Book Review: Amish Quilts & the Welsh Connection

Amish Quilts and the Welsh ConnectionAmish Quilts and the Welsh Connection by Dorothy Osler

I borrowed this book from the library after Wales and then Welsh quilts started started cropping up in my life. After the Today’s Quilter supplement, I found out that there might be Welsh influence in Amish quilts, so I started reading up on Welsh quilts.

This is a very academic book and had a lot of detailed references to sources as well as explanations of what the author concluded from the information in the sources. The scholarship is impressive.

As with many activities primarily done by women, research is difficult. “…they underscore the lack of value given to woolen quilts within the Welsh culture itself. The explanation for this is not simply that they were products of a folk culture… But quilts were made by women; they were domestic products for private space” (pg.53). This books has copious endnotes, a very detailed bibliography and an index. Many of the references come from letters, ships passenger lists, and data compiled from US census records. 

There are few, if any diaries or journals discussing a connection (inspiration) between Welsh and Amish quilts. The author writes “…discussions have remained largely informal and, for the most part, have not been grounded in any evidence base beyond the visual evidence within the quilts themselves” (pg.131). “Particular equivalence was found in the spare style, intensity of color, and quilted textures of wool quilts made in nineteenth century Wales which–in terms of overall design, use of plain wool fabrics, and elaborate quilting styles–appeared to bear a striking resemblance to Pennsylvanian Amish quilts of a similar date”(pg.7). She goes on to say that questions about where a crossover could have occurred remain unresolved. “..at each stage in the research undertaken for this book, the accumulation of objective data from a multidisciplinary range of sources supported the subjective evidence contained within the quilts themselves”(pg.132-133). Osler is UK based and notes that further scholarship on the topic will have to be done in local historical societies and archives, in person, in the US. 

There are similarities between the Amish and the Welsh such as religious non-conformism and farming. There is also geographic evidence showing possible interactions. The author says “It would seem extraordinarily coincidental that two quilt styles with such close visual connections developed entirely independently in the nineteenth century, when–at that point in time–the communities within which these styles were common practice lived in geographic proximity to each other” (pg.132). “Making quilts in deep-dyed plain cloth pieced into large geometric shapes of abstract form was undoubtedly practiced in Wales prior to the time that this dramatic style came into use for Amish quilts”(pg.132).

If you don’t want to wade through passenger lists and census records, read chapter 7, Tying the Threads. It summarizes the conclusions and leaves out a lot of the detail.

There are lovely color plates of Welsh and Amish quilts as well as a few pages of quilting designs.

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26 Projects February 2026 #2

Finished February 2026 Quilt Projects

None this month. 🙁

Finished February 2026 Bags and Small Projects

->Finished 2026 Quilt Projects

 

->Finished 2026 Bags and Small Projects

Projects Ready for Quilting / In the Quilting Process

Projects In the Finishing Process

None at this time.

All the WIPs

WIPs are projects on which I am working. This means that I am past the cutting out of pieces stage,  some sewing has taken place.

  • Country Revival – I am well into piecing. I have done some trimming and have Flower #3 sewn together. Flower #4 is the next to cut.
  • Four Patch Fun – making blocks as leaders and enders
  • La Passacaglia – I decided to change the border, which means moving a couple of the rosettes. Daunting so I haven’t worked on it.
  • Pantone Project – it has been more than a year (where does time go?) since I worked on this. I need to get back to it.

Cut Out & Stopped

  • EPPic – This is all cut out and I have made tiny steps towards starting
  • Paris Cell Phone Wallet – This is all cut out and really a small, quick project that shouldn’t be on my list this long.
  • Rose Petrillo bag – I found the pieces for this bag cut out, but not sewn.

Still UFOs

I still have UFOs. Who doesn’t, after all? A project in the ‘UFO’ category means I am stalled, it hasn’t been worked on in awhile or it is waiting its turn to be worked on. The list is a lot shorter and the projects are newer, for the most part.

I am annoyed that some of these are still UFOs. This is the year to fish or cut bait: some of these will be tossed.

 

Thank you for reading!

 

February 2026 Donation Blocks and Quilts

I have decided to combine donation blocks and quilts into one monthly post. We’ll see how that works this year.

I didn’t make any donation blocks or quilts in January, so here we are in February.

Blocks

I am collecting black and red donation blocks to make another Quarter Square donation top for the guild donation project similar to QST 16 Patch #4 Blue. I have more green squares after a couple of sessions of scrap processing. I want to make another Sidewalk quilt, but I don’t have enough of the half blocks to make a green one yet. The blocks above are being added to the pile.

