ATCs

Bay Bridge Printed on Fabric
Bay Bridge Printed on Fabric

The Oakland-San Francisco Bay Bridge, a main artery between the East Bay and the City, closed on Wednesday August 28 at 8pm forever.

Well, sort of forever.

They replaced it and they had to reconfigure the onramps or interchanges or navigation whatevers.

I started ATCs months ago. I just wasn’t excited about it, but I wouldn’t face it.

Finished ATCs
Finished ATCs

Somehow, thinking about the Bay Bridge closure made me get excited about ATCs again. I found a historic photo of the Bay Bridge, adjusted the size and printed them on fabric.

I added some stitching, including testing out the Aurifil monofilament.

Voila!

While you read this, I will be at a CQFA meeting. I haven’t been able to attend a meeting in a while.

Pillow Covers

Old and New
Old and New

The last time I recovered our couch cushions was about 16.5 years ago. We were staging our flat for sale and I found some fabric that matched the our futon cover. The futon along with its wine grapes and hydrangea cover were jettisoned last year when we bought the new couch. We use our cushions. They don’t get tossed out of the way when we sit down, so now the current covers not only don’t match, but are worn through in places. See that blue and white peeking through? That is the previous cover.

Pathetic, I know.

It has been time to make new cushion covers for awhile. I needed to make three. The sizes are

  • 20″ x 18.5″
  • 23″ x 18.5″
  • 21″ x 22″.

Several months ago I went to Joann, coupon in hand, and bought some home dec fabric that was suitably grown up. Since I am still in small project mode, I decided that I would work on them over the Labor Day Holiday.

I did it. I made 3 new cushion covers. Making those cushion covers has not changed my mind about what a pain in the neck new cushion covers are to make. You see my various rants about the Teacher pillows, which is where I spent most of my cushion cover making time in the recent past. Suffice it to say, what should be an easy project always has a problem. I am glad I don’t have to do that any more.

Tissue paper on Fabric
Tissue paper on Fabric

The major problem this time was the fabric. The home dec fabric I bought turned out to be a really loose weave. My machine really had a hard time with it and wouldn’t feed it properly. I pushed, pulled, put a new needle in, used a walking foot and nothing worked. Finally I tried tissue paper, as suggested by one of the Twilters. That made the fabric feed through the machine. I’ll have to remember that. I don’t know why I didn’t think of it as I have done that before.

WonderClips & Tissue Paper
WonderClips & Tissue Paper

In addition, pins wouldn’t work on this fabric. Good thing I had WonderClips, otherwise, I don’t know what I would have done.

This was very strange fabric. The loose weave, which didn’t look loose, meant that I had other problems as well. The fabric raveled like crazy. I know that some of the seam allowances aren’t large enough and I expect these covers not to last for long. I couldn’t poke the corners of the covers out with my knitting needle, because it went right through the fabric. Guess how I found that out? If I had known, I wouldn’t have bought it.

I did try lining the seam allowances with fusible interfacing, but it didn’t help the feeding through the machine problem. It probably would have helped the raveling problem, but I didn’t think of lining the whole cover until it was too late.

Finished Cushion Covers
Finished Cushion Covers

Well, at least they are done and they match. I can think of my next project now. I think I’ll go for red next time. I’d better start looking for fabric now.

All Set for Christmas

😉

Only on one front: napkins. I have started to buy some Christmas gifts, but that job is still majorly in process. I have started, slowly, because I have to spread the cost out.

We use cloth napkins. They may not be more environmentally friendly considering the manufacturing process and that we have to wash them every week. Still, they get a lot of attention when we have guests, which usually leads to interesting conversations, so I keep using them. I also don’t like the feel of paper napkins on my face. My pretty, pretty princess face. 😉

I had an idea awhile ago to make napkins for every holiday. I made napkins for Valentine’s day, 4th of July and Labor Day. I may have made more, but I don’t remember. I never got to Christmas or Thanksgiving. Frankly, I should concentrate on Thanksgiving, because that is when we have the big family party and I would get a lot of compliments. Still I haven’t done it.

