The Infinity blocks had been languishing for a little while. I needed some test subjects for the tuned up machine, so I sewed a couple. The middle one is of the ones I made on Saturday and the others have been hanging around for awhile waiting for me to photograph them.
The fabric I used for the middle blocks is an old Jinny Beyer fabric and it is really crisp to press and sew. Lovely!
I have only a little bit of the white left, so the block portion of this project is nearing completion. I will have to see how many blocks we end up with, however. It needs to be some kind of normal number and not one that won’t work in putting a quilt together.
I was determined to get at least one of the blocks done this weekend.
I took the easy way out and worked on the smaller block. No block is easy, regardless of how small.
Every block requires a background which I must choose while considering the surrounding blocks. I was determined to use that purple/blue dotty swirl (see bottom middle next to the frothy drink). I love that fabric and think the quilt needs another piece of it somewhere. I cut it, confidently put it up on the design wall and stood back to look.
Blech.
Failure. It bled into the background of the frothy drink and just didn’t stand up to the blocks around it.
Sigh. Back to the drawing board for a new background. After consulting with myself, I decided that the area could stand a purple backround, yet it would have to be a different purple.
Tarts, July 12, 2009 #2
I looked at the background of the grey teapot and decided that I should bring that color down to the bottom of the quilt. I found a piece of a similar violetty-purple. It isn’t the exact same fabric and it is more subtle. I was pretty happy that my second choice seemed to be a good one.
It does add a seventh instance of purple to the quilt. I think that I am ok in terms of the “Odd Rule,” which I understand to be a design element or principle, which says that an odd number of related elements make the piece more interesting. My mother, an artist, reminds me of this all the time. I have to balance design principles for art with design principles for quilts. I believe, that there is, at least, a slight difference.
Tarts, 2005
Here is what the Tarts looked like at the start of the design process. This is really a Here to There type moment.
It has really come a long way and TOTALLY changed direction. Notice I took out all the coffee-themed fabric. I bought that fabric all for this quilt. I have tons of it and now ask myself what I am going to do with it. Backs and tote bags, I guess. I also had a melon shape thing going at the time. There are a lot more classic quilt elements – more Flying Geese, Square in a Square, lots of sashing. The blue and pink Flying Geese that have survived the design process this long are really a remnant of the original idea I had. Time to move on!
This is the second to last Flowering Snowball center block. I brought my handwork bag with me to the meeting yesterday and put this together while we worked on the business of the organization. It is something I can do while I listen and participate. I feel productive on my fabric projects, which is a good thing.
I also started work on the last block, but didn’t get very far before the ATC swap started.
This morning I was facing the reality of this project. I get to start the border VERY shortly. I think I opened the project in EQ6 in recent memory, however I don’t remember looking at the templates or doing any work on them. I need to get on that.
The other issue I am facing is squaring up the center blocks. I discussed this here before and think that I will have to trim the blocks after machine sewing around before I trim. Otherwise I think that they may come apart.
The problem is that if I trim them before I make the border, the border won’t fit. Glad I thought of it before I made the border!
These are the blocks that my SIL sent to me via DH-mail. I think i will be interesting to take a photo of all of the blocks together.
I made another couple over the weekend, but am writing for an even number before I photograph them. It is more interesting if I have a few to show you.
I got a little behind photographing and posting blocks from my Infinity project. (I think last week was just a bad sewing-posting-making week). Anyway, here are some of the newer blocks. I made a few more after I snapped this pic and will post those later.
I was attempting to try out a different layout from the layout in the May 13th post. I like the four white squares together. I am a long way from the end, however, so we will see once I get more blocks.
SIL said she was sending me some blocks via DH-transport, so I expect those on Sunday. As usual, stay tuned!
The weekend was filled with picnics. Both Saturday and Sunday included hot dogs and potato salad, chats and a bit of sun. It was nice to be outside, but I was pretty tired after all the sociability. Also, I didn’t get to work much on my projects.
Sunday was a beautiful day to be outside. After greeting lots of people, I was able to sit and do some hand stitching. I had some of the block (right) finished, but did most of it at the picnic. The completion of this block means that I have only two blocks left to make for the center of the Flowering Snowball quilt.
I still haven’t designed the border, but put an idea into the Sun Creative Prompt response. I know what I want; I just have to figure out how to make it a reality.
I made about 8 of these blocks over the weekend. They are pretty fast to make and I get a big bang for my buck. The photo to the left shows all the blocks I have made to date. Actually, half of all of the blocks I have made to date. I make two of each fabric so I can send one to my SIL.
