Teacher Pillows 2009

Teacher Pillow (Aide) 2009
Teacher Pillow (Aide) 2009

Yes, I am doing it again. If you want to read the torure from previous years, I have gathered the posts into one search just for you.

My goal is to have them done before school ends this year, which is June 12. I actually have until June 11 this year as I am, sadly, not attending the conference I usually attend that week. Still, I want these babies done and out of my hair ASAP.

Some weeks ago, on a rip to IKEA for light bulbs (now I know I can get the same ones at Lowe’s, which is closer!) I found pillows for $1.50. They are an ugly baby blue, but solid and they will make fine pillow forms. They are not as fluffy as the ones I have bought in the past, but tough times call for economies.

Yesterday, I corraled The Child and had him choose blocks. I also had him do drawings for the back.

This is the Greek Cross block and it is for the aide. The others are Tangled Star, Omega and one with a lot of triangles. I am working on the latter. Another day I will post all of the photos.

Next up: copy the drawings to fabric and piece.

Eye Spy Lurching Towards the Finish Line

I don’t know where this month has gone. Frankly, I am glad February is coming to a close, but I still wonder what happened to the days.

My next longarm day is March 2 and the Eye Spy is in line to be quilted. As a result, I needed to make a back and get the Eye Spy in shape for finishing. I put the diamonds in to fill in the diamond shaped space, so that I wouldn’t have to hack through any of the hexagons (which is what most patterns recommend). I didn’t want a zig zaggy border, so I started out by cutting off the excess from the diamonds.  I had intended just to leave the edges straight after cutting – no borders.

Eye Spy corner before border

While cutting the diamonds in half, I realized that the middle of those diamonds was one big bias edge. This brand spanking new bias in addition to 3 sides of each hexagon being on the bias was asking for trouble during the quilting process. The top  needed some stabilization, so I added some borders and corners to the odd shaped corners of the top.

Corner detail
Corner detail

The little star printed piece is the patch I had to insert into the corner to make the corner a 90 degree angle. You can see it really well above.

Finished top with borders

Above is a picture of half of the top. The quilt top is another monster and I gave up on moving furniture to fit the whole thing into one picture. I am going to have to think up a way to photograph whole quilts, especially these huge things I seem to be making.

I used a new (to me) method of measuring for borders.  I measured width-wise (across) and lengthwise (down) in three places on the quilt and cut the borders to the average size. I did have to ease, but the top is flat and I am happy about that. I found one little tuck that I will need to fix before the longarming. All in all it worked pretty well.

Scary backing fabric
Scary backing fabric

I acquired the crocodile fabric a long time ago, perhaps in the early 1990s from a woman named Joan who was getting rid of everything. It is a Joe Boxer fabric and I never saw anything like it. I also never heard of Joe Boxer selling fabric, but they totally should, because their fabrics have such a sense of humor.

At one point, I thought I would cut out the alligators (crocodiles??) and applique’ them on something, but the inspiration never struck. Also, I only have about a half yard, which limited what project I could complete using the fabric. I came across the fabric over the weekend and proposed it as a backing fabric. The Child took a liking to it, so I will use it as part of the backing. Shopping in my fabric closet can be fun!

hexagons on the back
hexagons on the back

I had some leftover hexagons, so I put some straight edges on them and will also use this piece for the back. I need to find a nice way of making this bit play nicely with the crocs.

Avoidance Issues

I was on my blog and directing traffic and tweaking a lot during the past three or four days. The blog move has been somewhat time consuming, but is mostly done, and worth the effort so far. One of the things I did was scroll through recent posts about four hundred times. In doing that it dawned on me that I was in avoidance mode because nothing I posted was quilt-related.

Origami Train Dude

Sketches

More Sketches

None of that is quilting and since the blog is about quilting, I needed to get back to it before all of you got fed up and went and read some other blog. I needed to take stock and figure out what was going on.

It turns out, after a little investigating it is all about The Tarts Come to Tea. I faced up to reality that I am really in avoidance mode over that project. Some of the issues I discussed about change of focus in a previous post are so true with this project. I am not enthused with machine applique right at the moment and I want/need to redo several of the blocks, because they don’t fit my current interest or style. It just seems depressing. The sad part is that every time someone enters my workroom they gush over it and say how wonderful it is, which enhances the guilt factor. Bleah.

