Another Quick Bite (or Byte!)


This was a weird shadow I saw on my wall. Don’t you think it looks like a bear sitting in a chair with one leg crossed over the other?


New fabric.


More new fabric


Pineapples 13 & 14

Kristen, over at Ardent Peace saw the Pineaple blocks in person recently and said she hadn’t realize how large they were. The size, apparently, does not come through very well in the blog format. She asked me to give my dear readers some perspective. This block has a spool of red Aurifil thread on it. As you can see the blocks are quite large.


These are the Pineapple ‘scrap babies’. As I work through the strips, I find that I have litle bits of the strips leftover. I began setting them aside for who knows what. Finally, I decided I should use them up, so I used them on the beginning parts of Pineapples 15 & 16. The above two Pineapples are made from scraps to the point you see above. After this point, the sides get too large for scraps. Notice how much green is in them. I seem to have a lot of green strip ends.


Scrap babies grow up. These are Pineapple blocks 15 & 16.

Pineapples are Pretty

The title was inspired, for no particular reason, except that it struck my fancy, by a poster at the Castro Theatre advertising Pretty in Pink, the 1980s movie. Molly Ringwold’s hair was precious.


I finished two more Pineapple blocks for a total of 8 now. I feel like I should have more, but I don’t. As I keep reminding myself this is an ongoing project with no deadline. I am enjoying seeing the evolution of the piece.

The blocks, all together, look pretty good.

I notice an interesting secondary pattern developing. I knew i would, but am just surprised at how much I like it.

Design Ideas for Coffee Quilt

After writing the post about the Coffee quilt, it occurred to me that a row quilt might be the way to go.

When my computer is idle, it scrolls through various quilt show photos I have taken. While it was scrolling through the PIQF 2005 photos, I saw a row quilt that might work for the coffee quilt.

This one is done with 4Patches, which wouldn’t really work, but I could fussy cut the squares with motifs in them instead of making a four patch. I could also make the squares different sizes to accomodate the motifs. Sue Nickels has a row quilt that I liked. I am pretty sure I took a picture of it when I was in her class and will have to dig that out.

I am not starting this quilt, just mulling.

Relief (Sharon’s Quilt)

Finally, I feel some relief. I have finished the top and back to Sharon’s quilt and it is ready to go to the quilter. As I mentioned, I didn’t feel a sense of euphoria or relief after finishing the Nosegay, but I do feel some of that relief now.


Top: with the border on, it is a little too big for my design wall (what else is new with my work these days?)


Detail of front: this is the label. There was one last pink bordered square that I needed to make the piece complete, so I turned it into a label/wish for happiness for the happy couple.


Back


Detail of back. The pink is a map of Paris and the white and black border has French words on it.


Blurry detail of a batik fabric that I used for the border, then decided I really liked. If you have any, I want more. 😉

I looked at my UFO list and it looks like most of the large outstanding projects are out of the way, except the Spiderweb, which is probably next on the list. There are a number of smaller projects, which are more arty that I will have to get back to eventually.

At the moment, the design wall is blessedly empty. Now I feel like I have some brain space and can work on something I don’t feel is hanging over my head. I guess I need to try to finish projects before they get so old that they start shouting at me. I will put the pineapple blocks and the Cross Blocks back up and see what happens with a new project.

On a Tear (Sharon’s Quilt)

I thought I would feel some kind of high and float around for a few days afer finishing the back of the Nosegay, but it is not to be. All I can think about is Sharon’s quilt, so I got the blocks out and put them up on the design wall. I had made a design while I was out and about yesterday, which I used to lay the blocks out.

P=plain block (printed fabric cut out) D=block with a drawing on it.

Sigh! There are just too many blocks to make it work. I, then, put them all up so I could see what I was dealing with.

There are three blocks that aren’t up on the wall and with those I have my entire design wall filled.

I am tempted to be artistic, but the practical side of me is telling me just to sew the piece together and be done with it.

A Monkey Finally Off My Back


When I got to my workroom this morning the back of the Nosegay was glaring at me and I could only sigh. I didn’t want to work on it. I had, somewhere in the back of my mind, wished that it would just be done. I thought about taking out Sharon’s quilt blocks and just ignoring the back of the Nosegay. It seemed too big, too much, too old, too depressing. I felt like I just couldn’t do it. Still, I knew that if I didn’t just do it, it would glare at me forever. Since the thing has been hanging around since 1998 and I wanted it done in my lifetime, I decided to just do a couple of rows. After all, if I did a couple of rows every week, it would eventually get done.


