Last week, I wrote about the silver collection. Earlier I also talked about the Katsina collection at the Heard Museum. I really could have taken a photo of each Katsina, but I tried restraint instead. The week before, I talked about the Kahlo / Rivera Exhibit.
I only had about two hours to see the whole museum, so I had to focus. the collections described above were mostly the collections on which I focused. As I walked around I saw a few other random items that inspired me.
In an exhibit about weddings, there were numerous items related to that event. One was a beautiful flat basket.
One of the things I like about this basket is the texture combined with the color. I think it would look great on a wall. I also liked the description “Numerous baskets were made by the bride’s family and given to the groom’s family” (Heard Museum information). This information, brief as it is, seems to imply that the groom rather than the bride was the property and the bride’s family had to pay for “the property.” 😉
You know I like metalwork, if you saw my Art Institute of Chicago post. I find grilles and grates to be good sources of inspiration for machine quilting designs. I thought these would be great all over designs. They are also simple and would be nearly continuous.
The thing I like about this pot/bowl is the design around the outside. A quick glance shows a flower, but if you look closer, you see some small birds, butterflies or flying insects. They remind me of dragonflies. I like the way they are integrated into the design of the bowl itself. I keep trying to think of ways to do this with a quilt. It might not be possible, but I am thinking.
I thought this was interesting. It is a painting housed inside of a Navajo hogan, made of cedar and adobe. You can see the painting in situ in an image on the museum site as part of the exhibit, HOME: Native People in the Southwest.
This museum is well worth a visit. There is a lot to see, so if you go to visit, plan to spend some time there.
Last week, I talked about the Katsina collection at the Heard Museum. I really could have taken a photo of each Katsina, but I tried restraint instead. The week before, I talked about the Kahlo / Rivera Exhibit. This museum is well worth a visit. There is a lot to see, so if you go to visit, plan to spend some time there.
In addition to the Kahlo / Rivera Exhibit and the Katsinas, the musem has a collection of silver pieces that are quite beautiful. They make me want to be part of an organization that has rituals that use such beautiful items. The necklace, though more modern, has really gorgeous designs adorning it.
One of my favorite pieces was a vessel. Enlarge the pictures so you can see the lovely lines on the lid and the droplets, or pussy willows, on the side of the container. I also like the hexagonal shape. The top could be used as machine quilting inspiration.
There were a number of other lovely pieces that were inspiring to me.
The Heard Museum has an amazing collection of Katsina dolls. Yes, I used the term Katsina instead of Kachina. The docent who showed us around said Katsina was the correct term. I really have no idea, so call them whatever you want.
“Katsinas are the spirit messengers of the universe. After death a Hopi continues a spiritual existence as a life-sustaining Katsina” (information at Heard Museum).
“The cultural and religious belief of Hopi is that Katsinas bring the katsina dolls in their likeness as gifts for young girls. Each gift repesents a prayer for good health, growth and fertility. With this daily reminder in the home, young girls remember the Katsinas and their teachings. Male family members may assist in the learning process by casually singing parts of the Katsina songs within the home to remind other of the prayer songs shared” (information at Heard Museum).
The black and white doll struck me as very funny. I don’t mean to demean another religion by laughing. He looks mischievous and cheerful. I sent the image to the YM and he enjoyed it.
Katsinas were carved at a variety of skill levels and with differing levels of detail. As people started to collect them, artists began carving them to sell rather than for children to play with.
Viewers can tell the difference between the toys and the made-to-sell pieces by looking at the bottom. The art pieces have a base, which make them easier to display.
I really liked the variety of facial expressions.
The collection put together by Barry Goldwater is now in the Heard Museum.
The Goldwater display is separate from the others. The interesting part is the way the collection is displayed: older Katsinas at the top of the case, newer at the bottom. This arrangement makes it very easy to see the evolution of the Katsinas. The newer the doll, the more detailed it is and less likely it is intended for a child.
The Ros George Katsina is a good example of the type of Katsina made as art to sell.
I took a photo of this particular Katsina, because of the feathers. If you click on the photo so you can see it larger, you will see the fine carving on the wings and feathers.
Back in June, I went to Phoenix for work. It was that week that was incredibly hot and I was actually out and about in 119 degree heat. I won’t be doing that again.