Design Wall 2/22/2009
Design Wall 2/22/2009

I was able to avoid a bit more this weekend, because I realized that my longarm day is next Monday and I haven’t done the back for the Eye Spy project, so the back had to go to the front burner.  My quiltmaker SIL was also in town so I spent some time at Always Quilting with her. Fabrics 2/20/2009I  bought the fabrics above. The smaller pieces were all in a pack that I had been coveting for awhile. I got home to find buyers remorse waiting for me, though, because when I unwrapped them, some of the fabrics are a bit off the colors I thought they were. I was thinking of doing something like the Yellow Brick Road (from Terri Atkinson) quilt with them. I still am, but will have to go shopping in my stash to replace some of the greens.  More piecing, you notice and not machine applique’.

I was able to continue to avoid the Tarts on Saturday because of family obligations, which isn’t to say I haven’t been working on them at all.

Tarts block layout drawing 2/19/2009 (middle right)

This is the layout/design drawing for the block in the middle on the right of the photo of my design wall above. It has a green background. What I decided was that I would make one block and see how I felt about the project afterwards. I need to find my notes on machine applique’ – or ask someone – because I can’t remember what method I used or any method, frankly.

I feel a strong need to make some kind of effort, but this piece is definitely teetering on the verge of abandonment.

I have learned something about myself since I dragged The Tarts out. Leaving quilts laying around with the top half finished doesn’t always work for me. I need to think about bring them to a logical stopping point (e.g. the top and back are done and are waiting on quilting).

Finished Top!

I finished this top, the Fabric of the Year 2008 top, at the quilt retreat this past weekend. It was a great project for the retreat, because it was enough work to consume almost all of my sewing time there.

The FOTY concept was created by TFQ, who decided that it would be a good idea to try and use a piece of fabric shortly after buying it for a couple of reasons:

  1. If she liked the fabric, she would find out while the fabric was still available.
  2. It would be a good exercise to confirm what fabrics she commonly used so she could buy similar ones later.
  3. She would still like the fabrics

I really like this top. I think it glows. It is very cheerful.

I will have more about this later, but I had to post this for your viewing enjoyment.

Nosegay: Finally, Completely, Really Finished

The Nosegay is finally finished.


The binding is on. The piecing is finished. The sleeve has been handstitched on to the back. It is a large quilt, so I will have to post it again after I get a professional photo taken.

I finished sewing the sleeve on to the back while watching The Queen last Saturday night while the boys were gone. I had to watch some of the bonus features (sadly, no deleted scenes) in order to get the last bit done.

So many “hands” have touched this work. By that I mean I have received so much help with this project: TFQ, quiltmakers from CQFA, Doreen Speckman, the teacher of the class in which I started the project, Colleen.

I am thrilled to have a finished project – a quilt project.

Re-introducing The Tarts

Please meet The Tarts Come to Tea.

I started this project sometime in the past. TFQ and I made some tops using a technique that we called Improvisational piecing. Mostly we did this type of piecing at her house. When I came home after one trip, I decided to take an idea for a hot drink quilt and work on it on my own using the technique. After doing quite a bit of work, I put it away.

I was spurred on to take this piece up again after writing the UFO report for 2008. I want he UFO list to be shorter on 12/31/2009. Either some of these projects have to be completed or they have to be abandoned. It isn’t about just getting things done, though, it is about deciding whether I want to devote mental energy to projects that no longer make my heart sing.

I have put it on my design wall as the first step in getting it off the “to do” list. I decided that I wanted to look at it for awhile before I decided how to proceed. There are elements that I really like about it, but others that I want to redo. My plan is to work on a few other projects (like cutting FOTY patches!) while I look at The Tarts and figure out what needs to be done. I already have a small list of parts that will change.

1. The plaid has to go.
2. The cup in the middle with the striped print will morph into a cup with a sleeve on it, like a Starbuck’s or Peet’s cup.
3. I need to add some more of the red/white dot print that is currently in only two of the cappuccino cups.
4. The random piecing under the grey tea pot with the purple background has to go.

