I have been cutting patches for Julie‘s Tumbler quilt for awhile. It seems only fair since she cut a boatload of hexagons for my Eye Spy quilt. Periodically, I get a bunch together and give them to her when I see her. They fit very nicely into a Recchiuti caramel box, so she gets a nice smell of chocolate along with her Tumblers. It occurred to me that I should surprise her sometime and give her a box of the actual chocolates!
I kind of like having a list of patches to cut as I work through new fabric or fabric I am using. There is something nice about collecting a bunch of blocks and then putting them all together at the end of the year or the end of some other timeframe.
The other day, Julie wrote about getting close to the end in a recent post. She is struggling with the same issue I had and that is the edge. When I was finishing up the Eye Spy, I didn’t want to slice off several hexagons to make a straight edge. That is the suggestion that many resources had for the edge of an Eye Spy.
Eye Spy, Full
I also didn’t really want to sew a binding around all of those weird angles. I did that once and once was enough. The one weird angle in the Chocolate Box was enough for me. As you may remember, I did some triangle gymnastics on the Eye Spy to finish the edge in order to end up with a straight edge.
I think this is a case of thinking about what design would be best for the quilt. Chopping off hexagons that were fussy cut to include an image would be jarring, I think. If I had thought ahead, I might have made the edge hexagons a solid or tone-on-tone fabric and not worried about chopping them off. Solid fabrics might have provided a kind of border effect.
I am happy with my solution. It wasn’t the easiest solution, but I think it looks good. I am sure Julie will come up with a good solution as well.
I took the Dale Fleming circles class through EBHQ last weekend. Short Answer: AWESOME.
I was a little skeptical when I saw the supply list and began trying to gather the items required for the class. I talked about this class a few times in various posts in the last few months. The supplies required me to get out of my comfort zone, which is good, but never welcome.
Freezer paper for BackgroundFreezer paper on BackgroundBackground trimmed around Freezer paper
The effort was totally worth it. There was nothing on the list that was a waste. This class used A LOT of freezer paper. The above circle steps use two layers of freezer paper and, apparently, I can only use the freezer paper template once, because of something to do with the amount of glue stick glue required for the process. I didn’t really ask, because it was so early in the process I was still floundering a bit. I’ll have to try using the templates over and see if there is a problem. If I were going to make a circle quilt, as I had planned, I would use TV time to make the freezer paper templates.
JL Second Circle
Ms. Fleming was an excellent teacher. I found out later that she has magnificently minded (LD) children so she was very cognizant of the different learning styles a teacher has to teach. She had detailed step outs for each part of the process, to which we could refer. She also explained the process and then showed us the process.
I didn’t find Ms. Fleming to be a prima donna. She was generous in allowing us photograph her quilts, step outs and her demos.
JL Second Circle
I feel really confident, after the class, that I can piece a perfect circle. The circle + background above is my second circle and I think it looks great! I used a pairing of fabric that you may be wondering about. I wanted to use fabrics that were really different that I could see well. No, they don’t really go together, but the above block will stay in my class file and not become part of a quilt. Perhaps that circle quilt that has been on my mind for a few months will come to fruition?
If you don’t want to take a class with Dale, or there is not one happening in your area, you can buy her book: Pieced Curves So Simple. If you don’t like that either, check out Becky’s blog where she talks about creating and using a circle stitcher.
JL Waves
Dale taught us a variety of techniques, including hearts (tips and cleavage!), layered circles (see photo below) and waves. There just wasn’t enough time for me to focus on learning all of them. 6 hours was definitely not enough time with her and I really could have spent at least a whole additional day just working on really getting the technique in my mind. I suggested that she have a work day for students who had taken a workshop. She said she had never thought of that, but would contact me if she decided to do it.
One that I tried was the waves. Her version is a lot easier than the version that I learned in 1989 when I was taking my second quilt class at the adult school. It took a lot of freezer paper, but I finally found a use for the freezer paper roll I have had for a long time. Also, it is possible to make the strips on your piece really thin. Borders are rolling around in my head, especially for the Original Bullseye.
Dale said that after making 5 circles, you can make them on your own without notes. I got up to three during the class and in the few days thereafter. I haven’t gotten back to it.
