she chose. The stars are really bright and cheerful.
I brought some fabric to the retreat to make it easy for people to make blocks. It turns out that I didn’t have much of the really dark blues, which I was hoping to use in the background. I also brought Around the Block to help with the patterns. I thought about reloading Judy Martin’s Star block add-on to EQ7 on my computer, but I didn’t get around to it before I left for the retreat. It ended up not mattering, because people didn’t use the fabric to make blocks anyway!
Diane’s Friendship Stars
Diane also made some pieced and appliqued Friendship Stars. She got up at the crack of dawn yesterday and beavered away on these. I have talked about Diane before. She does wonderful silk painting, but not much piecing beyond borders. I talked about her pear ATCs, which I just love. She said she struggled a bit with the piecing and ended up appliqueing 3 of them. I thought it was very clever! Her blocks are great.
I have been promised some more blocks, so perhaps we are starting to get attention and will have enough to make some nice quilts.
Want to help? I am thrilled at how many people are making a block or two. Do you want to contribute some blocks?
All star blocks are welcome!
Block background: dark blue
Block design: Yellow star (any pattern, technique, eg. embroidery, painting, silkscreen, etc)
Block size: 8? finished or smaller (we will work with any size)
Remember to sign your block!
Deadline: TBA, probably around the end of March
Contact us through our blogs for mailing instructions. Thanks very much for your generosity!
My retreat project, as you know from all of my preparations, was the Fabric of the Year quilt for 2010. I had high hopes that I would get the whole thing pieced. I enjoy doing the colorwork at the retreat, because I can get a lot of different opinions and I like knowing what other people see. Also, I feel like I have more space to spread out.
FOTY Start
Above is the way I started the FOTY on Friday afternoon.
FOTY 2010 Right Corner detail
Above is the dark corner. Again, I was trying for the a colorwash kind of look across the quilt from right to left.
FOTY 2010 – more of the dark corner
As I laid out the piece, it was interesting to see, visually, the amount of darks and colors.
FOTY 2010 – Dark Corner washing towards Red
This was the first layout. You can see a bit of the red next to the purple. Eventually, I took all the red off of the design board and put blue next to the purple. I did a backwards ROY G BIV working from right to left, though if you look at it when it is finished, the ROY G BIV will read correctly (see below).
FOTY 2010 – Whole Piece in Progress
Above, you can see that I have changed out the red for the blue in the center and put the red on the left edge. Most of the diamonds I have to work with for this project are blue. The design wall was not large enough for me to put up all of the patches, so the reds and pinks only got a representative sampling to begin with. As I worked through Friday afternoon and evening, then Saturday, I came to the realization that this piece was going to take longer than I thought. Putting it together was a lot more of an intellectual exercise than I expected. Part of the reason, I think, was that I wanted to put it together in chunks, which made the spaces created by the sewn seam allowances end up in strange places.
FOTY 2010 – Center detail
Those seam allowance spaces became unexpectedly large as I sewed, which turned out to make keeping track of where pieces went really difficult.
FOTY 2010 – Blue detail
One challenge was the different amounts of colors I had. Another challenge was that the fabrics mostly did not consist of only one color. I tried to block out all but the background or dominant color in my mind in order to place the patches, it wasn’t always possible.
FOTY 2010 – Blues washing to Yellow
Above, which is the upper left hand section, is the least formed part of the quilt, and still, in the photo above, in quite a bit in flux.
FOTY 2010 – Putting the Piece Together
In some ways putting the piece together got easier as I sewed larger chunks together. In other ways, it got to be more of a problem, because the spaces, as I mentioned, between the chunks got larger.
FOTY 2010 – Moving Across from Right to Left
The bottom left corner was really my big problem. I don’t know what happened, but something happened early on and I still haven’t completely resolved the problem in that corner. I am working through it, but as I don’t seem to have a photo of the whole piece after I moved the red, it is proving to be a challenge. I am having to lay out that corner again as I go along. Lots of unsewing is required.
FOTY 2010 – Top Right, Middle
Are you bored yet?
The top right and middle were ok and I was able to sew some large chunks together.
FOTY 2010 – Bottom Right
No matter what I did with that bottom right corner, there still seemed to be large missing chunks of patchwork. Sigh. At this point, in addition to taking big deep breaths, I realized I wasn’t going to get the piece finished. Not what I wanted to face, but I wanted to do a good job and that was the reality.
It was a bit liberating to admit that, because I felt like I could look at the piece and didn’t have to rush straight to sewing.
FOTY 2010 – Moving to Pink
I was able to put a few pinks up as the seam allowances shrank the whole piece, leaving more space. I had faint hope that some miracle would occur and I would finish the piecing.
