Artquiltmaker Blog – Page 347 – Commentary about works in progress, design & creativity

Various and Sundry Wednesday

Ready for another ride that weaves in and out of the Internet and my mind?

Books, etc

I ran across the notice for Jane Brocket’s quilt book. I stopped reading her blog awhile ago, but was pointed to a link about ribbon, which I have on the mind lately.

A quote from the book via Amazon.co.uk:

“One of the great pleasures of doing anything repetitive by hand, whether it’s knitting, making bread, chopping onions or sowing seeds, is that the rhythm of the action allows your mind to wander.”

I bought this book. The US edition has come out, but I decided to buy the UK edition. I don’t mind those extra ‘u’ added her and there. There is nothing wrong with the US edition. I was pleased to see that the US edition came out relatively quickly after the UK edition debuted.

I bought the UK edition of the Gentle Art of Domesticity and was pleased with the service I received from the Book Depository, so I made my purchase from them again. The cover of the UK edition looks so much better. One fascinating thing about the Book Depository (which LoveAnna turned me on to) is that they have something like a live webcam where you see what books people are buying and where those buyers are from. It is mesmerizing to see people ordering so many books so quickly. I actually saw someone’s purchase of Cello: Grades 1-3 from China!

Embellishments

Anyway, back to ribbon. Somewhere I saw a link to ribbon. I looked at it, which led me to Jane Brocket’s blog, the new book – see above. The ribbon, though was gorgeous. So wonderful for embellishing bags and making markers for journals. LFN Textiles is the purveyor and the website has gorgeous photos. And they have dotted ribbons. What’s not to like?

Pam Rubert of PamDora blog fame recently tweeted a link to Sharon B’s Dictionary of Stitches for Hand Embroidery and Needlework. She has an index on the first page. If you click on one of the links, you see a picture of the finished stitch and where this stitch can be found. She shows step outs of the stitch and gives the reader tips and tricks. If you are browsing, there is a previous/next link at the top of the stitch screen, so that you can just click to another stitch without returning to the index. There are lots of great features of this site and it is great inspiration if you are using handstitching to embellish a quilt.

Journals

If you remember my fit of excitement over the 1000 Journals Project, this information will come as no surprise to you. I found the Artbook Coop via Julie and they are doing a sketchbook project. You can order (and pay for) a sketchbook, which will then be housed in a museum. I am not sure I could finish something like this, but my mind is swirling around it.

Blocks

Brenda Papadakis of Dear Jane fame has a series of block of the month blocks posted on her website for free. It looks like there is an applique’/embroidery block and a pieced block every month.

Media

Last week I had a virus that hit me hard. One day while I was thinking about going back to bed, I stumbled on a blog called Waking Up in Bavaria. It has a really nice clean look and beautiful photography. One of her recent posts is a review of Kaffe Fassett’s Simple Shapes, Spectacular Quilts. It is hard to read a blog from the beginning when you are years behind. Still I read a bit of her posts from last year and my mind spun into imagination land. I spent a formidable time in my life in that area of the world, though in Austria, not Bavaria, so the landscape is familiar. I also like the clean, spare look of her blog. My mind started to wander around the question of what if I woke up in Bavaria tomorrow?

If you need to organize your studio/workroom, the Quilted Cupcake has a podcast and a long blog post with a lot of resources and pictures of her space. QNN TV also has a segment on organization. The January episodes, segments 1&2, 3&4 take on the topic of organizing your studio from different angles. You have to be a member to watch the videos.

I signed up for QNN TV last year and hadn’t really watched the videos. Last week, while I was sick, I was clearing out my email. Some of the messages in there were notices about new QNN TV episodes being posted. Being fit only to lay in bed, I started watching them. I thought they were very entertaining. They have some cooking segments, which I skipped over, but I enjoyed the episode on specialty threads (January episode, Segments 5&6). They have two kinds of links to the shows. Each episode is broken into about 6 segments and two segments are posted each week. This means that you can watch the different segments or watch the whole episode. I have been watching them in segments.

The January episode takes place in Winterset, Iowa, partially at the Fons & Porter store. They also show the Bridges of Madison County, the county in which Winterset is located. I didn’t know that Fons & Porter had a store, so this was interesting to me. I wish they would have done a tour of the store, but they didn’t.

