Petal Apron is up for Auction

Help support creating an end to domestic violence by bidding on my apron!
clipped from craftsanity.com

Let the Bidding On Aprons Begin!

Okay, folks, it’s time to shop! Click on the photos below to view the eBay auction.

blog it

I like the photo of the apron on the clothesline, but think it looks better on Lil Sissy.

One Sketch A Day from Chronicle Books

I always forget to check out Chronicle Books new offerings. I happened to stumble on this one and it made me think it might work for the CPP. I have to admit I am not sure if I understand how the book is laid out, but I may go down to the Chronicle shop later this week and check it out in person.
I was thinking that a more organized person than me could do each CPP response in order in this book. It might also be good for those of us who stare at a blank page blankly. I tried to win one from ReadyMade, but I rarely win anything so we will see.
Check it out!
clipped from www.chroniclebooks.com

Art & Design: One Sketch a Day

Chronicle’s new One Sketch a Day visual journal is the perfect companion for anyone who wants to keep a lasting record of their visual work and imagination.

blog it

ATCs and CQFA

The CQFA meeting was Saturday. We had two new people and that was GREAT. The whole meeting, actually, was great. There was LOTS of laughter. People who came late said that they could hear the laughter out in the parking lot. I need to attend more meetings where everyone is laughing.

As usual, show and tell was excellent. Everyone is really churning out the work and being inspired by each other. It was great. I showed Passionate Purple, the Chocolate Box and FOTY 2009. I also showed some books, talked about the Dale Fleming class and traded ATCs.

My ATCs
My ATCs

ATCs

People did really nice work for this round of ATCs. I was really pleased with the ATCs I chose. My score were the pears! I love them all though.

Nancy
Nancy
Bron
Bron

Bron used FabMo fabrics for her ATCs. She is on the board and finds all the good stuff there!

Maureen
Maureen

Maureen has a new blog, Flies in a Cathedral. She only promises to post once a week. I look forward to hearing about the flies.

Debbie
Debbie
Amy
Amy

I wasn’t fortunate enough to get one of Amy’s cards, but I loved the texture.

Julie
Julie
Diane
Diane

Diane is a very accomplished silk painter. When I saw those pears I knew I had to have them. I wasn’t the first person to choose either, so I feel very lucky to get that card.

My ATCs were really fun to make. I haven’t had much fun making them in the past. I am working on a series of ATCs and I may have to rethink that as it seems like a chore — until this go ’round.

QA Article by Cindi Huss, Apr/May 2010
QA Article by Cindi Huss, Apr/May 2010

I was reading Quilting Arts magazine last Thursday night and saw a picture of a leaf in an article about wool felting or something I wasn’t interested in. The article was by Cindi Huss I was interested in the image and the technique.

April ATCs in Progress
April ATCs in Progress

From what I could see in the picture, the author stitched zigzag lines three times with different threads. I did that in the picture above. One of the great things about my machine is that it has a very precise stitch. I can stitch over the same line and the needle will land in the same hole. That wasn’t what I wanted to for this. I wanted the zigzag to be a bit messy. I wanted the colors to blend. I had to readjust the needle to get it out of sync with the previous line of stitching.

Because of the Dale Fleming class, I was no longer hampered by changing the foot. I know it sounds silly, but sometimes taking off the foot holder is just too much of a hassle. I think I am over it now. I put on the darning/free motion foot and created the circles. I drew them lightly with a white pencil first so I had something to follow. I also slowed down the machine and that helped make the stitches show. After doing all of the circles. I went over some of them with two different colors of thread. Using Aurifil means that the stitched area does not get too bulky.

My idea was to make one piece and then cut it up. I had planned to try this technique in paper, but was inspired by the QA picture that I decided to go for it. I did make the background larger, but if I do this again, I would make it even larger and the ATCs were a bit small this time.

April ATCs cut
April ATCs cut

I have never made one piece and cut it up. I didn’t think people would like the right and left bottoms, but those were the first to go, actually. After cutting, I took apart a necklace Lil Sissy brought me from the Carribean and used the hearts for embellishment.