TFQ and I worked on a list of elements to change and add, but I can’t find the piece of paper anywhere, so I have started to recreate it.

When I first took the pieces out of the box, I thought I would just abandon the whole project, but I see possibilities now. I will work on it a bit and see if I can generate some enthusiasm. Looking at this project has made me realize how I have evolved as a quiltmaker: different types of fabrics, different colors, more piecing. Some of what I talked about in the Word of the Day: Time post applies here.

Hop, Skip & Jump by Denyse Schmidt Project

I decided to work on the Hop Skip and Jump pattern by Denyse Schmidt (Denyse Schmidt Quilts book) as my next project right now. I rarely sew from patterns, but this one seemed like a good one to use with the blues that I had weeded out from my new fabrics. I had thought of modifying the pattern so that there were no curved pieces, but I didn’t. I am not afraid of curved piecing (note Flowering Snowballs/Cross Blocks), but each of the 16 pieces required for each block must be cut out separately. It is an arduous task, but I am into it now and will just continue on.

One problem I already had was with the copy place. The pattern directs the maker to enlarge the pattern by 400%. I have terrible problems with office equipment, copiers in particular, so I went to an office shop and they offered to do it for me. The girl couldn’t get the entire pattern on an 11″x17″ sheet of paper. She asked me at one point if it would be a problem to have the top of the pieces cut off. Finally, I told her she could reduce the size slightly and that seemed to work. It doesn’t bother me to have slightly smaller blocks. I can make a few more with no problem.

For once I have cut all the blue pieces for 6 blocks before I have sewed any of them together. I haven’t decided on the background yet, so I haven’t cut background pieces. I thought I had just bought a white on white that I would use, but I can’t find it so either it was my imagination, it is hiding from me or it isn’t washed yet.

This is my favorite. The background is a very cheerful dot print where the dots are irregular and a variety of different colors. I am all about cheerful, you know. 😉

The above is my second favorite. I don’t have enough of this particular black on white print, so I would have to use a variety of different black on white prints with the same weight/ratio of black to white. I wouldn’t want it to be too overly black.

I really wanted a very calm looking quilt, thus all the blues. This background is one of the P&B New Basics from 2000. I recently bought a yard of it and have at least a fat quarter somewhere else. The problem is that it is very close to some of the value of the other fabrics so the pieces blend together. I think they blend together a little too much.

There are a couple of factors for the background: one is that it has to have the look that I want. Another is that I have to have enough of the chosen fabric to use as a background. The bottom line is that I want this to be a quick quilt. I don’t want to spend weeks on picking the background. I also, however, don’t want to hate it when I am halfway through the sewing. I am happy to hear what you think.

Empty Design Wall

My design wall is empty because I have finished piecing the Eye Spy (hexagon quilt)! Hooray!


I worried about not posting any progress or anything here during the past few days, but I wanted to soldier through the piecing. I knew you would all wait for me ;-), but I do like to write every day and this blog gives me one opportunity to do so.

Eventually I had to take the top part of the piece off the design wall and put it on the floor. I don’t have a design wall that allows me to see a whole twin sixed quilt. Having the bottom of the piece on the floor and the top on the wall just didn’t work for me.

Having it on the floor is inconvenient at the best of times, and was really inconvenient this time, because I had to move a lot of stuff from around the room to get the piece to fit. Still, the inconvenience gave me an incentive to soldier on; I was able to see what fit together where and how to piece it, so it worked out. As you can see from the photo above, it fits a lot better now that it is pieced together.


This is a detail of the finished [bottom left] corner. I added the red diamonds after deciding that I did not want a wonky border. I will cut half of the diamonds off to make the border straight….eventually.

I really had topuzzle through some areas. The [bottom right] corner was one of those. That hole just appeared when I laid the piece down on the floor and I didn’t know whether it would be taken up with piecing or if I needed to add a piece. I ended up adding two of the hexagon units eventually to fill in.