Quilts

I might have posted the *bound* Blue Improv before, but I don’t see it. It was getting folded up to be donated at Sew Day and I took a quick snap of the finished piece. More scraps off to do some good.

I also finished White Strips #3 (with red) and handed it in at the meeting last weekend. It looks different than the other white strips quilts, but I like it.

Various & Sundry 2026 #2

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Projects, Classes, Patterns, Techniques & Tutorials

I took a look at loveyousewpatterns, which I saw on IG. I have similar patterns to most of the patterns I saw, but I did like the Leah Travel Bag. I didn’t buy it (yet) as I want to compare it to the Pandora Allure, which I already own.

Sara from Sew Sweetness has been more active lately. She released a video on how to install Tool-free snaps. She also released a video on how to fussycut for a bag or pouch.

KAMsnaps has a page of ideas for snaps and rivets.

Libs Elliot has a Pineapple block YouTube tutorial

I am not always super excited about the free patterns offered on websites. Understandably, designers aren’t going to put their best work out as free. This does not apply to the free patterns on the Kokka Fabrics website. OMG! They are awesome. There is a bucket type bag called the Round Bottom bag that I think I need to make. I don’t normally go in for bucket bags, but this one has a fantastic number of pockets. There is also a scissor cozy that I might need to add to my list of gifts to make.

Tools, Books, Fabric, Notions, Services & Supplies

EQ has a new add-on combining EQ patterns with Accuquilt dies. Check out the post about the new collection.

Bodeeoh has vinyls and other different substrates. They also have sneaker kits.

A few new pieces of fabric. Although I am trying to refrain from buying fabric, I find that I need some for specific projects. 

Exhibits and Organizations

Will you be in the UK? On February 14th, Kith & Kin: the Quilts of Gee’s Bend opened at the American Museum & Gardens in Bath, UK, following the success of its inaugural exhibition at the Irish Museum of Modern Art (IMMA) in Dublin, Ireland.

Curated by Souls Grown Deep’s Chief Curator Raina Lampkins-Fielder in collaboration with IMMA, the exhibition features works by mothers and daughters Mary Lee Bendolph (b.1935) and Essie Bendolph Pettway (b.1956), Rita Mae Pettway (b.1941) and Louisiana P. Bendolph (b.1960), and Qunnie Pettway (1943–2010) and Loretta Pettway Bennett (b.1960), alongside Qunnie’s sister Sally Mae Pettway Mixon (b.1965).

While the quilts of Gee’s Bend have garnered international acclaim and reside in the permanent collections of more than forty museums across three continents, Kith and Kin: the Quilts of Gee’s Bend returns audiences to the core foundation of the tradition that has made such recognition possible: the familial bonds that have sustained the Gee’s Bend artistic tradition from the early nineteenth century to the present day.

Media & Articles

Thanks to Friend Julie, I found that Etsy has joined the Color of the Year Parade. Etsy annoys when it doesn’t respond to my exact search, but in this case, I am thrilled with their color, an actual color, Patina Blue. No, it isn’t turquoise, but it is a beautiful blue.  Check out Julie’s January Cornucopia. She found some interesting sites to visit.

NQR

I often think about how to be kinder, more empathetic and generally a better person. Recently I was introduced to the Center for Non-Violent Communication. One of the things I am thinking about is removing certain words, like war and death, from non-specific usage in my vocabulary. For example, I am trying not to say “I am going to kill you” when ‘you’ spill the milk or something equally small. I will use those words in specific contexts like “I am attending a funeral because of a death in the family”. This is a small act on my part to make the world kinder, but I believe that small acts, especially those that don’t hurt others, can add up and make a difference. This was not the main point when I learned about the Center for Non-Violent Communication, but it was one thing I took away and wanted to share with you. Also, I was impressed to see that a new Microsoft CEO had made one of their books required reading. You can get the Feelings and Needs Inventory for free by signing up for their newsletter.

This commercial from the SuperB Owl is definitely a feel good commercial. I wonder if Lynard Skynard (or the owner of the license) approved the message before agreeing to have his song used?

 

 

 

 

 

 

**Obviously, you should shop at local quilt shops and small businesses. However, if you are too busy or can’t find what you need there, I use Amazon affiliate links and may be paid for your purchase of an item when you click on an item’s link in my post. There is no additional cost to you for clicking or purchasing items I recommend. I appreciate your clicks and purchases as it helps support this website.

