Commentary about works in progress, design & creativity
By the way Pam has some FABULOUS pictures in her blog post, so take the time to take a look.
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Rachel Griffith, the power house behind p.s. i quilt has shop with the whole kit available. I have never bought a kit before aqnd am sorely tempted.
I have been cutting patches for Julie‘s Tumbler quilt for awhile. It seems only fair since she cut a boatload of hexagons for my Eye Spy quilt. Periodically, I get a bunch together and give them to her when I see her. They fit very nicely into a Recchiuti caramel box, so she gets a nice smell of chocolate along with her Tumblers. It occurred to me that I should surprise her sometime and give her a box of the actual chocolates!
I kind of like having a list of patches to cut as I work through new fabric or fabric I am using. There is something nice about collecting a bunch of blocks and then putting them all together at the end of the year or the end of some other timeframe.
The other day, Julie wrote about getting close to the end in a recent post. She is struggling with the same issue I had and that is the edge. When I was finishing up the Eye Spy, I didn’t want to slice off several hexagons to make a straight edge. That is the suggestion that many resources had for the edge of an Eye Spy.
I also didn’t really want to sew a binding around all of those weird angles. I did that once and once was enough. The one weird angle in the Chocolate Box was enough for me. As you may remember, I did some triangle gymnastics on the Eye Spy to finish the edge in order to end up with a straight edge.
I think this is a case of thinking about what design would be best for the quilt. Chopping off hexagons that were fussy cut to include an image would be jarring, I think. If I had thought ahead, I might have made the edge hexagons a solid or tone-on-tone fabric and not worried about chopping them off. Solid fabrics might have provided a kind of border effect.
I am happy with my solution. It wasn’t the easiest solution, but I think it looks good. I am sure Julie will come up with a good solution as well.
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I like the photo of the apron on the clothesline, but think it looks better on Lil Sissy.
The CQFA meeting was Saturday. We had two new people and that was GREAT. The whole meeting, actually, was great. There was LOTS of laughter. People who came late said that they could hear the laughter out in the parking lot. I need to attend more meetings where everyone is laughing.
As usual, show and tell was excellent. Everyone is really churning out the work and being inspired by each other. It was great. I showed Passionate Purple, the Chocolate Box and FOTY 2009. I also showed some books, talked about the Dale Fleming class and traded ATCs.
People did really nice work for this round of ATCs. I was really pleased with the ATCs I chose. My score were the pears! I love them all though.
Bron used FabMo fabrics for her ATCs. She is on the board and finds all the good stuff there!
Maureen has a new blog, Flies in a Cathedral. She only promises to post once a week. I look forward to hearing about the flies.
I wasn’t fortunate enough to get one of Amy’s cards, but I loved the texture.
Diane is a very accomplished silk painter. When I saw those pears I knew I had to have them. I wasn’t the first person to choose either, so I feel very lucky to get that card.
My ATCs were really fun to make. I haven’t had much fun making them in the past. I am working on a series of ATCs and I may have to rethink that as it seems like a chore — until this go ’round.
I was reading Quilting Arts magazine last Thursday night and saw a picture of a leaf in an article about wool felting or something I wasn’t interested in. The article was by Cindi Huss I was interested in the image and the technique.
From what I could see in the picture, the author stitched zigzag lines three times with different threads. I did that in the picture above. One of the great things about my machine is that it has a very precise stitch. I can stitch over the same line and the needle will land in the same hole. That wasn’t what I wanted to for this. I wanted the zigzag to be a bit messy. I wanted the colors to blend. I had to readjust the needle to get it out of sync with the previous line of stitching.
Because of the Dale Fleming class, I was no longer hampered by changing the foot. I know it sounds silly, but sometimes taking off the foot holder is just too much of a hassle. I think I am over it now. I put on the darning/free motion foot and created the circles. I drew them lightly with a white pencil first so I had something to follow. I also slowed down the machine and that helped make the stitches show. After doing all of the circles. I went over some of them with two different colors of thread. Using Aurifil means that the stitched area does not get too bulky.
My idea was to make one piece and then cut it up. I had planned to try this technique in paper, but was inspired by the QA picture that I decided to go for it. I did make the background larger, but if I do this again, I would make it even larger and the ATCs were a bit small this time.
I have never made one piece and cut it up. I didn’t think people would like the right and left bottoms, but those were the first to go, actually. After cutting, I took apart a necklace Lil Sissy brought me from the Carribean and used the hearts for embellishment.
