I bought this book because it was a block dictionary and the cover was very appealing. I think I also liked the cover’s color and was in a weak mood. Still, I do love block dictionaries and this is a great one for new a way of looking at hexagon blocks. I have never seen a grouping of hexagon ‘blocks’ before and these are really unique. I am really excited about English Paper Piecing right now and can see myself starting several projects using that technique. I am trying to restrain myself, especially since I plan on making the La Passacaglia quilt.
This book was paired with the Marti Michell Perfect Patchwork Templates set G. I thought they would be great for cutting the fabric. The sizes of the rotary templates don’t match the sizes in the book so that is a problem. However, as creative people I know that most of us can adjust the blocks to the size of the templates since they make cutting fabric much easier.
Predictably, the book starts out with a table of contents. After the table of contents, the author presents us with her view of paper piecing. The method I use (thread basting) is considered “truly laborious” (pg.4), though in fairness to the author, I do buy paper templates rather than cutting them out myself. Marek advocates glue basting fabric to cardboard over thread basting.
The author discusses the advantages of EPP, including its portability. I do agree that English Paper Piecing is portable, as you have seen with my half hexie project.
The Tools and Equipment section (pg.6-7) is compact but information filled. I was thrilled to see that Ms. Marek goes to the level of telling her readers what weight of paper (pg.6) she uses to print her EPP papers. This is very useful information if I decide to print templates rather than buying my papers. In addition to the tools, Marek also describes her “on-the-go box” and what it contains. I am a huge fan of Go Bags as having a bag ready to take on trip means I don’t have to rummage for supplies and possibly forget something. It also means I might actually get something done on a travel weekend where I might otherwise get no time with a needle.
The fabric in this book looks like Kate Spain’s Terrain, another appealing aspect to the color scheme of this book. It is well suited to the examples as there is opportunity for fussy cutting from some of the motifs.
English Paper Piecing Techniques (pg.8-11) follows the chapter on tools. This section has everything you need to know about paper piecing. Keep in mind that this is the author’s method and variations you use are not wrong. While I haven’t tried the glue basting method, the complete directions given do encourage me to give it a try. I normally only wash my quilts as needed so I worry about the lasting effects of the glue on the fabric. She talks about removing the papers but not about reusing them or washing the glue out of the fabric.
There is the ubiquitous section on “Quiltmaking Basics” (pg.12-15), over a page of which is concerned with binding the quilt. There is no talk of quilting the quilt beyond following the manufacturer’s instructions. Of course whole books have been written on the subject so I am not surprised.
One of the most interesting chapters is called “Working with Patterns” (pg. 16-18). One thing this section shows is why the reader should prepare the templates in the way the author recommends. “The following is the so-called ‘fine print’ — the little details that are often glossed over. You may never choose to changed the size of the blocks in this book, and you may never need to calculate the height of a hexagon. But when you become inspired to start designing your own quilts using the blocks I have provided, these little tidbits are here to help you. The size of the blocks in this book is determined by measuring the length of one side (in this case 3 inches) (pg.16). Even I, who glosses over directions with wild abandon and to my shame, can see the wisdom in Marek’s words. This section also gives tips on fussy cutting and provides ideas on layouts. Study these pages carefully and you will benefit greatly. I did and found a variation of Jack’s Chain which has my head spinning with thoughts on that layout.
Over 71 pages 52 hexagon blocks are presented (pg.19-52). The author has named all of them with women’s names. Carol is the most basic divided hexagon, being made up of 6 triangles. Most of the other blocks have smaller hexagons and diamonds, some half hexies (Lorraine is similar to my EPP project), triangles, parallelograms, and kite shapes all rearranged into hexagon shapes in very clever ways.
Finally, the book has a few projects. Because of the nature of EPP, I think this is a book that will inspire quiltmakers to design their own quilts. All of the projects, especially those made in Terrain are very appealing. My favorite might be the Rain Chain Nursery Quilt. It reminds me of the modern donation quilt our color group made a few years ago. There is a lot of background, but the layout is very appealing. Sadly, the Jack’s Chain variation is made from unappealing beiges.
There is also a list of resources and a gallery. This book has a lot of scope for inspiration