CQFA Retreat – FOTY 2010

My retreat project, as you know from all of my preparations, was the Fabric of the Year quilt for 2010. I had high hopes that I would get the whole thing pieced. I enjoy doing the colorwork at the retreat, because I can get a lot of different opinions and I like knowing what other people see. Also, I feel like I have more space to spread out.

FOTY Start
FOTY Start

Above is the way I started the FOTY on Friday afternoon.

FOTY 2010 Right Corner detail
FOTY 2010 Right Corner detail

Above is the dark corner. Again, I was trying for the a colorwash kind of look across the quilt from right to left.

FOTY 2010 - more of the dark corner
FOTY 2010 – more of the dark corner

As I laid out the piece, it was interesting to see, visually, the amount of darks and colors.

FOTY 2010 - Dark Corner washing towards Red
FOTY 2010 – Dark Corner washing towards Red

This was the first layout. You can see a bit of the red next to the purple. Eventually, I took all the red off of the design board and put blue next to the purple. I did a backwards ROY G BIV working from right to left, though if you look at it when it is finished, the ROY G BIV will read correctly (see below).

FOTY 2010 - Whole Piece in Progress
FOTY 2010 – Whole Piece in Progress

Above, you can see that I have changed out the red for the blue in the center and put the red on the left edge. Most of the diamonds I have to work with for this project are blue. The design wall was not large enough for me to put up all of the patches, so the reds and pinks only got a representative sampling to begin with. As I worked through Friday afternoon and evening, then Saturday, I came to the realization that this piece was going to take longer than I thought. Putting it together was a lot more of an intellectual exercise than I expected. Part of the reason, I think, was that I wanted to put it together in chunks, which made the spaces created by the sewn seam allowances end up in strange places.

FOTY 2010 - Center detail
FOTY 2010 – Center detail

Those seam allowance spaces became unexpectedly large as I sewed, which turned out to make keeping track of where pieces went really difficult.

FOTY 2010 - Blue detail
FOTY 2010 – Blue detail

One challenge was the different amounts of colors I had. Another challenge was that the fabrics mostly did not consist of only one color. I tried to block out all but the background or dominant color in my mind in order to place the patches, it wasn’t always possible.

FOTY 2010 - Blues washing to Yellow
FOTY 2010 – Blues washing to Yellow

Above, which is the upper left hand section,  is the least formed part of the quilt, and still, in the photo above, in quite a bit in flux.

FOTY 2010 - Putting the Piece Together
FOTY 2010 – Putting the Piece Together

In some ways putting the piece together got easier as I sewed larger chunks together. In other ways, it got to be more of a problem, because the spaces, as I mentioned, between the chunks got larger.

FOTY 2010 - Moving Across from Right to Left
FOTY 2010 – Moving Across from Right to Left

The bottom left corner was really my big problem. I don’t know what happened, but something happened early on and I still haven’t completely resolved the problem in that corner. I am working through it, but as I don’t seem to have a photo of the whole piece after I moved the red, it is proving to be a challenge.  I am having to lay out that corner again as I go along. Lots of unsewing is required.

FOTY 2010 - Top Right, Middle
FOTY 2010 – Top Right, Middle

Are you bored yet?

The top right and middle were ok and I was able to sew some large chunks together.

FOTY 2010 - Bottom Right
FOTY 2010 – Bottom Right

No matter what I did with that bottom right corner, there still seemed to be large missing chunks of patchwork. Sigh. At this point, in addition to taking big deep breaths, I realized I wasn’t going to get the piece finished. Not what I wanted to face, but I wanted to do a good job and that was the reality.

It was a bit liberating to admit that, because I felt like I could look at the piece and didn’t have to rush straight to sewing.

FOTY 2010 - Moving to Pink
FOTY 2010 – Moving to Pink

I was able to put a few pinks up as the seam allowances shrank the whole piece, leaving more space. I had faint hope that some miracle would occur and I would finish the piecing.

FOTY 2010 - Adding the Reds
FOTY 2010 – Adding the Reds

I was also able to add some of the reds that didn’t fit when I started.