So, now the piece is in the closet with 4 other quilts that need to be quilted. I will send the Cheerful Baskets to TFQ to be quilted by The Quilting Loft as soon as I make the label and back. I had a strong desire to piece tops after finishing the Cheerful Baskets. While The Tarts Come to Tea fluttered in and out of my mind, nothing sprang to mind and demanded my attention after finishing the hexagons. Perhaps finishing will be on the list. Perhaps I need to make those backs and get that sleeve done, etc.

I did have sewing the FOTY blocks into a quilt on my list, but have decided to take that to the CQFA quilt retreat to sew. By that time, I will have, hopefully, finished washing and pressing all the fabric I bought in 2008 and will really have a large block of time to get busy on it.

Hexagon Edges

I am also still working on the hexagons. I am in a spot where there is a lot of sewing triangles to hexagons and then pressing. It is the part where it looks like not much progress is being made.

However, I did take some time to figure out the bottom of the quilt. I am at the point where I need to shift everything up.


Since my design wall isn’t big enough to handle a twin sized quilt, I need to shift the top off the design wall, leave a few pieces so I know how to hook the top and bottom together and then slap up the hexagons destined to be on the bottom of the quilt.

So far, it isn’t working. I haven’t gotten the right steps in my head enough to move forward so I am sewing equilateral triangles to hexagons (check!), pressing (half check!) and sewing together four hexagon units to make diamonds.

I am also still thinking about the side borders. My decision was to have an uneven border. That decision is still not settling completely well with me. I am thinking of making a big diamond template and sewing a plain red piece (or use different fabrics) onto the edges.

New Star Block from Flickr


New Star Block
Originally uploaded by kirbyloulou

I saw this block about 2 weeks ago and have not been able to get it out of my mind. With the many, many blocks in the DS pool, I wasn’t able to find it again either. I was really glad to come across it today. Love the pointy corners.

Puzzling Through the Eye Spy; Progress

The first order of business this week (after all the cooking and tidying, of course) was to, once and for all, decide how I was going to put the quilt together. Below, you can see I have arranged the ‘blocks’ (two equilateral triangles and a hexagon) two different ways.

On the right the blocks were oriented with the triangles on the top and the bottom of the hexagons (Option A). On the left, the blocks are arranged with one triangle in the upper right hand corner and one triangle in the lower left hand corner (Option B).

I discussed previously that I thought the edge would be a problem. I finally decided that I would go with Option A. Mostly, I decided that I could better figure out how to make the edges straight using the diamonds. With Option B, the side edges seemed like they would really be a problem and I would end up hacking them off, which I didn’t really want to do. You can see the edge that seemed to be a problem on the photo above left.


I stood staring at the above piece for a long time trying to figure out what do next and how to deal with the edges. I decided that I would only hack parts off as a last resort and I was looking at pieces for the edges to see which motifs wouldn’t be compromised if I cut them in half. That still left me with the problem of how to finish the edges so that they could be bound in some normal manner. As the picture above shows, those points on the top and bottom don’t qualify as easy to bind. As an aside, I have no problem with doing difficult bindings, but there has to be a design purpose as in Pink Spider Looking at the Stars from my early days of quiltmaking.

This is a close up of one section so you can better see the connections between the pieces.


This is one unit. After finally deciding on a plan to put the blocks together, I began to look at a unit and see what it needed to create a flat top edge. One thing I did with a hexagon was to sew one triangle to the bottom only. That creates one unit with a flat edge.


Having successfully created one flat top piece, I sewed a triangle on to the bottom of another. It wouldn’t butt up to the unit I already created, so I sewed a triangle to the side. Doing this made me realize that I needed to decide on which angle I would be sewing the units together. Once I made that decision I would have to strive to sew triangles to the top pieces to make straight lines to match that angle.

By sewing the black and beige unit to the larger diamond unit, I was able to to make the flat top longer and keep the straight line angle for sewing additional units together in place.

My challenges didn’t end there, though. I had to work out the next section. The way I started (above) obviously wouldn’t work if I wanted to avoid set in seams.

In the overall scheme, the above depiction might work, depending on the way I sewed the piece together and how the rows lined up.

I sewed another red triangle on to the opposite side. This gave me a straight line. With this succeeding, I started to realize that I only needed to sew a triangle on to the bottom and the left side of each top piece. You can see how the black and beige piece fits with the tropical drinks patch.

