As I mentioned the other day, I was able to piece in some of the small blocks.
It isn’t a very linear or straightforward process and there is a lot of fiddling that goes on.
One issue I am having is with measurements. I know each row is 3.5″ wide, so I have cut solids + seam allowance to make up that size with the small blocks. I still run short and have to add other pieces of fabric. I do like the texture the added seams give the piece. However, it is still annoying. I can’t figure out what I am doing wrong.
The Peacock “border” detail
I didn’t put a small block on the end of the bottom (first) row and am kind of regretting that. I have a lot of small blocks I want to use and may need to go back and add one. However, the top right hand corner background area is pretty blank and may need some mall blocks there to lighten it up.
You can see the not all of the row ends are sewn on the right side. I am leaving the design open to add more small blocks. I didn’t do that on the left and may need to add some additional yardage to the ends. We’ll see. It may be that I concentrate the small blocks on the top and right.
I am adding different colored solids that kind of match the colors of the print fabrics on the edges and to fill in the background. I bought some solids from the line of fabric, but I have others that go with the fabrics as well. the shiny green solid you see above is one of the first fabrics I bought when I made my first quilt. I have been keeping it all this time and I think it is the right color for this piece.
I bought a lot of black with the intention of using black for the entire background. While I need to drape a piece of black up on the right-top, I decided that it will probably make the quilt too depressing. I am also thinking of using a variety of solids.
The dark blues at the top are ok, but the lavender might be too light.
Last Sunday, I took some time to visit PIQF, the Pacific International Quilt Show put on by the Mancuso family. It was, again held at the Santa Clara Convention Center. I was pleased that there was no 49ers game (the stadium is across the street) as I had no interest in fighting THAT traffic.
It was the last day of the quilt show and I could tell all of the vendors were tired. I wasn’t able to find any Aurifil #2600 50wt and found that many of the vendors were out of the most popular items.
In general, I thought that the show showed a slight improvement this year. In terms of quilts shown, I found them brighter and more cheerful.
detail of Ophelia by Marilyn Farquhar, Heidelberg, Ontario, Canada
The machine work was still excellent and quiltmakers seem to continue to push the boundaries. The Best of Show was someone new this year, which also pleased me. There were new vendors and some vendors had been moved around.
The modern exhibit was really excellent and number of BAMers had quilts in that exhibit.
I saw many more Southern California and out of state quiltmakers showing than Northern California quiltmakers. I wonder about that: first, is my impression correct; second: why are more So-Cal and out of state people entering and are we Northern Californians not entering as much? I know I did not enter a quilt this year.
I drove with my SIL down to the show. She spent most of the show talking to longarm vendors. I got her take on the machines during lunch and the drives. I was really glad the show provided her the opportunity to talk to multiple vendors in one place. While she was doing that, I walked up and down nearby aisles and was able to look at most of the vendors and quilts while she got the information she needed from various longarm vendors.
Untitled by Linda Evans of Murrieta, Calif.
I have always wanted to make a season quilt. I don’t know why, but I like the imagery of the seasons indicating the passage of time.
I am not sure I need to make a seasons quilt now as this one is really great. I love the curviness of the shapes and imagery. Of course, there were things I would do differently, so, perhaps, I do need to make one. 😉
Teal in the City by Elaine Lindsay, Cupertino Calif.
I was pleased to see one Tula Pink City Sampler quilt, Teal in the City by Elaine Lindsay, Cupertino Calif. Seeing this quilt inspired me to continue working on mine. I like the way Ms. Lindsay used a cohesive color palette. The blocks really fit together. I also like the different sashing colors for her blocks. That is a good idea. Seeing a done City Sampler in person also gives me an idea of the size. It is large but not crazy large. It would probably fit on our bed, if we needed another bed quilt. 😉
Cactus Fish, a collaboration between Freddy Moran and Alethea Ballard, Walnut Creek, Calif.
You might remember that I talked about Freddy Moran’s new ‘appliquilt’ style of work. I was pleased to see one of her quilts, Cactus Fish, a collaboration with Alethea Ballard, in this style at the show. It was one of the quilts she showed in July. I just can’t remember if it was finished at the time or if it was still in progress.