I really enjoyed the November episode. Jodie Davis hosts with Patrick Lose and they report from Houston Quilt Market. They talk about new products and interview people at the show. I was entertained. I think this was shot while Mark was working out the details of his contract with QNN TV. I thought it would be weird, but Jodie Davis handled his not being there with grace. She made it seem like he would be back soon.

I also enjoyed the February Door Knock episode where Mark interviews Liz Porter. It is great to see that she is real and has a real life. I went away from that interview with a lot more respect for her and what she has achieved.

I wasn’t planning to renew my membership, but I may do it. I will definitely watch the episodes as they come out rather than waiting until my inbox is too full before I get to them.

The Alliance for American Quilts had a contest recently called New From Old. They have posted a series of YouTube videos documenting the quilt entries as they arrive. I thought that was very clever! One of them was by Marie Johansen who sometimes reads this blog. I was pleased to see that Yvonne Porcella entered a quilt, which must mean that she is feeling better. There were a number of Dresden Plate entries and two that could be considered Baltimore Album style. Sunbonnet Sue, Grandmother’s Flower Garden and Grandmother’s Fan also made debuts. Some people put a lot of work into their entries and it occurred to me that throwing something together just to enter wouldn’t work for this contest. Then again, it doesn’t usually work for any contest.

If you ever feel like the quilts or ATCs or blocks or paintings you are making are not fit for the fireplace, take a look at the Bad Postcards site. Looking at the works on this site should a) give you a laugh; b) make you feel better about your own work; and c) make you wonder who ever thought it was a good idea to make matching apron, tablecloth and curtains (you’ll have to scroll down the site to get that one). As a bonus for you fabric lovers, there are some interesting fabrics shown in various postcards. It makes me wonder whether people will be laughing about the photos on this blog in 50 years?

Do artists go under Media or Out and About? I don’t know, so here is Michael Cutlip. Mostly I love his website and the way the gallery is laid out. He is the artist who did the picture in the Decor House, which I wrote about in a post a few weeks ago. The picture I took is crappy, but his work is not, so don’t judge him on my photo.

Out and About

You might have heard (or maybe read it here) that the V&A in London has a quilt exhibit up. They have also just announced the release of a second set of patterns, V&A Pattern Series II. “Like the first box set—which included four books arranged by theme and titled William Morris, Indian Florals, Digital Pioneers, and The Fifties—the second series features four books available individually or as a group: Owen Jones, Novelty Patterns, Kimonos, and Garden Florals. In addition to page after page of color images of the textile designs, each hardcover book includes a CD of hi-res images of the featured patterns.”

Being here in the US, it is hard to get to the exhibit, though I am hoping for some kind of miracle (you know free first class tickets, or something), but until then I have been looking at the videos. My favorite so far is the one with Caren Garfen, which I looked at with TFQ. Her quilt is given a bit of short shrift int he book, but this video makes up for it. I wish it were downloadable to iTunes, so I could look at it again without being tethered to my computer.

My sister gets various creative “notions” in her head and her latest is organza flowers. She saw some she loved at Nordstrom. She said that you sew strips of fabric in a circle to a base down the middle of the strip. Have you ever done this? I may try it.

Kaffe Fassett and Liza Prior Lucy are having a blog tour. There are a lot of new and interesting blogs to look at.

My friend, Kathy, from Everyday Bliss, has a new blog called Everyday Mommy. It is new so I can’t tell you exactly how it turns out, but Kathy writes “Do you want to be a marvelous parent or just like watching others try? Join Everyday Mommy for a wacky and fun experiment! Each week we will delve into one of the parenting virtues, have some fun and hopefully become better parents in the process!” It is fun to watch my friend delve into cyberspace. I know that sounds strange since the web is not new. Before blogs I couldn’t tell how many emails people were sending or what websites they were going to. With all of the cross linking and comments, as well as FB, it is much easier.

Deirdre sent me a link to Woody Campbell’s Photo a Day blog. His photos are a bit large. Still, I like the photo of the refrigerator. I like the idea of documenting normal every day things. I don’t always do it, but I think about it. I read about a guy who took a photo of the same building across the street from his shop every day at the same time for something like 30 years. Do you ever do anything like that? I thought about it when I took a picture out the window of my workroom, but then I never followed up. I suppose it isn’t too late!