Christmas Napkins
Christmas Napkins

However, when I started my ‘small projects extravaganza‘, I got out some Christmas fabric to make gift bags, then I decided to make some napkins instead. It had been long enough since I made any new ones that I forgot how tedious they are to make.

I have to say that the fabric on the right creeped me out the whole time I was sewing it. I love the vintage glass ornaments, but there are a couple of faces on that fabric that look a little too much like horror movie characters for me. I will stick to using the other two types during Christmas for myself.

Still I made 12 – all the fabric I cut – and now I can move on.

More Small Projects

Boy Scout Pillowcases
Boy Scout Pillowcases

Another thing I made in my ongoing small project extravaganza sewfest were two pillowcases. I had been wanting to make them and finally was able to spend the time recently.

I bought some Boy Scout Fabric at Scottie Dog Fabrics on the North Coast earlier this year.

One will be a birthday gift for a friend of the Young Man and the other I will give to the Young Man, perhaps as a Christmas gift. We’ll see.

I have a little of the fabric left, but not enough to make another pillowcase. I don’t know what I will do with it. I am sure I’ll think of something.

Book Review: Aimee Ray’s Sweet & Simple Jewelry

Aimee Ray's Sweet & Simple Jewelry: 17 Designers, 10 Techniques & 32 Projects to MakeAimee Ray’s Sweet & Simple Jewelry: 17 Designers, 10 Techniques & 32 Projects to Make by Aimee Ray

When I received this book from Ken at Lark Crafts, I saw the cover and was really excited. The cover looks like the designer got his/her colors from a candy shop. ‘Sweet’, but not sickly sweet, is definitely how I would describe it. I have to say that I was a little disappointed that this wasn’t a quilt book, but was glad to see that fabric is used in a number of the projects.

I have noticed a trend (can I call it that?) of including a visual table of contents in some recent books I have read and/or reviewed. Purses Bags Totes had one which really helped my navigation of the book as well as writing the review. I notice that this book has one as well.

Not only does this visual ToC, as we, in the Library biz call it, help with navigation, but it gives a potential buyer a little more information. I hope that Amazon and other online booksellers will include such information in their ‘inside look’ pages.

From the ToC, I can see that this book has more colorful projects than some of the other jewelry books I have read recently. This one uses felt, embroidery thread and fabric scraps in many of the projects, which adds to the color choices.

Like many other Lark Jewelry & Beading books, this has a comprehensive Basics, pg.10, section. I love the ‘cover photo’ that begins the section depicting a variety of supplies and embellishments. Many of the supplies can already be found in your quiltmaking cupboard. Each subsection includes a couple of sentences about why you would use each material. Tools are listed separately, starting on pg.17, again, with definitions of what they are and why you would use them.

Following Tools is a section on Techniques, pg.20-, which discusses embroidery, transferring templates and patterns, hooping, to knot or not to knot (HA!), stitches, working with polymer clay type materials and a whole host of other techniques that may add to your creative jewelry designs.

After a very comprehensive 28 pages of Tools, Tips and Techniques, Aimee Ray launches into the projects. The first page of the section includes larger photos of a selection of the projects.

One of my favorite projects is the Felted Terrarium Necklace, pg.45. I wouldn’t make it, but I like the look. It would also be great as a gift for a charm bracelet.

The projects consist of a large photo of the finished piece9s) and 1-2 pages of directions, which includes tips, a materials and tool list. Not being a jewelry maker, I cannot judge whether this is enough information to finish the project.

I also like the Cabochon Hairpins, pg.57. This is a really unique idea, perhaps because I have hatpins on the mind after reading Jacqueline Winspear‘s book, Maisie Dobbs again. I have not seen anything like this before and give kudos to the designer, Kathy Sheldon for thinking outside the box.

This is also a very well designed book. I like the colors of the layout as well as the graphic embellishments and photography on the inner pages. Take a look at this book and be inspired.