I arranged some 1930s scraps that were laying on my cutting table into a largish block and sewed them together. That kind of warmed me up and I sewed on a row of the blue and a row of the 1930s fabric and laid it out. I found that I had sewed more than half! Halfway done! I couldn’t believe it. How did that happen? That spurred me on.
I sewed entire FQ pieces into long rows and sewed them to the back. Each strip took about 2.75 yards of fabric. It took me about 3-4 hours, but I finished the entire back. The back is done. Whew!

I had been wondering if I shouldn’t just take Thoughts on Dots and Serendipity Puzzle to the quilter and bring the Nosegay later. Now I don’t have to. I will call the quilter and see if I can bring the quilts over, then I will be free of them for a time.

I am so thrilled!


I didn’t get through as much of the 1930s fabric as I had hoped, but I only have about 1/2 a bin left. I think I may put the fabrics with each color family rather than segregating them.

I have to say that the colors depress me a little bit with their muted tones and sweet little designs and I am tempted to just send them off to someone.

Something Just Wasn’t Right

I know I said that I finished the back of Thoughts on Dots last weekend (weekend before???), but something kept bothering the back of my mind. I keept looking at the back and finally decided that the beige pieces on the inside needed to be on the outside, so I would not have to cut through the piecing that I did on the label when I trimmed the quilt after quilting.

Initially I thought I would unpick the beige piece next to the label (above) and sew it on the outside, but St. JCN suggested that I just cut it and then sew it back on as it would take less time. She, of course, was correct. It was easier, but I had to fill in the edge of one side as it was uneven. That took a bit of time, but eventually I got it done. After a brief worry about the back being way too big for the top and which meant facing cutting the piecing after quilting anyway, I finished the back both IRL and in my mind. This means that that mentally I can move on to the back for the Nosegay.


Bottom right (but photo is oriented sideways)


Bottom left (but, again, photo is oriented sideways)


Top left


Top right

The quilt is too big for the room, so I couldn’t lay the whole thing out, but, hopefully, you get the idea.

Nearly Done! HOORAY!!!!

In between many other tasks related to house, children and work, I am thrilled to say that I have finished the back of Thoughts on Dots. I really buckled down and took every spare moment to work on it. HOORAY!!!!!!

The back is even larger than the top, which made it harder to photograph, but here is an image anyway.

The squares are the reject dot squares which I did not use in the top. The lavendar and beige square in your upper right hand corner is the label. I decided to use the beige for three reasons:
1) I did not want to piece together 100 FQs of dots;
2) I had large-ish pieces of beige (bought them at a time when I thought I might use them as backgrounds); and
3) I decided I did not want to take away from the front. I wanted it to be clear that the front was the main showcase.

I did piece the back, because I have a enough fabric to do so and because I wanted it to be unique. I do see the attraction of buying 107″ wide fabric and just sewing one seam to make the back, however.


Above is a detail of the top of the back.

Above are a couple of details of the other side of the top including the label. Take the term “detail” with a grain of salt!

I made the label by creating a Word document and then print the ‘document’ on fabric.


Above shows the only problem. I think that I may have to take off the beige piece on which I have drawn a line, because it is too wide. I think it would work better if I put it on the outside. That way, I can trim the back after it gets quilted. I don’t want to hack of part of the block that has the label in it or any of the squares. I know it is just the back, but I still want it to look good. I don’t remember right at the moment whether I pieced that beige as all one piece or if I will have to unsew multiple pieces.

And finally, below, here is a better (not great, but better) image of Thoughts on Dots:
Part of the day’s chores involved moving furniture form one room to another. While my workroom does not look fantastic and I lost some shelf space, I do have floor space, once again. YAY! I was able spread the quilt top out on the floor. It nearly fits. Unfortunately, I didn’t actually fit in the room so the image is still a bit wonky. Hopefully, however, faithful readers, you get a beter idea of how cheerful it is.

The Center is Not the Center

It occurred to me this morning that I seem to be working with patterns that create not obvious secondary patterns. Spiky Stars was the first (that I can identify), the Pineapple and now the Cross Block.