FOTY Diamonds

While TFQ was visiting, we had to attend a family event. She was invited, but declined to attend, so she stayed home and rested. One of the things she did while resting was iron the fabrics that I had washed, but had not yet pressed. TFQ is one of the fastest pressers I have ever seen! She made a neat pile for me and I needed to cut various pieces from them. The pile got moved a couple of times during the week because the ironing board needed to be used for the actual pressing of clothes!

I was feeling a bit better on Sunday, and I didn’t want to have repress any of those fabrics so I went to work and cut various patches I needed from these pieces. The main shape I need is diamonds, as you know, for the FOTY 2010 quilt. I also cut some Tumblers and Eye Spy pieces and a few food fabric pieces for my mom.

This is the biggest group of diamonds I have added to the pile thus far. I have to say that there are distinct advantages to cutting into the fabric shortly after I buy it. I have mentioned that it is helpful to know that I like a fabric so I can go and buy more before the fabric manufacturers stop producing it.

The other advantage I found this time was that I know immediately if I don’t like a fabric. There are several in this group that I really don’t like. I have decided that I don’t like little tiny splotchy dots. It could be that the colors of the fabrics with those types of motifs in this group are not my colors. I might feel differently if they were turquoise and hot pink.

I have also been testing the ‘white water’ by buying more fabrics with white backgrounds. I have also decided that there are some fabrics where the ratio of white is too much. I love coffee fabrics, but the coffee cup fabrics above with the white background are really not my thing. Something about the orange and icky green combined with the white do not make me happy.

I also have to admit that I am a little scared of this year’s FOTY quilt. How am I going to do the edge? I don’t want to cut off diamonds, so I’ll have to cut half diamonds of some border fabric and do a self bordering type border. Will I need to organize that well before the CQFA retreat? I think so! Can I do it? I hope so. Yikes! What was I thinking?

Original Bullseye Border

I don’t always start a quilt and finish it right away. Often, I start a quilt in order to work through an idea and then I get stuck on one part. Putting it away is a good way to let the project and idea percolate. Such is the case with the Original Bullseye.

The Original Bullseye is back in my crosshairs, mostly because of the Dale Fleming class. If found some directions for the border I want to make in QNM (I think), but the directions were a little arduous, so I didn’t start right in. However, since taking the Dale Fleming class her wave directions have been rattling round in my mind. I think I am going to use them to make the border for this quilt.

I haven’t done it yet, because I still mulling over colors and whether to put more circles in the border.

One silly thing that is keeping me from doing this is whether I have enough freezer paper. That is not the main hinderance. I have some other quilts higher on the top of the list. I do feel like I am getting close to moving forward on this project.

Lil Sissy Pencil Roll

Pencil rolls usually take me about 3 hours to make. That assumes, of course, that I don’t sew the ties to the back as I am making the pencil pockets and have to rip out.

This one took me three days for a number of reasons. First, not being one to make simple requests, she wanted one that would accommodate the colored pencils she had cut in half so she could have half of her collection at her job in SF and half at home in Santa Barbara. This meant that the pocket had to be smaller, which meant adjusting the pattern and not just sewing like a demon. I mulled this over for some time and finally came upon the idea of two pockets. The green and white city fabric is used to make a pocket on both top and bottom, so there isn’t really a top. Looking at it now, I should have made those pockets a wee bit wider or the whole piece a bit smaller, but it will work.

Second, I was sick almost all of last week, the weekend and the previous Friday. No kidding and no fooling around kind of sick. Stay in bed and don’t do anything kind of sick except read and sleep kind of sick. I don’t remember being that sick in a long while. The only thing I really accomplished was cooking dinner one night, breakfast one morning, loading the dishwasher twice and reading 4 books.

Finally, I made a lot of mistakes in this project. I blame it on the illness and the mad desire not to waste all this time at home. Getting well just doesn’t seem like enough, but apparently it had to be.

Yes, that is a ribbon or tie from the Merry & Bright Jelly Roll I used for the It’s a Merry & Bright Wrap quilt. It really was the perfect length to tie up this pencil roll. It also fit with the linen feel of the fabric I used for the outside.

Yes, that grape fabric is another fabulous FabMo fabric. I only used half the piece, too, so I’ll have to think of another accessory to make for Lil Sissy with the rest.