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Book Review: Showcase 500 Art Necklaces

Showcase 500 Art NecklacesShowcase 500 Art Necklaces by Kathy Sheldon

This is another gorgeous ‘500’ title from Lark Books. More eye candy and inspiration for all kinds of creative people.

This book starts off with an introduction by the juror Chunghi Choo, a professor at the University of Iowa. The introduction is interesting, because Chunghi mentions that “…making art objects…are now wide open to the free use of varied materials, found objects, and flexible meidums.” He is clearly in awe of the freshness of designs as artwork and fashion.

The photos in this edition in the “500 series” depict necklaces. And in this department extreme design is not an overstatement. The artists really press the boundaries of what can be worn as a necklace as well as the principles of design.

Again, neutrals such as bronze, grey, black, gold, pearl and silver dominate the colors in this book, but color is well represented. Vanessa Walilko’s Red Queen necklace is a striking piece is vivid scarlet. The elements of the design look like the tails of a fabulous bird. Marian Acosta Contreras’, pg.344, is a wonderful study in turquoise, using a variety of values in that color family.

The delicate wire structures by Louise Makowski, Dominique Thomas (pg.131), Kristen Baird and Susan J. Cross (pg.130) are examples of equally wonderful yet completely different designs in necklaces.

One piece, Karolina Bik’s Chaos necklace, pg.267, I noticed looked like a melting ice structure. The sterling silver, 18 karat gold and 24 karat gold flakes are mixed with acrylic fiberglass to achieve a completely different look from many of the other examples in this book

Look at the shapes, materials and colors and be inspired.

Thanks to Lark Books for sending this book to me to review!

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Circa 1934 Journal Cover

Circa 1934 Journal Cover
Circa 1934 Journal Cover

Last week  I mentioned using the trimmings from the edges of journal covers. I even showed one that I had in process. Here it is finished. After getting the right size, I sewed it together in about 10 minutes.

Yes, the numbers are upside down. I wanted to see them as I carried the journal around so that is how they came out. I have to admit that I think I like the numbers the best out of all of these fabrics (the gold hand-dye is not part of the line). Perhaps that print is what attracted me to the line in the first place?

If you want to make a journal cover, check out my directions.

Book Review: Soutache

Bead Embroidery with Soutache: 25 Gorgeous Jewelry Projects with Decorative BraidBead Embroidery with Soutache: 25 Gorgeous Jewelry Projects with Decorative Braid by Anneta Valious

I received another group of jewelry books from Lark Crafts. this one has a fabulous gallery in the back that includes a turquoise (color) and pink necklace (pg.136) that I find very appealing.

“Soutache is a flat, fiber braid with a groove down the center, comprised of two rows of piping or cording wrapped in viscose, cotton, or synthetic fibers.First developed in France in the 15th century, soutache embroidery has a made a decorative appearance throughout history in and on jewelry, clothing, military uniforms, and more.” One of the really appealing things for me aobut this book is the section called ‘Soutache Through Time.’ Soutache is a word that was unfamiliar to me, but after reading this section, I knew exactly what the author meant. the section has great examples of historical and modern garments using soutache.

As with other Lark Jewelry and Beading books this one has a section explain materials and tools as well as different projects. What is a little different is the section on techniques that includes stitching, finishing the ends and backing the work in addition to a variety of other topics. Looking at this section makes me think that some of what is shown could be adapted for art quilts.

I notice that the designs are more feminine looking. There are lots of rounded designs and few, if any angles.

As usual, the pictures are fantastic, the supply lists complete and the directions extensive. Even if you don’t regularly make jewelry, take a look at this book for the inspiration it offers.

Thanks to Lark Crafts for sending along this book

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New Journal Cover

I have been lamenting about the edge trimmings of quilted quilts. My quilter trims the quilts for me and then gives me back all of the extra fabric and batting. Sometimes the edges are only an inch or two wide, but 80″ long. Always the fabric is fabulous. All of these factors make me not want to use the fabrics, not waste the extra fabric.

