Commentary about works in progress, design & creativity
Posts about the piecing, applique’ of quilts. Don’t use for completed quilts or non-quilt projects.
I now have 15 Cross Blocks (Flowering Snowball). I could have laid them out in a 3×5 grid, but it didn’t look that good.
MavMomMary and I took the Pineapple Quilt Class together back in January. She is already putting her quilt together. I haven’t seen it since she had only done a few blocks and was thrilled to see it today. I think it looks fantastic. And very different from mine.
And a detail.
These are the two hand pieced blocks that I made last week. Different sort of look. Not so cheerful, but not depressing, either. I am not sure what I was thinking when I put the two dot fabrics in the same block? I thought I wasn’t using dots in this piece. Oh well. It is a scrap quilt, so who cares?
More dots.
I went to Britex today to get some fabric for pants. I was on the second floor and remembered that they have quiltmaking fabric. While the girl was cutting my pants fabric, I took a quick peek at the quilt fabrics. Lo and behold! They had dots! Hooray! I picked up the two above. They also had the Robert Kaufman Tropical Pimatex dots in both sizes. I have enough so I didn’t buy any, but it was good to be reminded that they are downtown and do have fabric. DUH!
I also stopped at the Container Store and found these project cases. I have been thinking about something like this since I read Be*mused‘s piece on the scrapbook project cases she found (I looked for the article, but couldn’t find it and can’t find her search button either-DUH!). They are 12 1/2 wide and 17 and something long. I bought two of them just to see how they would work. I filled up one with the Cross Blocks (Flowering Snowballs) + the fabric for the center pieces, which I don’t want to “put away” and never be able to find it again.
I was told today to look at other kinds of art besides quilts to see what I am inspired by. I have some books. I guess I will look at those and see what I see.
I am still thinking about black and white line drawings in a new visual journal. I haven’t done anything about it yet.
The photos of some of the quilts to which I linked (to Artquiltmaker.com) in the past week looked really crappy and I was embarrassed after I posted them. I took 4 quilts including Ocean Ave, Get the Red Out, the Punk Rock Quilt and the Mary Whitehead quilt to be photographed. I want to put better pictures on my website.
The latest baby quilt, which my mom made and I paid to have quilted, is done. It has to be picked up from the quilter soon. She is quilting the Nosegay next.
I have been feeling, for a long time, how I would like to work on a visual journal – painting, sketching, colored pencils…something. I am an inveterate journal keeper. I have been keeping a journal since about 1980. Perhaps earlier. I have scads of them everywhere. I used to put snippets of things in them and they would get quite fat and I would have to keep it in a big ziploc bag in order to ensure that the bits and pieces wouldn’t fall out. An old boyfriend spent the day reading my journals once and that was the end of him. Jerk. My journals are for my mental health and NOT for sharing. They are not nice, not always pretty, but they are a fantastic exercise.
Anyway, enough boring background.
Lately I have been writing bits and notes in my journal about Thr3fold journal in order to remind myself what I want to write in the review. Putting the notes in my journal keeps all the parts together. Today, I was reading an article in Cloth Paper Scissors. Jane Lafazio, Keeping Creative Sketchbooks, pg.24-27, March/April 2007 issue, writes a little lesson on drawing and the whole article is illustrated with pages from her notebooks. The images are fresh, alive, colorful drawings. They make me want to get closer, to know more. She also writes “The journaling makes my sketchbook more than a series of paintings; it becomes my illustrated personal story.” What a lovely thought. I love the thought of something being my personal story.
Darling Boy made a deal with me to draw every day. This is his picture. Of course it is about war, but I love the little alien in the upper right hand corner. I am tempted to enlarge it and paint it. Something about it appeals to me, perhaps the googly eyes.
Tonya showed a picture of one of her visual sketchbooks, so I have been reinspired all day to figure out how to do this.
And finally, I finished another Cross Block (Flowering Snowball). Two in one week! I am thrilled!
How do you like the fabric with the faces?