April ATCs finished
April ATCs finished

Here is the piece (minus the middle) embellished and finished and ready to be distributed. I was really pleased that they were so popular this time.

Book Review: Journal Spilling

Journal Spilling: Mixed-Media Techniques for Free Expression Journal Spilling: Mixed-Media Techniques for Free Expression by Trout. Diana

My rating: 4 of 5 stars
Art journaling is a technique (tool??) that I have struggled with for a while. Part of the problem for me is the mess. I thought I didn’t like to make messes. What I found was that I don’t like to make messes that I have to clean up! The Purpose Journal showed me that under the right circumstances, I can really use this technique in a creative and satisfying way.

Journal Spilling by Diana Trout is a really encouraging and pleasant book to read. I read it, and thought about what was in it, but didn’t try any of the projects that are integrated into the various chapters.

The first thing that I liked was in the Welcome message.”Welcome” is much friendlier than “preface” or “introduction.” In her Welcome, Diana states that you don’t need to be an artist to be an artmaker. I have long refused to label myself an artist – for better or for worse. Like Wayne Thiebaud, I have decided to let history decide my artistic fate and concentrate on making. If history ignores me, so be it. Thus, Trout’s comment really hit home and make me feel like my decision was fine.

The author also has a sense of humor, which is infused throughout the book. On page 9, she says “…I once did a ‘highly scientific’ experiment to check the lightfastness of Portfolios alongside Caran d’Ache. They both held up remarkably well when exposed to sunlight for six months!” I love the idea of this ‘experiment’. It really made me smile.

Ms. Trout writes about things I have never heard described this way and find very useful. In her section, Stretch & Spill, she discusses ‘micromovements.’ About them she says “micromovements refers to a system of breaking down a large job into tiny parts. This is a great concept that addresses the biggest obstacle between you and your journal: Fear. It also helped me greatly with time issues. If you break down a job (or hope or dream), step by step it seems less scary and overwhelming.” I didn’t realize until I read this that I had been doing this with the Purpose Journal. Since I been, yet, able to face making a mess, I have been breaking down the steps, before I have to make the mess, into manageable bites that fit into my schedule and my comfort zone.

The book’s title, Journal Spilling, seemed a little confusing to me until I read the section on the generosity and hospitality of pouring sake. By creating that analogy, Diana gave me a picture in my mind with which to understand as I read the book.

Throughout the book, the author talks about continuously moving. At one point she refers to it as aerobics for creativity. Isn’t that a great mind image? The idea is to not think too much and keep moving creatively; to keep your hand moving. Some examples Ms. Trout gives are to draw boxes (good for writing in later!), circles, little houses and flowers. She also gives some advice on what to say to your mind if it starts to interrupt (which mine does all the time!!) : “…quietly tell it you are busy right now.” (pg.76). This was another thing that really made me smile.

I think that most people who make interesting objects have an inner critic. A very revealing and interesting section was about her inner critic. She names him, tells us how he looks and sounds. I thought this was a great technique, because things that you name are much less scary than the things which are unknown. In this section, Diana reminds the reader “My art does not have to be BIG ART.” This is wonderful. In a way I feel like I have been doing this with all of the sewn accessories I have been making: journal covers, pencil rolls, tote bags. They are mind sorbet, in a way, but they are also, for ME, small art. For me, small art is valuable as well. She follows that up by saying “I pick up my brushes and pens in the odd spaces of time that occur in the life, gently coaxing the art out into the light.” I think this could be used as an excuse to move on to a different project, creating another UFO, but for me it means sometimes things have to simmer a bit and by working often, the simmering happens a bit faster.

Ms. Trout uses the various sections to convey techniques through her various projects. At the same time, she drops little pearls of wisdom in various text of each section. The Secrets & Wishes section is, somewhat, about getting things out without revealing too much. In the introduction, she writes “Respect the power of the words you write and believe that writing them will fix them into your mind and, maybe, with some attention, some of your dreams will become a reality.” This makes me think that I should write down some of the things that I dream about. Perhaps the power of the word, which is so important to me, can help me identify my goals and make them a reality.