Here is the piece (minus the middle) embellished and finished and ready to be distributed. I was really pleased that they were so popular this time.
Journal Spilling: Mixed-Media Techniques for Free Expression by Trout. Diana
Art journaling is a technique (tool??) that I have struggled with for a while. Part of the problem for me is the mess. I thought I didn’t like to make messes. What I found was that I don’t like to make messes that I have to clean up! The Purpose Journal showed me that under the right circumstances, I can really use this technique in a creative and satisfying way.
Journal Spilling by Diana Trout is a really encouraging and pleasant book to read. I read it, and thought about what was in it, but didn’t try any of the projects that are integrated into the various chapters.
The first thing that I liked was in the Welcome message.”Welcome” is much friendlier than “preface” or “introduction.” In her Welcome, Diana states that you don’t need to be an artist to be an artmaker. I have long refused to label myself an artist – for better or for worse. Like Wayne Thiebaud, I have decided to let history decide my artistic fate and concentrate on making. If history ignores me, so be it. Thus, Trout’s comment really hit home and make me feel like my decision was fine.
The author also has a sense of humor, which is infused throughout the book. On page 9, she says “…I once did a ‘highly scientific’ experiment to check the lightfastness of Portfolios alongside Caran d’Ache. They both held up remarkably well when exposed to sunlight for six months!” I love the idea of this ‘experiment’. It really made me smile.
Ms. Trout writes about things I have never heard described this way and find very useful. In her section, Stretch & Spill, she discusses ‘micromovements.’ About them she says “micromovements refers to a system of breaking down a large job into tiny parts. This is a great concept that addresses the biggest obstacle between you and your journal: Fear. It also helped me greatly with time issues. If you break down a job (or hope or dream), step by step it seems less scary and overwhelming.” I didn’t realize until I read this that I had been doing this with the Purpose Journal. Since I been, yet, able to face making a mess, I have been breaking down the steps, before I have to make the mess, into manageable bites that fit into my schedule and my comfort zone.
The book’s title, Journal Spilling, seemed a little confusing to me until I read the section on the generosity and hospitality of pouring sake. By creating that analogy, Diana gave me a picture in my mind with which to understand as I read the book.
Throughout the book, the author talks about continuously moving. At one point she refers to it as aerobics for creativity. Isn’t that a great mind image? The idea is to not think too much and keep moving creatively; to keep your hand moving. Some examples Ms. Trout gives are to draw boxes (good for writing in later!), circles, little houses and flowers. She also gives some advice on what to say to your mind if it starts to interrupt (which mine does all the time!!) : “…quietly tell it you are busy right now.” (pg.76). This was another thing that really made me smile.
I think that most people who make interesting objects have an inner critic. A very revealing and interesting section was about her inner critic. She names him, tells us how he looks and sounds. I thought this was a great technique, because things that you name are much less scary than the things which are unknown. In this section, Diana reminds the reader “My art does not have to be BIG ART.” This is wonderful. In a way I feel like I have been doing this with all of the sewn accessories I have been making: journal covers, pencil rolls, tote bags. They are mind sorbet, in a way, but they are also, for ME, small art. For me, small art is valuable as well. She follows that up by saying “I pick up my brushes and pens in the odd spaces of time that occur in the life, gently coaxing the art out into the light.” I think this could be used as an excuse to move on to a different project, creating another UFO, but for me it means sometimes things have to simmer a bit and by working often, the simmering happens a bit faster.
Ms. Trout uses the various sections to convey techniques through her various projects. At the same time, she drops little pearls of wisdom in various text of each section. The Secrets & Wishes section is, somewhat, about getting things out without revealing too much. In the introduction, she writes “Respect the power of the words you write and believe that writing them will fix them into your mind and, maybe, with some attention, some of your dreams will become a reality.” This makes me think that I should write down some of the things that I dream about. Perhaps the power of the word, which is so important to me, can help me identify my goals and make them a reality.
Lately, in general, creativity books are more interesting to look at. The days of plain white pages with text and a few photos seem to be gone. I have seen a lot of well designed, well laid out and visually appealing books of late. This book is not an exception. Not only are the photos appealing, the step outs clear, but the page layouts fit the theme of the book. It looks like we are looking at Trouts journal. There are watercolor strokes, bits of masking tape, scribbles, and doodles interspersed with the regular book information.
