I know you thought I forgot about the Tarts. Or, perhaps, you thought I abandoned the piece for another 3 years?
Oh ye of little faith!
Non quilt parts of my life have been busier than usual. I have still taken the time to diligently test your ideas for the whipped cream on the second piece of pie after I posted some thoughts in a previous blog post. I thought it would be easy and fast. HA! When will I ever learn?
Another issue is that the 9K is back in the shop. It is fixed now, but I won’t be able to pick it up (80+ mile round trip) until Friday since I am going out of town on Tuesday and the shop is closed on Monday. I tested an approximation of a satin stitch on the Jem. The Jem is a great machine, but the satin stitch it makes doesn’t compare to the 9K’s satin stitch. I need to wait until the 9K returns from his/her vacation. I’ll get everything ready, however.
Below are the candidates:
Whipped Cream #3
I liked this one, but didn’t think it was enough. I thought it needed more of something. Someone mentioned a drip in a comment, so I started working on that.
Whipped Cream #4
The drip above is too small. I want it to stand out a bit more against the plate.
Whipped Cream Test #5
The one above is pretty good in terms of having more than just an element on the top. However, the indentation in the top of the dripped whipped cream on the plate looks strange. It may be realistic, but it doesn’t look fun or interesting.
Whipped Cream #6
The one above is the option I have decided to use. I like the more engaged shape of the drip. I don’t think that is how drips really look, but this quilt isn’t reality.
As you can see, I take Lorraine Torrence’s admonishment to “make visual decisions visually” to heart.
I’d like to baste the Tarts at the next CQFA meeting on Saturday. In order to accomplish that goal, I need to get the whipped cream on the pie. I made the pattern and have been auditioning it in slightly varied locations all over the pie.
Pie Cream #1
The above photo shows the crust stitching (see below), but I still don’t like the placement.
Pie Cream, in context
The above shows the whipped cream on the pie from a little further back, so it can be seen in context. It does look better from this distance.
Pie Cream #2
The above location does not work. I am rather proud of that crust and the location of the whipped cream covers up my lovely stitching.
I am thinking that the ultimate problem is that I made the pattern too big and it should be a smaller mound of whipped cream, like on the cupcake. I am also thinking about adding a cherry instead of whipped cream.
I have a box of Recchiuti that I have been slowly savoring as I work on the Tarts project. The box is almost empty and, TA DAH, I have reached a major milestone in the work on the Tarts project!
Tarts Top Complete, August 2009
Your eyes do not deceive you. The Tarts Come to Tea top is completely sewn together. I had some bits of time over the weekend and used those bits to work on the Tarts. I really need to get this piece off my design wall and work on something easy. I resisted the urge, especially after all this time, to just throw the thing together. I really looked at it as my last opportunity to fix any despicable design decisions.
My first order of business was to replace the yellow cup.
Yellow Print Cup
I like the cup itself and am pleased with the fussy cutting and satin stitch quality. As part of the complete Tarts Come to Tea design, it didn’t work. My eye kept jumping to it. While I want the viewer’s eye to move around the piece, I didn’t want it to be glued to the yellow cup.
New Pie, August 2009
TFQ suggested pie. Since I was thinking along the lines of a pastry or tart as well, I appliqued another piece of pie. I used the same design as the original piece of pie.
Old Pie, August 2009
The problem was that they were too similar. I didn’t make enough changes to the design, even though the colors/fabrics are different. The similarities are highlighted because the two elements are close together in the piece.
I resolved the issue in my mind, however. I am going to applique’ some whipped cream on top of the new piece of pie, and perhaps a cherry. It will overlap on to the blue block above it. I planned to do it before the entire piece was sewn together, but I got caught up in the excitement and focus of the sewing and forgot. I’ll add it later this week or on the weekend.
Upper Left, August 2009
I had already started to sew sections together last weekend when I tried to tell myself I was finished. Still, there was a lot of piecing to do, so I got too it.
Upper Middle, August 2009
One thing I forgot about improvisational piecing is that one has to add bits and pieces in between. I really didn’t want to do much of that, because I liked the look of the blocks being next to each other. That meant some trimming and adding little bits, which I did, and which will, hopefully, be mostly hidden once the piece is completed. I couldn’t avoid adding some bits and I had to pay attention to the checkerboards, because I didn’t want to cut them off in the middle of a square.
Lower Left, August 2009
There were a few places where I couldn’t trim and augment. Those spots should be readily apparent from the photo. In general, I am pleased with the way the piece turned out.
Quilting is next, of course. As I mentioned in the last post about the Tarts, I seriously thinking about quilting the piece myself. I want it to be done a certain way. I don’t think I am good enough yet on the longarm to quilt the detailed design I have in mind. I really want the cups and pastries to stand out. More thinking on this is required.
I can’t really believe that it is together. It has been such a long process!
The picture is of wrapping paper covering the door windows of a studio space. I saw the paper and thought the design would make a good quilt layout.
I noticed the four patch-like red block alternating with the slightly tilted asterisk. I think that once could alternate the asterisk with a star block or some round design.