FOTY 2010 - details of placement
FOTY 2010 – details of placement

The large seam allowances seemed to keep moving as well.

FOTY 2010 - Good Behavior
FOTY 2010 – Good Behavior

This was the well behaved part of the quilt right before I took the whole thing down so I could go home.

FOTY 2010 - Orange and Yellow
FOTY 2010 – Orange and Yellow

IYellows and oranges were ignored, for the most part.

FOTY 2010 - Virginia's Picture
FOTY 2010 – Virginia’s Picture

Virginia took this picture while she was visiting. It is really helpful to see what other people see in my pieces.

FOTY 2010 back at home
FOTY 2010 back at home

Julie helped me roll up the piece in the flannel of the portable design wall so I could bring it home and set it up again. My plan is to chip away at the rest of the layout and piecing. Not finishing puts me behind in my mind’s quiltmaking schedule, but I am sure there is a reason that I didn’t finish. I certainly didn’t expect the intellectual piecing challenge of this project. I am sure it is good for me.

Diamond Test

Finished Diamond Test Piece
Finished Diamond Test Piece

I spent some time yesterday working on the test piece. I wanted to get into the groove of sewing diamonds again. The Eye Spy feels like a long time ago. Now I think I have a better idea of the sewing, though matching the points and sides of the diamonds proved challenging. I found a book that had some tips and will take a look at that before I start the piecing.

Diamond Test Piece in Process
Diamond Test Piece in Process

The left hand corner section of the above photo is pieced. You can see the piece getting smaller as I piece it. There are two diamonds in the machine, which is why there is a big white space in the photo.

Aside from matching the points, I also had some trouble with the border diamonds and corners. As a result, I think I will start in the center and piece outwards. I’d like to piece the diamonds in chunks and it might work better to start piecing them in groups of four. I’ll try it and see.

Finished Test Piece with Comparison Diamond
Finished Test Piece with Comparison Diamond

I didn’t measure the finished diamonds, but you can see the significant change in size. It will be interesting to see the big piece develop.

Finished Test Piece with Comparison Diamond Overlay
Finished Test Piece with Comparison Diamond Overlay

To give you another view, I have overlaid the patch/unfinished diamond on top of the finished piece so you can see the difference.

Purple Quilt Top & Back

Finished Top (half)
Finished Top (half)

I have been working on this quilt on and off for a few weeks. I was mostly cutting and piecing the stacks of rectangles, but last weekend I sat myself down and pieced all of the blocks and finished the quilt.

I did something different on this quilt, which was making an assymmetrical border. I made a large stack of rectangles for the bottom and the side of the quilt.

Top part of quilt - in process
Top part of quilt - in process

The piecing wasn’t difficult, but the cutting and the figuring out of how many fabrics to use was a challenge. I started off with a Birch Bundle from Birch Fabrics/FabricWorm. I ended up adding a few fabrics from my own stash. I had to add still more fabrics from my stash for the back.

This will be a gift, but I don’t want to say for who until the gift is given.

I have to say that I felt the same way I felt when I made Passionate Purple. The purple on the design wall was depressing. I needed to get this quilt done, because it was too dark and was making my workroom depressing. It could be that I seem to do purple quilts in the winter. It could be I just don’t like purple enough to make more purple quilts.

Twirling Triangles

Twirling Triangles
Twirling Triangles

I saw this project on Fons & Porter the other day and had to go and watch it again, so I could get more details. It is show #1607 of the 1600 Series.

They don’t provide measurements on their show, because they want you to buy the magazine. Like the Corner Store project, I thought this would be a good scrap project. Frances, of The Off Kilter Quilt podcast, talked about having too many scraps and composting them in a recent podcast.I think Frances should do mosaic quilting, but I’ll bring that up another day. I already inundate her with all of my advice.

Twirling Triangles Half Block
Twirling Triangles Half Block

I don’t want to compost my scraps, but I do want to use them. I though this block would work very well. I have the Pyramind ruler and I thought I could use the Kona Snow as the background and then just cut appropriate sized scraps to the right size and make blocks until I have enough….for something.