As I said above, the messes stop me from working in this technique. When Diana says (pg. 55) “write into the wet gesso” I stop cold. I have to say that working at a Work of Heart helped with this feeling. I just have not, yet, been able to translate to working at home.
I found this work to be really inspirational. As I read, I found myself inspired to create a quilt design or add something to my Purpose Journal. In the Personal Landscape section, the author suggests the reader go for a walk and think about the area in which s/he lives. She follows this suggestion up with an exercise to create a collage about your thoughts and feelings. I read this section and immediately thought of the Women’s Work quilt. Reading the words made me imagine the next in the series, more of cityscape buildings, still using Gwen Marston‘s style.
In the same section, but also mentioned throughout the book, Trout talks about writing – spill writing – in her journal and then covering some of it up with her collage style. This appears to be something that she does frequently. I am not sure I want my words covered up. I may not want people to read them, but I feel like I might want to read them later. I can’t read them if I cover them up. This was also confusing, because of the power of words section she discusses in the Secrets & Wishes section.
The Drawing Games Section has perfect exercises for the CPP! She suggests exercise really clearly that would work for quick drawings of the words I suggest each week. For regular contributors, it might be a way to vary what you are doing or to break out of a rut. One exercise is to draw a “curved line from one of the paper to the other, three times. She, then, asks you to observe the shapes and take some further steps, which she outlines in the book.
Who Am I? Is the question that slammed into my head when I was partway through the Lifeline section. This section has discussions of writing your autobiography in a way that she found, she was able to handle. This feeling blew me away and I’ll have to consider a bit.
There are lots of things to try in this book: paper dolls, using book covers to make a journal, making glitter glue, using white out as an art supply, cutting rubber stamps, using regular household items to make marks, book making, and many other exercises and techniques. She also tells you how to make a traveling kit. In the end of the book are sections with various resources, such as quotes, supplies and materials inspiration and techniques.
I am planning on putting this book on my wish list.
View all my reviews, including my non quilt and creativity reviews
I took the Dale Fleming circles class through EBHQ last weekend. Short Answer: AWESOME.
I was a little skeptical when I saw the supply list and began trying to gather the items required for the class. I talked about this class a few times in various posts in the last few months. The supplies required me to get out of my comfort zone, which is good, but never welcome.
The effort was totally worth it. There was nothing on the list that was a waste. This class used A LOT of freezer paper. The above circle steps use two layers of freezer paper and, apparently, I can only use the freezer paper template once, because of something to do with the amount of glue stick glue required for the process. I didn’t really ask, because it was so early in the process I was still floundering a bit. I’ll have to try using the templates over and see if there is a problem. If I were going to make a circle quilt, as I had planned, I would use TV time to make the freezer paper templates.
Ms. Fleming was an excellent teacher. I found out later that she has magnificently minded (LD) children so she was very cognizant of the different learning styles a teacher has to teach. She had detailed step outs for each part of the process, to which we could refer. She also explained the process and then showed us the process.
I didn’t find Ms. Fleming to be a prima donna. She was generous in allowing us photograph her quilts, step outs and her demos.
I feel really confident, after the class, that I can piece a perfect circle. The circle + background above is my second circle and I think it looks great! I used a pairing of fabric that you may be wondering about. I wanted to use fabrics that were really different that I could see well. No, they don’t really go together, but the above block will stay in my class file and not become part of a quilt. Perhaps that circle quilt that has been on my mind for a few months will come to fruition?
If you don’t want to take a class with Dale, or there is not one happening in your area, you can buy her book: Pieced Curves So Simple. If you don’t like that either, check out Becky’s blog where she talks about creating and using a circle stitcher.
Dale taught us a variety of techniques, including hearts (tips and cleavage!), layered circles (see photo below) and waves. There just wasn’t enough time for me to focus on learning all of them. 6 hours was definitely not enough time with her and I really could have spent at least a whole additional day just working on really getting the technique in my mind. I suggested that she have a work day for students who had taken a workshop. She said she had never thought of that, but would contact me if she decided to do it.
One that I tried was the waves. Her version is a lot easier than the version that I learned in 1989 when I was taking my second quilt class at the adult school. It took a lot of freezer paper, but I finally found a use for the freezer paper roll I have had for a long time. Also, it is possible to make the strips on your piece really thin. Borders are rolling around in my head, especially for the Original Bullseye.