Lately, in general, creativity books are more interesting to look at. The days of plain white pages with text and a few photos seem to be gone. I have seen a lot of well designed, well laid out and visually appealing books of late. This book is not an exception. Not only are the photos appealing, the step outs clear, but the page layouts fit the theme of the book. It looks like we are looking at Trouts journal. There are watercolor strokes, bits of masking tape, scribbles, and doodles interspersed with the regular book information.

As I said above, the messes stop me from working in this technique. When Diana says (pg. 55) “write into the wet gesso” I stop cold. I have to say that working at a Work of Heart helped with this feeling. I just have not, yet, been able to translate to working at home.

I found this work to be really inspirational. As I read, I found myself inspired to create a quilt design or add something to my Purpose Journal. In the Personal Landscape section, the author suggests the reader go for a walk and think about the area in which s/he lives. She follows this suggestion up with an exercise to create a collage about your thoughts and feelings. I read this section and immediately  thought of the Women’s Work quilt. Reading the words made me imagine the next in the series, more of cityscape buildings, still using Gwen Marston‘s style.

In the same section, but also mentioned throughout the book, Trout talks about writing – spill writing – in her journal and then covering some of it up with her collage style. This appears to be something that she does frequently. I am not sure I want my words covered up. I may not want people to read them, but I feel like I might want to read them later. I can’t read them if I cover them up. This was also confusing, because of the power of words section she discusses in the Secrets & Wishes section.

The Drawing Games Section has perfect exercises for the CPP! She suggests exercise really clearly that would work for quick drawings of the words I suggest each week. For regular contributors, it might be a way to vary what you are doing or to break out of a rut. One exercise is to draw a “curved line from one of the paper to the other, three times. She, then, asks you to observe the shapes and take some further steps, which she outlines in the book.

Who Am I? Is the question that slammed into my head when I was partway through the Lifeline section. This section has discussions of writing your autobiography in a way that she found, she was able to handle. This feeling blew me away and I’ll have to consider a bit.

There are lots of things to try in this book: paper dolls, using book covers to make a journal, making glitter glue, using white out as an art supply, cutting rubber stamps, using regular household items to make marks, book making, and many other exercises and techniques. She also tells you how to make a traveling kit. In the end of the book are sections with various resources, such as quotes, supplies and materials inspiration and techniques.

I am planning on putting this book on my wish list.

View all my reviews, including my non quilt and creativity reviews

Dale Fleming Class

Butterfly by Dale Fleming
Butterfly by Dale Fleming

I took the Dale Fleming circles class through EBHQ last weekend. Short Answer: AWESOME.

I was a little skeptical when I saw the supply list and began trying to gather the items required for the class. I talked about this class a few times in various posts in the last few months. The supplies required me to get out of my comfort zone, which is good, but never welcome.

Freezer paper for Background
Freezer paper for Background
Freezer paper on Background
Freezer paper on Background
Background trimmed around Freezer paper
Background trimmed around Freezer paper

The effort was totally worth it. There was nothing on the list that was a waste. This class used A LOT of freezer paper. The above circle steps use two layers of freezer paper and, apparently, I can only use the freezer paper template once, because of something to do with the amount of glue stick glue required for the process. I didn’t really ask, because it was so early in the process I was still floundering a bit. I’ll have to try using the templates over and see if there is a problem.  If I were going to make a circle quilt, as I had planned, I would use TV time to make the freezer paper templates.

Step outs
JL Second Circle

Ms. Fleming was an excellent teacher. I found out later that she has magnificently minded (LD) children so she was very cognizant of the different learning styles a teacher has to teach. She had detailed step outs for each part of the process, to which we could refer. She also explained the process and then showed us the process.

I didn’t find Ms. Fleming to be a prima donna. She was generous in allowing us photograph her quilts, step outs and her demos.

JL Second Circle
JL Second Circle

I feel really confident, after the class, that I can piece a perfect circle. The circle + background above is my second circle and I think it looks great! I used a pairing of fabric that you may be wondering about. I wanted to use fabrics that were really different that I could see well. No, they don’t really go together, but the above block will stay in my class file and not become part of a quilt. Perhaps that circle quilt that has been on my mind for a few months will come to fruition?