I have been staring at this quilt on my design wall for months. I am glad it is progressing; the end is finally in sight. I will be very glad when I get it sewn together and off my design wall!
I made one tiny change to the arrangement of the Tarts Come to Tea. Can you identify the change? You can see the previous iteration on the June 4th, 2009 post. What do you think?
OK. I won’t keep you tortured in suspense. I moved the china cups up. I am still considering their new spot. It is less fabric and seams next to the twirly handle coffee pot. Also, it is fewer cups next to each other. The heart makes a bit of a break for the eye for the middle cups. My eyes were looking at all of those cups in a row and wondering if they would fly off the quilt.
Most of the work on the Tarts has been mental lately. Those of you thinking mental case, may be right. 😉
With all of the rote sewing I have been doing lately I haven’t made the time to sit down and do the next drawing, which will be another pastry.
I am liking this layout. I think it adds a bit of movement at the top, though I am not sure why. I like the vertical checkerboard next to the tea kettle and will put a piece of it above the tall frothy drink as well. The orange squiggles between the red cappucino cups and the tall frothy drink will probably be replaced by some vertical silverware. Onward!
I realized that when I am in a class with Pamela, I do think outside of my own quiltmaking box. I also realized that if I just listen and do what she says I succeed. I also feel a bit freer in my work. I really have a strong feeling that I need to make a much larger piece in Pamela’s style.
Pamela gave us tips and I interpreted them as:
make lots of art because not all of it will be good; small is good
your first idea will be crap, so don’t cling to it
put the big shapes down first
move things around; try a new view
if you are bored by your piece everyone else will be as well
We talked a lot about art quilts at our dinner out together. I feel strongly that all quilts need to have a good design. Block type quilts have a basic structure which helps with good design. Most art quilts do not have a basic, inherent structure and some go astray because the quiltmaker doesn’t care, doesn’t know how to initiate and then evaluate a design or doesn’t have the technique foundation. I think it is easy to find out about these things. There are a lot of good principles of design type books, such as Pentak and Lauer’s Design Basics. The basic thing concerning technique in art quilts is that they don’t fall apart upon hanging. Pamela doesn’t have the classic quilt background that many quiltmakers have, but she has learned what she needs to keep the quilts structurally sound and then applied her art and design training. This is the best of both worlds and this is where I really want to be.
You can see from the gallery above how she inspires great and different work. Diane is a wonderful silk painter. She normally paints a whole cloth piece on silk and then quilts it. Her blue trees piece is really different from her normal style and really, truly wonderful. Kristen is very busy with her family and doesn’t have tons of time to sew, but made some fantastic pieces that her children would enjoy. I love that space alien monster! Kristen’s pieces are also cheerful and imaginative and wonderfully creative. Mrs. K’s sauguaro cactus/Suspicion Mountains piece has a calmness to I that I love. I hope she finishes it and hangs it somewhere where it can inspire other people. Everyone really did fantastic work and I am sorry I didn’t take more photos.
Creative Mess #2Creative Mess #1
We made a creative mess. Mess is the wrong word; we had supplies and we needed to use them. When you only have 15 minutes to make a piece of art, the fabric will be flying and it was. I brought my scraps which kept ending up on the floor. People would stop by, pick up some bit of fabric and ask to whom it belonged. It became quite hilarious. We really couldn’t have done the workshop without Mrs. K. She brought tubs of fabric which allowed us to actually have backs and batting and such things. I seemed to conveniently forget those supplies when I go to Pamela’s workshops! DUH!
Summary: This post talks more about how the Pamela Allen class with CQFA will inform the Tarts Come to Tea.
I find that a good class will inform my work in a way that other experiences don’t. I don’t see quiltmaking in a vacuum. I see it related to other art and that is one of the benefits of taking a class from Pamela Allen. She really brings her training in art to the quiltmaking/fabric collage world. Her comments about artists in other media really enrich my quiltmaking experience.
After sleeping on my class experiences I went up this morning to look at the Tarts. There are things I like about it and things that really need improvement. I actually wonder if I should just start over and make the piece in the style I worked in over the past couple of days? I am loathe just to toss all the work I have done, so I came up with a different solution.
When working with Pamela, she suggests putting a background down (which has already been layered with a back and batt) quickly and then cutting pieces to put on top of the background. One of the things that I liked about this method is the layering. I have had layering and the way it creates textures on my mind lately and the class experience solidified some of what I was thinking about.
With the Tarts, I think I will finish my plan so that I have a solid top. Instead of, then, sending it out to be quilted, I will put some kind of stabilizer, or additional stabilizer on it and then add another layer of fabric to the top in the Pamela Allen style. I think that will add movement to the piece and make it more interesting.
Tarts Kettle
I have always wanted to add some stitching and embellishments and will do that after I get the piece quilted.
The Tarts, as they are now, reflect my A type personality and I want to move the piece beyond that buttoned up feel to the piece. The motifs are interesting and the fabrics are fun, but it really needs movement. I took another photo of the entire Tarts and plan to print it out. Once I do that I can take notes on how I want to add layers.