Circle Making Alone
I really like technique workshops rather than project workshops. I like to be able to put a technique into my arsenal and then pull it out when I need it. I think I will be a lot less reluctant to think about adding circles to my quilts now that I have taken this class.
To date, I haven’t gotten back to circle making. The circle above is hanging, all alone, on my design wall. As I mentioned, my original thought in taking this class was to make a circle quilt. I think the above fabrics don’t express the idea in my mind, but I am also thinking that, perhaps I don’t really want to make a circle quilt. I haven’t decided. I think I need to make a few more test blocks just to see. I definitely want to try making a really small circle and see if I can do it.
An unexpected bonus of this class is that I am now not reluctant to change feet. Changing the snapoff feet is not an issue, but changing fee that required the foot holder to be removed somehow stopped me. After putting on and taking off the zipper foot 37 times, I have no reason to worry about changing feet.
Gallery of Dale Fleming Quilts
Butterfly by Dale FlemingButterfly Quilt by Dale Fleming (detail)Waves by Dale FlemingIt’s all about the Fabric style by Dale FlemingIt’s all about the Fabric style by Dale Fleming (detail)
Notice the slightly wonky sashing.
Circles by Dale Fleming
This was probably my favorite quilt. She did this using a different method than we learned. I tried to understand it, but my brain was very full.
Circles by Dale Fleming (detail)Circle Quilt by Dale Fleming
This quilt was made using the method we learned. After putting on the first circle, the maker uses that piece (circle and background) as the background.
Flower Petals by Dale Fleming
These look like flowers. I really like how the quilts show she is exploring the technique a lot of different ways. I think that shows mastery.
Flower Petals by Dale Fleming (detail)Straight Flower Petals by Dale FlemingFour Patch Circles by Dale Fleming
Summary: I highly recommend her as a teacher! Get her book! Take her class! Make some circles!
N.b. I think my camera is acting up, so I apologize for any bleary photos!
As I mentioned the other day, I enjoyed the Jelly Roll, because I was able to work with a wide variety of coordinating fabrics. I think my favorite in this set, though I do like them all, are the pieces with holly and ornaments. I also liked the diagonal striped fabrics as well.
Aside from the grain problems, the Jelly Rolls provide a quick start for a quilt. I am not saying that this quilt is quick since you haven’t seen the finished piece yet! I don’t really believe in the concept of quick quilts/Quilt in a Day for myself. I think process is important and I think that quilts take longer than a day. Why do you think I make receiving blankets as baby gifts?
Strip Organization
I have worked with my child a lot on learning styles, and strategies for successful learning. I have learned a lot from his teachers and the other professionals that work with him about learning styles, which has made me examine my own style of learning. I know that I learn best by someone showing me what to do and then doing it myself. I also learn okay from looking at pictures/diagrams. I don’t learn well by reading instructions. This is probably one reason why I don’t use a lot of patterns. It takes me too long to decipher them.
First, I sorted the strips into sets of two. I decided which strips I wanted to be in the same block as package and bow.
I cut pieces, as designated by the pattern, from the Jelly Roll strips and then I needed a way to keep them together. I don’t have the clips that Fons & Porter use, so I used my machine quilting safety pins. They are pretty sharp so they went through 4 squares, 3 rectangles and two strips pretty well.
Strip Organization – detail
I had large pieces of leftover strips and I couldn’t figure out what I was doing wrong. I went back to the directions and, finally, figured out that I needed to cut more bow and package pieces. From each strip needed to be cut enough pieces for a bow and a package.
TV Cutting Kit
I did that extra cutting (more TV watching!) and then rearranged the new strips so that they had different mates for the second round of strips.
Fabric Combinations
One step in the process is to put the bow together. This step involves triangles, but uses the square-into-triangle method to create the triangles at the top of the package.
The directions show the following:
Adding Corner Pieces – directions
I think it is pretty hard to show this step in directions, especially for someone, like me, who doesn’t use a lot of patterns. I don’t know all the conventions that have been established.
