Birthday Activities

Every year, I try to figure out a fun and/or creative endeavor to arrange for my birthday. As I am trying to buy in my neighborhood, I decided that Color Me Mine, a pottery painting place was the way to go. I have been walking by it a lot and had been wanting to go in and do some painting. This was the perfect opportunity.

I sent invites to some of my girlfirends and a number of them were able to come along.

I painted this little bowl to match another bowl and a spoonrest I made a number of years ago when these types of stores first came on the scene. All of them also match my kitchen. In the pic above, the bowl is upside down waiting to be fired.

The funnest part for me was to see everyone painting and being creative even if being creative wasn’t their habit. I also really enjoyed seeing all of my friends, long and new, get along with each other.

2009 FOTY Possibility?

Jen posted this picture of a quilt she is working on to her blog, The Quilted Jewel (http://aquiltingjewel.blogspot.com/).I have been mulling over the 2009 FOTY block, and talking with TFQ about it. I still have not come to a decision. The block in this picture may be what the doctor ordered.

I like the movement and the 4patch, which is a block I was thinking of working with. I also like the way it fits together and is a real block not just pieces like FOTY 2008. I am not sure what is going on with the sashing and will have to have a closer look at it. I think I would have to have a background fabric if I decided to do this design.

TFQ and I are thinking about doing the same block to see what we come up with, which is still in process. I am excited about that possibility as well as I have been feeling like I need to work with someone on something. I don’t feel bad about collecting ideas regardless of what we decide to do.

A Quilting Jewel
A Quilting Jewel

Clipped from aquiltingjewel.blogspot.com

Reviewing Pamela’s DVD

Rosalie, over at Art You Wear, said she has been watching the new DVD from Pamela Allen and  posted a review of it to her blog. Rosalie has a lot of interesting textures posted on the site. I don’t know if she has made them all or if she is passing on information.  I know I am eager to hear what people think about Pamela’s DVD.

Art You Wear and me

blog it

Expansion of Design Wall Space


With some Christmas money, I decided to buy one of the Cheryl Ann’s Portable Design Walls. Terri had one at the CQFA retreat last year. She let me use it and I found it to be very useful. Despite our financial woes, I decided to buy one. It will come in very useful when I work on the FOTY 2008 quilt, which is my project for the retreat.
I looked around the web a bit to see if I could get a better price than Cheryl Ann was offering and ended up buying it at the Quilted Banty.They were fast!

The boys were gone over the weekend, so I set about trying it out. I wanted to make sure all the parts were there and I would be able to set it up. Above is a picture of the behemoth on the floor of my workroom.

This is the thing set up with some of the FOTY patches placed on it. I have to say that it is a bit wobbly. By that I mean that if you walk by, it waves a bit in the breeze you make. I may buy two extra legs to kind of stabilize it.

Once I put up the most recently cut patches, I had a sinking feeling that the FOTY 2008 quilt will be quite large. A lesson? Perhaps.


I am determined to get the piece sewn together this weekend. That may be more challenging than I originally thought, mostly due to the Blue. I really like all those blues together. You can see, in the photo above, that I have placed them together. In a kind of test, I also placed the greens and white background fabrics together (above). I like the look. This means that I my have to unsew all the patches I have already sewn together. Before I lose my mind, I am going to post them all up on the design wall to see what they all look like. I also have to remember that I cut second blue patches and have been doing so as I dig into other blues, so I don’t need to keep those blues together to get the same look.

I had planned a Rail Fence type setting, but may sew them together up and down as shown above. We’ll have to see. Your opinions are welcome.

Word of the Day: Communication

“We cannot communicate directly from mind to mind, and so misinterpretation is a perennial problem.”

“….we know no absolute truth in the world, only varying forms of ambiguity.” There is a lot of ambiguity in the quiltmaking world. Every quiltmaker thinks s/he knows best and is the best judge of good and bad quilts. It is easy to judge, but because communication leads to ambiguity, perhaps it is better if the works speak for themselves?

Tarts Inspiration???

This tea set has a lovely warm color and wonderful shapes. I can see sitting in a big comfy chair with one of these cups in my hand.

Spode Meadowsweet tea set vintage by asmallferret on Etsy
Spode Meadowsweet tea set vintage by asmallferret on Etsy

This is one of the most divine teasets we’ve seen.
Buttermilk yellow and moss green glaze. 4 cups and saucers, a milk jug and sugar bowl (open style). 10 pieces in all. No chips, no cracks, no crazing, in perfect condition.