BAM Creative Play

January 2026 Creative Play
January 2026 Creative Play

I started a project at the guild called Creative Play. This was loosely based on a concept I had during COVID that kind of petered out. It was also inspired by a quote I read in Libs Elliott’s newsletter. The quote is “I have made a promise to myself that I will make time for creative play in 2026. Because, when work gets overwhelming, I find joy in taking even just a bit of time for myself to experiment and try something different without an end goal in mind.”

I am determined to have it take off this time and so far, so good.

I started out by handing out the rectangles in the center. Cyndi took it and added the orange border. That is an amazing choice. I don’t think I would have thought of it, but I love it. The orange has an interesting texture as well.

I handed the piece to Sue next and she added the half square triangles. I am really pleased with the work so far.

Chunking Lupine

Lupine center complete
Lupine center complete

I had to stop chunking when I realized I had to fix a couple of block mistakes in Lupine. I fixed those quickly and got back to chunking, which is easier than putting a quilt together in rows, but still tedious. It seemed to take me forever. Finally, I got all of the blocks together! Yay!

I was worried about the density of the dots in some of the black background, but looking at the quilt in the photo, I think it looks ok. I can see a couple of places where the dots are really dense, but the background pieces don’t make the blocks look wrong. 

Lupine with spacer border
Lupine with spacer border

After the blocks were together I put the spacer border on. Also, tedious, but necessary. 

I really like that Melody Miller Carousel blue. I am glad I bought more of it so I have enough for the borders.

Now I am on to the Flying Geese border. 

I noticed that Bonnie has taken down the directions on her blog for this quilt. I almost had a heart attack when I clicked on the link to look at the border directions and it was broken. Fortunately, I had saved the PDFs.

Thinking about the Pandora Charisma

Pandora Charisma - front, finished
Pandora Charisma – front, finished

As you know I completed the Pandora Charisma. It was a learning experience mostly because, if I categorize my thoughts, it was a pattern by a new designer.

One of the things I explored was new substrates. I used the Diamond Quilted vinyl, which feels like leather, as mentioned, for the first time. I had some challenges sewing it, but not as many as I expected. I did buy and start using a Teflon** AKA Ultra Glide foot. It wasn’t as magical as I hoped, but it worked better than the tissue paper I normally use with vinyl. The tissue paper went straight into the holes made by the needle and wouldn’t come out. 🙁

There were lots of eighth inch measurements. I thought it might be because the designer is from Singapore and uses metric measurements to start, but in one place there was an eighth measurement and the metric was x.1, so I think it is just the way the pattern turned out.

Sweetbay zipper pocket in progress
Sweetbay zipper pocket in progress

I thought the pattern was well written and pretty easy to follow. One of the good things about using a pattern from a new/different designer is that I learn new ways to complete general bagmaking steps, such as sewing the hidden zipper pocket. For an internal/hidden zipper pocket, Jessie (owner of Sewfisticated) only sews along the two long edges rather than all the way around the box. This prevents puckers in the corners, which is something that has always bugged me. The picture of my Sweetbay project shows the box drawn and ready for sewing, so you can see the box. One of the reasons this works is that later in the process the maker top stitches the whole zipper pocket when finishing the zipper pocket. 

I was also confused about the internal/hidden zipper pocket directions, mostly how far down from the top the zipper pocket needed to be on one of the steps. I don’t know if I missed or didn’t understand the directions, but I didn’t have quite enough seam allowance at the top. I made it work, but will do the step differently next time.

I loved that the pattern listed the exact pieces I needed for each section. I was able to cut the pieces I needed for just that section as I worked through the pattern. This helped me keep organized and not have a whole bunch of pieces sitting around for a month. I also liked not cutting everything at once, which I find to be the worst part of bagmaking. In general, it broke the pattern down into manageable bites, which helped my brain, but also my hands.

Center markings
Center markings

Center points are often marked on a pattern piece when you have to assemble a gusset to a side of a bag. In the video I watched, the maker snipped the center marking then could leave the pattern piece in place (pinned or clipped), lift up one side of the pattern and mark the center line. Genius!!!