If you don’t want to take a class with Dale, or there is not one happening in your area, you can buy her book: Pieced Curves So Simple. If you don’t like that either, check out Becky’s blog where she talks about creating and using a circle stitcher.

JL Waves
JL Waves

Dale taught us a variety of techniques, including hearts (tips and cleavage!), layered circles (see photo below) and waves. There just wasn’t enough time for me to focus on learning all of them. 6 hours was definitely not enough time with her and I really could have spent at least a whole additional day just working on really getting the technique in my mind. I suggested that she have a work day for students who had taken a workshop. She said she had never thought of that, but would contact me if she decided to do it.

One that I tried was the waves. Her version is a lot easier than the version that I learned in 1989 when I was taking my second quilt class at the adult school. It took a lot of freezer paper, but I finally found a use for the freezer paper roll I have had for a long time. Also, it is possible to make the strips on your piece really thin. Borders are rolling around in my head, especially for the Original Bullseye.

Dale said that after making 5 circles, you can make them on your own without notes. I got up to three during the class and in the few days thereafter. I haven’t gotten back to it.

Circle Making Alone
Circle Making Alone

I really like technique workshops rather than project workshops. I like to be able to put a technique into my arsenal and then pull it out when I need it. I think I will be a lot less reluctant to think about adding circles to my quilts now that I have taken this class.

To date, I haven’t gotten back to circle making. The circle above is hanging, all alone, on my design wall. As I mentioned, my original thought in taking this class was to make a circle quilt. I think the above fabrics don’t express the idea in my mind, but I am also thinking that, perhaps I don’t really want to make a circle quilt. I haven’t decided. I think I need to make a few more test blocks just to see. I definitely want to try making a really small circle and see if I can do it.

An unexpected bonus of this class is that I am now not reluctant to change feet.Changing the snapoff feet is not an issue, but changing fee that required the foot holder to be removed somehow stopped me. After putting on and taking off the zipper foot 37 times, I have no reason to worry about changing feet.

Gallery of Dale Fleming Quilts

Butterfly by Dale Fleming
Butterfly by Dale Fleming
Butterfly Quilt by Dale Fleming (detail)
Butterfly Quilt by Dale Fleming (detail)
Waves by Dale Fleming
Waves by Dale Fleming
It's all about the Fabric style by Dale Fleming
It's all about the Fabric style by Dale Fleming
It's all about the Fabric style by Dale Fleming (detail)
It's all about the Fabric style by Dale Fleming (detail)

Notice the slightly wonky sashing.

Circles by Dale Fleming
Circles by Dale Fleming

This was probably my favorite quilt. She did this using a different method than we learned. I tried to understand it, but my brain was very full.

Circles by Dale Fleming (detail)
Circles by Dale Fleming (detail)
Circle Quilt by Dale Fleming
Circle Quilt by Dale Fleming

This quilt was made using the method we learned. After putting on the first circle, the maker uses that piece (circle and background) as the background.

Flower Petals by Dale Fleming
Flower Petals by Dale Fleming

These look like flowers. I really like how the quilts show she is exploring the technique a lot of different ways. I think that shows mastery.

Flower Petals by Dale Fleming (detail)
Flower Petals by Dale Fleming (detail)
Straight Flower Petals by Dale Fleming
Straight Flower Petals by Dale Fleming
Four Patch Circles by Dale Fleming
Four Patch Circles by Dale Fleming

Summary: I highly recommend her as a teacher! Get her book! Take her class! Make some circles!

N.b. I think my camera is acting up, so I apologize for any bleary photos!

A Moment in May

This happening tomorrow, May 2, 2010. It will be at 8am on the West Coast of the US.

A Moment in May is a project where the organizers are hoping that many, many people will take a photo at the same time. “That moment will be 15:00 hours in Coordinated Universal Time or U.T.C., the contemporary equivalent of Greenwich Mean Time. In the United States, under daylight time, this would be 11 a.m. on the East Coast, 10 a.m. in the Midwest, 9 a.m. in the West and 8 a.m. on the West Coast. For local times around the world, you can consult this converter from timeanddate.com.”