This project doesn’t look like it would work well for chunking, but it does look like an interesting project. We’ll see.

Twirling Triangles by Kehoeta
Twirling Triangles by Kehoeta

This is one I found on the web by Kehoeta. I like the use of the black triangles. I was thinking of that idea as well. I only saw this one example. It looks like she used a lot of scraps, so I am heartened that my idea isn’t stupid.

The photos are bad, because I paused the TV and snapped photos of what was on the screen.

Scraps

Cheerful Baskets
Cheerful Baskets

Recently, I was thinking about scraps. Part of my thought process stemmed from a discussion I had with a New Zealand quilt friend, another part had to do with the completion of the Cheerful Baskets quilt and, finally, looking and thinking about some of TFQ’s quilts and process.

For me, a scrap quilt is a quilt made from many, many different fabrics. The fabrics do not have to all come from my scrap basket. Cheerful Baskets is a scrap quilt, because many fabrics were used. Most of the triangles are different. The triangles, for the most part, did come out of my scrap basket. The baskets did not, but are mostly different. We purchased a small piece of many of the yellows based on the exact shade of the yellow. There are many different prints used as the background.

Cheerful Baskets is a thoughtfully made quilt, not just in the piecing, but also in the color selection and placement. I do not think that any old scrap should be placed next to any other scrap. Scrap quilts, for me, are not a jumbled mess.

I don’t have a large scrap pile, because I either toss the scraps or use them up. I don’t like to waste, though, so periodically my scrap basket overflows.

Four patches
Four patches

One thing that I do is plan a bit ahead for my projects. I have list of pieces I need to cut for scrap quilts. One shape I am cutting now is 2×2″ squares in turquoise and purple. I am making some four patches from these pieces. I put these through the machine in between other chain piecing, so they act as leaders and enders a la Bonnie Hunt (she mentions this technique in a recent post, but I think she goes into more detail in an older post). This type of in between piecing/leaders and enders also is great to warm up your sewing muscles when you start a sewing session.

Along these lines, I also cut squares of various sizes and keep them in a bag for when I need some squares. This is not a well thought out plan and I should probably cut squares all the same size and put them in bags according to their size. I haven’t gotten that far yet.

The idea is to cut regular sized pieces so that you have a selection to choose from when you need some shapes for a project. You can also cut different shapes such as triangles with an eye towards half square triangles, rectangles, etc. This is also a good task when you don’t know what else to do.

The Fabric of the Year (FOTY) quilts are, technically, scrap quilts. They are also charm quilts, but scrap quilts do not have to be charm quilts if you are working TJW. As you know, for the FOTY quilts, I cut a piece from each fabric I purchase or use throughout the year and then make a quilt top from those pieces in January. This concept can be used in general as I am with an upcoming pink quilt and an upcoming blue quilt. I am cutting 2.5×4.5″ rectangles of all of the pinks I come across, either newly purchased or from my stash. When I have enough I will arrange them on the wall and sew them together. I am doing the same for blues.

I don’t do this, but I think it would be useful to sort my scraps by color. I don’t think I have enough scraps to sort by color. I don’t want to devote fabric space to scraps, so I try and keep the scrap pile manageable.

Corner Store block and patches
Corner Store block and patches

I found a new source for scraps when I started the FOTY 2010 project. I use a ruler when I cut the diamonds and end up with two triangles. After seeing the Corner Store project in Pretty Little Mini Quilts, I decided I could do that with the triangles. The block is shown in the middle. The triangles are added to a square of Kona Snow and then trimmed to size. The triangles are all slightly different sizes and I am trying to take advantage of the wonkiness. The nice thing about this project is that the triangles never even go into my scrap basket. They go into a separate pile and are sewn on to the squares.

The Red Journal is also a scrap project. As longtime readers know, I have been sewing together little slivers of red fabric for awhile to make a new piece of fabric. The technique is called Mosaic quilting, a concept developed by Shannon Williams. It has all the qualities that work for me for scrap quilting. The maker sews random pieces of like colors together to make new fabric. I do this with red and want to do it with all of the colors, but haven’t gotten to it yet.