I don’t really get a sense of the fabric until I start working with it. This backing fabric was more loosely woven than the quilting cottons I normally use. One of the good things about the FabMo fabrics is that they are generally of good quality. At least I think they are of good quality. Despite the looser weave (and I am NOT saying it was holey), I had no problem with fraying or raveling or any of the sewing. Looking at the back of the piece, I find that the leaves and grapes really look 3 dimensional.

Kathy Mack of Pink Chalk Studio‘s pencil roll pattern has EXCELLENT directions. I really like this pattern and think that you should go off, as soon as you are done reading this post, and have opened a new window, and buy that pattern. I know I have waxes rhapsodic before about her pattern. I like this pencil roll pattern, because the font is the right size, and there are enough visual cues: boxes and borders, drawings, etc for me not to get lost in a mire of directions.

All that being said, I almost never pay attention to making a 12 or 24 slot pencil roll. I see what size FabMo fabrics I have and make as many slots as will fit the piecing of backing fabric I have, so I don’t have to waste or cut it. The thing is that I am probably not going to use these weird fabrics for anything else and it seems a shame to throw them away. Nobody to whom I have gifted an 11 slot pencil roll or an 8 slot pencil roll has complained, so I am going to keep doing what I am doing. One thing about making the same thing over and over (remember all of those Eco Market Totes I made?) is that I get to know the pattern and how the item goes together. This method works for me.

Another Visit to the Amish Quilts

The Amish Quilts from the Stephen and Faith Brown Collection will be leaving the DeYoung on June 6. TFQ bought the exhibit catalog and, before even looking at the whole thing, slammed the book shut and made plane reservations to come down. I am glad she came down the weekend of the 15th, because I have been sick as a dog the past few days and if she had come this past weekend, I would have been no fun.

I love looking at exhibits with TFQ. It is fun seeing an exhibit through someone else’s eyes and pooling our knowledge about pattern and design. I also love looking at exhibits a second time. I always see things I didn’t see before. Sometimes TFQ and I see completely different things in a quilt.

One thing I saw that made my day was a small double wedding ring. It was made with the same color of fabric at each end of the arc. This technique made the piece look like there were flowers all over it. The quilt is in the book (plate 38, pg.88), but the “flowers” don’t glow like they did in the real piece.

I am not sure why I didn’t notice the little Roman Stripe Variation (plate 73, pg.123) in the corner of the exhibit the first time I went, but I didn’t. I really like the way the stripes almost match up, but not quite. This would be a great and not-too-difficult quilt to make. However, where we think of the non-matching stripes as charming, anyone making this quilt today would just be considered a poor piecer.

There was a contained crazy (plate 13, pg.620 that had some really nice embroidery stitches. That little bow stitch in the drawing above was in each block. Those arcs were some quilting designs that I also liked.

One unexpected joy was that the exhibit catalog was $10 off. I lashed out and bought it along with a book of postcards of Amish quilts in general. When looking at the book I am struck by how the quilts look the same, but do not have the glow that do in person.

After leaving the exhibit, we went up to the Tower. From the outside it just looks strange, but the view, even on a foggy day, is fabulous and I love going up there. On the way up, we saw a sculpture star in the elevator lobby

The lobby had a number of these wire sculptures and I think they were designed with the shadows in mind. This one would be a wonderful Christmas decoration, if an expensive one.

I liked the way the ferns looked through this window screen. It is made of metal and soldered to the window frame. I think they put it there so people in the garden wouldn’t stare inside. TFQ pointed out that they didn’t really think about cleaning the window when the design was being discussed and implemented.

Decorator House Visit

Every year there is a decorator showcase house in my city. This year I was offered free tickets to visit when TFQ was here.

The house is in a neighborhood called Presidio Heights. It was a jewel of a house, not what I would call a mansion, but not small either. The house was laid out really well – the flow was wonderful. The rooms weren’t stupid either.A real family could live there. The ‘bones’ of the house were good: nice details, good sized rooms, plenty of bathrooms, great storage.

I am a big sucker for entry halls.It had a really nice entry hall where people had space to take off their coats and shoes, put their gloves and packages down before being in the house and having to deal with stuff.