I plan to photograph a quilt or something quilt related. What do you plan to photograph?

New

Class & Quilt Supplies
Class & Quilt Supplies

Here are some supplies I bought recently. The Jelly Roll on the left is for the Happy Zombie/Oh Fransson quilt that I am gearing up to make.  The other Jelly Roll I bought on spec. I wasn’t sure which one I would like better based on the colors on the screen.

The Tarts are ready to quilt, so that foot is an open toe walking foot, which I am going to use. Just need to baste.

The circle cutter is for the Circles class I took with Dale Fleming. I tried hers and it works great.

The Dresden plate ruler is what I will use to cut the New Wave quilt pieces. I have marked the bit on the ruler with a post it, so I know which line I am using.

Fabric & Thread
Fabric & Thread

The food fabrics are for a quilt my mom is making. She is down in SoCal taking care of Super G, so it is not high on the priority list. I am still collecting and cutting for her. I need to get some more of the potato chip fabric as Super G wants that used for her walker caddy. I never thought she would request that fabric. I had picked out a gorgeous hydrangea fabric that is very elegant and Super G wants the potato chips!

The dots are staples in my dot box and the Philip Jacobs fabric will end up being some kind of bag.

I am unfamilar with that thread, but loved the colors and thought I could use it to embellish parts of Flower Garden, which is high on my to do list.

Creative Prompt #65: Arches

Arches National Park

An arch is a structure that spans a space while supporting weight (e.g. a doorway in a stone wall). Wikipedia

high arch

fallen arches

Golden Arches

See the Creative Prompt page if you have questions about this project.

Post the direct URL (link) where your drawing, doodle, artwork is posted (e.g. your blog, Flickr) in the comments area of this post. I would really like to keep all the artwork together and provide a way for others to see your work and/or your blog.

The Creative Prompt Project, also, has a Flickr group, which you can join to  post your responses. I created this spot so those of you without blogs and websites would have a place to post your responses.

Roman arches

balloon arches

Today is the last day!!! Bonus: get TWO entries or TWO additional entries in the AQ Giveaway by creating a CPP response starting with Friday 4/16’s Prompt.  Follow the CPP guidelines to post your link on today’s post. Today is the last day!!!

Longarming a FOTY

FOTY 2009, full
FOTY 2009, full

I need to stop with the large quilts. However, I like making large-ish quilts, though. The problem is that I am too short to photograph them. Perhaps I just need to win the lottery and have my own personal photographer at my beck and call?

OK, enough with the fantasy world.

I went to Always Quilting on Friday and quilted FOTY 2009. It has been awhile since I went there to quilt a quilt on their Gammil longarm; July 2009 to be specific. I was pleased that they had tidied up the quilting room. I had enough space to spread out.

FOTY 2009, detail
FOTY 2009, detail

General Thoughts

  1. I need more practice at setting up the machine.
  2. Photos are better taken by someone else so you can continue quilting while still getting process shots.
  3. I had an easier time monitoring stitch length and speed and am more pleased with both after this quilting effort.

First, I trained for my longarming day. It can be quite hard on my body, because, essentially, stand up for 6-8 hours. I took the day off work on Thursday, so I wouldn’t be exhausted Thursday night and then have to get up and go stand in front of the longarm on Friday.

I also brought a second pair of shoes and switched halfway through. I would love to see them get one of those industrial rubber mats to put in front of the machine. If I see one on Freecycle, perhaps I will get it for them.

So, the biggest problem with my longarming is that I don’t have enough time practice.  Time is relative, too, because it involves making a top and a back I want to quilt myself, taking time to spend a whole day quilting the quilt and getting a slot. That being said, I am much more pleased with the stitch length and quality this time around. I felt a lot more comfortable with the stitching than I thought I would. I wasn’t as anxious about ruining my quilt.

I forgot to put a quilting border on the quilt, which sent me into a bit of a panic when I was pinning the quilt on to the machine’s leader, but I couldn’t do anything about it, so I let it go.