I think there are a lot of ways to think about scraps. Above are a few of the ways I think about and use scraps. Hope it is useful.

Frosted Stars Leftovers Top

Frosted Stars Leftovers Top
Frosted Stars Leftovers Top

I actually finished this last weekend. My mind kept saying ” Get this over with! You have been working on it for sooooooooooo long!” When I stopped to think about it, I realized I had really only worked on it for about two days. The top itself took almost no time. The back took, what seemed like, forever. After adding the borders I had to add more to the back. I think the back has more piecing than the front! The problem was that I didn’t want to wasted the fabric leftovers. If you don’t want to waste the leftovers, then you have to sew. I am pleased with this. I don’t know what I’ll do with it as I don’t really want it. We’ll see who likes it. I had some small hopes that I could get it done for Christmas, but my quilter won’t be back until January 5, so this will be one of the first quilts I finish in 2011, I think. It has good borders for complicated quilting.

Now I want to do a fun piecing project.

Frosted Stars Leftovers

Frosted Stars Leftovers
Frosted Stars Leftovers

I made this top from the leftovers of the Frosted Stars. Looking at it in the picture I like it as is. However, I do think that the border is a bit too thin and will get distorted in the quilting process. As a result, I have been looking at borders.

Frosted Stars Leftovers w/Blue
Frosted Stars Leftovers w/Blue

I have enough of the blue fabric to go around the whole piece (but not to show the whole to you).What do you think?

Frosted Stars Leftovers w/Blue & White
Frosted Stars Leftovers w/Blue & White

Alternatively, I can go with blue and white. I kind of like the blue and white, but one of the boys pointed out that the white disappears next to the blue. I think the values are similar.

My other idea was to put a bit of a piping border in orange in and then add another red border. I didn’t have time to set that up so you could see what it looked like. Perhaps I will.

Frosted Stars Top

Finished Frosted Stars Top
Finished Frosted Stars Top

This weekend was kind of a sewing bonanza. I think I spent about 10 hours at the machine on Saturday, and another 6 or so on Sunday sewing like a crazed woman. The result is two backs and a top, a journal cover, a repaired bag and parts of the Frosted Stars Leftovers quilt. The Frosted Stars top is above. I changed some of Charlie Scott’s pattern, as I have mentioned.

Frosted Stars Top without Final Border
Frosted Stars Top without Final Border

The quilt top, without the final turquoise border is all on the bias and I just don’t believe in giving a quilt to a quilter with a bias edge border. Yes, I am going to send this out to be quilted. I just want this quilt to stay relatively square and adding another border was required. I don’t know why a pattern designer would finish off a quilt with a bias border. Perhaps it is some complicated part of a learning experience of which I am unaware.

Frosted Stars Color Choices

Frosted Stars Border Strips
Frosted Stars Border Strips
Frosted Stars Border Strips 2
Frosted Stars Border Strips 2

I made good progress on the Frosted Star quilt over the weekend. Not as much as I would have liked, but I never make as much progress as I would like!

I finished the border piecing for the Frosted Stars. It required that I piece a whole Jelly Roll of strips together in sets of 10 strips each. It was fun to arrange the strips in different and, hopefully, pleasing ways.

I have an amazing amount of leftovers from the above piecing exercise. The pattern refers to a second pattern to use for the leftovers. I am a little annoyed that I would need to buy a Jelly Roll and spend a bunch of time pressing the strips and piecing them together only to find that I needed less than half of the pieces. Isn’t there a better way? It may be that I did need strips that long in order to make the bias sashing/broder strips work. But it may also be that they wanted me to buy a whole Jelly Roll. I suppose I will have to make a second Christmas quilt. Or I could just waste the fabric pieces.

Frosted Stars with Turquoise
Frosted Stars with Turquoise

My great feat was that I am now ready to put the whole thing together. Since I need to make visual decisions visually, I laid out all of the pieces on two different backgrounds to see which I liked better. I also got opinions from around the house. One opinion was that the turquoise looks like ice. The stars really stand out in this piece, which I like.