I was invited to a vendor event at the Heard Museum. Since I had nothing better to do and enjoy visiting places unique to various cities, I went. I am not much of a fan of Native American art – I don’t hate it, it just doesn’t float my boat – though I can always find something to inspire me in ally types of exhibits.
I was incredibly pleased to see the various collections that were amazing and extremely inspiring.
They had an exhibit of Frida Kahlo and Diego Rivera pieces that I felt incredibly lucky to see. Not only were there paintings by the pair, but there were also photographs of the pair and their family. The exhibit was only going to be shown in one other place in the US (not sure what other city, sorry!) and that place was not in San Francisco.
Their paintings have a simplicity, without being simplistic that I like. This was the first time I had seen the sexual aspect of their paintings, as well. This was the first time I had seen paintings of a couple of Rivera’s patrons, the Gelmans. These paintings are great examples of simplicity, without being simplistic.
Kahlo had a number of self portraits in the exhibit. I really liked her hair in a number of them.
She also had some pretty interesting paintings, at least to me. The above photos show a “composition that borrows from the historical motif of the Virgin and the Child with St. Anne in which the saint embraces Mary and Jesus.” (from info at the museum). This is definitely not a boring picture and there is a lot to look at in it.
The bride who becomes frightened when she sees life opened by Kahlo and Landscape with cacti by Rivera are a couple of other interesting paintings. Again they have that simplicity (flatness of the paint application???) that I like, but are not simplistic.
The photographs gave a realistic glimpse into their lives and brought up the suggestion that both artists had other lovers.
Stay tuned for post coming to a blog near you of other art at the Heard Museum.
The Fair is held in June and with the YM’s broken ankle and a big new client, it took me awhile to get this post together. Here it is.
I was tempted to call this post 4 Entries, 4 Prizes, but I thought that might a bit too much self congratulation. It is true, however. I entered four items into the fair and received four prizes.
SIL and I have determined that the way to get prizes is to enter items into the non-quilt categories. I received monetary prizes for everything but the quilt, which received an honorable mention and more criticism on my binding as well as criticism that my seams don’t match. I was annoyed at that since there was maybe 2 seams that didn’t match. I work very hard on my piecing so it looks good. I suppose they have to find something to criticize. The point about my binding was grudgingly well taken. I had no idea what they meant, but SIL showed me what she thought they meant and I took her advice to heart when I did the binding on the Peacock.
I need to make another apron, so, perhaps, I will wait and enter that in the fair in 2018. In fairness, my niece has been waiting for this apron, so it might be a little annoying for her to wait another year. Perhaps I’ll make two.
The fussy cutting on the apron was worth it. There was a comment that they really liked the way I used the fabric. They also liked it that I finished the seams.
They did not like that I did not finish the seams on the California shirt. I kind of knew that when I was working on it. I wanted to make French seams like I do on the pillowcases, but just didn’t do it.
Now I want to make another shirt with French or finished seams. It might be a good way to learn to use a serger.
I have lots of pictures of exhibits to show, so I’ll see about writing some more posts on the Fair in general.
Monday was a day of outings. Friend Julie came up on Sunday night to stay. She, DH and I headed off to the SFMOMA at the crack of dawn (ok, 9:30, but it was a holiday) for our appointment to see the Diebenkorn/Matisse exhibit that was closing that day.
We had a 10:30 appointment to get into the exhibit and arrived at the museum before the galleries opened. We had about 20 minutes to look at the other galleries on the 4th floor before our entrance time. One of the artists at which I looked was Ellsworth Kelly.
Kelly has a long history with the SFMOMA. The Fishers (founders of the Gap) bought many of his works and donated (or loaned) them to the museum. The SFMOMA has also bought pieces of his.
I have a checkered history with Kelly. A number of his works I have seen in the past were “color fields,” a canvas of one color. I am sure critics and art historians have a lot of positive things to say about such work, but I have never liked them. No matter how famous the artist I see these types of work as works they made phoning it in. This view comes from a very limited knowledge.
There were different works on the walls by Kelly this time. There were two that I particularly liked. One was Spectrum I from 1953.