Marking Squares
First, I marked all the squares so I would know where to sew. This was part of the meditation of this quilt that I alluded to in the previous Jelly Roll post. This kind of step can really get on my nerves. I didn’t let it; I just sat there with my pencil and ruler and drew lines. I didn’t mark all of the squares at once, but did them in little batches as I needed them.
Marked Corner Before Sewing
One thing the directions do not show is that the square will overlap the middle rectangle when you lay it out to make the bow. The directions above show that the square fits exactly over the outside package rectangle. I worry about this kind of thing, because I expect directions to be accurate. Now, I don’t know the limitations of creating drawings in a pattern (on my list to find out about!), but words can certainly be included to explain that layout information. This is not a criticism, just an observation based on my style of working with patterns.
Adding Corner Pieces
In real life, above is how the directions say to add the triangles to the corners of the package part of the block to make the bottom of the bow. TFQ and I talked about this strategy when I first bought the pattern. I think this technique makes it less intimidating for those afraid of bias. I was a little lazy and just did it this way.
Omnigrid Triangle Ruler
One problem I found with working with THIS pattern using a Jelly Roll is that I only had a certain amount of fabric. When I cut something wrong, I was short. This happened twice. Once with these triangle and I was able to use the Omnigrid triangle ruler to cut some triangles instead of squares, which gave me enough fabric to finish. The other time I just had to add a piece to another piece to make the strip long enough. Working through the process.
Same fabrics, different combination
There is a lot going on in the photo above. First, even though I tried to mix up the fabrics for the second round of block making, I did keep some the same. The two above are an example of how the blocks looks when you just switch where you put the fabrics.
Blocks Laid Out
Second, I had to pick the quilt up off the floor earlier in the week where it was laid out while I pieced various bits. Since it is a scrappy quilt, I wanted to make sure that all the pieces stayed in their place. I drew a quick sketch of the block layout and then made numbers to pin to each block.
Third, not all of the sashing parts were sewed together so I sewed all the sashing squares (cornerstones) to the sashing strips and then pinned the larger pieces to the quilt blocks in such a way that I will know how to sew them when I get to that step.
Blocks Laid Out
Why, you ask, were these on the floor and NOT on the design wall? Because the Tarts are still on the design wall! Why didn’t I set up the portable design wall? I don’t know; I didn’t think of it. Yes, those are my toes in my orange wool slippers and, yes, I am standing precariously (joke!) on an IKEA stool (highly recommended for their stability) to not succeed in taking a photo of the whole quilt for you.
Somehow I ended up on the Happy Zombie blog. Yes, that is a quilt blog. I loved the turquoise and cherries theme. I was fascinated by everything that Monica, Happy Zombie’s mistress, has done in the quilt world. There are lots of fun links to look at in the sidebar.
While I did love the colors and theme I really liked her version of the Oh Fransson New Wave quilt and am actually planning on making one. I love the way she used a ruler to cut the pieces. I think it is a good use of a Jelly Roll. You can four photos of the quilt on her site, the main one is here.
As an added bonus, Monica and I had a personal exchange about the ruler she used, which was cheerful and nice.
Definitely go to her site to look at the photos. The quilt is awesome.
No, this is not another insane project of mine. The Pineapple is my insane project and I am not starting another until that piece is done.
Mom's DWR
A few weeks ago my mom and I went to the DeYoung to see the Amish Abstractions Exhibit, as you might remember. In that exhibit was a Double Wedding Ring quilt. My mom has been working on a DWR for awhile. She is a really good seamstress and the arcs, etc don’t bother her. She is also fearless. She was going to give it to someone and then decided it was too much work for that particular recipient. When I saw the DWR I asked her about hers and we decided that hers might be about the size of the one in the exhibit. She was under the impression that she needed to make 190 arcs or some such crazy number. I asked her to bring the pieces over.
Mom's DWR (other side)
A few days later she brought them over and we laid them out on my living room floor to see the approximate size. I know the photos are not the best, but they were hard to photograph given the angle of my living room. You can kind of see the curves in the way we laid out the pieces.
Mom's DWR detail
As you can see from the photo (above) she is using foundation piecing. She is having some challenges:
She recently gave away all of her scraps in a fit of cleaning. Now I get to cut scraps for her.