Dale said that after making 5 circles, you can make them on your own without notes. I got up to three during the class and in the few days thereafter. I haven’t gotten back to it.
I really like technique workshops rather than project workshops. I like to be able to put a technique into my arsenal and then pull it out when I need it. I think I will be a lot less reluctant to think about adding circles to my quilts now that I have taken this class.
To date, I haven’t gotten back to circle making. The circle above is hanging, all alone, on my design wall. As I mentioned, my original thought in taking this class was to make a circle quilt. I think the above fabrics don’t express the idea in my mind, but I am also thinking that, perhaps I don’t really want to make a circle quilt. I haven’t decided. I think I need to make a few more test blocks just to see. I definitely want to try making a really small circle and see if I can do it.
An unexpected bonus of this class is that I am now not reluctant to change feet. Changing the snapoff feet is not an issue, but changing fee that required the foot holder to be removed somehow stopped me. After putting on and taking off the zipper foot 37 times, I have no reason to worry about changing feet.
Notice the slightly wonky sashing.
This was probably my favorite quilt. She did this using a different method than we learned. I tried to understand it, but my brain was very full.
This quilt was made using the method we learned. After putting on the first circle, the maker uses that piece (circle and background) as the background.
These look like flowers. I really like how the quilts show she is exploring the technique a lot of different ways. I think that shows mastery.
Summary: I highly recommend her as a teacher! Get her book! Take her class! Make some circles!
N.b. I think my camera is acting up, so I apologize for any bleary photos!
I am really pleased with the quilting on the Chocolate Box.
The whole quilt came out really well, which was surprising, since I don’t usually use much brown (as you might have noticed). I did like that brown – kind of a warm, rich, chocolatey brown.
Colleen of Sew Little Time Quilting did a fabulous job. I told her what I wanted and she executed it perfectly.
The quilting looks just as good on the front as on the back.
Now I have a total of 3, yes THREE, quilts to bind and sleeve. I had better get busy!
As you may remember, this is part of a series of Bullseye quilts I am working on with JulieZS and Adrienne.
I tool Thursday off of work so that I could rest up for my quilt marathon. One of the things I did was to go and pick up my quilts from my longarmer. Passionate Purple was one of them. Now I just have to finish it. However, after looking at the quilt for a few days, I am thinking that I may take it back and get her to do some more quilting on it. It just isn’t flat enough for my tastes. I don ‘t mean flat as in I pieced it badly and it pooches. I mean flat as in the quilt is quilted within and inch of its life and there is no pooching from unquilted areas.
Here is a little of back. Perhaps you can see how much unquilted space there is?
Here is the full piece. I don’t think you can see the quilting at all in this picture.
I am struggling a bit with my camera lately and am hoping it will not die.
Janome
One of the great things about being a fan of Janome on FB is that they interact with their fans. I love that. I love it that they actually answer questions. Periodically I have a question about a foot or something. If I post it on their wall, they get back to me/the other fans quickly. So much better than email! It is wonderful.
I am preparing for a class this weekend with Dale Fleming. The supply list has some odd things on it and I have been working on collecting them. Good thing I started early. One of the things on the supply list is a zipper foot. I have a zipper foot for my Janome 9K. It is, however, a heavy machine to take to class and I was hoping to be able to take my Jem Gold to class instead. The Jem does not have as many capabilities, but it sews great and is much lighter. I didn’t think my question through very well, so they didn’t have enough information to answer my question exactly, but they did point me to a GREAT blog post about putting in a zipper. The Dale Fleming class isn’t about putting in zippers, but I can still use this information.
I tried the zipper foot on my Jem and it doesn’t work, so I will be hauling the big machine to the class.
Later, Janome posted a sewing machine cover project. They actually tell you how to make the cover fit your sewing machine rather than giving a pattern for one size. I have been using a plastic bag and I am definitely going to make one of these covers. I know not all of you have a Janome, but you can certainly use the projects they post and the information they offer with your own tools and supplies.
Giveaway
Did you sign up for the giveaway? C’mon, you know you want that silk. You can do it. I don’t mind taking your one last braincell to sign up for the giveaway after the fight you broke up between the kids, the dog running away, dinner not ready when you got home, that lost thing at work you just had to stay behind and find. I really don’t mind. Check out that blog post, leave a comment here and JUST DO IT!