As you can see, Kelly gradates the color from yellow to yellow. The information said that the yellow is the same on both sides. It doesn’t look like it because of hte influence of the green on one side and the light orange on the other. I also like the series of violets in the middles -an indigo with a touch of violet, a violet and a red violet. The canvas looks like it bows in the middle, which is an added bonus.
Second, was a piece called Spectrum Colors Arranged by Chance, 1951-53. He did not phone this one in and I don’t think that blue tape was available at the time (though I really have no idea) to help keep the lines straight. DH found it hard to look at, but I found it inspiring.
You might have noticed that June is nearly upon us and I have not sewn FOTY 2016 together yet. I wasn’t feeling the love. After seeing “Spectrum Colors” I feel a renewed sense of purpose. I am seriously thinking of putting charcoal (not black) in between the colors, but doing it like he has done so there is some interaction between the colors. He uses solids and not all of my fabrics are solids. Still, I think using a solid charcoal or even the cool grey of which I bought about 1000 yards might make an interesting piece.
There are some issues:
Another quilt with a gazillion pieces. Sigh. What has gotten into me.
The squares I cut are 3″. Doubling the number I have might lead to a quilt sized large enough to cover my house. I could cut the squares and might do that. I’ll have to try out a bit and see.
I don’t want to completely depart from the color gradation idea, so I might gradate the colors within the design field even though a solid might be in between some of the colors.
This is why it is good to go to art museums or see exhibits outside of your field. You never know when you will get inspired by an artist or piece of art.
The pattern, which has gathers, is from McCall’s and is called Fashion Accessories “The Retro Collection” (#2811). I don’t remember when I bought it, but it has been around my workroom for awhile. I think I might have bought it when I made my first apron in a garment sewing class back in the dark ages. I am pretty sure I definitely bought it before 2010. Too bad patterns don’t have some kind of date on them. Maybe they do and I didn’t see it. Fortunately, for you, it is still available. The link above is an affiliate link.
Mom was over and since I needed supervision for sewing this pattern, we started it. Altogether, the apron took about 3 hours to make. As usual, I sewed other things in between, like the pillowcases, so it took me more time, but not longer.
My dressmaker (for the Political Wifery dresses) has forbidden me from wearing gathers, so I was slightly horrified when I realized that this pattern had gathers. I also have never sewn gathers. My mom suggested we do pleats instead, which we started. Mom had to leave at this stage so we decided that since it was an apron and I would probably just wear it around the house, there wouldn’t be anyone to criticize the elegant styling. 😉 She helped me start and then gave me firm instructions. I think I did ok. Each time I got into trouble I texted her photos of my status and the relevant part of the directions, then we got on the phone and she told me what to do. What did we do before these technologies became available?
Arranging the gathers was fine, but sewing over them was very strange. It was nearly impossible to keep everything lined up properly. I think I did ok, but it was slightly terrifying. I was afraid I would do something wrong.
Mom helped me figure out the waistband, which is very clever once I understood the terminology.
All in all, I am pleased with my effort. I’ll never be a really competent garment maker, but I can hold my own with some projects. Stay tuned for the final!
I decided to enter the Blogger’s Quilt Festival put on by Amy’s Creative Side since, for once, I have a really great picture of a quilt that fits the criteria.
Russian Rubix was finished this year.
100% cotton fabric
100% cotton thread
I saw this pattern at Always Quilting when I was visiting there with Susan, the History Quilter. After some back and forth via email, we decided to both make the quilts. I used a selection of fabrics I chose carefully, which I subsequently used for two other projects. I wanted to make the pattern, by April Rosenthal, my own, so I changed it up a little bit by dropping some of the octagons in the center and adding an octagon border. The octagons were a bit of a challenge, but I got into a routine and they went together with no problem.
As you know I have a sincere but underdeveloped interest in making books. I have had a new one on my mind for awhile.
It was this plus Maureen’s booth, and the fact that Nancy would go as well that sent me to the Book Arts Jam last Saturday.
I had never been before and I found it to be a really interesting experience. I was expecting a PIQF but with books experience.
It was not like that at all. The show was much, much smaller and the people there were, mostly, selling their book art rather than selling supplies to make books. There were a lot of interesting shaped books and interesting sculptures made from books. I also saw some interesting supplies (mull was one) used to make books and related objects.