FOTY 2009, detail
FOTY 2009, detail

I could just quilt a bunch of pieces of fabric and give them away as comfort quilts, but it still costs money to do the quilting. Perhaps I can find a way to get the details stuck in my head without paying to learn. I did sign up for another longarming day at the end of July. I have to confirm it does not conflict with a  trip I am planning.

FOTY 2009, detail
FOTY 2009, detail

I did the same pattern as I stitched on FOTY 2008 and the Eye Spy. I also practiced during the week before my session. I didn’t do as much practicing as I would have liked, but I think it was enough.

FOTY 2009, detail
FOTY 2009, detail

I try to be well mannered, which involves not ignoring people when they talk to me. It was a little bit of a problem on Friday when I was either trying to deal with the machine or concentrating on driving the giant machine. Other customers kept walking in and talking to me about the quilt. It was really nice to be complimented, but I just couldn’t concentrate on them and the work I was doing. The fabulous Roberta, one of my helpers at the shop, was annoyed when I mentioned it, because people are not supposed tojust walk into the longarm quilting room.

Lil Sissy stopped by on her way to the airport. She forgot my coffee, but beggers can’t be choosers. It was great to show off a bit for a non quilter. She, of course, wanted to drive the machine. I couldn’t let her, because she hasn’t taken the class. She did take some in process photos, which was great except for the person in them!

The Fabulous Roberta
The Fabulous Roberta

Roberta and Diane were my helpers. It is so great to have them there to assist. After my needle broke and I had three bobbin changes, Roberta knew I was a bit done for and just took over changing the bobbins for me. She talked me through, but was a godo teacher in that she knew when not to push and when to let the reins out a bit.

FOTY 2009, detail
FOTY 2009, detail
FOTY 2009, rolling
FOTY 2009, rolling
FOTY 2009,smoothing
FOTY 2009,smoothing
FOTY 2009, smoothing underneath
FOTY 2009, smoothing underneath
FOTY 2009, last row ready to tighten?
FOTY 2009, last row ready to tighten?
FOTY 2009,tightening
FOTY 2009, tightening
FOTY 2009 instruction
FOTY 2009 instruction
FOTY 2009, last bobbin change
FOTY 2009, last bobbin change

Yes, I ran out of bobbin with a 2×2 grid of blocks left to do. I quilt really small motifs – at least I did on this one.

I am really pleased with the way it turned out and may quilt It’s a Merry & Bright Wrap myself, too.

Announcing EQ7

Announcing EQ7
Announcing EQ7

I just heard the announcement for the new version of the Electric Quilt software, EQ7. This is an update to Electric Quilt 6.

I have used EQ since the dark ages of EQ3? EQ4? I can’t even remember. There are a number of things I like about the product, but the most important one to me is their customer service. I deal with bad customer service all day every day at my job. The EQ folks respond INTELLIGENTLY and TIMELY to emails. They even call if the email string is getting to complicated. I love good customer service and theirs is awesome.

I use EQ for designing a number of different projects: Flowering Snowball, Sorbet, 2009 Teacher pillows, the Pineapple, etc. I am not a very advanced user and have always wanted to take a class. It is still on my to do list.

I have tried out pattern/color keys using EQ6 and have had some trouble with the size of the file. I was successful with a Sorbet Color Key and I never really followed up to figure out my problem.

EQ7 Upgrade
EQ7 Upgrade

The other thing I like about the software is that there are marked improvements in the software with each new release. I buy some upgrades of other software and think “brother, what is so new and great about this release?” Not with The Electric Quilt. I often think I don’t need the new version and then when I see the list of features, I have to buy it.

I am pretty excited about the new version’s features, especially since my EQ6 copy is on my dead computer and I just haven’t wanted to deal with the activation process. There have been multiple times recently when I wanted to do something and have been disappointed not to have dealt with the reinstallation.

Quilts, Blocks and now PHOTOS!
Digital cameras will become a quilter’s best friend. EQ7 has dozens of ways to turn everyday photos into quilt ­­art images. Or crop and edit scanned fabrics right in EQ7 in minutes. And that’s just the start!

