I spent most of the day on Sunday making blocks for the Lupine quilt instead of working on the Pandora Charisma. The white strips blocks have been on my mind and I wanted to sew some sashing on to them, so I worked on the Lupine blocks and made the white strip blocks my leaders and enders.
I am quite ready to sew this quilt together. Though I am nearing the end of block making I still have some to sew.
The following is a lesson on different methods of selecting fabric. This is a lesson I give as one of the first classes when I teach beginning quiltmaking.
Color Choice Basics
Use what you love
Use the good fabric
Don’t be boring
Splash Out – be bold
There’s always more fabric
Using fabric you love or your really good fabric means that you will enjoy working on the quilt as well as using it or looking at it once it is finished. Since there is always more fabric, be bold in your choices. Take chances and try new color combinations. Yes, quilts take a long time, but you can always make another.
Fabric Selection
Fabric selection is personal. Think about what you like not what is trendy. Don’t copy the fabric choices of your friends. Quilts take a long time to make so don’t make a quilt that has already been made.
Colors should bring you joy. Don’t use colors because you think you should, such a ‘on trend’ colors or fabrics.
Your opinion matters. Like your fabrics
What you choose at the start is not the final selection.
Add and delete throughout the process
You will gain insight as you work with the fabrics
Aqua-Red Sampler with prize
Start with ¼-1/2 yard of 8-10 foreground fabrics
Select background fabric as well
Often background fabrics are neutrals (grey, white or beige)
Splash out! Use yellow, blue, green, pink, or black as backgrounds. They can be effective, exciting and wonderful choices. Also, they can be unusual when the fashion is to use neutrals
Revise (add or delete) fabric choices after you have made a few blocks
Cheerful Baskets
Punk Rock Quilt
Cheerful Baskets still has a light background, but looks nice and warm with yellow instead of white. Also, yellow is across from blue on the color wheel so the baskets play nicely with the background.
I turned background and foregrounds on their head in the Punk Rock Quilt, using pink for the background and black and white prints for the foreground.
Design Wall, Labor Day 2017
Stand back and squint
If some of the fabrics blend together, you will not be able to distinguish between them in the quilt.
If you like or want a blendy effect GREAT!
If you want to see each of your fabrics very clearly, then remove some of the fabrics that blend together.
If you love each of the fabrics you have chosen, move the fabrics around so the ones that blend are not next to each other.
8 Methods for Fabric Selection
Method #1: Selecting by Value
Pink Strip donation top – finished
Select one color to be your main color
Tone-on-tone or solid colored fabrics work well for your main color, but don’t limit yourself if you love a, for example, red and white print. After you have selected your color, then you will choose a light, medium and dark of that color, e.g. light blue, medium blue, dark blue.
Value is important. There are lots of quilt fabrics that have a medium value. Choose enough lights and some darks, so that the piecing of your blocks shows up and the eye of the viewer moves around the quilt.
Use a color wheel to help you.
Apartment Therapy Color Wheel
Color Wheel selection
All of the hues in one of these groups will be your palette
Method #2: Heroine or Focus Fabric
Select a lovely, busy print with more than 2 colors.
Large scale prints work well
Lots of colors gives you a lot of colors from which to choose. All of the colors, or a selection can be used to make a successful quilt.
Note: Many large scale prints are the main fabric in a line of fabric.
Once you have your focus fabric:
Handbag Sampler – ready for binding
Choose fabrics that have the colors you find in the focus fabric
Select some solids or tone-on-tone fabrics to give the eye of the viewer a resting place
Vary the size and scale of prints.
Try not to match up the colors exactly. It will add interest if the colors are slightly off the color in your main fabric.
Include the complementary color to the focus fabric’s main color to pop that main color
If you want each of your fabrics to shine, make sure you have lots of contrast
Method #3: Monochromatic / Two Color
Finished: Orange Vertical Strip
Monochromatic is a method where you choose one color and include many different fabrics in that color.
You can also choose a variety of different fabrics in the same color family and one background.