It was fun going with TFQ as well, because she has a really rich art background. As we were standing in the dining room, she made a comment about the Rothko on the wall! Yes, indeed, there was a Mark Rothko painting in the corner of the dining room!

I am not sure that this was the painting, but it looked similar.

The above painting was for sale and the hosts at the house were supposed to have all of the information about them. They couldn’t find the info on this which TFQ was interested in. I am still waiting to hear back. My arm has been bothering me, so I didn’t bring my good camera and the cell camera in combination with the art lighting really makes the bird look skeletal. In reality, this was a very appealing looking painting.

I see quilt blocks everywhere and this marble floor was no exception. It would not be for the faint of heart, but I imagine the center rectangle being one color and then the elongated hexagons flowing into each block because of the color.

This Moroccan Table was in a room at the top of the house, which was described as an aerie. This room was designed by Benjamin Dhong and he was really nice to us. He designs rooms with neutral colors, but we did not find the Aerie to be boring because of the neutrals. He had added some color that added a lot of interest. The colors did not stand out, but really kept the room from being too neutral. I think the man has a gift with neutrals.

This detail shows different motifs that could also be used in a quilt. I think it would be another that wouldn’t be for the faint of heart, but perhaps Jane Sassaman’s technique could be used to make the work a little easier.

The middle with the rectangles as a circular border is really effective as well.

We went out into the garden because we wanted to see everything and TFQ also loves to garden. I thought they could have done more with the garden, but there were some plants that were interesting colors and shapes.

This may be the most perfect camellia I have ever seen.

I have heard of Columbines before, but don’t think I have ever seen one. There were a number of different specimens in different colors. I was really interested in the layering effect of these flowers.

This piece made a blank wall more interesting. I thought it was a gate, but it really wasn’t. I like the waves.

Pineapple Progress

The Pineapple has been on my mind lately. I took TFQ’s visit as an opportunity to get a new perspective. I laid the blocks out in the living room and we looked at them and talked about them.

One of the problems is that some of the blocks are too big. I couldn’t figure out why some were so much bigger than they were supposed to be until I was fiddling with these blocks on Monday. I caught a glimpse of the black block in the middle and realized that I cut some of the center blocks slightly larger than they should have been.

My idea was to trim the blocks and make them a little wonky. No, they won’t match up perfectly, but the way they are now; they won’t match up anyway. After my discussion with TFQ, I think I will trim the blocks straight and see how it goes. Worse case scenario: they don’t fit together.

TFQ made no promises that this would work. Sometimes, as I have mentioned, it is just good to talk over the process. I like these blocks. I like the cheerful look of the piece. If it doesn’t work as a quilt; I will have a lot of really cheerful pillows.

Fabric Design Insights

I have been trying to clear out my email.

One of things I do with my email is that I use my Inbox as a To Do list (one of them). I get notices of happenings in the quilt world and leave them in my email Inbox until I deal with them. If people email me, I keep their email until I can craft a thoughtful reply. I get notices of new uploads to various sites. When I go and look at the site, I delete the email. I joined QNN TV last year so I could watch Mark Lipinski. I have found it hard to allocate the time watching the videos so the notices of new episodes have been stacking up. I spent some time watching some videos the other day and found some really interesting.

In one episode Jodie and Mark interviewed Gail Kessler, a designer and Marketing Director for Henry Glass about fabric design and Michelle Bencko of Cicadia Studios. They talked about fabric design including numbers of fabric in a collection and how to get started. Gail Kessler said that she gets contacted every day by people who want to design fabric. She said that the first thing she asks is whether they are famous.

I was shocked, initially, but I think it was a way to get people’s attention; to make them pay attention to the realities of the business. What I understand she meant by her comment was that she has staff to design fabric. I think it is a valid point when she says that what sells fabric is the name on the selvedge and she wants -needs – to work with people who are out there teaching, writing books, writing a well followed blog and willing to help market their fabric via those outlets. Fabric is tough business.

Thinking in terms of business, this makes sense. It is easy to think that something is easy and lucrative. Nothing is ever as easy as it looks and we often don’t know what people do all day when they go their jobs. I think that Kessler’s comments are good. There are a lot of talented people out there who have great skills in design. They can be in house designers for fabric companies and churn out designs that the fabric companies can sell. The missing piece is the marketing and that is really important. If people don’t buy fabric designs, the fabric companies won’t make fabric and won’t stay in business. I think Kessler is right that names sell. It makes sense.