The weird thing is that I kept counting the blocks, periodically, and coming up with the same number. Not sure why except that my counting was obviously off! Two blocks aren’t in this picture, because I wanted it to be symmetrical.
Quick post with mostly pics. Hope you enjoy the progress.
Flowering Snowball (Cross Block)
I have only three blocks left to make for the center of this quilt. I need to cut some more prints, though, as I am tired of the reusing the ones I already cut. I can use them in the border.
Cathy Blocks #3
I made these last weekend and cut some fabric for two more tonight. Progress!
SIL and I are doing a swap with blue and white fabrics.
First Always Quilting Block
This is the block we are using. We didn’t have time to really organize ourselves while she was out for a brief visit a few weeks ago, so we did some organizing via email. I finally felt organized enough to make some blocks. The above block is one of the first group that I did. I plan to make two of each fabric and send one to SIL, in little batches.
Three Always Quilting Blocks
I made the two batik ones later and will send SIL one.
The motif that the squares and rectangles make looks like some kind of knot. Since I didn’t know the name of this block, and I didn’t want to call it the Always Quilting block, I looked up the design in Barbara Brackman’s book, The Encyclopedia of Pieced Quilt Patterns. I couldn’t find this particular block (Barbara, won’t you please update your book with newer blocks??? Thanks.), so I found a couple that looked like they were related.
Tam's Patch, BB:1117
BB:1117 is called Tam’s Patch. It has two corners with the rectangle/two squares combination, but the other two corners are just plain square patches.
Squares upon Squares, BB:1104
BB:1104 (page 156-157) is called Squares upon Squares from Farm Journal.
I’ll look through some other block dictionaries to see if I can find a name for it.The reality is that you change one line and you have a new block. New blocks are invented every day.
I’d love to hear if you know the name of this block, or have a creative name for it.
I saw this block about 2 weeks ago and have not been able to get it out of my mind. With the many, many blocks in the DS pool, I wasn’t able to find it again either. I was really glad to come across it today. Love the pointy corners.
Last week I mentioned that Camilla, of CamillaKnits, called for blocks for a family who had recently lost their father and husband in a tragic accident. I thought that it wouldn’t be very difficult to whip out something and send it off.
My block is above. I wanted to make it cheerful and I think it does come across as cheerful. Camilla’s rules were 12×12″ finished blocks. Mine isn’t 12×12″, so it will probably end up on the back, but that is no problem for me. I am finding that it is almost impossible for me to follow new directions lately, though I did try.
I have to say I would have done well to just get out Around the Block and make a normal block. This one took me about 2 hours rather than the few minutes I thought it would. I don’t regret the time, because it gave me the opportunity to think about the changes to the lives of family involved. I was also able to contemplate the projects in which I used these cheerful fabrics.
I hope Camilla can use my block and that the family takes some comfort from the quilt.
I have to admit I am losing my mind a bit over these Dear Jane blocks. Not so much that I have run upstairs and started sewing, but enough to keep posting here about them. I can’t stop being in awe of what the makers have accomplished.
Page 10 of the Dear Baby Jane pool (http://www.flickr.com/groups/dearbabyjane/pool/page10/) blew me away. The blocks on that page all looked like they were made out of batiks and hand-dyes. They were almost all brightly colored and caught my attention. I guess I am like a bird – attracted to brightly colored and shiny patchwork.
I have posted a few of the blocks, but go take a look at the page.
One of the things I notice as I go through the DJ blocks people have made is how the white stands out. TFQ and I have discussions about white all the time and how it can really detract from the rest of the block – or not allow a person to see the rest of the block. In the case of the DJ blocks, I think the white, in many of the blocks, really makes you see the design. I think the block patterns are so detailed that they need something to show off the intricate piecing. In the case of this block, the white does the trick.
I am really impressed by he great fabric combinations that the makers are using.
There are thousands of Dear Jane blocks posted on the two Flickr groups I have found. I think the choice of fabric and artistry of these blocks is amazing. Not to mention the dedication!
This one, initially, caught my attention because of the dots (of course!). After I got over the dots I noticed how what interesting patches the block has. Notice how the rectangles are not quite rectangles? They seem to be trapezoids. As a result, there is a lot of movement in this block.
I have been, as I may have mentioned looking through the Dear Jane blocks various groups of Janiacs have posted on Flickr. The two largest groups are the Dear Janes and Dear Baby Jane (http://www.flickr.com/groups/dearbabyjane/). It is amazing how many blocks these ladies have created.I am in awe of them. I admired one particular member and found her blog. She has some history of her Dear Jane work, a link to which is below.