She was having a hard time visualizing the size. She doesn’t have a design wall (or a wall big enough to hang a design wall) so she uses my living room floor as her design wall.
Fortunately, she was able to see the size when she laid it out while having the quilt from the exhibit in her mind. I think she is going to finish the arcs that she has and then start putting it together.
This past weekend was our annual CQFA retreat by the beach. I spent the weekend working on the FOTY 2009. I also relaxed a little even though I spent a lot of time hard at hard sewing. My body is rebelling a bit from sitting so much and standing so much.
Last few FOTY blocks
First, I found the last few FOTY blocks on my design wall before I left and I wanted to post a picture of them. I didn’t think I would use the one with the earthy brown (middle row, middle block) on the front, but I ended up using it.
FOTY 2009 in progress
I really worked hard on the piece. As with last year’s piece, there is a lot of sewing and pressing. The process, after I figured out the size and laid the blocks out was to sew two Zanzibar blocks together, press, put back on the design wall, sew two Zanzibar blocks together, press, put back on the design wall and then repeat that process 133 times. Once I sewed sets of blocks together, then I sewed two sets of two blocks together to make a set of four. I did that approximately 67 times. Since I wasn’t in my own workroom I had to walk around my table, past another table and into the corner to get to the iron. The distance was inconvenient, but also good, because it forced me to stretch my body. Putting the top together was a lot of rote sewing, but it was the perfect project for the retreat.
I did a few things differently this year. One was to count up the blocks and try to make a plan as to how I would lay them out before I arrived at the retreat location and was standing in front of my design wall. I knew I had 225 blocks, so I thought I would lay them out in a 15×15 format. What I didn’t take into the consideration was the size of the portable design wall. If I placed 15 blocks down, 3 of them were on the floor. I didn’t want to work with blocks on the floor even though I could have. It is hard to photograph the in progress piece. It is easy to forget some of the blocks, etc. I reconfigured the layout and ended up with, I believe, 12 down and 19 across. I prefer a rectangular layout anyway so it worked out. I needed another block, however, so the earthy brown one ended up on the front. In the grand scheme, it doesn’t scream brown out of the quilt.
Color Sorting
I also sorted the blocks. Last year, I think I just put them up in general areas on the design wall and then I had to move them around a lot. This time I sorted the fabrics on the table, put them in Roy G. Biv + white and black order and then put them up on the design wall. This strategy was a lot easier. I didn’t have move such large groups of blocks over and over. I had to move some groups, but the whole process was much easier. Below is a progression of how the piece evolved as I worked on the color:
#1 Blocks on the design wall#2 Blocks on the design wall#3 Blocks on the design wall#4 Blocks on the design wall
Another thing I did differently this year was ask some of the other retreaters if any blocks stood out to them in an “I am out of place in this quilt” kind of way. Many of the CQFAers are really skilled designers, others are skilled colorists. All of them have something wonderful to offer if I remember to ask and listen.
I was looking at FOTY 2008 last week and found that there were some rectangles I really should have moved. It is by no means a horrible quilt, but I should have played with the layout a bit more. Asking for help was a great strategy, because people mostly liked the color work I did and I got lots of kudos, but some of the blocks jumped out at them. Funnily enough the blocks they noticed, for the most part, did not jump out at me. Almost exclusively, these were blocks that were hard to place – multi-color fabrics, conversationals, light backgrounds almost completely covered by various colors, etc. The CQFA group is great, because they helped me place the problematic blocks to their best advantage. In this way, I also learned.
FOTY 2009 Upper left cornerFOTY 2009 Lower left cornerFOTY 2009 Upper right cornerFOTY 2009 Lower right corner
I spent a good portion of the retreat sewing the quilt top together. Open house at school was today, so I had to leave the retreat early and only got some straps for my next Anna Maria HornerMulti-tasker tote done. I really wanted to stay, but am glad I was able to have a chat with various teachers at school as well. There is always so much to do!
SIL already used up a bunch of the Infinity blocks we swapped to make this quilt. She entered it in her county fair and won third place. I was so pleased for her.