One day isn’t really enough. I walked down a couple of rows twice, once by myself and once with SIL. I found myself not remembering the quilts I had already seen. I consider myself someone with a good visual memory. I may need to rethink that. There is a lot of visual stimulation at a quilt show and even I couldn’t take it all in in one day.
Some themes I noticed:
several Peacock quilts
Ophelia by Marilyn Farquhar, Heidelberg, Ontario, Canada
secondarily, a number of interesting animal quilts – not in a photorealism style, which I appreciated
fewer dark landscape quilts
less photorealism
fewer art quilts, though the ones I did see were interesting.
I noticed a number of brighter, more whimsical quilts
There was a lot more negative space, even in quilts not in the Modern exhibit
Some improvements the Mancusos could still make:
white drapes instead of black would lighten up the whole show.
continue to vett vendors and replace out of date/boring vendors
more modern vendors
require vendors to have new fabrics, not just old stuff they keep in their traveling kit
limit non-quilt supplies vendors
Of course, I am not a quilt show organizer (though I am happy to consult!) and I am glad to have such a large show so close to me. It is easy for me to say what I think should be changed, but it is not always easy to make the changes. Incremental changes are easier to make and less of a risk. I wish they would publish year over year attendance records, so I could see how the changes they made this year affected attendance, though they might not see an increase until next year.
PIQF 2016 Purchases
I bought a few things, but not the items that were on my list. The fabric will be a quick quilt for the grandson of one of my Austrian friends. I want to finish (work on??) the Windmill quilt. Since I still have not been able to find the template I bought another. Silly, but necessary. I also am always on the hunt for sharp needles with big eyes. I bought another Tulip brand pack to try them on Under the Sea.
Once again, I used the palette builder to…well… build some palettes for you.
Mountain photo
The photo is a photo I took from the car window as my friends drove me around GroBes Walser Tal in Vorarlberg, Austria. I chose this picture deliberately because there were a lot of blues and I wanted to see if the Palette Builder could deal with them.
Mountains & Sky
I am pretty pleased with the palette the tool built. I didn’t even move the circles around.
Mountains & Sky 2
I like some of the colors in the second palette, but I am not as excited about it overall. Peacock and Glacier are two of my favorite Kona solid colors. The others are ok.
This is a fun tool, as I have said, and I could make 50 more palettes with this one photo. Go and make a quilt with this palette.
I spent some time over the weekend working on the Stepping Stones. I am ready to just piece without thinking. It never seems to work out, though. I always have to do some deciding or planning or math.
This past weekend required all three. As you might remember from my last update, I had some HSTs to make and was putting it off. I finally made them when I needed some easy piecing. I made a bunch so I would have some choice when I made a few more blocks to complete the top. After I made the HSTs and completed the leftover partial block, the question of the border came to mind.
Stepping Stones Revised
I sat down to look at the EQ plan I had and found that I hadn’t completed it. I wasn’t 100% happy with the border I designed for the original Stepping Stones quilt. It is in no way terrible, but I wanted to finish off the groups of squares (red 4 patches set in groups of four, above).
Stepping Stones, EQ version
I played around with EQ and came up with a new design. I am not sure it is the final for a couple of reasons:
I don’t know that the groups of red 4 patches in the corners add anything
I am not sure about the blue/green HSTs in the very corner. They add a little something, like breaking up a series of squares, but they don’t have any reference anywhere else in the quilt.
Stepping Stones #2 Border Trial
I am absolutely sure that I am happy with the red points that go into the border to finish off the scrappy lines of red that are made of HSTs throughout the quilt.
I want to get the border settled so I can start putting the whole top together via chunking. For chunking, I need to start in one of the corners.
I have been collecting a random assortment of photos of Pulse quilts as I see them posted on Instagram. You can see many, many more by searching the hashtag #quiltsforpulse regularly.
Pulse by Kathy Matthews
Kathy Matthews posted hers. Kathy did a really nice design branching off from the original heart pattern. Kathy’s layout would be a great baby quilt or off-to-college design as well. I can imagine it in blacks and reds. My mind is spinning with the possibilities.