Podcasts
BryeLynn over at Sew~Stitch~Create found 3 new podcasts:
Around the Web
Sew Mama Sew posted an interview with Denyse Schmidt on her blog. They talk about her workshops and a new book coming out. There are really nice descriptions of her various workshops offerings and some nice photos to illustrate the various points in the interview.
An additional interview was posted with Nancy Crow on the Quilting Arts website. A lot of the answers really talk about the creative process, space and how it impacts production of quilts.
A couple of weeks ago I mentioned the Happy Zombie blog. I went back there yesterday looking for the post about the New Wave quilt to show my mom and stumbled on to her enthusiastic and excited post about her new fabric line from Lecien. One of the things she showed was a color card. I clicked on the link because there were LOTS of dots and I cannot resist dots. Lecien has a great selection of dots on their site.
I was pleased to see a link to my blog on the blog A Stitch in Time. One of the things that interested me were Carol’s digital photography lessons. In the post that I read, she talks about and shows a lot of examples of light. Remember when I went to the scrapbook day and talked about the video I saw on improving digital photography?
Mark Lipinski posted that he needs a kidney transplant on his blog earlier this week! It made me think about a lot of things. One of the thoughts was about how much we don’t know about people out in cyberland.
Rice Zachery-Freeman (Freeman-Zachery??) of Voodoo Lounge and Creative Time & Space (this book is in the AQ Bookstore, so if you want to buy it, it is just an easy click away!) fame and podcast had a really interesting post about an quilt project author who wrote a magazine article. In the article the author claimed that, according to Rice, the most interesting part of the article was a “trade secret.” Not only was the post interesting, but the comments brought all sorts of other issues surrounding writing. One issue was should craftpeople write for free? My favorite was is everyone who claims to be an artist an artist? Another issue was whether the editor should have worked more with the author on that “trade secret”.
I am not saying what is right or what is wrong, but I like it when people call writers and editors on things that the reader may not find right. I am not advocating violence or antagonism, but a good, healthy, respectful debate.
As I said, I am not sure if I know the article in question, but what struck me was the sentence (FYI: third hand via Rice) “it is a trade secret.” While I am not a lawyer, I do work with a bunch of lawyers and I see what it takes to deal with the law. Time and money, first and foremost. I don’t like it when people throw around legal terms, which seems all to prevalent in the craft/quilt world these days. Everyone is entitled to their copyright. Still, there are rules about how people can write about your copyrighted materials. Everyone is entitled to trademark their logo or design. You have to do the work, though; you can’t just say that you have trademarked something. It takes a lot of research, effort and some cash (or credit, as the case may be). Trade secrets are whole different ball of wax. I don’t work with lawyers that ask me much about trade secrets, but I am pretty sure you can’t just say that some process you have thought up is a trade secret.
Anyway, check out Rice’s blog post about this issue. I am sure she would love to know what YOU think.
Life on the Edge
I am looking for a nice pattern for a walker bag. My granny, who we are now calling Super G, fell over the weekend and now has to walk with a walker. I think a walker bag would be handy and make it look pretty. I haven’t trolled the web, but will. If any of you have found a good pattern for a walker bag, please leave a comment and let me know.
Have a great day!
My sister went to A Work of Heart last week. She asked me to go, but I had stuff to do, was tired and thought Spoon jewelry would look lame.
WRONG!
I should have known that between my sister and Andrea, the owner of AWOH, that something wonderful would come out of the class. These necklaces are really nice looking. I probably couldn’t wear them because I am allergic to nickel, but I can still admire them.
Somehow, in my travels around the web, I was pointed to Blue Moon River (News from the Studio of Susan Brubaker Knapp, her blog). In the April 15, 2010 post, she tells the world that she has been selected for the Aurifil A team.
I have seen Susan’s work in Quilting Arts, but otherwise I don’t know her from a bar of soap. Still, I loved her post and told her, in a comment, that she is soooooo lucky. Susan’s post is really great. She has a lot of interesting photos and discusses Aurifil in a fun, but also informative way.
The Aurifil A Team is, apparently, a group of quiltmakers who get a bunch of Aurifil thread to use and remark on. Beyond that, I am not exactly sure what the A Team does, but I want to know so I work towards being chosen!