At some show I bought a bunch of a turquoise batik to use as needed. I wouldn’t use it all for the background to this quilt, but I wouldn’t have to piece strips together, because I have a long enough length to just cut one piece. In looking at this layout, I think I would have to add a border strip around the outside if for no other reason than to stabilize all of those bias edges.

Frosted Stars with Snowflake Blue
Frosted Stars with Snowflake Blue

The other background color we considered is the snowflake blue that is part of the 12 Days of Christmas line of fabrics. In this rendition, we noticed that the blue bias strips that make up the borders and sashing drop out, because the snowflake blue is so close in color. The look of this piece is much more subtle.

Making the Zig Zaggy Quilt

I have had some interest in the Zig Zaggy Quilt. I have had a lot of nice comments. While, it is not a completely original design, being related to the Oh Fransson! New Wave pattern and the Happy Zombie variation, I thought you might be interested in my version of how to make this quilt.

First, the differences: Oh Fransson’s pattern using templates. Happy Zombie uses the EZ Quilt wedge ruler. My variation uses the longer Philips Wedge Ruler.

Supplies

Basic Sewing Kit

Sewing machine

thread

2 Jelly Rolls (one Jelly Roll will get you 4 rows and a bit of fabric for the border)

sashing fabric (not sure how much you need for this project. I bought a 5 yard piece of Kona Snow and have been hacking bits off for various projects)

Mary Ellen Best Press

10 degree wedge ruler (www.phillipsfiberart.com)

stilleto

quarter inch foot to fit your sewing machine.

iron & iron board

Directions

First, I cut strips of the Kona Snow, selvedge to selvedge, 1.5″ wide. I probably would cut them 1.75″ or 2″ wide if I were to make this quilt again.

Press strips
Press strips

One by one, lay out your strips on your ironing board. Spray with Mary Ellen’s Best press and press with a hot iron. Follow the directions on the MEBP.

Place ruler on Jelly Roll Strip to Cut
Place ruler on Jelly Roll Strip to Cut

After pressing the Jelly Roll strips with Mary Ellen’s Best Press, take your strip over to the cutting station and trim off the selvedges. Double the strip. Place the ruler on strip lining up your preferred ruler line with the bottom of the strip. My orange post it was used to remind me where I was cutting each time.

Line up small ruler
Line up small ruler

Use a small ruler and line it up against the short end of the wedge ruler. Remove the wedge ruler and trim the strips (remember your strip is doubled) to the desired length.

Lay out Wedges
Lay out Wedges

It is important to lay out the pieces, before sewing, so you know which way the wedges are sewn to the sashing strips. I also found this layout helpful in order to keep the colors in the correct order.

Sewing Wedges to Sashing
Sewing Wedges to Sashing

Carefully line up the wedge skinny end or fat end towards you depending on the orientation of the wedge and sew without pushing or pulling the fabric. Remember you are working with bias.

I sew each of the wedges to one sashing piece in assembly line/ chain piecing fashion. After I sew, I press and then lay the wedges in order by color on the floor. You could also use a design wall. Once that is done, all wedges need to be sewn together.

After stitching, press
After stitching, press

After stitching, I lay the two pieces on the ironing board. The piece towards which the seam will be press should be on top. In the photo above, I am pressing towards the color/wedge and NOT towards the sashing.  I spray lightly with Mary Ellen’s Best Press and PRESS (not iron) the seam in the correct direction.

Lining up Sashed Pieces
Lining up Sashed Pieces

Before trimming, lay the two pieces and eyeball how they would be sewn together.

Trimming Wedges
Trimming Wedges

After eyeballing the sashing, move the pieces aside and trim the sashing so it aligns with the top and bottom of the wedge. This may seem wasteful, but it is a lot easier than trying line up perfectly cut sashing with a diagonal line.

Sewing Wedges Together
Sewing Wedges Together

After trimming, line up the corner (bottom right in the picture above) on the sashing so that when you put the pieces in the machine there is a little v that is approximately 1/4″ from the edge (bottom in the picture above). You may not be able to see the v as it may be on the bottom.