Pulse Quilts waiting for distribution
The Orlando Modern Quilt Guild updated their meeting minutes and included a detailed description of their Pulse Project progress. The scale of this project boggles my mind. I am amazed at what they have accomplished. It is especially moving when the numbers of quilts and what they did to blocks and pieces they received is taken into consideration. The outpouring of love is amazing.
The guild is on schedule and has begun to give out some of the quilts. Click on the hashtag above to see some photos of one of the ceremonies.
BAM Pulse Quilt
BAM Pulse Quilt
BAM sent off two quilts recently and Cheryl posted photos of them.
My third Petrillo bag has been on the To Do list for a long time. Before I went on my trip, I decided to sew it, as I mentioned when I enumerated the bag hacks. I also worked on it, because the Peacock was acting like a beast and I wasn’t feeling the quilt love, in general.
I really was almost done cutting it out. I felt kind of stupid the whole time I finished the cutting for letting it lie so long. It took me a few days to sew it, longer than it should have, because I had to rip a few seams and make a new main flap.
Petrillo Bag #3 Inside
I have used it a few times and am linking it. I haven’t filled it to overflowing, so I don’t know if it will really work for a long conference where I can’t easily return to my hotel, but so far so good.
The hack I sewed to the stabilize pocket makes a huge difference when I carry things around. The zipper pocket doesn’t sag. I am mad at myself for not adding vinyl to the bottom. I have to worry a lot more about where I set it.
I took a photo of the last few Flying Geese I made before I went on vacation.
This is a cheerful bunch and I am pleased with them.
My next step is to make a block, per my design, and see if it works. The Round and Round pattern is a genius way to use the Friendship Star and I really like the pattern. Combining it with the Flying Geese will be an interesting challenge.
Yes, I am going to torture you today. I am not really very sorry. It is helping me to remember my trip.
Milka is a brand of chocolate sold in Austria. Occasionally, I can buy it at World Market, but not regularly. It might be sold elsewhere, but it is not widely available here in the US. When I visit friends in Austria, I indulge.
Yes, chocolate snobs are sticking their noses up, because this bar is made from milk chocolate. I am also a dark chocolate fan, but this milk chocolate is no Hershey’s. It is so creamy and rich that it calms fretful children and makes grown men weep when they eat it.
Now that you are frantically rummaging through your desk drawers looking for chocolate crumbs, let’s get to the ColorPlay. 😉
I took the wrapper and ran it through the Palette Builder tool. If you still haven’t tried it, get some colorful photos and have some fun.
Milka ColorPlay
I didn’t crop this photo, but when I ran it through the tool, I moved the circles off the background and focused on the wrapper. Yes, I can control the colors to a certain degree, as you know, by moving the little circles around. The palette above is a little heavy with those particular shades of red and green. Thus, I decided to make a new palette and try to make it lighter.
Milka HaselnuB 2
Perhaps the Daffodil and Ruby, in the middle photo above, add to the palette in ways that I cannot imagine without sewing. My favorite, however, is the second palette. Yes, there is a lot of purply tones, but it feels lighter and fresher to me. What do you think?
The whole idea is to give you ideas for palettes for your quilts, so let me know if you create a project with either of these palettes.
During the past little while, I have been flinging curses at the Peacock as it sits on my design wall, taking up space and glaring smugly at me.
No more.
Peacock on Sunday
I made two cuts on Sunday and was off. With those two rotary cut strips, everything changed. Finishing the piecing actually became possible…. no probable. I only had time for a little work on it, but the piece progresses. I am snatching bits of time where I can and making some progress. It is amazing how something can change so quickly. I do think that, more importantly, my attitude about the project changed.
First, I had along rest with absolutely no sewing. The closest I came was visiting a craft shop that carried quilt fabrics and magazines.
Next, solving the problem of squaring up the piece began to rumble around in the back of my mind until I had a solution I wanted to try. Two cuts and I realized that what I wanted to do would work and it was actually a reasonable idea.
The idea was to cut 3.5″ strips (same width as half one of the blocks), cut a 60 degree angle on one side and sew it to the edge blocks. These short strips work. The black, with which I have started, blends nicely in with the very darkest blocks.