In order to complete a Pineapple block, including the corners, I need 47 fabrics. In an ideal world they would all be different. Without the corners, which, in this project, I have not yet applied, I need only 43 fabrics. As a result, the Pineapple side blocks are really causing me fits. I need so many more background fabrics than I did with the center blocks. I just don’t feel like I have enough.
In reality, I may actually have enough. Currently I have 32 background fabrics in active use. This means I should only have to use some of them twice. But someway, it is not working out out for me.
Contributing to this problem are the marginal fabrics. Of those 32 active background fabrics, 5 are what I would call marginal. If I had more background fabrics, I wouldn’t use them. The marginal fabrics are defined in my head as having too much color or too much concentrated or prominent color. They stand out much more in these background blocks that are merely supposed to frame the piece.
Also contributing to the problem was the arrangement of the strips. I had arranged them so duplicate strips were dispersed throughout the pile. This wasn’t working, because I would come across a fabric that I had just used. I could certainly skip it, but I felt like I was skipping too many fabrics. I rearranged them today so all like fabrics are together. Hopefully, this arrangement will work better.
I keep looking for more background fabrics, but I have found that I need to shop for these in person or I end up with fabrics that I already have. I am tempted by three or four on eQuilter today, such as Lots-A-Dots’ collection from Santee Print Works, but because I am looking for more subtle differences than online shopping can generally show, I am reluctant to click the buy button. I don’t know when these came out so I will have to see. I put them on my wish list, so I don’t have to go hunting for them again.
Despite the trials and tribulations of backgrounds, I managed to make the last two corner blocks today.
Hooray for me! This leaves me 14 straight side blocks to sew. I doubt I will get the block sewing done by the end of the year, but I want to try. I was desperate to start the Chocolate box quilt this weekend. I just wanted something fresh to work on. Instead I got Thoughts on Dots back from the fair and put it on my bed. That seems to have assuaged my need for something new and fresh for the moment.
Other Asides~~
I was looking at Artquiltmaker.com yesterday and thinking about updating it with Thoughts on Dots as a finished project when I realized how bad some of the photos are. I think I will give my mom an armload of quilts to take to the photographer next time I see her. If I don’t see her before the 7th, then I will take them myself. I don’t want crappy photos on my website and don’t have the equipment to take good photos of my larger projects. Thoughts on Dots will be in that batch as well.
Serendipity Puzzle came back from the quilter and it is fantastic!
Here is the whole thing. You can’t see much of the quilting, but this is a reminder of what the quilt looks like.
Here is a detail (sorry for the blur) of the corner and the border. Notice the slight spiral in the white corner flower (just inside the blue border).
Not sure how it shows up for you, but I like the way she did the quilting so the Dutchman’s Puzzle blocks still show up.
Detail of back. Notice how she used at least a couple of different thread colors.
Now I have a second quilt to bind.
This one is a little dark, but will mix up with the others nicely. I like the way you can fussy cut quite large motifs and have them show up well.
I finished two side border blocks today. I had started them last week or the week before and finally took the time to finish them. I found, as I was working on them, that I really needed more background fabric. I was coming across too many duplicates in these blocks. I had used up a lot of the previously cut strips and needed to replenish my supply. Interspersed with sewing, I cut about 10 new fabrics for the background and began to use them for these blocks. I found that some of the dots I had not used at all. In looking at the pictures above, I wonder if the corners really look like background fabrics?
The above gives you an idea of how a corner of the quilt will look when the quilt is finally put together. You can see the corner block on the left bottom and right bottom. You can see the side blocks on the left top and the middle bottom. The top middle block is one of the center blocks.
I made one or two more Cross Blocks (Flowering Snowball) and laid out all the blocks I have made thus far. I like the way the blocks are coming together. I am surprised and pleased each time I lay them out with the interplay between the fabrics. Laume was right in her comment to the More Quick Bytes post in advising me not to sew the Flowering Snowball blocks together as I went along when she said “Unsolicited advice – I’d hold off on sewing the snowball blocks together until you have them all made. You may find that as you make them you go through stages where you like and use one color more than another, or you run out of one or more background scrap fabrics and add in some new ones. You’ll want those changes to be dispersed evenly within the body of the quilt instead of showing up in little clumps. I assume. And one more thing – they look LOVELY!”. The more often I look at these blocks the more I like them.