I was introduced to Aurifil back in about 2001 by Kathy Sandbach and I had no idea that Aurifil would become such a phenomenon. I took a machine quilting class with her at Marin Quilt and Needlearts Guild Seminar back then. She sold us ziploc bags full of Aurifil 50 wt cotton Mako. I was a bit leary, because there were no labels and barely any markings. Still, I shared about 12 spools with my mom. I still have a number of spools from that batch which are only partly used. I use them regularly,, but don’t use some of the specialty colors as much as I use the grey. I have become a complete Aurifil convert. I am working on using up all my other thread so that I can justify buying more Aurifil. What I would really like is the Aurifil suitcase. 😉
The suitcase is an outrageous wish as I have no place to put the suitcase. I also have PLENTY of thread.
I have only tried the 50 weight. I would like to try another weight, but my ideal would be to go somewhere where they had the different weights and I could try them out without buying one until I was sure which one I liked.
One of the things I like about this thread is that it works well in my machine. It doesn’t cause any problems.
I also like that it comes in a zillion colors. My favorite for piecing is the Light Gray #2600. Right now I am piecing with a slightly different shade, Pearl Gray #2615. TFQ said she had pieced with a color called Flesh (ugh! dislike that name!) #2315 and that color thread had simply disappeared into the fabric. I feel that way about the light gray as well, but am always open to finding the new perfect piecing color. I may try the Flesh, though, just to see how it works. The good problem is that once I buy a spool it seems to never run out. I was really shocked last week when I ran out of the grey!
It turns out that I love these Various and Sundry and Odds and Ends posts! I can collect a bunch of stuff I find interesting and then post it here for your enjoyment. The last one I wrote got a lot of interesting comments. Thanks, everyone!
Searching
I read a blog called ResearchBuzz for my job. I often find interesting tidbits that allow me to find more quiltmaking resources on the web. I also find that testing using quilt terminology is a lot more interesting that my work subject matter!
Recently, ResearchBuzz talked about the reorganization of photos and graphics at the Library of Congress. She writes “Oh wow, I was SO glad to see this article in the Library of Congress Blog yesterday. The LOC has an incredible archive of prints and photographs (over 1.25 million!), the but nav for them has always been icko. The blog announced a new version of the Prints and Photographs Online Catalog, now available at http://www.loc.gov/pictures/.”
Of course, I did a quilt search and came up with some interesting photos. On the first page, there were a few from Gee’s Bend, one of Calvin Coolidge’s shoes, bathrobe and quilt! I noticed a number of the photos were taken by Dorothea Lange.
Fame and Fortune?
I mentioned that my blog was mentioned by Linda Poole on Pat Sloan‘s podcast. That was right after I received two books from Lark Books, so I was feeling pretty high on the hog. Today I was listening to the Sew~Stitch~Create podcast (#41, if you care) and BryeLynn mentions that she heard about me on Pat Sloan’s podcasts. She raves about my website and mentions the blog TWICE!!! I need to redo the website and am slowly (like a snail, actually) working on that. I thought it was really nice that she liked my quilts. Also, she thinks that Pat Sloan should interview me! I laughed at that, but am also very flattered. I am not a fabric designer and I only teach beginners at work. The plans I have are still plans, so I am not sure what Pat would ask me. She did talk about using the Creative Prompt Project for writing prompts for her daughter, which I think is awesome! What a great use of available resources. I can’t wait to see what her daughter comes up with! Finally, Brye thinks I should start my own podcast. We all know that is not going to happen. I like you thinking of me in one of those cute 1940s style suits with a smoky voice and would hate to ruin that illusion. 😉
On the Web
Have you looked at the Quilt Index lately? I am friends with them on FB and get a notice of their Quilt of the Day. I liked this quilt, Thomas Sykes Album quilt, that showed up last Thursday as their Quilt of the Day. they have new functionality where you can zoom in on quilt. They also put as much information as possible into the record associated with the quilt. I like to read that and think about the people making the quilt. Meg Cox, the new president, was on Pat Sloan’s podcast recently and discussed the project and programs. I’d love to have my quilts included!
Spiderwebs seem to be popular again. Oh Fransson has put up a small quiltlet with 4 Spiderweb blocks in it. She has such a wonderful sense of color. While her choices aren’t my style, I do like the combination. I have had in the back of my mind that should finish mine this year. Cross your fingers.
Jen of Quiltin’ Jenny is a new reader and one of those who commented on my Various and Sundry Thursday post from April 1. I went to take a look at her blog a few days ago and found that she does something called Wordless Wednesdays. One of the things I love about the web is that people are so clever and I get to see their cleverness. WW is a photo that she puts up with no words. I might try that instead of my Inspiration [insert day of the week here], except that then I would be stuck with only posting inspiration on Wednesdays. Hhhmm. Perhaps I will leave that great idea to Jen!