Monochromatic and two color quilts have a long history in quiltmaking. Think of red and white quilts.
If you pull from your stash, usually these quilts come out well since most quiltmakers buy tones and shades of colors. For example, clear orange versus dusky orange. I am a clear orange girl.
Finished: Wonky 9 Patch
The two color method is a slight variation of the monochromatic method
Choose one color and a background fabric (red+white or blue+white are popular examples).
Using the complement of your main fabric can be super striking. This orange and blue quilt is one of my most successful quilts.
Method #4: Dealer’s Choice
A-B-C Challenge with 1st Place Ribbon
Dealer’s Choice is the method by which you choose whatever fabrics you like.
These could be the newest or the most recent you have bought.
Put all the colors you like together
You can control the look by choosing a type of fabric like solids or all dotted fabrics.
Method #5: Scrappy
Scrapitude Carnivale Finished
This is similar to Dealer’s Choice. The difference is using scraps. There are often more fabrics and fewer duplicates using the scrappy method.
This can be a very serendipitous method
Use a lot of fabrics.
Use a variety of colors
Make sure there is a variety of contrast
Use a variety of motif scales – big prints, small ditsy prints, etc
Use fabrics, colors and prints you like
Curate your fabrics so the overall quilt appeals to you
Have a good mix without too many of one color or value
Scale means that you think about having different size motifs
Solids and tone-on-tone fabrics to provide resting spots
Distribute similar colors across the quilt; try not to concentrate one color in one area unless you are trying to gradate the colors
Flowering Snowball Finished
Using a similar background (dots on white in the example above and black on white in the example, left) creates success through lack of confusion. Not having a defined background can make the quilt look confusing to the viewer.
I also curate my scraps. If I think a patch will look ugly in the quilt, I don’t use it. I don’t use the ‘paper bag’ method, because I am a grownup and can choose fabrics without a gimmick.
Method #6: Whole Line of Fabric
Using a whole line of fabric can be a stress free way of starting your fabric selection process. A whole line provides a starting place.
Choose a line that has a lot of fabrics in it. Some current lines don’t have enough different fabrics for an interesting quilt. For example, the Parisville Deja Vu line by Tula Pink has only 8 fabrics. One thing that can help you overcome such a problem is that many fabric designers use similar colors in their lines. In Tula’s case, you can use several lines to make up the fabric selection for your quilt, because all of her fabrics coordinate.
Remove between 10-25% of the included fabrics. Collections tend to have a lot of medium colored fabrics as well as a lot of fabrics with a similar scale in the motifs. You need variety
Replace the removed fabrics with lights and darks
French General whole line
Sacre Bleu whole line
These lines are an example of mostly medium fabrics, which would make a beautiful blendy quilt. However, if you want contrast, you need to add fabrics.
I think that one dark dark on the bottom right of the Sacre Bleu photo would stick out like a sore thumb, though, which is why I like 10-25% lights and darks.
Fresh Fruit: San Mateo County Fair 2014
Shops also create curated packs of fabrics.
Using someone else’s color choices can be a good way of learning about color.
It is also a good way of learning what you like and what you don’t like.
Adding a background that isn’t included in the line can make the quilt more interesting.
It is a good learning experience to use someone else’s fabric selection so that you can learn. This is where a tool can come in handy. You can compare the designer’s color choices to palettes in the tool to get an idea of what they were thinking.
Method #7: Inspirational Image
Kirkham & La Playa house – color inspiration
Magazines, blogs, websites, Instagram all pay a lot of money for great photos. If you find one you like, you can use it to select colors for a quilt.
Use a photo you snap as you move through the world to create a color palette. It can be an exercise even if you never make the quilt. Choose a photo, choose fabrics similar to the colors you find in the photo. Decide if the exercise is successful. Learn from the exercise.
Nature can help out, especially with monochromatic quilts. Next time you drive through the mountains, check out all the different greens you find on the hills where there are forests.