Above you can see the macro view of how I will sew the lines of the units together. I will sew from left to right.

I still have to make the rest of the top and that is what I am working on now. Stay tuned!

Puzzling Through the Eye Spy

This week was kind of crazy week work-wise for us. As I result, last night was the first time I got back to the Eye Spy. I spent the time with a bit of sewing, a bit of cutting and lot of puzzling. I am puzzling through the best way to put it together. As you may know, I like to jump right in and start sewing. This gets me into trouble sometimes, but I do enjoy just sewing. Puzzling through problems isn’t so bad as I can’t always visualize the whole process. Of course, if the problems become too problematic then the quilt pieces usually go back into the closet.

I started working on the sewing on that Sunday where I introduced the piece but I didn’t take the edges into account. I am very much into my self bordering technique and would like to use it here. I used it on the Interlocking Triangles quilts and some others. Essentially it means that I don’t like to hack off bits of a border block to end the quilt.


I attempted to work on this yesterday while I was sewing triangles to hexagons. My dilemma, defined, is that I really don’t want to just randomly hack off the edges to make a straight side. Nor do I want to apply a binding to an edge that needs a miter every two inches.

First, I broke the hexagons I have sewed into two groups. Left, the pieces are arranged in a way where the triangles are pointing up. In this orientation, there are no straight edges. The side edges could be okay with a slightly irregular edge made by putting the piece together in chunks using diamonds (see far left).

The top and bottom edges would be a piecing nightmare, however, because I would have to inset triangles somehow. I can imagine that this would be a top that ended up becoming a permanent member of the UFO/ WIP list.

Right, the hexagons are arranged in a way where the triangles are pointed to the left. This is the way that Simply Quilts suggested putting this top together and what the directions on the package of templates suggest. Still, hacking off the edges to make this work makes me cringe. I was considering putting fabrics that were allover prints on the edges so the mutilation wouldn’t be as brutal. I don’t know.

Options:

  1. Hack off the top & bottom or the sides, depending on layout.
  2. Choose to piece the quilt in chunks using diamonds and do inset piecing to make a straight edge along the top and bottom.
  3. Deal with very uneven edge in the binding process.
  4. Add some other shaped pieces to the edge in a uniform color (more red?) to make the edge square.

Left is a detail of the corner of the piece with the section I have sewn together and arranged with the triangles placed pointing left.

I’ll have to troll the web and look at what others have done.

Judy Martin’s QOM

I think I need to make a shrine to my favorite quiltmakers. Judy Martin is one of them.

She, periodically, posts a Quilt of the Moment (QOM) and the one she has now is gorgeous. You must go there right NOW and download the pattern, then come right back! Once the pattern is gone, it is gone forever; she doesn’t repost them or archive them or anything, so time is of the essence. It reminds me of my Spiky Stars quilt (must do something about that crappy picture!). It has that whole ‘the center is not the center’ thing going, which I really like.

I will post a picture here for anyone who makes a quilt from this pattern. Judy is also giving a prize to people who make a quilt with this pattern. Check out her site for specific details.

Sunday Work

The dishes and laundry are waiting and I am having another Manderly kind of day. Not as bad as the other day, but still kind of unfocused. The tab with my blog has been staring at me all morning making me think, as I have been plowing through some work, that I should write something. This was actually a good thing, because it spurred me on to go upstairs, turn on the sewing machine and sew. After sewing some hexagons, I took the Cheerful Baskets off the design wall so I could put the hexagons up. The photo on the left is my production today, though I did start sewing some of the triangles on earlier in the week. The big piece that I showed previously is also in there. I was really amazed at how fast these little hexagons turn into a hexagon with two triangles. Very satisfying. I always liked the Grandmother’s Flower Garden with diamonds in between and it just occurred to me that this is what I am making now in just a slightly different scale.

I don’t work with conversationals very often and now I know why. It is almost as though my eyes have a hard time focusing on so much visual stimulation in one piece of fabric. I don’t think that is what is happening, but that is what it feels like. The pieces that attract me the most are the ones that have a fairly clear and consistent background (one color). I don’t think that the entire piece looks horrible or anything, but it is a different kind of project to work on.