It occurred to me that the fabric trimmings plus the batting that is often part of the trimmings, might be great journal covers.

image

I pulled the fabric trimmings from the Stepping Stones quilt and began sewing them together. I really like the Circa 1934 designs.
image
This will be the front. I really like the number fabric. I tried to orient the fabric so that I will be able to see the number fabric when I use the journal. I might have put it on the back, though. We’ll see.

image

I am going to zigzag the small pieces of batting together to make it wide enough. I am also going try something new with the batting. I am only going to put batting on the cover, not the pockets that keep the cover on the journal. The batting will be only in the middle of the journal cover. Lining up the fabrics is backwards, so I can’t always wrap my head around where things will end up in the end. We’ll see if it works.

image

I used some of the fabric for the the part that will be the inside as well. I used these particular fabrics, because they aren’t as interesting to me as the other fabrics I picked for the front. AND they are leftover and I want to use them.

There is enough to make another journal cover at least. Sty tuned, I may get to those small projects yet.

My Next Big Idea

I spent a happy hour last week in my workroom after dinner trying to get a handle on the un-ironed fabric that is causing havoc in my workroom. I feel like I have been ironing fabric forever. I know that is why many of you don’t pre-wash your fabric. Trust me, if it weren’t for the smell of burning chemicals when I press, I’d be right there with you. Still, I found a couple of pillowcase bodies that I had cut who knows when. I cut a couple of pieces of Lizzy House Pearl Bracelets dark green for the cuffs and pinned together a couple of pieces of fabric that will be pillowcases soon.

Pearl Bracelets
Pearl Bracelets

Yes, I am using up some precious Lizzy House Pearl Bracelets. Frankly, I have enough fabric and my fabric is currently overwhelming me, so it is a good use. Also, that green went really well with the taco and burrito fabric I had previously cut for the body of the pillowcase.

The above two paragraphs are a precursor to my post-Star Sampler idea. I don’t know if it will work, but I am going to try to work through some small projects and patterns for bags, etc. Of course, there are quilts on the 26 Projects list that I want/need to finish, so I will work on those. Also, I have bought a number of pieces of fabric for specific small craft items such as pillowcases. I want to get those sewn and out the door. I also have patterns and some fabric for other projects such as bags. I want to make another Petrillo bag. I need more journal covers. I am thinking that I am going to take some time and work on these types of projects. I am going to try, at least.

I may sneak some leaders and enders for charity quilts in, but that is my idea.

Simple Journal Cover

Simple Journal Cover
Simple Journal Cover

My journal is very important for me. I have spent the last 25+ years keeping a journal, though the college years, which would have been very interesting, didn’t leave a lot of time for contemplative writing. I was pouring my heart out to a spiral notebook from the local drugstore long before the word ‘Journaling’ was a twinkle in any scrapbooker’s eye. These days, I write every day, except Friday, usually, for about 20 minutes in the morning and another 10-15 in the afternoon. I record the books I have read, the progress I have made on projects and any drama going on that I may need to get out of my head.

I find that if I write drama down, it doesn’t dog my days and night. I know that that the words are safe between the covers of my journal and I can move on with my life. If I need to refer to them, they are waiting for me. My journal is a working space.

I sometimes do a sketch for the CPP to try and work out the curve of an elbow or the relationship between sizes of elements. I make lists of things to remember. I records lists of gifts I have received for Christmas and my birthday.

In recent days, I spent entirely too much time writing in my journal about how I needed a new journal cover (see previous covers in the tag ‘journals‘). The pages and pages of agonizing as well as rending of garments is too much, especially since the word ‘need’ demonstrates that I might want to look at my priorities.

The fact of the matter is that I enjoy using journal covers. The Miquelrius journals I use have nice plastic or paperboard covers with VERY pokey corners. I am already bruised and battered from the corner of my desk, the step stool in the kitchen and the general loving of a large teenager. I don’t need any other opportunities to bruise myself. Fabric covers pad the corners enough not to leave a bruise.

Simple Journal Cover-open
Simple Journal Cover-open

Today, I decided, was the day to make a new journal cover. I made a simple cover with a pink dot on the inside and a Philip Jacobs print on the outside. In about half an hour, I had it done.