I learned about stick-on interfacing. I had never heard of this before I found this pattern as part of the Bag of the Month program in which I participated at the beginning of 2025. When I saw the pattern I knew I had to make it and went looking for the supplies, which led me to the Sewfisticated website.  The supplies have been sitting in my workroom and I was pleased to have them on hand so I could use them. I didn’t have all the thicknesses, but I made it work and the stick-on interfacing is awesome. I can’t wait to use up my Decovil** and replace it with this product. It is a lot easier to use than Decovil and works with substrates that cannot be ironed. Genius!

Pandora Charisma: label sewing
Pandora Charisma: label sewing

I like the labels for each, which were included with the pattern, piece as well. This is a good feature and I would love to see it as a standard for all bag patterns.

Jessie also tells you where to put the label, which I really appreciate, if for no other reason than I don’t forget to add one.

There were a couple of places I found confusing, but managed. I didn’t understand the use of some language, including the divider pocket. I couldn’t understand what they were trying to achieve, but then I watched one of the videos available and it all became clearer. They were calling the pocket a divider pocket whereas I am used to calling it a divided pocket.

There were somethings I didn’t like. The pattern has a whole section on interfacing, which I found to be really confusing. This is where cutting and interfacing all the pieces upfront works better. I didn’t know whether to interface a piece or not and the pattern didn’t always say. I plan to make this again and have been making notes about where/when I want interfacing. 

They pattern suggested making zipper tabs in a way I don’t like because it doesn’t come out well. I have to find my preferred method and make sure I know how to do it without thinking. There are so many methods for everything. The way that works is the best for the bag maker.

The bag requires a lot of hardware, particularly zipper pulls. It makes me think that I need to find a small bag or container to use for all the hardware I need for one bag. All of my hardware goes into the Quilts Illustrated Tool Tote I made years ago. I have it mostly sorted in that bag. I am talking about a smaller bag where I can sort just the hardware and zippers(?) I need for one project. I’ll have to think about the right bag. Maybe a smaller version Sara’s Nuthatch? It’s part of Minikins Season 4.

All in all, this pattern provided me with a huge learning experience. I enjoyed the learning and I am pleased with the way the bag came out.

 

 

 

 

 

 

 

 

 

 

 

 

**Obviously, you should shop at local quilt shops and small businesses. However, if you are too busy or can’t find what you need there, I use Amazon affiliate links and may be paid for your purchase of an item when you click on an item’s link in my post. There is no additional cost to you for clicking or purchasing items I recommend. I appreciate your clicks and purchases as it helps support this website.

BAM BOM: Sawtooth Star

BAM BOM: Sawtooth Star
BAM BOM: Sawtooth Star

The next block in the series, which was announced yesterday is the Sawtooth Star. It is one of my favorite blocks, because it is incredibly versatile.

I am kind of just going with the flow when I make these blocks. I am using fabrics as the mood strikes. I’d love to use that grey Pearl Bracelets as my background, but I don’t have enough of it. I’ll have to do something about that as that is an old fabric and there is little chance I will find more. I’ll look in my fabric closet and see if I can find some. The yardage I have with my project materials came from Rhonda’s stash.

Morsel Lunch Bag

Morsel Lunchbox exterior
Morsel Lunchbox exterior

I forgot to post about the lunch bag I made for Friend Julie for Christmas. This was a project from Minikins Season 1. Season 1 includes the I Spy pouch pattern, which is one of my favorites. The Cotton Candy pouch is another of which I have made several. I knew that I had this pattern when I decided to make her a lunch bag.

I noticed that she was carrying her lunch around in a plastic bag. There is nothing wrong with plastic bags, especially with messy food. I thought it was odd. I thought I would try this pattern and hope it was a useful bag. 

Morsel Handle
Morsel Handle

The first thing I did was get some ripstop nylon in order to make the inside sort of water resistant. I was inspired by Lynette using it for her Oxbow. Hers came out flat and beautiful. Mine came out bubbly and lumpy despite using Lynette’s tips. I have a feeling the ripstop I used was lesser quality than what Lynette used. 

Morsel lunchbag interior
Morsel lunchbag interior

The pattern had no interior pockets. I guess a person just tosses all their lunch items in and pockets aren’t really needed.I keep thinking of regular bags and pockets are always useful.

I decided, based on my lunch bag, that I needed to include an ice pack. I added a mesh pocket for an ice pack. I thought a mesh pocket would better for something that might sweat. I included an ice pack  (not shown) before I wrapped the gift. 

Morsel Lunchbag top
Morsel Lunchbag top

The bag is on the small side, so no 5 person picnics.