Peacock: More background added
Third, I started to move the blocks around after taking some photos. Some of the blocks looked out of place in the photos. Moving them make the piece come together better.
In the photo, right, I have moved some of the solids around to try and blend the background a little better. I haven’t tried super hard yet and I know I won’t be able to blend as well as I do with the Fabric of the Year quilts, but I want to give the impression of a bit of blending going on. That I immediately started to blend the blocks into an Impressionist look tells me I have much more color blending in my future.
Peacock: Exchanging Black for Green
Most importantly, I have changed out the black on the bottom and used green (see arrows at the bottom). The black was too jarring near some blocks that had no black. The green isn’t a perfect match to those feather blocks, but it is the green I used in the other feather blocks.
I am also trying out some of the blues at the top, but I am thinking they may be too dark and I might try some light blue. I have a stack of solids I can try. I just haven’t tried very hard to find the right one yet.
I plan to have a sort of irregular line of blocks, as the quilt looks now, though the background will make the quilt square. There are still some unknowns. I don’t know what the quilt will look like exactly. I am not sure how I will make the small blocks float around the edges as you see them now. I will let it mull in the back of my mind and see what comes up.
Rhonda and I ducked out of the BAM Retreat to attend the CQFA meeting. They are often conflicting at the moment, which is a challenge. I didn’t want to leave the retreat, however I have missed so many CQFA meetings that I felt bad about missing another. Since Rhonda was going, I decided to go for the meeting, but not stay for the workshop.
Despite my perpetual To Do List item to make ATCs, I didn’t make any. I wasn’t the only one. Poor Virginia had nobody with whom to exchange.
Tea in a Cafe
One of the most exciting things to happen to other guild is that there will be a show either in July 2017 or in 2018. The theme will be “In Conversation.” I immediately got a flash of an idea in my mind and drew it out in my journal. It is loosely based on a picture I took in Austria.
The picture is just the start. I want to add in some hands. I don’t know the angle yet, though straight on sideways or straight from the top would be easier to draw. I do like the angle shown in the picture, but I don’t know if I can do it credible justice. My UFO list is creeping up, but I am excited about this project and wonder if I can get started on it and get it to a good point before I lose interest?
Maureen’s Book
Anyway. Show and Tell was awesome. I was especially inspired by Maureen’s book. She is in a collage group that meets once a week. She has been doing some great stuff in that group. In a recent meeting, she learned about a simple Japanese binding and made a book.
The content/pages are always a problem for me. How many journals does a person need? Maureen had a genius idea to use black and white drawings from a previous class.
Inside Maureen’s Book #2
Inside Maureen’s Book
I love this book! The overall content and structure are great, but the best part is the little surprises inside. She added a window on to the next page. One of the pages has a rounded edge, again providing a glimpse farther in the book. Another page is cut at an angle and the following page is so carefully placed that the reader cannot tell they are two separate pages right away.
Dolores showed an almost finished fabric sculpture. She has been working on studies to get the process down for awhile. I have seen the smaller ones, but was thrilled to see the large version.
Each side has a different texture. Some of them are achieved through quilting, but others are kind of sewing techniques such as smocking.
I love the textures she achieved, especially from some serious quilting on the sides.
Carol working in solids
Carol’s Tulips
Carol is still working in solids and brought two of her quilts. These are a follow up to the quilt she worked on at the Retreat. I really like the subtle shifts in color in the Tulip quilt. I know that there are depths that tone-on-tones achieve that solids can’t, however I can’t help but love what people can achieve with solids as well.
Jennifer brought more of her felted wool pieces. Nancy brought a journal cover she made using my tutorial. I was pretty excited about that, because someone actually used one of my tutorials! Virginia brought some placemats. Reva made a 3D owl. The list goes on and one. I am always so inspired by the ladies who create and share at CQFA.
As I have mentioned many times, BAM does a lot of charity work. Peggy and Michelle work hard to make it fun. Right before the retreat, the guild was the fortunate recipient of a bonanza of fabric. It wasn’t ugly, crappy fabric that people often try to offload. It was relatively new yardage as well as pre-cuts. There were charm packs, large and small jelly rolls and layer cakes.