Method #8: Use a Tool
Studio Color Wheel
Ultimate Color Tool
Color Card Deck
Fisher Price Color Wheel
Tools are a great way to learn, though try not to rely on them long term. Tools are great for solving a problem. When you have a quilt on the design, but feel something is missing, pull out your color wheel, or other tool and see what you can add or delete.
Important things to think about when picking fabric:
Do I like these fabrics?
Do these fabrics appeal to me?
Will I enjoy looking at and working with these fabrics?
Do they feel good in my hand?
Do I like these colors?
Is the value correct?
Is there enough contrast?
Do I have a variety of large and small prints? (Scale of prints)
Amounts of the fabrics is not as high priority, because there is always more fabric.
If you are trying to add or remove fabrics, check out the post I did when I was working with Frances.
The Bottom Line
The bottom line? Make visual decisions visually.
This means hang your fabrics on the design wall (or lay them on your design floor or pin them up on your clothesline) and then stand back and look at your choices. Leave them up for a few days so you can see them as you walk around.
If anything bugs you, make the piece smaller. If it still bugs you remove it. Add new fabrics in and remove fabrics until you have a palette you like.
I used piecing the Lupine blocks veg a bit. Now that I know what the two blocks look like I am able to piece them pretty quickly. I mindlessly pieced about nine of them one day when I needed a rest, but also needed to sew.
Lupine blocks- end of Jan 2026
I know I keep bouncing between the Pandora Charisma project and this project. These are the two that are front and center at the moment.
The deadline is looming and I am slowly making progress. I have come to terms with not finishing this bag before the deadline. However, I think the main thing is that I started it.
Pandora Charisma front panel pocket
The other day I finished the front panel pocket. There were some confusing bits, but I found a video that showed me what I needed to know. I don’t think it is an official Sewfisticated video, but it did the job.
I was surprised to get get Gelato #2 back so quickly, but also pleased. I got it back at the same time I got Triumphant back. I was surprised and really pleased to get it back so quickly as I only took to Colleen about a month ago. I think it was easier to quilt than Old Town and will definitely be easier to quilt than Patchwork Palooza.
I have a sick friend who is going to be the recipient of the quilt.
I am in the process of binding it now so I can send it off to her ASAP.
This is my first finish of the year! Finally! The Enigma might be my bag of the year as I feel excited about this bag and am eager to make two more.
I started this, because I had another one on my to do list and thought making two at a time would be quick and efficient. I also thought (and really hoped) it would, maybe, be chosen as the UFO project for the first month of the guild UFO challenge. As mentioned, no such luck, so I held off making the one on the list and just worked on this one.
Diana’s Enigma – open, side view
I made this bag for the Angel Mother, and my birthday twin, Diana. I have made a Day Trip Wallet and two Dogwood pouches using the same fabric. I have no idea if she likes it, so I’ll just keep on making bags for her until I run out.
Diana’s Enigma bottom
I wanted to fussy cut the front so it looked a bit better than mine. I ended up fussy cutting the bottom, which ends up being one side. It looks good, but you can’t really see it.
I really like that big flower.
The more times I make this bag, the easier it becomes, but the more I like the construction. I watched part of the video and there were some helpful hints in it. The video is totally worth the purchase when you buy a Sew Sweetness pattern.
Of course, the Enigma is part of a 12 pattern bundle. While Minikins Season 3 is probably my favorite, I have also made several of the patterns from Season 4. See the various projects and decide which season you like best.
I do not have a UFO category on this blog. That is intentional. I really do not want to let projects languish as I tend to not like them, or remember what I was thinking, if I stop working on them. This doesn’t happen so much with quilts since I cleared off the 26 Projects list. The first post was a list of all of my UFOs at the time. The second was a post on my thoughts on UFOs. I also included some resources. Many are probably dead links, but there might be a few you can use. My category is ‘Works in Progress’.
The guild UFO challenge is making me work on bags that have been on my list for awhile, or started and never finished. This seems to happen more with bags than quilts these days.
Pandora Charisma front pocket
I had made a very small start on the Pandora Charisma before the challenge. The other day I really got started on the sewing.