Sorbet Fabric

I know I haven’t shown Sorbet in awhile. I had a number of different issues and it wasn’t working out as the mind sorbet that I needed. I think what I determined is that quilts are not mind sorbet if I have to amke a lot of decisions. Bags and pencil rolls are mind sorbet.

At some point I got some creativity energy behind the project and decided to make some blocks. My laptop, with EQ6, where all of my design ideas were) crashed and died. I had the basic measurements, so I thought I could plunge on, but then the finished blocks went missing. That sealed it for this project for the time being.

Time went by and I found the blocks! I put this project on my list of TFQ to dos. One of the many good qualities that TFQ has is that she is more than happy to paw through the fabric in my fabric closet. What we did was look at all of the fabric I had set aside and then all the fabric in the pastel/Easter/sorbetish colors that might work. We also figured out that we needed a few more stripes and some graphic designs.

The fabrics above are all put aside to possibly use for the project. Nice, eh?

Merry & Bright Wrap Progress

TFQ came to stay last weekend. She and I wedged a visit in even though we had a family event in the middle of her visit. One of the things *I* like to do when she is here is get her opinion about my various projects. Often I get stuck and need to move forward but seem to be unable to make any decisions. I can ask any quiltmaker I know, but TFQ knows me well enough not to suggest something completely stupid. She also often prevents me from doing something stupid because I am just tired of the project.

One of the things we worked on was the border of the It’s a Merry & Bright Wrap. I didn’t really work very hard at finding a border by myself, to be honest. I was glad, because what was in my head was not what I ultimately went with.

We auditioned a couple of color combos, including my idea, which included a white dotted inner border (no photo, sorry). I had a lot of that fabric and wanted to use it, but it was too stark as white often can be.

TFQ suggested yellow. We looked through a number of yellow fabrics until we found one that fit well with the yellow from the Merry & Bright Jelly Roll. I found the blues and yellows in this group to be off the beaten path. Interesting, but different than what I have in the fabric closet. The yellow we went with is an older commercial print and not part of that group.

I was pretty interested in using a blue/teal/turquoise color. I found the tone-on-tone in my fabric closet (left photo), but we both felt the quilt needed a bit more pattern. I liked the idea of bringing out the blues, but, since I didn’t have any large pieces of blue from the group and nothing I had was the right tone and I didn’t like the idea of having to buy and wash new fabric I used the green. I happened to see some half yards at Rainbow Resource at the EBHQ show, so I had enough.

Truthfully, we didn’t agonize too much over the colors. We did the Lorraine Torrence thing of making visual decisions visually, we picked and then I sewed them on the next night.

I used the new walking foot to sew the borders on and they are flat and I had not problems. The quilt is now ready for a back and to be quilted. My finishing seems to come in clusters!

I will probably use red for the back, since I have plenty. I don’t know if I will longarm this quilt or send it out. We’ll see.

Mother’s Day Leaf

This is the card and wrapping I received from my mother for Mother’s Day. I love the wrapping paper. I think it is the colors.

Lush Gift Bags

One of the reasons I buy fabric specifically destined for and make gift bags is so that I don’t have to wrap gifts using paper. I also like to have an excuse to buy holiday fabric that I know I will never use for a quilt. FabMo has created a whole new aesthetic for me for gift bags.

At the last CQFA meeting, Bron brought a few pieces of FabMo fabric and I scooped up a couple. You’ll see some of them soon, but I already made the gift bag.

This fabric is some kind of velvet like material and it changes the whole look of the gift bag. I didn’t take any chances when sewing it. I used the new open toe walking foot because I am not familiar with how this fabric acts in the sewing process.

The ribbon is also from another gift.

It is an odd shape, because I just used the shape of the sample and folded it in half. The edges were serged and I wanted to maintain that integrity.

One of the things I like about it is that it looks really special. That is a good reminder for me that the fabric really makes the piece – especially in other types of sewn accessories that don’t have the opportunity for quilting or embellishment, etc. I realize that the maker could do both on a gift bag, of course, if the design were different.

I actually think that gift bags would be a good way to try out new techniques, feet, stitches on your sewing machine, free motion quilting, etc.

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