I have been in class for the past two days with Pamela Allen. Pamela is much more than a quilt teacher. She is truly an art teacher who works and encourages work in fabric. I had THE Aha moment in her class today and it really thrilled me. I could feel the difference in my work after that moment.
As you may have read, or noticed, I felt crappy all week. Barely any blogging got done even though I have a pile of sticky notes with reminders of things to tell you. My house is a wreck and my to-do list is still long. A cold was really beating me down and I was doing everything I could to conserve energy so I could go to class. A good move on my part was to take Thursday off of work rather than working straight through and then going directly to class.
I have taken several classes with Pamela. The first one I took was in Richmond, Virginia at Quilting Adventures. I actually took two different classes in one weekend. The first was a self portrait class and the second was on composition. I started one piece in each class.
Self PortraitGarden
Pamela also came to California in 2008 to teach at EBHQ. I took her class there as well. I don’t think I ever wrote a blog post about that one, but Julie wrote one, which is probably what I would have written anyway. 😉
The quiltlet, House and Garden, that I did at EBHQ has been worked on more since the class and I am almost finished with it. Maureen sent me a link to facing directions from Jeri Riggs site and I plan to use them to make a faced edging as soon as I finish the beading.
House and Garden
I brought all three of these pieces to the workshop with the intention of working on them and not starting anything new.
The first exercise was a monochromatic exercise. I didn’t do it. Don’t worry! I warned Pamela that I was planning to bring projects from previous classes. I did enjoy the pieces that others in the class made.
I worked and made progress on the Garden. I am actually ready to handstitch on it, though I do still have a bit of piecing to add. I am really pleased with the work I did on the Garden. I think it looks very different from what it was when I started. I also think it looks a lot better.
Garden (after)
I am really pleased with the petals that I added. I wanted to create a little more interest in the space where the blue petals are now.
Garden (detail 1)Garden (detail 2)
In the bottom part of the piece, the flowers were all middle ground. Pamela helped me create a foreground by putting some darker blue behind the red flower with the petals. I also created a little bit of a different foreground with the flower in the bottom right hand corner. I was thinking of it as kind of a coneflower, but some people said that it also looked like the petals had dropped off. I have a little work to do on the bottom. During the critique, Pamela and the other students suggested that I extend some of the stems to the bottom of the piece and make the bottom of the piece longer as well. They also like the brown border. That brown is currently the back, but I will cut it off and add it to the new front, but only on a couple of sides.
I didn’t succeed in doing my own thing. Pamela is such an engaging teacher that it just wasn’t possible for me to ignore her completely. She did help me with the projects I was trying to work on, though.
After a quick litle quiltlet exercise (15 min), she gave us a piece of fabric and we had to make something with it. My piece was brown. No other colors. None of my colors. Bleah!
The exercise was about accentuating or extending existing lines in the fabric she gave us. I liked the idea of the exercise.
Line Exercise
This is the piece that came out of it. The colors aren’t me, and you can see that I injected quite a lot of blue into the surface.
Today, we worked on critiques and one piece using stripes and prints to create movement.
Final piece, stripes and prints
This piece brought the AHA moment for me. The AHA moment was a point where I finally got all that I have been learning from Pamela. I finally understood about the background and how to put stripes and prints on the piece in different ways in order to achieve movement and the illusion of something. I am really pleased with this piece and think it is very strong.
I can see how some of what I learned today will help me with the Tarts. I am going to use some of the techniques and thoughts to get that piece finished.
I am a huge advocate of Thanksgiving. I like it because there are no presents to manage. I don’t like the virtual lack of craft opportunities associated with T-day. So, despite the fact that Christmast is months away when I saw this great tree, I had to share it. I love the way Kathy at Pink Chalk Studio blends her colors and fabrics. I really like this tree and it looks like a project where you would get a lot of bang for your buck. Check out her blog.
In a recent post I told you about some blue fabrics that had caught my attention. I have been working my way through a couple of different groups of photos on Flickr (the Denyse Schmidt Pool and IQFH). I saw this quilt by Two Dogs and a Quilt in the DSP and thought that it might make a good pattern for those blue fabrics. I’ll have to dig out the dimensions from the DS book I have. If the pattern isn’t in there, I don’t think I really need one anyway. 😉 See it on Flickr at: http://www.flickr.com/photos/24268088@N08/2948711943/
Avoiding work, I was browsing the blogs. I clicked on Pink Chalk Studio and came across this photo of, what looks like, fabric selection during the design phase. I admit, I didn’t read the post…yet. What struck me about this photo is that it is my ideal way of picking fabric. I would like to have the space (physical and brain) to heap up fabrics and look at them kind of jumbled together. This photo of these jumbled together fabrics give me an idea of how they would look in a project.
The problem comes in the actual execution. Sigh. I know that if I take these fabrics out of the closet and jumble them, I will most certainly have to refold and put at least half of them away.
I know I have to do something like this (make visual decisions visually), but I seem to have a brain block. Perhaps I need a studio assistant? HAH! Or just continue to work on cultivating enjoyment of the entire process.
I have been attracted to repetition lately. I seem to pick up cards with 9 pitchers or, of course, fabric with dots. When I saw this railing, it appealed to me for that reason.