OMG, the Sewfisticated Quilted Diamond Vinyl in White Quartz was awesome to cut. I was talking with my mom, step-dad and DH about the bag and trying to explain this substrate. I described it as pleather. I didn’t remember that it was vinyl. It doesn’t feel like vinyl. It doesn’t feel like the glitter vinyl I love or the star vinyl I used on the Cosquilla pouch. The quilted Diamond vinyl is very soft and buttery. It feels like a very expensive leather.
I am struggling a tiny bit because I have to get used to a new pattern designer/writer, but in general the project is moving along well. I didn’t want to stop working on it last night and am excited to have another go tomorrow. This is due on February 7, if I want to get credit in the challenge. Fingers crossed I can do it!
I have a few bits and bobs still to cut, but I decided I had enough pieces to put a few blocks together.
“Lupine Alternate block” is kind of a sad name for this great block. The pieces from Clue 7 are so cleverly incorporated into this block. While the pieces were a little fiddly to make, they make the corners so much easier than other methods of construction. Also, using the Simply Folded Corners ruler** makes the cutting and sewing easy peasy.
Two Lupine alternate blocks
I thought I would just make one to see where I was doing, but like the Potato Chip blocks, I couldn’t make just one.
Lupine Star block
Once I saw two of the alternate blocks together, I had to make some of the Lupine Star blocks. I had cut the center strips with the last of the Melody Miller Carousel blue, so I made a couple of blocks from what I had.
I had decided that I wanted to use more of that fabric, so I went looking for some and found a couple of yards at the Bloomerie. The fabric was in the washer as I was making some of the alternate blocks.
Lupine block combination
The pink I used in this one is darker than the pink I used in the alternate block above. I was a little concerned about that, but once I had a few of both blocks sewed together, I thought the variation was fine.
I used only a few fabrics and am trying to vary which are sewed to which others. It won’t be 100% possible since this isn’t as scrappy as Old Town, for example. However, I think the block combination is looking good so far.
N.B. Bonnie will remove the posts to which I have linked from her blog sometime in February 2026. Download or save the clues now if you want to make this quilt.
**Obviously, you should shop at local quilt shops and small businesses. However, if you are too busy or can’t find what you need there, I use Amazon affiliate links and may be paid for your purchase of an item when you click on an item’s link in my post. There is no additional cost to you for clicking or purchasing items I recommend. I appreciate your clicks and purchases as it helps support this website.
I went looking for a post about the end of Four Patch Fun on Bonnie Hunter’s site and couldn’t find anything. I have several more blocks cut out, but think I might start making the Four Patches as described in the post about the Judy Martin find and work towards finishing this quilt.
Medium Blue Four Patch Fun
Dark Blue Four Patch Fun
Light Pink Four Patch Fun
Variegated blue Four Patch Fun
Red Violet checkerboard Four Patch Fun
Yellow Four Patch Fun
Blue diagonal #2 Four Patch Fun
Blue Four Patch Fun
Lavender Four Patch Fun
Red Violet stripe Four Patch Fun
Leaf Four Patch Fun
Palm Frond Four Patch Fun
Rusty Orange Four Patch Fun
Blue & Black Four Patch Fun
Blue Four Patch Fun
Blue Four Patch Fun
Dark Blue Four Patch Fun
Blue diagonal Four Patch Fun
Blue & Pink Tula Four Patch Fun
Blue Bubble Four Patch Fun
Blue Stitch Four Patch Fun
Pink Tula Four Patch Fun
Blue Stripe Four Patch Fun
Blue Four Patch Fun
Pink Four Patch Fun
I have made quite a few as leaders and enders during the time since my last post. I cut some pieces for more when I was scrap processing at the last Sew Day. After that was when I decided to sew up what I had and move on. I have other leaders and enders I want to use and I need to clear the decks a bit.
I finally dug out the white strips blocks I made last year and put them on the design wall. With the Patchwork Palooza no longer taking up valuable design wall real estate, I am able to work on this project.