A visitor has made me feel like I need to get busy and get rid of some of the junk laying around the house, or at least get it organized. Unfortunately, I don’t have a lot of time, so it will have to be a little at a time. I did starting thinking about some of the organizational containers that are currently available. We’ll see what I get.
This isn’t necessarily a bad thing. I always get a great sense of accomplishment out of tidying and organizing (librarian gene, I guess). I just don’t want to spend all of my limited and precious spare time on it.
To that end, in a previous post, I showed some fabrics that Deirdre sent. I really had no time during the past week to even think about fabric and quiltmaking. In order to get back into the fabric groove, I spent some time pressing and cutting them up for background pieces for the Cross Blocks. It was a good, meditative way to get back into the groove of sewing. I still have some more pieces to cut up. This task was also a way of cleaning up my workspace.
I have been using the red mosaic quilting piece as a thread catcher. I needed to get one of the pieces under control, because it was getting unwieldy. If you review the previous post (see link above), you can see how long and skinny the piece was. In its current state, it is still small (~10″x10″??), but really looks usable now. I want to make it bigger, so I am still working on it. Working on it like this is a little more difficult, because the small pieces don’t get added to the square very easily. I am currently working with some small pieces and making them big enough to add on to the piece shown above.
I am planning on adding the second piece, which is an even odder shape to the square above.
Confidential to TFQ: here is the purple I thought would work for your sashing. Unfortunately, taking a photo of it doesn’t do it justice. The above pictures shows too much blue, so I will send you the sample.
I know many of you have commented on recent posts and I have not had a chance to respond, but rest assured that you are on my mind and I will get to it. Thanks for reading!
Thanks for continuing to read!
This is the piece I made in the Laura Wasilowski class through CQFA. This piece looks like the pieces I have worked on in Pamela Allen’s classes (May 2007 and June 2006). I seem to have a thing going for flowers in my small quilts at the moment. I think it is good to have a theme for classes, so you can try the teacher’s technique out without trying to think up interesting subject matter as well.
I would recommend a class with Laura. She is teaching at PIQF this year, so you may have a chance if you attend that show. She is a calm teacher (though we had none of those people who demand a lot of attend from the teacher – you know who they are), explains things very well and doesn’t try to cram too much into a class. There was lots of fusing going on and she gave everyone plenty of time to complete the various steps. She also sings various Chicago School of Fusing songs, which are quite entertaining.
I finally had a space large enough in my living room to get a full picture of Thoughts on Dots. Not the best picture, but at least you can see the entire thing. This quilt went to the County Fair today to be exhibited through mid-August. I can’t wait to see it hanging up. Hopefully, it will be a location I can use to get a good photo.
As you may be able to see I chose the green fabric for the binding. I was tempted by the red, but went with the green in the end. The green fit in with my theme of cheerfulness better for this quilt. Thanks to everyone who gave me their ideas and opinions. Your time and energy were greatly appreciated.
Block #20: complete! This completes all the center Pineapple blocks.
Corner block #1. Most of it is made of fabric with white backgrounds. The fabrics with the colored backgrounds aren’t quite dark enough. I will try to make the contrast between the back- and foregrounds more prominent.
Corner block #2.
This is, essentially, how the corner blocks will work with the center blocks.
After reading comments from Sherri and Laume last night, I decided that I needed to do my due diligence and try out green and purple/violet as bindings as well.
So I got up and applied some green to part of the quilt. The green is really good; I like it a lot. It works really well with the blues, pinks and the darker blue. This wasn’t the corner that I used for the other samples, so I removed the green and put it on the corner I was using for the sample.
I put the green on the ‘common’ corner and I think it looks just as good on this corner.
As a nod to Deirdre, I found a violet with some wavy stripes (with dots inside the stripes). I like the violet a lot, but I think the green is better. What do you think?