SFMOMA and the 1000 Journals Project

I have been slack about posting my various holiday adventures, but, with this post, will try and redeem myself. One of the great things I did on my break over the holidays was go to the SFMOMA with friend Julie. My goal was to see the actual journals from the 1000 journals project in person. Julie has posted a great set of narrated photos about our adventures.

The 1000 Journals project has, for some reason, captured my imagination. Faithful readers will know that I have posted about it, gone to see the film and have been trying to get my hot little hands on one of the journals. The film depicted a lot of back and forth with the SFMOMA about this exhibit because Someguy wanted to allow people to add to the journals. A great idea, but the curators aren’t used to allowing people to touch the art. I was really happy that they finally were able to work everything out.

They ended up putting the project in the Koret Education Center. There are people there to watch you, somewhat, working on the journals, so it probably made them feel ok about touching.

Stupidly I didn’t plan ahead and bring an art kit like I had planned, so I rummaged through my purse to see what I had:

  • an old temporary drivers’ license
  • breast health center “how to get your results” sheet
  • pink pen
  • Golden Gate Ferry schedule from 1997

With the pencils, glue sticks, pens, etc that the SFMOMA provided my theme turned into bureaucracy. I was able to make a page with which I was pretty satisfied. As Julie said, it was hard to make art standing up. Not very comfy. Other viewers of the exhibit also have a different sense of personal space than I do, so I had to glare at some people who were just too close, and ask them to step back.

I was disappointed to see that some contributors had basically defaced the books with a message of anger and hate of their own. If I had had colored paper, I would have glued it over those messages, which, I guess, is defacing the books as well, in a way. There was a lot of 13 year old boy potty humor as well. Sad to think that people aren’t enlightened enough to think up something that they would be proud to have endure through the ages. Perhaps I am just being a snob because what they wrote doesn’t fit my idea of ‘good’.

I had fun. I found that I actually can do a visual journaling piece. It made me think that, perhaps, I have too many options at home.

I am happy that I got to spend the day with Julie (no children/young adults=freedom) and that I got see and write in the journals. I feel like I made a contribution. The journal I wrote in was number 754.

Word of the Day: Happiness

I am glad that today’s word is not something awful like disaster funeral or death. Another post will fill you in on why.

Each entry starts with a little poem. Today’s poem clearly defines the word of the day:

“Let us not follow vulgar leaders
Who exploit the fear of death,
And promise the bliss of salvation.
If we are truly happy,
They will have nothing to offer.”

This applies to many things in our lives: work, politics, etc.

“If we attain freedom from the fear of death, a sound way of health, and a path of understanding through life, there is happiness and no need for false leaders.”

I think this poem and saying applies to the Quilt Police type of attitude surrounding our quilt work. Some people demand perfection by following their rules. We can turn away from this kind of attitude by having knowledge about different techniques, by educating ourselves. If we know “the rules,” we can reject them and not have a quilt that falls apart. Happiness comes, in one respect, from education. We don’t need “vulgar” leaders if we are happy.

Longarm Class 1/9/2009

I want this to be a year of creativity. I can’t say that this is on my to do list, but it is in the back of my mind. One way to do that is to sew as much as possible.

To that end, I took the longarm certification course at Always Quilting on January 9, 2009. As a result, I am now a certified longarmer at Always Quilting. Don’t be too impressed as this certification only gives me the privilege of renting their longarm to quilt my quilts. Still: YAY!

After seeing the demo in November with the CQFA team, I signed up for the class. I was curious about the whole longarm process and because I wanted to see how I could incorporate the longarm as a tool into my repertoire.

That being said, I learned a few things about longarming:

  1. Using the machine takes practice and people who machine quilt well should be admired greatly
  2. There is much more to learn
  3. I will never be Colleen. I also don’t want to be her and will still use her fabulous services for some of my quilts
  4. I am not going to quilt all of my quilts myself
  5. Using a pantograph is hard
  6. Taking the class will improve the quilts I prepare for someone else to quilt

I really enjoyed the class. It was an expanded version of what we learned at the demo. It was great to hear some of the same information again as it helps to cement it into my mind. Some of the information she gave about preparing quilts, especially, applies to the computerized machine they use to quilt quilts for customers. It is a large computerized machine.