FOTY 2010 – Adding the Reds
I was also able to add some of the reds that didn’t fit when I started.
FOTY 2010 – details of placement
The large seam allowances seemed to keep moving as well.
FOTY 2010 – Good Behavior
This was the well behaved part of the quilt right before I took the whole thing down so I could go home.
FOTY 2010 – Orange and Yellow
IYellows and oranges were ignored, for the most part.
FOTY 2010 – Virginia’s Picture
Virginia took this picture while she was visiting. It is really helpful to see what other people see in my pieces.
FOTY 2010 back at home
Julie helped me roll up the piece in the flannel of the portable design wall so I could bring it home and set it up again. My plan is to chip away at the rest of the layout and piecing. Not finishing puts me behind in my mind’s quiltmaking schedule, but I am sure there is a reason that I didn’t finish. I certainly didn’t expect the intellectual piecing challenge of this project. I am sure it is good for me.
The CQFA Quilt Retreat was this past weekend. Dolores did a great job organizing it. We went to a new place and it was wonderful. There was a bakery nearby which baked gluten free pastries in addition to regular pastries. That was a really nice treat!
My Creative Mess
Above is my workspace, which I shared with Julie. You can see FOTY 2010 in progress. Sonja and Debbie were in the back. The share table is in the middle.
Terri, Dolores & Sue's Workspaces
Sue set up in a corner and made a whole Moon over the Mountain quilt while Terri worked on a Ricky Tims style quilt.
East Side of Room
It never ceases to amaze me how much of a mess I can make when given the opportunity. My workspace is right at the bottom of the photo. I worked hard over the weekend, so it must be ok. Dolores was in the far corner with Maureen and Robin at the table between Dolores and mine.
Bron & Virginia
Bron and Virginia couldn’t stay and work with us for the weekend, but they did come for the group dinner on Saturday. I love this picture. It shows what lovely people they both are.
Julie's Tumbler
At the same time I cut the FOTY patches all year, I have also been cutting Tumbler patches for Julie. I think she mentioned liking that shape and I took it upon myself to cut patches for her. I don’t remember exactly how it all came about, but it sounds like something I would do.
It was fun to see the same fabrics that I was working with on my project. Julie worked on sewing rows of her Tumbler quilt together. She is making it for her bed. At one point she laid it on the floor and we laid down on top of it to test and see if the size was large enough. No cameras were available to catch that moment. I was hoping she would sew all the rows on, but she got tired of it after awhile and worked on some different projects.
Another View of Julie's Tumbler
We declined to have Julie crawl on top of table or chair to show the whole piece. It is quite large and above is a different view.
Nancy's Needle felting
Nancy was making a needle felted scarf. I don’t know if she finished, because I don’t know that much about needle felting. I really liked the design she was working on.
Birthday Gifts
Julie also gave me some birthday gifts! We spent a happy hour looking through the two books and talking about the craziness of some of the piecing. She gave me a really nice card, too. 😉
I have a lot of talented colleagues who also attended the quilt retreat. I realized, after I got home, that the pictures I thought I took only were taken in my head. Sigh.
Dolores 2010 #1
Dolores, for whom I made the pencil roll, is really making progress in her work. She takes classes deliberately from well respected quiltmakers and works through the techniques and makes it her own. For the past several years, she has worked in neutrals. This year she decided that she was going to add color back into the equation. This piece is from a photograph (right) and some techniques she learned in a class with Caryl Bryer Fallert. Dolores reworked the photo on her computer and then blew up the pattern, transferred it to freezer paper and used Fallert’s method of piecing to create the top.
Sonja, a new CQFAer was working with FabMo fabrics and just playing. She did a fabulous wave piece that I was really sorry not to have taken a picture of.
Sue and I are kindred spirits in that we both like to make quick projects in between our larger quilt projects. She worked on totes, scarves AND basted two quilts!
FabMo also has wallpaper -high end wallpaper – and Jan has been experimenting with folded boxes and bags using pieces of the free wallpaper. They are fabulous. She is also working on a piece based on the view of Nebraska from a plane. She worked on embellishing the circles she was making. Jan was sitting next to me and we talked about color, because she is finding her piece too dull. We discussed colors that would fit with her nature theme.
Julie's Hearts
Julie bought a pack of Moda turnovers and is making a fun and sweet Valentine’s Day quilt. She is trying to limit her need to cut and this was a great way to do it.
Julie's Hearts #1
Here is Julie’s quilt before she started on the appliquéd hearts.
Julie's Heart Art
Above shows her machine applique’ pieces waiting for their turn under the needle as well as the tools that are required for excellent quilting (glasses, rulers and coffee!). 😉
Illuminated Manuscript Heart
I thought that the above block looked like one of the illustrations in an illuminated manuscript.