BAM Retreat Charity Quilt (Joelle)
BAM Retreat Charity Quilt (Kelly O!)
BAM Retreat Charity Quilt (Annemarie)
BAM Retreat Charity Quilt (Joelle)
BAM Retreat Charity Quilt (Mary C)
BAM Retreat Charity Quilt (Mary C)
As a result a lot of new charity quilts were put together at the retreat. The above is a small sampling. They are generally smaller, but so bright and cheerful! Peggy was pushing the Disappearing 9 Patch pattern, so a few of those showed up using the charm squares.
Retreat Charity Block
My pathetic effort to the charity endeavor was one block. the Charity Girls had the regular postage stamp kits available, so I took one when I needed some leaders and enders for my City Sampler blocks and made the block.
The next class is about fusible machine applique’. You had a lesson on the basics a few days ago. There are about 3 more tutorials I created to enable you to learn this technique well.
Flower Wreath
Supply List:
Notebook for notes
Pen to take notes 😉
Mechanical Pencil
Fabric (at least 4 different, preferably more greens to create variety in the leaves; scraps work well)
Fabric Scissors
Paper scissors
Small ruler
Glue stick
Template plastic
Dinner plate or compass
Fusible web, such as Misty Fuse or Steam-a-Seam 2 or Steam-a-Seam Lite. My favorite is Soft Fuse.
Applique’ pressing sheet
Tear away stabilizer (the size of your background)
Iron
Ironing surface
3″x5″ piece of fabric backed with 2 layers of tearaway stabilizer
Cut a piece of fabric for the background .5″ to 1″ bigger than the finished size of the block. If you have a regular background fabric, use that, if not use a coordinating fabric. I took a look at my current blocks to help me decide what background I wanted to choose. This is a coordinated scrappy quilt, but I also wanted to find a background that would work well with the applique pieces that I was planning to put on top of it.
After cutting out a background, put it aside for the time being. You will need it after you make the templates and the ring.
Rough cut pattern out for templates
Rough cut out all the templates from the paperpattern. Feel free to adjust the design of the flowers or leaves, if you want the shapes to be a little different. It is good to make the pattern your own.
All patterns rough cut
In the photo above, you can see all of them templates rough cut out, except the circles. The circles print from EQ7 on two sheets of paper. You will need to rough cut the two pieces for each circle and then tape them together. In order to tape the pieces together, hold each piece for one circle in a hand up to the light and match them up you. Before you hold them up, have have a small piece of tape ready to tack the pieces together. You can use a light box for this procedure also.
Fold circles in quarters
Fold circles in quarters to make a line down the centers. This will help you line them up to make the ring for the wreath.
I never did this before and had to figure it out, but it works pretty well.
Layer Circles
Using the folds, layer the circles together so you can see the black line of the upper circle. Draw a line around the smaller circle, using the smaller circle as a template. You will be drawing on the larger circle. Use a soft implement (pencil or roller ball pen) that doesn’t skip to draw the circle. Once you have drawn the circle, you can put the smaller circle away with your other templates. I use a zipper bag for all of the pieces and parts.
Check width
Fold up the larger circle. Check the width of the ring of the wreath using a small ruler to make sure it is even. Once you are happy with the line. Cut along the line without opening the circle.
Complete Ring Pattern
Once you have cut out the ring, open up the ring.
Now you are ready to make the templates. Grab all of your patterns, your template plastic and your glue stick.
Glue the paper templates to the template plastic.
No template plastic on folds
The only tricky part is for the ring. I avoid the folds in the pattern and only put the template plastic on the parts of the ring where the fold isn’t. Why? Because I want to be able to fold this piece and put it in a zipper bag later. Also, by adding the template plastic in quarters you save template plastic and you can use smaller pieces. Finally, you don’t end up with a circle of leftover template plastic.
Trim the templates to the line on the pattern.
Front & back of templates
Depending on the kind of template plastic you have, your templates will look something like the photo above.
Part 2 will talk about choosing fabrics etc.