The location was in Palo Alto at a community center and, in true Palo Alto fashion, the room was gorgeous.
Maureen was there selling her postcards and doing fairly well. She had a simple to set up, but very effective for display, booth. She had cards displayed on the black slant board and then she had cards in the little baskets. Those in the basket were arranged by event, occasion and holiday. Very clever! She said that she had sold almost all the Hallowe’en cards before we got there (around 1:30pm).
I thought it was an interesting experience. I kind of wish there had been some kind of exhibit of vendor’s art with more explanation. I was glad I went, because I had my eyes opened and my creative energy inspired. I was also glad to support Maureen.
I am happy that Fresh Fruit is a winner, but also irritated. As I told you, it is a pattern e.g. not an original design, like the Whole Cloth Quilt. I used the same fabric as the designer used int he magazine picture. There was very little that was original in that quilt, unlike the Whole Cloth Quilt, which was completely original.
As they did last year, I had the boys make a fuss over my quilt, mostly because they are so hilarious.
Keeping with my mini-theme of doing things out of the ordinary I went to an exhibit of part of the most recent Fiberarts International on Saturday with Maureen, Nancy & Dolores. We also had lunch.
The exhibit was at the San Jose Museum of Quilts & Textiles. The exhibit is on now through January 19, 2014. It is worth going to see. Not quilts, but inspiring in some ways.
I think I mentioned that I joined after a long hiatus of not being a member and one of the benefits was that I got into the exhibit for free. I went there ‘light’, meaning I took no sketchbook, no magazine in case people were late, no book, no camera. Getting in free kind of felt ‘light’ to me, too.
I almost didn’t go. Going meant not sewing, but then I decided that my machine would still be there when I got back. I think I needed to hang out with some sane people and Maureen, Nancy & Dolores were just what the doctor ordered. It turned out to be good, because there was a piece that I loved.
The piece was by a Hungarian woman and called Lung of the City. I don’t really like the name, because the word lung evokes pink fleshy bits that should not see the light of day.
This piece was named, because it had to do with the city in which the artist lives and how the parks act as lungs for the city. I am guessing she means cleaning the air that is polluted by exhaust and industrial output.
The photos do not show the airiness and light that you could see through the piece. The piece was made up of three panels that must have been 10 feet tall. They were delicate, but must have been heavy as well, because they didn’t blow around as we walked by.
One of the things I noticed about many of the pieces was the layering. The one shown in the many photos, Lung of the City by Eszter Bornemisza, was three panels hung one in front of the other. It was made from a grid of thread and newspaper. This was a wonderful piece, partially because of the delicacy and partially because of the way the piece used shadows as part of the work. The photos above do not do the piece justice.
This piece really made me think. Not boring kind of thinking about art, but more about me making art quilts. The piece made me think about maps and place and community and my place and other people’s places. This piece with the foundation of watching Sarah’s video has made me think about art quilts again. I want to use her technique; I just haven’t found for what yet.
I don’t want to replicate what Bornemisza has made, but I want it to inspire me to do something different.
With the beginnings of the above conversation swimming around in my head, I went into the next gallery and saw what is, perhaps, a transition to a piece inspired by Bornemisza’s piece.
A long time ago I made several (3? 4?) woven quilts. I was happy with them at the time and though there could be more in the series, but there was something that wasn’t quite satisfying about them and, as time when on and I learned more, thought more, I, frankly, moved on.
Those woven pieces, however never quite left my mind and Saturday they were back at the forefront, dusted off, rejuvenated, new life breathed into them.
I saw this piece, which is also layered, and it reminded me of those woven pieces. It gave me a new idea for one of those woven pieces. I haven’t thought it all the way through, but I never thought the other woven pieces all the way through, so perhaps that is a good thing? I jut have a clear a few things off my to do list, which I did a bit of yesterday and pick some fabric and then we’ll see.
I love attending county fairs. I make it a point to attend my local county fair every year*. I also work hard to enter something. It’s not like I have a shortage of *ahem* quilts to enter. Also, if you have ever entered a quilt show, entering the county fair is a breeze. It is also really, really cheap, unless you are entering your quilts in the art section.