In Spiky Stars, the center of the blocks seems to be where the X of color is. Perhaps, in and artistic sense it is. However, in a technical sense (making the block), where the legs of two colors join is the center of the block. See below:

I have made an effort to outline the block in PSP, but Deirdre and DebR are more proficient, but you will get the idea.

The Pineapples are the same way.

It is a little difficult to see the secondary pattern at this point in the process. It is not the black square, which is actually the center of the block. The secondary pattern will become dominant as I make more blocks and as I put the corners on each block.

And now the Cross Block:

I wonder if this phenomenon has some deep subconscious psychological meaning or if it is a message from the depths of my mind? I think I am just trying to create interest. Worth pondering, I suppose.

Quiltmaking is a Journey Not a Destination


I found this quilt somewhere, drafted the block and am now trying to decide if there is a color layout scheme that I prefer. I don’t remember where I saw the quilt, which is a shame because I would like to document it better than “I don’t remember.”

There are two color layouts for the Cross Block quilt that appeal to me:

I like this one because the circles really stand out and you can really see the fabric. I don’t like the way I would have to plan out a bunch of the fabrics in advance (like Spiky Stars, which worked out well in the end). The other thing that bothers me is the half blocks on the edge. On one hand, they look unfinished. On the other hand they could comprise a self bordering technique border, again like Spiky Stars, that is so effective.


In the option above, the blocks would be a lot easier to piece. The crosses really stand out, which is nice, in a way. It looks a lot less interesting than the one above…a lot more regular.

So, does this count as another project or a way to get some more sewing done when I am not at the machine? Quiltmaking is a journey and not a destination, so does it matter?

The Pineapples Progress

I have made some progress on the Pineapples. I am working on them in between everything else so I don’t feel guilty about starting a new project. Yeah, yeah, I know guilt is not productive. Above is the first bits of the second two blocks.

I have made more progress on the second two blocks. I am about 3 rows away from finishing. One thing I did differently in the last few rows is add new backgrounds. the size and spacing are different from the background fabrics I have been using. We will see how they turn out and if you think they scream “INAPPROPRIATE.”

I also added some fabrics with smaller dots. In these photos they look like tone-on-tones. We will see if I use them again.

First two Pineapple Blocks Finished

Learning to do something new makes the first two blocks or parts of a project practice. For this project, and, yes, it is now on the project list, I am pretty pleased with these two blocks. The blocks are fairly flat, there is no paper to rip or muslin to quilt through.

I spent some time yesterday putting the last two rows on as well as the corners. I may have to remove the corners and put others on, as they need to be a bit bigger, but we will see.

I am very pleased with how the fabrics look together.

I am still cutting strips, which is a drag, but I will be happy when I have piece of all of my dots cut.

Pineapple Class Review

The class was great.

I had enough dots, but could have used more.

The Pineapple Ruler is totally worth the money.

The above photo shows how to place the ruler to cut the pieces. No foundation.

Here are the blocks that I made:


This is how my one block looked after a couple of rows.

This is how my two blocks look now. I have two more rounds to go: I have to put some strips on the corners and one triangle on each corner then each block is done. I should have cut the strips in advance, so I would have had more sewing time, but I didn’t have the time, so the point is moot.


This is the teacher’s, Katrina Lampken, quilt. She did a nice job teaching. She a little background on the Pineapple block. She talked about different ways of making it and why she liked this method. Then we got started. She was able to answer all of the questions. She was really mild mannered, but go her point across. It was a great day.

These are some of the other student’s work:


Sue

Barbara from San Ramon (we were dot sisters)

Laura worked with gradations

Make Visual Decisions Visually: Serendipity Puzzle

That is a quote (without the Serendipity Puzzle part) from Lorraine Torrence. It is a great ‘rule’ to remember, at least for me. I find that the picture in my mind’s eye often looks better in my mind’s eye.

To that end, I cut some sashing pieces to try and figure out if I was on the right track.


This example was my original idea for the sashing. I am not fond of it, but it is also not terrible. It looks busy and is not restful. Not sure if this quilt can be considered restful in general, but I certainly don’t want to add to the excitement. I may have to sew some pieces together to make sure this is not the right sashing design before I decide.


To me, this screams “look at the cross.” I think the contrast between the light background and dark sashing does not add to the overall design.


Think, so far, this is the best, which surprised me. It gives some space to each block so you can see the design and alleviates some of the busy-ness. I would put pieces of the three different lights instead of just the blue on white.