Trimmed Wedge Group
Trimmed Wedge Group

Above is what the trimmed wedge group will look like.

Line up Wedges after they are Sewn
Line up Wedges after they are Sewn

After trimming the ends off the wedge group, put it back in it’s place in line, so you don’t get confused about where these colors go. You want to ensure that the colors are consistent lengthwise down the quilt.

Keep sewing the groups together until you have a whole row.

Once you have two rows of wedges completed you need to sew the rows together.

Press Consistently
Press Consistently

In the above photo, you can see that I carefully pressed the seams in the same direction on all the pieces in this row (towards the sashing). The row on the bottom has the seams carefully pressed in the opposite direction (towards the wedges). In that way, I was able to nest them together before sewing the row. This helped the pieces to line up when I put the rows together.

Sew Slowly
Sew Slowly

Notice: LOTS of pins!

Lots of Pins, Slow Sewing
Lots of Pins, Slow Sewing

When putting the rows together, pinning is very important. Also, using a stilleto and sewing slowly really helped.

Press Row Seams Open
Press Row Seams Open

Look! The world didn’t end because I pressed the seam joining the two rows together open. It makes the join of the two rows lay flatter. If you have gotten anything from this post it should be that pressing is really an important aspect of putting this quilt together.

You want success? Press. Carefully.

Finished Top
Finished Top

I left two edges wiggly. I didn’t feel like squaring them up.

Frosted Star Blocks Complete

15 Frosted Stars
15 Frosted Stars

Here are the Frosted Star blocks. After all the drama of this project, I have finally completed a major hurdle.

The next task is to sew the border together. The border is made up of Jelly Roll strips. We’ll see how that goes. I probably need to get a Mary Ellen Best Press refill to get through all of those strips.

The thought of all of those strips makes me think that I am done with Jelly Rolls. Time will tell though. As I love to yell at the baseball players on the radio “it’s not over until it is over!”

Frosted Stars Progress

4 Frosted Star Blocks
4 Frosted Star Blocks

Here are four of the blocks I have made for my Frosted Stars project. There are a couple of things I found and a couple of things I decided.

I found that the red is not working. It is too intense for this project, so I am not going to include any other red in the blocks I have made six blocks so far, which is slightly less than half of what I need.

I also decided that I would use the turquoise primarily for the background triangles. I decided that I am going to include a couple of blocks with the silver for the background triangles. I am also going to include a couple of blocks with other blues. Perhaps I will include only one, perhaps more. I haven’t decided.

My next step is to cut a bunch of background squares so I can put more blocks together. I haven’t worked on these blocks since last weekend as I have either not been sewing, pressing and cutting diamonds or have been working on the Zig Zaggy back.

Zig Zaggy Top Done?

Zig Zaggy Top Minus Border
Zig Zaggy Top Minus Border

This project was, in some respects, all about the fabric and using a whole line of fabric. However, it became more about the piecing as I worked through the rows. It was a pleasant challenge to cut, press, sew, press, trim sew and press. I was able to use the bias to put the rows together so the colors would match. I think it looks nice.

I kept the bias and the softness of the Moda Jelly Roll strips under control with Mary Ellen’s Best Press.

You cannot see the edges because I had to take the picture at an angle. I even stood on my desk and wasn’t tall enough to snap the top straight on.

I want you to see the edges, because I want your opinion on what I should do for the borders.

First, I am only applying a border to two sides. The other two sides have a slightly angular edge and I want to keep that as a design element.

Second, I am not much into chopping off edges, even if that is the piecing pattern. I prefer self bordering my quilts, which finishes out the design from the middle. This is a different kind of quilt, which makes me think self bordering isn’t possible here.

Third, if self bordering is possible, I don’t know that I have the patience.

Fourth, the spiky border, a la Gwen Marston, seems to too spiky for this piece.

Zig Zaggy Edges
Zig Zaggy Edges

In the second photo, you can see the two edges, where the color ends abruptly, that I will border. My first thought is to sew some strips of Kona Snow on them and then add soem color somehow. Fan like elements, perhaps?