You can find more detail about machine appliqueing directional motifs, such as letters in a separate tutorial.
As discussed a couple of days ago, I went on the BAM Retreat. I didn’t just have boatloads of fun and eat until I was sick, I also made some valuable progress.
Tablerunner
The Thanksgiving tablerunners have been hanging over my head. Thanksgiving is now 1.5 months away and the hanging became more like the Sword of Damocles than an item on my to do list. I am pleased to say that the two remaining have been quilted. I still need to make and apply the binding, but the quilting part is done. I didn’t get to the tablemat, but I am pleased with my progress.
One thing I did on the pumpkin tablerunner was use Aurifloss (12 wt thread). I used it in the machine with 50 wt Aurifil in the bobbin. There was more breakage than I normally experience with Aurifil. I really like the effect and was pleased that the 50 wt did not show through to the top. I didn’t have to adjust the tension.
City Sampler / Tale of Two Cities Blocks
City Sampler / Tale of Two Cities Blocks
City Sampler / Tale of Two Cities Blocks
I also made a few blocks for the Tula Pink City Sampler/ Tale of Two Cities project. The blocks were a good break from quilting, which I needed after I completed the quilting on the first tablerunner. Julie joined the #100blocks100days challenge on Instagram and, while I have not joined, it is inspiring me to work on them. Also, she is now ahead of me on making blocks! I need to get myself in gear. Michelle S was a good support for this project at the retreat.
I also FINALLY started the Valori Wells Little Cell Phone Wallet pattern. I really, REALLY need something to carry my phone and hotel key when I am wearing dresses with no pockets. REALLY. Since the project was small, it seemed like a good time to work on it. I had some trouble with the directions, which should be no surprise. I did get a good working sample by the time I left the retreat. It isn’t one that I will use for various reasons. I’ll write more about this pattern in another post.
While my descriptions might not seem like a lot, I was busy and working hard the whole time. I am pleased with my progress and will be really pleased when I can finish these various projects and cross them off my list.
We are going to take a break from the quilt class and talk about quilt retreats. I may slow down the quilt class just a little to catch you up on some progress I have been making.
I just got back from a quilt retreat. BAM went to Sunnyvale together, had a lot of fun, ate some food, got to know each other better and worked on our projects for 2.5 days. We did a lot and a lot happened, so I might write multiple posts.
It was a great retreat and I had a great time. I felt like I got back in the swing of sewing, at least a little. The Peacock Quilt is still on the design wall taunting me.
Mad for Mod 2016 Sponsors
First, the sponsors were fantastic. You wouldn’t believe the gift bags that we got. I finally took everything out and looked at it when I got home and felt like the bag was magic. More and more kept coming out. I was very pleased with what I got, though I didn’t expect such a gift bag.
BAM Retreat Goodies
Not only were there actual things in the gift bags, but also a lot of codes for discounts and free quilt trials. I received two FQ packs of fabric as well as a pack of Aurifloss, a number of patterns, some other thread and many new things to try out. Amy, the vendor chair, worked hard and did a fantastic job.
BAM Retreat Sewing Space
My sewing space was small, but adequate. We knew in advance that we would only have a small amount of space so I planned accordingly.
BAM Retreat Sewing Space
The rest of the room was a regular conference room, but there were French doors that led out to a small grassy area, so we had plenty of natural light as well as fresh air and a nice spot to have cocktail hour. 😉
BAM Retreat Cocktail Hour
Meals were included, which didn’t work out super well for me, though I think everyone else enjoyed them. My stomach was still a bit off from my trip and from being sick, so I am blaming those things rather than the caterer. We also had cocktail hour on Friday and Saturday. I didn’t drink, but the snacks were well labeled GF and tasty.
Although I came home on Wednesday and left again right away on Friday, I was glad I attended the retreat. I think it was hard on my poor DH, but perhaps coming home and leaving again two days later gave him a taste of what he had been missing. 😉
Yay for Bron who made this happy Orlando Pulse quilt! I love the scrappy binding.
This is another one that will be sent off to the Orlando Modern Quilt Guild for the families of victims, survivors and first responders of the Pulse nightclub shooting.