Good Color Combo Heart
This is a nice color combination. I am not sure the computer intermediation shows the subtlety, but it s great.
Skull Heart
We talked a lot about this block, because of the skull. It is the block that shows that relationships can be icky and rocky sometimes. Fun fabric, though.
Maureen tried the pencil roll pattern and came up with a nice piece using some of her hand dyes and some FabMo fabric.
Terri worked on getting some tops put together. One was an exchange top that included some really nice batiks.
Debbie was trying to finish her daughter’s college quilt. She was using some very jewel-y turquoise, purples and other blues. It was very rich looking.
Kathy is a member’s daughter. We haven’t seen any of her work before this weekend. It turns out that she does wonderful handwork. She is working on this Piece O’Cake design, do it mostly by hand. I like the color choices she made. They are a bit muted, but not murky.
Kathy's Piece O'Cake
She didn’t like the scallop border that came with the pattern, so she designed this leaf border on her own.
This past weekend was our annual CQFA retreat by the beach. I spent the weekend working on the FOTY 2009. I also relaxed a little even though I spent a lot of time hard at hard sewing. My body is rebelling a bit from sitting so much and standing so much.
Last few FOTY blocks
First, I found the last few FOTY blocks on my design wall before I left and I wanted to post a picture of them. I didn’t think I would use the one with the earthy brown (middle row, middle block) on the front, but I ended up using it.
FOTY 2009 in progress
I really worked hard on the piece. As with last year’s piece, there is a lot of sewing and pressing. The process, after I figured out the size and laid the blocks out was to sew two Zanzibar blocks together, press, put back on the design wall, sew two Zanzibar blocks together, press, put back on the design wall and then repeat that process 133 times. Once I sewed sets of blocks together, then I sewed two sets of two blocks together to make a set of four. I did that approximately 67 times. Since I wasn’t in my own workroom I had to walk around my table, past another table and into the corner to get to the iron. The distance was inconvenient, but also good, because it forced me to stretch my body. Putting the top together was a lot of rote sewing, but it was the perfect project for the retreat.
I did a few things differently this year. One was to count up the blocks and try to make a plan as to how I would lay them out before I arrived at the retreat location and was standing in front of my design wall. I knew I had 225 blocks, so I thought I would lay them out in a 15×15 format. What I didn’t take into the consideration was the size of the portable design wall. If I placed 15 blocks down, 3 of them were on the floor. I didn’t want to work with blocks on the floor even though I could have. It is hard to photograph the in progress piece. It is easy to forget some of the blocks, etc. I reconfigured the layout and ended up with, I believe, 12 down and 19 across. I prefer a rectangular layout anyway so it worked out. I needed another block, however, so the earthy brown one ended up on the front. In the grand scheme, it doesn’t scream brown out of the quilt.
Color Sorting
I also sorted the blocks. Last year, I think I just put them up in general areas on the design wall and then I had to move them around a lot. This time I sorted the fabrics on the table, put them in Roy G. Biv + white and black order and then put them up on the design wall. This strategy was a lot easier. I didn’t have move such large groups of blocks over and over. I had to move some groups, but the whole process was much easier. Below is a progression of how the piece evolved as I worked on the color:
#1 Blocks on the design wall#2 Blocks on the design wall#3 Blocks on the design wall#4 Blocks on the design wall
Another thing I did differently this year was ask some of the other retreaters if any blocks stood out to them in an “I am out of place in this quilt” kind of way. Many of the CQFAers are really skilled designers, others are skilled colorists. All of them have something wonderful to offer if I remember to ask and listen.
I was looking at FOTY 2008 last week and found that there were some rectangles I really should have moved. It is by no means a horrible quilt, but I should have played with the layout a bit more. Asking for help was a great strategy, because people mostly liked the color work I did and I got lots of kudos, but some of the blocks jumped out at them. Funnily enough the blocks they noticed, for the most part, did not jump out at me. Almost exclusively, these were blocks that were hard to place – multi-color fabrics, conversationals, light backgrounds almost completely covered by various colors, etc. The CQFA group is great, because they helped me place the problematic blocks to their best advantage. In this way, I also learned.
FOTY 2009 Upper left cornerFOTY 2009 Lower left cornerFOTY 2009 Upper right cornerFOTY 2009 Lower right corner
I spent a good portion of the retreat sewing the quilt top together. Open house at school was today, so I had to leave the retreat early and only got some straps for my next Anna Maria HornerMulti-tasker tote done. I really wanted to stay, but am glad I was able to have a chat with various teachers at school as well. There is always so much to do!