I didn’t do any  piecing on this one. It is one piece each of two fabrics. I do have some large shards of the Patty Young Textured Basics for Michael Miller fabrics that I thought of using. I didn’t want to take the time, so I will use them for another version.

Simple Journal Cover-spine
Simple Journal Cover-spine

The tutorial measurements are now really great and I didn’t have to rip any of this journal cover out at all. Not sure if that will be the case next time. 😉

Now I can finish the last few pages of my current journal and move on to the new journal tomorrow. If you make one for yourself, please post a link to your version in the comments. Thanks!

Finished: Petrillo Bag

Petrillo Bag Complete
Petrillo Bag Complete

Yes, I completed the Petrillo Bag.

Really and truly.

Cross my heart.

I sewed the inside bottom opening I used for turning and the bag is done. I haven’t used it yet, because I entered it in the Fair and don’t want to get it dirty or anything before that event. I will take it to guild this weekend and next and show it off.

It occurred to me that one good thing about this bag is that it wasn’t too easy and it wasn’t too difficult. There was the right amount of challenge in the making.

I have to say I love that Soft & Stable. I’ll have to see if they have it at Joann or Beverly’s. The way it makes the bag stand up is awesome!

Now I am thinking about the next one. My list of to dos or changes to the next version are:

  1. put iron-on vinyl on the bottom of the bag to protect the fabric
  2. make the sides bigger, but enable them to close so the same shape is maintained and it is easier to get stuff in and out of the bag. Tutinella suggested that it might be a good idea to add an inch or so to the flap to accommodate this change
  3. I may change the zipper pocket to a cell phone pocket or group of pockets that can hold things like pens and cell phones.
  4. add side pockets on the outside. Tutinella did this, so I can get tips from her
  5. make the padded inside pocket larger to accommodate my iPad AND its case. An inch and a half would probably do it.

I don’t know why I can’t just be happy with a bag as is. I can’t, though. I can’t help myself.

Other relevant posts:

For you Tweeps, you can follow Sara at @SewSweetness.

Book Making

Sometimes, very occasionally, my personal creative world and my professional world meet.

Books I Made 3/2013
Books I Made 3/2013

This happened a few weeks ago when the social committee of one of the organizations to which I belong scheduled an outing to the San Francisco Center of the Book. Of course, it was a week where a thousand things were happening and I almost cancelled. I am glad I didn’t, though, because it was a great class and it got me moving in the direction of bookmaking, like the Red, Purple, Well Done and Good Job journals, again.

Until it is in Flame
Until it is in Flame

Not every participant had arrived, so I took some time to look at the exhibit on display. I don’t remember the name of the exhibit, but the books all looked like they had hidden messages.

The piece, Until it is in Flame, is by Beau Beausoleil and Andrea Hassiba. While I do not like the burned and destroyed book, I do like the way a part of the book is hollowed out. The space could hold additional artworks, messages or other books. It makes me think of how to do this sort of idea in the structure of the books I make, but it also makes me wonder whether I should.

Healing Wounded Words
Healing Wounded Words

Healing Wounded Words is a piece about the power of words by Marina Salmaso, a Danish artist from KØbenhavn. I find this piece to be very light, but the words and the red are not boring. I also like the format.

You really have to click the photos to see them larger. The thumbnails don’t do them justice.

Exhibit
Exhibit

Another exhibit was in another room and it was equally as intriguing as the one in the main room.

I really like the variety of different bindings and different types of books. It was so fun to learn how make a few of them.

My Favorite Binding
My Favorite Binding

Rhianna, the instructor, passed around lots of different types of books with different bindings. We did 4-5 separate books and bindings. Of course when I saw the binding on the green book, I immediately thought it would make a fantastic journal binding.

Guess what?

This book was a teaser for another class! I really want to take that class so I can learn how to make the binding. If I made it I can decide whether I can translate the binding/bookmaking type into fabric.

Inside of My Favorite Binding
Inside of My Favorite Binding

From the inside, this binding looks like it would hold a lot more pages than the other types of bindings we learned.