I went back a few days ago to see what was up and found that she had just finished a DENIM quilt. I am not a big fan of denim since I made the denim bag for my stepdad for Christmas (my mom calls it his man-purse!) and broke two needles in the process. I also don’t own jeans that I wear. I have a pair that I love, but they don’t fit anymore. 🙁
The other cool thing that I found is that I WON A PRIZE. WOW! I can’t believe it. Go take a look at Jen’s blog!
Reviews
Lark Books gets kudos for updating their Pretty Little Mini Quilts record on Goodreads to include a photo of the book. I use Goodreads to post reviews here, because it kills two birds with one stone and makes the reviews attractive.
I had emailed the lark Books people about the photo when I notified them about posting the review and never heard anything. I went last week to update my review with a photo. Having that big “photo not available” was unattractive and had been bothering me, so I finally went to do it. On a whim I checked to see if Goodreads had received a photo before I did the HTML work on my own and voila! they had received one from Lark Books. The update when much faster than I had anticipated.
Fabric Doing Good
Here is my excuse to finally try out making a pillowcase. I have been thinking about it for a long time and just never get around to it. American Patchwork and Quilting and AllPeopleQuilt.com have launched a project to donate 1 million pillowcases to a variety of causes supporting cancer patients, foster kids, domestic violence victims and nursing home residents. Jean at the Quilted Cupcake blog and podcast asked all of her listeners to make 5. She had a good reminder and that was that boy themed projects are less common than cutesy pie girl projects. I will commit to making one boy pillowcase and see how it goes. I was rummaging around in the bins in the back of the fabric closet on Monday and found a couple of large pieces of fabric that would work well, so I am all set.
You can download instructions to make a pillowcase embellished with leaves from their site.
Making
The members of one of the guild meetings I attend exchange ATCs. We invited some new folks one time and a few of them did not know what ATCs were. I found this guide on how to make them, which gives the basics.
Industry News?
Need some textile industry news? Want to know what is going on in Congress? Textile World is your place to go! Someone who I know from a work related endeavor who is not crafty or quilty sent this to me. The fun thing I saw when I looked at it yesterday was that the town I lived in in Austria is having some kind of textile industry event.
Mother’s Day Gift Guide
Saturday I attended the East Bay Heritage Quilters Show. As usual, this show was impeccably set up and organized. In general, I thought the quilts were a lot more interesting than the last show in 2008. Much less brown as well.
It is hard to decide what my favorite quilt of the show was, but I think it was probably Evening Star by Karin Lusnak. The thing I like about it is that there is a lot of movement and interest.
She did the same thing I have done using the mosaic quiltmaking technique of Shannon Williams. It looks like she made fabric using her scraps and then cut the patches for the Evening Star from that new fabric.
I love the angles of the houses in this quilt. The colors are also fresh and clear.
The turquoise/aqua and red combination are one that has been attracting me lately. I also thought the flower designs were quite cheerful. These flowers may be from a Piece ‘O Cake or Pat Sloan pattern. I have always liked the layered circles motif, which can be seen in the border of this quilt.
There are a lot of things I like about this quilt. The artist does a nice job not exactly reproducing the photograph which was the inspiration. The blue and green are abstract enough to evoke a feeling of nature without exactly duplicating the photo. The main part I like in this quilt is the technical details of the border. I don’t much like uneven borders, because they often floop down when hanging. Ms. Kaplan has resolved this issue with the white border. Her uneven border accents the quilt and adds movement without causing a hanging problem. Nice work!
Corless Smith did a great job with these circles. The layers of fabric and the blanket stitch are very appealing. It has a vintage look even though a number of the fabrics are modern.
The small circles also add interest. The scallop type border could be a hanging problem but isn’t, which I appreciate.
The artist, Pat Dicker, writes about this quilt “Sue Garman’s charming Block fo the Month appealed to me, but rather than use the browns, olives and grays as suggested, I turned to my bright ‘dot’ drawer and found inspiration. I also chose to exclude the cars of the pattern and create a ‘Pedestrian Friendly’ community. ” All good choices IMO! You would not be looking at this quilt if she had made it in “browns, olives and grays.” This is a wonderful quilt in the dots and brights. I also like it that she changed the pattern to suit her vision. How do you like the whale?