Below and right is my total progress. I put the pieces up so I could see what I had accomplished. I just put the pieces up on the design with very little rearranging. I did take care to place the monster pieces, of which there are several, far from each other. I’ll move the other pieces around as I get to it.

My next task is to figure out the normal size of a quilt. I don’t know if I will go for a full or twin yet. Some of it depends on how many hexagons I have (I haven’t counted, but I know I have a lot). I also don’t want to make the quilt three times the shape of my design wall, which I did with Thoughts on Dots last year, because that is a weird shape.

Following that, I have to cut more triangles. I went through all those that TFQ and Julie sent to me. I did start cutting more already and I have a great deal of respect for my friends, because they are a bit of a challenge to cut.

I found that my larger rotary cutter moved smoothly next to the triangle template. However, it felt too big, so I tried the smaller rotary cutter that TFQ usually uses. It didn’t roll quite as smoothly, so I’ll have to figure something else out.

One good thing about cutting triangles is that I get to look through and select red fabrics to use. I need to find a variety so I don’t use the same combinations over and over. So far I have cut batiks without hauling any bins down. I’ll get to that next.

Tidying Up My Mind

Yesterday was a gossamer or chiffon dress and drifting around Manderley kind of day. I mean that I drifted around the house from thing to project to computer to laundry not really accomplishing much as if I were a lady of leisure with servants to pick up after me.

The house is kind of suffering from my drifting, but I did accomplish a couple of things. First and foremost, I finished the Basket top. It was challenging to sew together. Somehow I couldn’t wrap my mind around a sensible way to put it together. I think the sashing tripped me up a bit. It is together now and nobody will know how much unsewing I did once it is quilted and hung.

It has now been named Cheerful #1: Baskets. TFQ thought up that name and I like it. It also implies that we will make more cheerful quilts together.

I need to make the back, which TFQ suggested be made out of a spring green fabric. I probably don’t have enough of one to make it, but I will collect a few spring greens and make it up. Then I will send it up to her and she will have Angie from the Quilting Loft quilt it. TFQ suggested it and I like the idea. I have a feeling quilt tops are going to pile up around here as my free time expands and we work through our financial issues.

Although I could have gone straight to working on a WIP such as the Spiderweb or the Tarts Come to Tea, I went, instead for a new project. The Eye Spy quilt for which TFQ, Julie and I have worked so hard cutting pieces has been on my mind lately. The offspring is probably too old now to appreciate the Eye Spy game, but I still wanted to put the quilt together, so I started.


My first impression of the piecing: FUN FUN FUN!!! I sewed a triangle on to a hexagon on opposite sides of the hexagon. I wanted to make sure I knew how this thing was going together, so I sewed the airplane to the yellow umbrella drink and it was really easy to put together. I couldn’t stop piecing last night and stayed up way too late. I just hope I have enough of the red triangles. I also have no idea what to do with the edges, but I will worry about that later. Right now Girls Just Want to Have Fun!

I have also been reading Ringle and Kerr’s Quiltmaker’s Color Workshop: The FunQuilts’ Guide to Understanding Color and Choosing Fabrics. I especially got into the text yesterday morning before I got up. I think my mind was in the mood for food, because when I went to the workroom a group of fabrics waiting to be ironed caught my attention. They were fanned out in a certain appealing way and I just had to take note.

I ironed them and cut the pieces I needed. These are the pieces I need for the FOTY 2008 quilt and they are currently on my design wall where I can admire them together. The blues are not completely matchy-matchy. There is something calming and/or restful about the color combination. I think I have good scale variations and may just have to do some project with just these fabrics. I am tempted to sew them together and keep them in a group in the FOTY quilt. We’ll see.

Finishing To Do List:

  1. Sleeve for Nosegay
  2. Back for Making Cheerful Quilts #1: Baskets
  3. Back for Crazy Quilt Test
  4. Handwork, binding and sleeve on Pamela Allen House quilt (no name yet)

So, I think I have tidied up my mind enough to get moving on some other issues – real issues – but I am glad that I was able to clear out these ideas. I would love to hear your thoughts!