It also looks like one could see some of the fabric through the binding.

Type cases
Type cases

The San Francisco Center for the Book is a great place. It is in a hip, up and coming neighborhood that still has a bit of grit with their Whole Foods.

Type case label
Type case label

There are a lot of interesting things to look at in the facility and it is light and airy as well. The exhibits I looked at were two in a series of ongoing exhibits.

If you are making a trip to San Francisco and want to get off the Fisherman’s Wharf-Ghirardelli Square-Cable Car beaten path, you might want to check out the San Francisco Center for the Book.

Book Review: Suzanne Golden Presents…

Suzanne Golden Presents!: Interviews with 36 Artists Who Innovate with BeadsSuzanne Golden Presents!: Interviews with 36 Artists Who Innovate with Beads by Suzanne Golden

I am always interested in books about creativity and the creative process. If you want to read about process, this book is for you, regardless of whether or not you are a bead artist or not. The shapes and colors, alone, are enough to inspire ideas for a few years. The author makes a point of saying that she wanted to go beyond jewelry in showing what could be created with beads.

The artists are from many different countries and backgrounds. The first artist, Ulli Kaiser is dear to my heart simply because she comes from Austria. Her silver and aqua/turquoise (color not bead type) are beautiful.

Each section includes photos of the artists’ work, but also some biographical information. Many of the artists make jewelry, but Marina Dempster’s section includes several pairs of amazing beaded shoes. I particularly like the pair called Horny. I am not enamoured of the name, but can appreciate the play of words. I like the shape and color of the shoes. Another section, from South Africa, shows vessels. Other artist show tableau, consumer goods, sculpture, dolls and statues (Betsy Youngquist’s works are amazing, if a little creepy), wreaths, clothing, animals and much, much more.

Helena Markonsalo’s work reminds me of Susan Shie’s airbrushed quilts.

There are also a wide variety of designs rendered in beads. Markonsalo’s work could be described as “shabby chic” while Jan Huling’s work has a definite Native American feel. There are many other aesthetics to delight all readers.

If you ever wanted to know what, besides jewelry, could be created with beads, this book will provide hours of inspiration. There is so much included that I could not help, but go and visit websites of the artists and I have many more to view.

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Book Review: Bewitching Bead & Wire Jewelry

Bewitching Bead & Wire Jewelry: Easy Techniques for 40 Irresistible ProjectsBewitching Bead & Wire Jewelry: Easy Techniques for 40 Irresistible Projects by Suzanne J.E. Tourtillott

I thought I was off the jewelry book reviewers list, but I received two books last week. Lark was so great about supporting the Boxing Day Sew-in that I just can’t say no to reviewing this book. Like the other books in this series, they have a section on tools and supplies as well as a section on techniques. Both are well illustrated. I particularly like the font and layout chosen in this book. There are a couple of things that are really great in these sections. One is the ‘designer’s tip’, which points out, for example, what wire to chose. I also like the Wire Hardness Scale image (pg.10). It is a good illustration that probably would have taken about a 1,000 words and some hard science like physics to explain. 😉

Some of the illustrations are photographs and others are drawings. The mix is a nice change from other books I have seen. These sections are pretty short and then the author gets right into the projects.

I am not a big fan of wire jewelry for myself because of metal allergies, but I have to admit being tempted by some of the lovely shapes. the very first project, the Red Bone Necklace (pg.18), has a great clasp and I like the beads. The Silver & Moonstone Drops (earrings, pg.20) are beautiful and delicate. They would be great with a creamy summer dress. The Asymmetrical Amethyst Necklace (pg.74) reminds me of my aunt. I think she would like it very much. I also like the Star Swirl Earrings (pg.80). They are cheerful and happy. Who can’t like purple wire?

There are a wide variety of designs, shapes and different jewelry in the book. Some have a lot of wirework. Other projects have wire only to hold the piece together. The author also uses different colors of beads and wire, which adds to the variety of projects.

There is an index (YAY!), a list of designers and more about them as well as a wire gauge chart.

Check it out!

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