One thing I learned was that the longarm professionals vary, but if you understand some of the background and the way the process works, you can work with your longarm professional of choice much more effectively.

Always Quilting wants you to have square corners. No lopped off edges or strangely shaped corners, because you use the corners to pin the quilt to the machine. Oh! Now I get it. Better fix that I Spy quilt.

Kit also suggested practicing good pressing habits in order to reduce bulk where seams meet. The centers of pinwheels and 8 pointed stars can be a challenge for the machine. I was surprised to learn that the machines have a hard time going through selvedges! I’ll have to look at some of the quilts that Colleen has quilted for me to see what she does in this circumstance.

  • The Always Quilting staff wants the backs 6″ wider than the quilt and had several suggestions for the back. The back needs to be longer than the top, but they don’t care how long.
  • It is ok to piece the back, but they don’t encourage it and the same rules about bulk and bulky seams apply.
  • Kit suggested using large pieces of fabric rather than piecing a second top for the back.
  • She also said to consider pressing seams open on the back and using a larger seam allowance to help reduce bulk.
  • Both top and back should be square and FLAT. Kit reiterated that quilting does not cure all evils. She gave some tips about measuring the top before one cuts and attaches borders that were really interesting, especially to make sure that there isn’t more fabric in your border than in the quilt top.

Always Quilting prefers batting such as Hobbs Natural and Warm & Natural, both of which they carry. A quiltmaker can bring her own batting but they reserve the right to not allow you to use it. Apparently, batting with scrim works best. As you know, Colleen has quilted my quilts using Hobbs Organic for awhile with no problem, so I am not sure what I am going to do about that.

Kit said that they want a quiltmaker to use the shop thread, because of the way it interacts with the machine. Again, you can bring your own, but they reserve the right to not let you use it. They use Signature, King Tut by Superior and Permacore, which is their preference. The Permacore is polyester wrapped in cotton. Bad thread can incapacitate the machine, which is why they encourage quiltmakers to use the shop thread. They have hundreds of colors.

To put the quilt on the machine:

  1. Put the back on first, right side DOWN. You could put a quilt on the machine sideways. This orientation works well for row quilts because it is easier to quilt different things in rows.
  2. Find the center of the back by folding it in half.
  3. Pin the back to the leader about 1/4″ down from the edge of the leader. There are notes in Sharpie on what attaches to what leader. There is a black mark in the center. Pin from the center out.
  4. Ask your helper if the machine has been oiled
  5. Brush the lint out of the bobbin area. There is a very important disk in the bobbin. Hold on to it when changing or cleaning the bobbin.
  6. Line up batting on backing right below the pins on the leader.
  7. Use a single stitch to baste the batting to the backing.
  8. Baste top to batting, lining it up just under the batting.


I have found it important to doodle a bit before going to class. It seems to train your brain to sew a continuous line. It helps with practicing for achieving a smooth, continuous line. I assume this would be rule for going to quilt as well. It gears up your muscles for the quilting motion. Above are doodles I made during class. They are my own variations inspired by designs from the various books the shop had. I wasn’t able to try them all out on the machine.

One of the books we were able to look at was one by Trillium House Designs. They have a set of three books called Pocket Guides to Freehanding containing a multitude of quilting designs. Kit said Always Quilting didn’t carry them, because books 2&3 were too advanced and the company did not sell book 1 separately. The price for the set is also $55, which is a bit steep.

I think that there are a lot of continuous quilting designs out there you can use as a guide for your own quilting. It would pay off to start collecting some of those designs and practicing them with pencil and paper before renting the longarm.


My section of free motion quilting loops. This is the pattern they encourage their students to use for most quilting project. They also encourage people to use this size of pattern when quilting.


My attempts at using the pantograph (above). It was very hard to get the shapes smooth and I thought I would have an easier time posting the design on the wall and following it with my eyes, rather than trying to trace it using the laser.

I am scheduled to quilt one of my own quilts on February 6. I am planning to quilt the Crazy Test. I was planning to quilt the hexagon/I Spy quilt, but decided to do something I didn’t care about much before quilting something I did care about. I do have to make the back before I can quilt it. The longarm doesn’t work very well without a back!

I was really pleased with this class. I thought it was well run and thorough.