New Activation Policy
You’ll never run out of EQ7 activations! Activation and deactivation is as easy as two clicks of the mouse. Install on as many computers as you like and quickly transfer activations from computer to computer. This new policy gives you complete freedom to manage your own activations — and no dongle to worry about!

Easier than ever for new users
EQ7 is the most user-friendly full-featured quilting software yet.

  • Complete user manual
  • 22 printable full-color PDF lessons (115 pages)
  • Point-and-read info on each tool – now linked directly to Help topics
  • 10 videos targeted for beginners
  • 67 “How do I?” topics: printable stepped-out instructions for doing everything from printing English paper-piecing templates to drawing a New York Beauty
  • Built-in Help buttons are everywhere, targeted to the task you’re doing
  • New block tools for creating original blocks instantly without drawing
  • Blocks size themselves – just drag and drop on the quilt

Users upgrading from EQ6 will feel right at home
Exactly the same friendly interface, plus loads of new user-requested features.

  • 5000 copyright-free blocks
  • 5000 new scanned fabrics, plus grayscale textures
  • 120 new pre-designed quilt layouts
  • Snap blocks to a Quilt grid
  • Instant border blocks with greatly expanded Auto Borders
  • Print multiple photos on fabric
  • Create original fabric designs from photos, then print on fabric
  • Mirror and use myriad symmetries on photos
  • Use dozens of artistic effects, making everyday photos look like watercolors or Impressionist paintings
  • 79 new features in all

Netbook compatible
Works on netbooks as well as laptops and desktop computers.

I am sure there are a dozen more cool features. I love the digital / scanning possibilities.

You can find out more information at the Electric Quilt website or by calling: (800) 356-4219. No, I am not being paid to write this. Yes, they sent me a press release.

__________________________________________________

The Fine Print:

When will The Electric Quilt Company begin shipping EQ7?
We will begin shipping June 7, 2010.

What are the EQ7 and EQ7 Upgrade system requirements?
ELECTRIC QUILT 7
Minimum system requirements:
Windows® XP, Windows® Vista, Windows® 7 (32 or 64 bit), Internet access, 750 MB of available hard-disk space, CD-ROM drive. Netbook compatible. Internet required for activation, deactivation, and periodic validations.
Recommended: Monitor with screen resolution of 1024 x 768 or greater, Adobe® Reader®, sound card for demo videos.
Activation: Internet access is required for activation and deactivation. Unlimited installations. Activations can be easily transferred between computers. Two (2) computers may be simultaneously active.

EQ7 UPGRADE
Minimum system requirements:
Windows® XP, Windows® Vista, Windows® 7 (32 or 64 bit), Internet access, 750 MB of available hard-disk space, CD-ROM drive. Netbook compatible. Internet required for activation, deactivation, and periodic validations.
Recommended: Monitor with screen resolution of 1024 x 768 or greater, Adobe® Reader®, sound card for demo videos.
Activation: Internet access is required for activation and deactivation. Unlimited installations. Activations can be easily transferred between computers. Two (2) computers may be simultaneously active.

UPGRADE VERSION of Electric Quilt 7 This upgrade version of Electric Quilt 7 will install only if you are a licensed user of Electric Quilt 6 (EQ6). Visit www.electricquilt.com for other upgrade requirements.

What is the activation policy?
EQ7 has a new activation policy, created as a result of user feedback.

Activation: Internet access is required for activation and deactivation. Unlimited installations.
Activations can be easily transferred between computers. Two (2) computers may be simultaneously active.

2 Quilts Have Returned: Chocolate Box

Chocolate Box, full
Chocolate Box, full

I am really pleased with the quilting on the Chocolate Box.

The whole quilt came out really well, which was surprising, since I don’t usually use much brown (as you might have noticed). I did like that brown – kind of a warm, rich, chocolatey brown.

Chocolate Box, detail
Chocolate Box, detail

Colleen of  Sew Little Time Quilting did a fabulous job. I told her what I wanted and she executed it perfectly.

Chocolate Box, detail
Chocolate Box, detail

The quilting looks just as good on the front as on the back.

Now I have a total of 3, yes THREE, quilts to bind and sleeve. I had better get busy!