As an aside, in looking through my purple bins, I found that there were not really very many good violets in my bin. I don’t know if that is a product of my buying habits or the availability of violet. I’ll have to see as I see what fabric is available.
My main goal this evening was to find the right binding for Thoughts on Dots. I have entered it into the county fair, which means I have to do the finishing work (binding and sleeve) fairly sharpish – 21 days from today is the last day to hand in the exhibits.
I thought I would use this Jane Sassaman fabric, but when I put it on the quilt (albeit messily here),I found that it isnt’ the right fabric. I like the stripes, but the colors aren’t right. GREAT! (<- note sarcasm) What a pain! Now what? I have blue on the mind, so my next choice after pawing through a boatload of fabric is a dot. 
I applied this fabric much more neatly, so I hope it doesn’t give it an unfair advantage. I think it is better, though. If I use this, I will not have much left, which makes me sad, because it is a really good dot fabric. Perhaps fuschia or red? Opinions are welcome.
Here is another bad picture of Thoughts on Dots quilted and trimmed. I am totally in love with this quilt. While it was gone, I forgot how much I like it.
Detail photo of the quilting. It is an allover pattern that reminds me of clouds. I think the quilting looks cheerful and doesn’t take away from the fabric placement.
Pineapple blocks 18 and 19 completed. You can see some of the new Kaffe Fassett dots in the corners.
Pineapple block #20 is on the top. Still not complete, but getting there.
The bottom two blocks are the first border blocks. They are 2 of the 4 corner blocks. I realized, in making these, that I have to use bold fabric for the lines of color since the ratio of color to white is so low. In person, they look quite cheerful.
I am not done with the Pineapple blocks yet, but I am within sight of the end. At this point, I find myself contemplating the finishing of the quilt:
And inevitably, my mind strays to the borders:
My original idea was to put the 20 blocks together and a striped binding and move on to the other ideas flittering around in my mind. If I did that the quilt would look something like:
I can’t help asking myself what the quilt would look like if I used my self bordering technique. The Pineapple blocks would all be complete, for one. There would be no stray, hanging centers. I used EQ6 to test out what it would look like:
I like it. It looks really good. It looks finished. It looks framed.
It means much more cutting and piecing. It means 20 more blocks (double what I will have when I complete blocks 17-20). But it looks finished. I will have to think about it… hard. Now that it is has entered my mind, I don’t know how I will not be able to run with this idea.
I am sure you realize, also, that this quilt, if I had 20 more blocks, will be another monster close to 70″x 90″. The piecing so far has taken me about 5 months, so I can look forward to another 5 months of piecing – not an altogether unpleasant thought, but somewhat daunting however you look at it.
So, dear readers, your opinions are most welcome.
For once, the stars were in alignment which made my technology work and me able to solve my template problem. As I mentioned, I was unable to locate my original EQ file. It has disappeared from my computer or was saved to such a weird location that I will only be able to find it by stumbling across it when I am looking for something else.
Since I had been researching the Cross Block’s real name, Flowering Snowball, I had found EQ’s version of the block in their database and had saved it to EQ6. I decided to try and print templates from their block to see if it would work with the piecing I have already done.
There were a lot of ifs in this little escapade. Since my printer was moved down to the laundry room, I haven’t been able to print from my computer. I thought I would need to get some boosters for my wireless network before printing would work again. In the meantime I have been saving to a flash drive, running downstairs and printing that way.
I forgot to change the printer to PDF and printed out templates in the correct size. I didn’t get an error message and that surprised me, so I went to the printer and, lo and behold, there was a template printout waiting there! What luck.
Daring not to hope that this could work, I went back to my work table, hauled out the other templates I have been using and measured the corner template against the printout. Yippee! The size was perfect! I was in business.
I made the template and cut out a couple of the middle squares and sewed them to a couple of the corner pieces as a test. All worked perfectly! 
Here are some Flowering Snowball blocks (Cross Block) in progress. Some of them you have seen before (many times?), but I put the new fragments with them to see how the piece can get away from the murky look. I felt it was a bit murky with the chocolate in the striped fabric and that particular orange.