I haven’t started on sashing yet, but did decide to just make my normal strip quilt rather than another Sidewalk quilt. However, since I haven’t started the sashing yet, that could change.
I am thinking about red sashing as I have at least two bins of red fabric. I could use more by making a Sidewalk version. We’ll see. I know I don’t want to make another white on white strips quilt.
I haven’t really decided to make 12 quilts for the guild this year. I am giving enough time to the guild. That doesn’t mean I won’t make donation quilts. It just means I don’t (yet?) have a goal.
I finished the Patchwork Palooza top, back and binding last weekend and took it to Colleen yesterday. That is one project off of my overcrowded plate.
I started this project in September. I was late to the scene, but caught up. September-January isn’t too bad for piecing a quilt.
What I found annoying was that I had to receive a lot of marketing emails along with the patterns for the blocks. I don’t mind exchanging my eyes for a few marketing emails, but there were many, or what seemed like many, per week and it got old. I unsubscribed after not receiving the finishing instructions promptly and went my own way. I am pleased with the edge, which is comprised of ‘finishing’ off the Irish Chain bits of the design.
Patchwork Palooza back
I made the binding right after I finished the top, which was a good move on my part. The back took me longer than I expected and I am sure I wouldn’t have had everything ready when Colleen contacted me if I hadn’t done that.
One thing I need to do is collect ideas for quilting as I go along or before I go to Colleen.
I made a Potato Chip block based on my discussion with DH. I used the pieces I had cut awhile ago.
I picked out certain pieces from both caches in the medium range and used his idea for a spiral layout. I am pretty pleased with the overall result. The colors look really nice together. I could make the block larger with another round. That would make a finished quilt come together quicker. While the block is finished, it is not too late to make it larger.
One thing that I was reminded of was that the construction revolves around patches that are twice as long as they are wide. This means that while I am using 2.5 x 4.5 inch patches, 1.5 x 2.5 inch patches will work as will 4.5 x 8.5 inch patches. All are easy to cut with the 4.5 x 8.5 inch Creative Grids ruler** that is my favorite.
This is a block that only takes a few minutes to make, but I have a lot going on and am not sure I want to commit to this at the moment. Of course, It is just piecing, because there is a lot cut.
**Obviously, you should shop at local quilt shops and small businesses. However, if you are too busy or can’t find what you need there, I use Amazon affiliate links and may be paid for your purchase of an item when you click on an item’s link in my post. There is no additional cost to you for clicking or purchasing items I recommend. I appreciate your clicks and purchases as it helps support this blog.
One of the patterns I used to make holiday gifts was the Stella Pouch from Center Street Quilts. I have made a couple of these before. One was for a swap and one was my contribution to Laura’s gift basket. I got excited about this pattern when I saw the video with a half vinyl version. I also like the ability to see the fabulous prints used for the lining.
Stella Pouch for Carrie
I made three of these for the holidays. There are no specific directions for using vinyl or adding a Flying Geese strip, as Katrina shows in the version linked above. It isn’t difficult to change substrates or add some Flying Geese, but I forgot the Flying in all three pouches! I’m annoyed because foundation paper piecing, in general, takes me forever and I worked hard at getting these strips done for these specific gifts. Oh well. I’ll make some more of these pouches and add the Flying Geese to them.
Stella Pouch for SueG
The other thing I did just to add a bit of flair was use some of my Renaissance Ribbon as the pull tab. I am not sure how practical it will be. I need to start using my ribbon and this was as good a start as any.
The one thing I need to do differently was the zipper end. It was very thick and hard to turn. I talked to Mary about it and probably need to trim more around the zipper. Another good reason to make more of these.
I finished the Chain Link just in time for Christmas. All I had to finish was the binding. It required hand stitching, which seemed to take forever. As DH was holding it up for the photo, he commented on how large it is. I guess that’s why the binding seemed to take forever.
Chain Link back
I don’t mind. I like having some hand stitching to do in the evening.
I made the back as cheerful as I could after digging into my backing pile.