The top has a recessed zipper, so the contents are out of the way of the handles. It might have been useful to include a shoulder strap, but I didn’t think of it.

In general, I am pretty happy with how this bag came out. Julie has brought it to a couple of Sew Days and that is really nice to see. I am definitely happy that I was able to use another Minikins pattern.

All the Enigmas

I am thinking about making some Enigma pouches again. I wanted to know what I had made and came up with these versions.

Six is a pretty good number, but there is still scope for making more.

Fixed the Lupine Blocks

It’s a dreary day here as I write this. We are waiting for rain which seems poised to pour down any minute, but hasn’t gotten around to it yet. This means that my workroom is a little dark and grey. It makes me really happy that the life-sucking beige is gone.

Fixed Lupine block
Fixed Lupine block

I ripped them out while I watched TV one night and then re-sewed at them at a Sew Day I had with SueS, Lee Ann and SueG. I spent a bit of time over a couple of days doing random quilt tasks and this was one of them. 

Now I am ready to continue chunking the center of the quilt.

Niece #2’s Christmas Pillowcase

Michaela's Christmas pillowcase
Michaela’s Christmas pillowcase

In the course of figuring out the Chair/Tufted Tweets repair, I found out Niece #2 no longer had her Christmas pillowcase. This all started when I brought over a Christmas pillowcase to her new-ish husband as part of my project to fill in the missing pillowcases for new family members. It is probably at her parents’ house, but I decided to make her a new one rather than trying to track an old one down.

This pillowcase has a slightly different color scheme from normal Christmas pillowcases. I like it and I hope she does as well.

Riveting

Rivet Press
Rivet Press

I know I have talked about MaryC’s rivet press quite a bit lately. I thought I would do a post about it, so you could learn more.

You can see Mary’s rivet press in the photo, left. It is about 2 feet tall and not very wide. In order to make it work, you have to insert a die into the top (under the spring) and on the bottom (under my black fabric). Before inserting rivet, it is important to make a hole in your fabric. Mary has a leather punch tool for that (see photo below), which makes it very easy. Then the rivets are easy to insert through the fabric. They click together,  so they don’t fall apart as you insert them into the rivet press. Then the fun part: smash them with the press. We put a piece of fabric between the rivet and the die to keep the rivet from getting scratched. That’s an after market tip. 😉

Leather punch
Leather punch

The leather punch can make different sized holes by turning the wheel on the top.

I used Chicago Screws once and sincerely disliked the look. They were not tight in the fabric. Once rivets have the fabric pressed between them, the fabric is not going to move. The rivets are tight against the fabric.

Mary's hardware box
Mary’s hardware box

Mary got all different dies when she got her rivet press and I think this makes sense. Yes, it is more money, but then you have all the dies you need and you don’t have to figure out which one you don’t have. Or worse, you find you don’t have the one die you need to finish your project. 

Mary uses the same system for her hardware that she does for her rivets and dies. She puts different sizes in smaller boxes, then they all go in a larger box. This keeps everything together and available when needed. 

 

Lupine Oops!

I slowly worked on chunking the Lupine top together. I had to do it before putting on the border, because Bonnie has us put on spacer border, which prevents me from chunking the border. C’est la vie.

Lupine Alternate: wrong!
Lupine Alternate: wrong!

As I was working away I saw one block where I put the corners on wrong. The purple needs to be on the outside. 

🙁

I looked at the blocks on the design wall for awhile to decide if I could stand the mistake and decided it had to come out. I ripped out the corners, flipped them and re-sewed them.

Yay! No problem. Stuff happens. I was done and could move on.

Lupine blocks: wrong!
Lupine blocks: wrong!

Then I noticed another one. And another. 🙁 I have indicated the wrong blocks with arrows, but you’ll have to make the image (right) larger to see the arrows.

Now I have all the blocks that are wrong unsewn from the chunks. Next step: rip out the corners and re-sew them. 

Lupine block fixed
Lupine block fixed

I fixed one block and it looks fine.

It’s a process, right?

 

More White Strips #3

White Strips #3 in progress
White Strips #3 in progress

Without putting the blocks on the wall, I added sashing to my white strips blocks. I don’t have any design wall space and just had to go for it. I have a few donation quilts I need to make and this one will help me free up some design wall space. 

As you can see, not having the design hampers my process. Somehow I missed adding top sashing to 6 blocks. 

Yes, I used red. Dangerous, I know, but all my fabric is washed. 

This is a good quilt for Valentine’s ‘month’.