I have lost the middle template for this block, which is holding up progress a bit. I looked at my EQ6 files and can’t find the project file, which means I have to recreate it somehow. I can cut most of the pieces and sew the corners to the middles, but at some point I have to deal with the loss of that template.
These are the fabrics from BatkisPlus and Quiltfabrics.com. I think that the batik on the right is the same one I used on Sharon’s quilt.
Here are Pineapple blocks 9 & 10. They are the first one using my new system of organzing the strips. I can’t really see much difference, except, perhaps, that these blocks are a bit darker. I think it was the way the strips fell. In the last rows I skipped over the dark blues and stuck with turquoise.
The title was inspired, for no particular reason, except that it struck my fancy, by a poster at the Castro Theatre advertising Pretty in Pink, the 1980s movie. Molly Ringwold’s hair was precious.
I finished two more Pineapple blocks for a total of 8 now. I feel like I should have more, but I don’t. As I keep reminding myself this is an ongoing project with no deadline. I am enjoying seeing the evolution of the piece.
The blocks, all together, look pretty good.
I notice an interesting secondary pattern developing. I knew i would, but am just surprised at how much I like it.
When I got to my workroom this morning the back of the Nosegay was glaring at me and I could only sigh. I didn’t want to work on it. I had, somewhere in the back of my mind, wished that it would just be done. I thought about taking out Sharon’s quilt blocks and just ignoring the back of the Nosegay. It seemed too big, too much, too old, too depressing. I felt like I just couldn’t do it. Still, I knew that if I didn’t just do it, it would glare at me forever. Since the thing has been hanging around since 1998 and I wanted it done in my lifetime, I decided to just do a couple of rows. After all, if I did a couple of rows every week, it would eventually get done.
I arranged some 1930s scraps that were laying on my cutting table into a largish block and sewed them together. That kind of warmed me up and I sewed on a row of the blue and a row of the 1930s fabric and laid it out. I found that I had sewed more than half! Halfway done! I couldn’t believe it. How did that happen? That spurred me on. 
I sewed entire FQ pieces into long rows and sewed them to the back. Each strip took about 2.75 yards of fabric. It took me about 3-4 hours, but I finished the entire back. The back is done. Whew!
I had been wondering if I shouldn’t just take Thoughts on Dots and Serendipity Puzzle to the quilter and bring the Nosegay later. Now I don’t have to. I will call the quilter and see if I can bring the quilts over, then I will be free of them for a time.
I am so thrilled!
I didn’t get through as much of the 1930s fabric as I had hoped, but I only have about 1/2 a bin left. I think I may put the fabrics with each color family rather than segregating them.
I have to say that the colors depress me a little bit with their muted tones and sweet little designs and I am tempted to just send them off to someone.
By the time this quilt is finished, I will probably have named 137 posts Cross Block Redux n.1…..n.137. We’ll see how interesting this quilt stays.
In response to the post Quiltmaking is a Journey Not a Destination, fellow quiltmaker and blogger, Laume wrote:
“There is a third option – make each block scrappy, but not planned so that the colors in each secondary “stretched out square” is matched. You would get rid of the matched “X’s” in the second option you think look unfinished. Whether the background circles would still come to the fore like the second option, or whether they secondary pattern of dark stretched out squares would come to the fore like the first option, I don’t know. You’d have to try it on paper and see.”
I had no idea what Laume was talking about. I knew it couldn’t be terribly complicated, but I am visual person and the words just didn’t translate. I sent Laume a line drawing of the quilt and she was kind enough to color it in.
Basically, she was saying to make the Xes totally scrappy and just match the curved background pieces. I was leaning in the direction as I had just realized that I used a piece of fabric for the back of Serendipity Puzzle that I really wanted to use in this quilt.
Laume’s idea is an excellent one, because the parts of the Xes really do take up quite a bit of fabric, which means I can’t use as many scraps as I would like. However, I will still have to cut into yardage, regardless, so perhaps it doesn’t matter?
Stay tuned!