I love the layout as well. Very clever of her to use the various values of the blues to make a design. A you can see from some of my photos, I was thinking more about how the blues and whites touched each other when I put the blocks together.
What I don’t love is that she has already made a quilt and I still have a block or two to go! I had better get busy!
I received another batch of Infinity blocks from my SIL in the mail last week. Here is the large group (about 31) that I received.
Blocks from SIL, August 2009
It is so interesting to see her fabric selections and the fabrics she has and compare those two points to the blocks I have made and the fabric I have used. I was also thrilled and amazed to see some of the fabrics that she owns/chose for this project. We get along pretty well, but, sadly, we don’t get to spend very much time together since we live on different coasts. See the bottom right, second block in? That is not a fabric I would have suspected SIL of having, yet I am thrilled that she included it! It shows me another side of her quiltmaking.
After laying these out I decided to lay out all of the blocks I had, so I gathered up the various stashes of Infinity blocks and laid them out on the floor of my workroom.
All Infinity Blocks, August 2009
The above group has about 80 blocks in it. WOW! I can’t believe that we have made that many. I realized that there are a few elsewhere that aren’t included. So, there will be at least one more photo of these quilt blocks for your perusal.
I am glad we are working on this project together. I feel like it brings us closer together.
Last Sunday night, I went over and watched a movie with my SIL. We often craft together and this night was no exception. We watched Alfred Hitchcock’s Lifeboat and stitched. I was able to finish the last middle block of the Flowering Snowball/Cross Block project.
Now I need to worry about the border blocks. I haven’t taken the time to make the pattern for those. I will soon.
I know that I ignored you all weekend. I spent about 24 hours over the three days sewing and really got a lot done. It is difficult to be at work today, because I am still desperate to be at my sewing machine. Needless to say, I have a ton to discuss.
Yes, I am doing it again. If you want to read the torure from previous years, I have gathered the posts into one search just for you.
My goal is to have them done before school ends this year, which is June 12. I actually have until June 11 this year as I am, sadly, not attending the conference I usually attend that week. Still, I want these babies done and out of my hair ASAP.
Some weeks ago, on a rip to IKEA for light bulbs (now I know I can get the same ones at Lowe’s, which is closer!) I found pillows for $1.50. They are an ugly baby blue, but solid and they will make fine pillow forms. They are not as fluffy as the ones I have bought in the past, but tough times call for economies.
Yesterday, I corraled The Child and had him choose blocks. I also had him do drawings for the back.
This is the Greek Cross block and it is for the aide. The others are Tangled Star, Omega and one with a lot of triangles. I am working on the latter. Another day I will post all of the photos.
I don’t know where this month has gone. Frankly, I am glad February is coming to a close, but I still wonder what happened to the days.
My next longarm day is March 2 and the Eye Spy is in line to be quilted. As a result, I needed to make a back and get the Eye Spy in shape for finishing. I put the diamonds in to fill in the diamond shaped space, so that I wouldn’t have to hack through any of the hexagons (which is what most patterns recommend). I didn’t want a zig zaggy border, so I started out by cutting off the excess from the diamonds. I had intended just to leave the edges straight after cutting – no borders.
While cutting the diamonds in half, I realized that the middle of those diamonds was one big bias edge. This brand spanking new bias in addition to 3 sides of each hexagon being on the bias was asking for trouble during the quilting process. The top needed some stabilization, so I added some borders and corners to the odd shaped corners of the top.
Corner detail
The little star printed piece is the patch I had to insert into the corner to make the corner a 90 degree angle. You can see it really well above.
Above is a picture of half of the top. The quilt top is another monster and I gave up on moving furniture to fit the whole thing into one picture. I am going to have to think up a way to photograph whole quilts, especially these huge things I seem to be making.
I used a new (to me) method of measuring for borders. I measured width-wise (across) and lengthwise (down) in three places on the quilt and cut the borders to the average size. I did have to ease, but the top is flat and I am happy about that. I found one little tuck that I will need to fix before the longarming. All in all it worked pretty well.