This year was no exception, though it was a very close call for me. The fair was changed from August to June a few years ago and is usually held the week of one of the major Library conferences I like to attend. As a result, I almost didn’t get to attend AND I almost bailed at the last minute. I was enjoying hanging around the house in my pajamas.
I like the Fair, and most all county fairs, because it shows what is going on in the community. It is a place for regular people to show off what they are making or growing or tending in the privacy of their own home. It shows off what the local organizations are doing. And there are the bizarre vendors (and not so bizarre, too).
I am sad, because my local Fair gets smaller and smaller and more and more expensive to attend. Here is a breakdown of costs:
That is a lot of fabric! I didn’t pay that much however, because the Young Man and I both entered exhibits we each got two free entrance tickets. We also got two parking passes, but I only used one since I can only drive one car at a time. My nephew paid for all but $5 of his carnival wristband. Our cost for the day was $71. I did take two teenaged boys and had to feed them. Still a lot for a day at the fair and out of the reach of many families with a few kids. It is definitely worth the money to enter exhibits. Even if I don’t win, I get $54 worth of entrance and parking right off the bat.
Last year I won a ribbon and was pretty excited about that, but this year I won 4 ribbons! Yes, 4!!!! I couldn’t believe it. I was thrilled when I saw the first one on the A-B-C Challenge quilt I did with BAMQG. I was ecstatic when I saw another ribbon on the Petrillo bag and practically jumping out of my skin when I saw the big, fancy ribbon on Cheerful Baskets. Then I saw the last ribbon on FOTY 2011. I forgot I entered that quilt and couldn’t believe it got a ribbon. Thrilled doesn’t even begin to explain how I am feeling right now. Thisis not a feeling I could ever imagine dealing with nor did I ever imagine I would win a ribbon. I have won two ribbons in the past, an Honorable Mention and a Judge’s choice, but not in the same year, at the same show.
I know some of you are thinking “Sheesh, it isn’t Houston, what is she getting worked up about?” I know this is a little show with a few hundred quilts and not Houston. I am still excited.
After looking at my quilts, I went back and started looking at all the quilts in a very orderly and calm manner. A couple of the local guilds use the county fair as their guild shows. This saves money and enhances the quilt exhibit at the county fair. There are separate designations and categories of winners for those guilds only. I believe the judging is separate as well.
There were a lot of nice quilts at the show. I enjoy seeing all the different quilts of all different levels. I took my own advice and looked for something in each quilt that I liked. It wasn’t hard as the quilts were so good. There really was some interesting about almost every quilt I saw there.
The above quilt is by a local longarmer. She also has a hand in organizing the Fair’s quilt show. I liked this one for a few reasons. First, it is very similar to the EPP piece on which I am working. Second, it looks like the Spin Wheel project for which I am hunting and gathering.
It also has great vintage fabric. The quilt was huge, thus the weird picture.
The above quilt is part of a SFQG challenge called “Chocolate”. I like this one a lot. There were a number of different renditions of the imagery of chocolate. I didn’t see any raspberries. I think that there is a lot of opportunity for creativity in a challenge about chocolate.
The above quilt is such a fantastic layout. One of the reasons I like it is the way the nine patches go out into the border. I also like it because the crosses are not cut off; they are complete.
It is easy to see from this layout how part of the nine patches really are a border. The parts of the nine patch and the blue create the illusion of the nine patches going into the border.
One of my favorite parts of the fair is the building that houses the kid exhibits. Entering that building is an explosion of colors, movement and exuberance. Everything is a little wonky, but all of the art has such life. If you have no quiltmaking mojo left, the Kids Building is where you need to go. Where else can you see a tin foil dinosaur?
*2012 visit is chronicled as is 2009. I didn’t go back farther, but you can search in the search box, if you want.
One of my blocks for the QuiltCon challenge made on to today’s blog post: http://themodernquiltguild.com/2012/09/06/quiltcon-block-challenge-graphic-squares-rectangles-boxes/
I wrote about my blocks a few weeks ago and how sad I felt that mine seemed boring compared to some of the others entered by BAMQGers. It makes me happy that one of my blocks was featured. I am also happy that this blog was linked. Perhaps people will stop by and stay awhile!
I knew and meant to tell you earlier, but was really busy. Thanks to Adrianne of Little Bluebell for the reminder!