Scary backing fabric
I acquired the crocodile fabric a long time ago, perhaps in the early 1990s from a woman named Joan who was getting rid of everything. It is a Joe Boxer fabric and I never saw anything like it. I also never heard of Joe Boxer selling fabric, but they totally should, because their fabrics have such a sense of humor.
At one point, I thought I would cut out the alligators (crocodiles??) and applique’ them on something, but the inspiration never struck. Also, I only have about a half yard, which limited what project I could complete using the fabric. I came across the fabric over the weekend and proposed it as a backing fabric. The Child took a liking to it, so I will use it as part of the backing. Shopping in my fabric closet can be fun!
hexagons on the back
I had some leftover hexagons, so I put some straight edges on them and will also use this piece for the back. I need to find a nice way of making this bit play nicely with the crocs.
I was on my blog and directing traffic and tweaking a lot during the past three or four days. The blog move has been somewhat time consuming, but is mostly done, and worth the effort so far. One of the things I did was scroll through recent posts about four hundred times. In doing that it dawned on me that I was in avoidance mode because nothing I posted was quilt-related.
Origami Train Dude
Sketches
More Sketches
None of that is quilting and since the blog is about quilting, I needed to get back to it before all of you got fed up and went and read some other blog. I needed to take stock and figure out what was going on.
It turns out, after a little investigating it is all about The Tarts Come to Tea. I faced up to reality that I am really in avoidance mode over that project. Some of the issues I discussed about change of focus in a previous post are so true with this project. I am not enthused with machine applique right at the moment and I want/need to redo several of the blocks, because they don’t fit my current interest or style. It just seems depressing. The sad part is that every time someone enters my workroom they gush over it and say how wonderful it is, which enhances the guilt factor. Bleah.
Design Wall 2/22/2009
I was able to avoid a bit more this weekend, because I realized that my longarm day is next Monday and I haven’t done the back for the Eye Spy project, so the back had to go to the front burner. My quiltmaker SIL was also in town so I spent some time at Always Quilting with her. I bought the fabrics above. The smaller pieces were all in a pack that I had been coveting for awhile. I got home to find buyers remorse waiting for me, though, because when I unwrapped them, some of the fabrics are a bit off the colors I thought they were. I was thinking of doing something like the Yellow Brick Road (from Terri Atkinson) quilt with them. I still am, but will have to go shopping in my stash to replace some of the greens. More piecing, you notice and not machine applique’.
I was able to continue to avoid the Tarts on Saturday because of family obligations, which isn’t to say I haven’t been working on them at all.
This is the layout/design drawing for the block in the middle on the right of the photo of my design wall above. It has a green background. What I decided was that I would make one block and see how I felt about the project afterwards. I need to find my notes on machine applique’ – or ask someone – because I can’t remember what method I used or any method, frankly.
I feel a strong need to make some kind of effort, but this piece is definitely teetering on the verge of abandonment.
I have learned something about myself since I dragged The Tarts out. Leaving quilts laying around with the top half finished doesn’t always work for me. I need to think about bring them to a logical stopping point (e.g. the top and back are done and are waiting on quilting).
I finished this top, the Fabric of the Year 2008 top, at the quilt retreat this past weekend. It was a great project for the retreat, because it was enough work to consume almost all of my sewing time there.
The FOTY concept was created by TFQ, who decided that it would be a good idea to try and use a piece of fabric shortly after buying it for a couple of reasons:
If she liked the fabric, she would find out while the fabric was still available.
It would be a good exercise to confirm what fabrics she commonly used so she could buy similar ones later.
She would still like the fabrics
I really like this top. I think it glows. It is very cheerful.
I will have more about this later, but I had to post this for your viewing enjoyment.
The binding is on. The piecing is finished. The sleeve has been handstitched on to the back. It is a large quilt, so I will have to post it again after I get a professional photo taken.
I finished sewing the sleeve on to the back while watching The Queen last Saturday night while the boys were gone. I had to watch some of the bonus features (sadly, no deleted scenes) in order to get the last bit done.
So many “hands” have touched this work. By that I mean I have received so much help with this project: TFQ, quiltmakers from CQFA, Doreen Speckman, the teacher of the class in which I started the project, Colleen.
I am thrilled to have a finished project – a quilt project.