Facing Tutorial

Updated 2026 – This update uses two different projects to illustrate the process.

I started out with Jeri Riggs’ directions sometime in 2009, which Maureen pointed out to me. You need those directions. I made changes to her process. My additions to Jeri’s post comprises the info below.

You need to know the length of each side of your quilt before you start.

A=Top of quilt
B= bottom of quilt
C/D= sides of quilt

Enlarge the photo below to get a visual of which side is which.

Facing on sides A & B
Facing on sides A & B

Cut your facing pieces as follows:

A: 4-5 inches x width of quilt
B: 4-5 inches x width of quilt

Jeri uses 2.5 inches for her width and presses in a hem. I didn’t want to press a hem, so I doubled the width of the facing (the 4-5 inches number) so I could fold it in half and wouldn’t have to press a hem. This also means the raw edges are secured under a machine seam. You can do it either way.

You can also change the 4-5 inches size of the A/B pieces depending on whether you have a large quilt or a small quilt. I used 5 inches on my 1-2-3 Mosaic table runner and it felt really large. If I were doing it again, I’d use 4 inches.

      • 5″ is my starting point and I look at the size of the quilt and adjust from there.
      • You want to be able to double the fabric so you don’t have to make a hem, as mentioned.
      • You also do not want the two hems of the facing to meet each other in the center of the quilt, which could happen if the quilt is small.

C: 5″ x width of quilt minus 3-4 inches
D: 5″ x width of quilt minus 3-4 inches

One of the things I really had a hard time understanding in Jeri Riggs’ tutorial was the difference between what I needed do on the top/bottom (designated as A and B) versus the left/right sides (designated as C & D). The whole idea for the different facing sizes is to reduce bulk in the corners.

Make the C/D pieces shorter because you want to reduce the bulk in the corners. The C/D pieces need to be covered by the A/B pieces, but only by enough so there are no raw edges. Before sewing, the C/D facings will be positions on top of the A/B pieces.

Cutting facings: For the A/B (top/bottom) of the quilt cut a facing rectangle that covers the entire top or entire bottom from side to side and is your preferred width. I cut mine, as noted above 4-5 inches for large quilts multiplied by the width of the quilt. Adjust as necessary.

Trim the facing after you have pinned it
Trim the facing after you have pinned it
      • I cut the A/B pieces a little longer (mostly because I am too lazy to measure more than approximately unless I MUST). Trim off most of the excess after pinning the facing to the top and bottom.  Instead of following Jeri Riggs’ directions by pressing a 1/4″ on the long side of the facing, fold your strip in half and pin the raw edges side to the edge of the quilt.
Facing end clipped to quilt
Facing end clipped to quilt

The photo, left, shows the trimmed long (edge to edge) facing clipped to the side of the quilt.

 

 

 

 

 

 

Sewing

Facing laid out
Facing laid out

Once the facing pieces are laid out, trimmed and pinned, I machine sewed one facing to the top (A) and the bottom (B).

      • Note on the sewing: The key is to sew starting on the short side of the A/B facing starting at the edge of the shorter facing. Above you can see the stitching starting about half an inch before the edge of the short side.
      • Sew around the corner like you are sewing on a binding.
      • Continue on the long side (very top of the quilt t0 Side A), go around the corner and continue along until you reach your starting point.
Sewing Facing for A & B
Sewing Facing for A & B

Nota bene: The only reason I flipped the bottom of the quilt over (photo right) is because I have a small sewing table. You don’t need to do this. If you have a large sewing table, you only need to flip it if it is creating drag on the quilt as you sew it.

Nota bene: This is a small piece and I would recommend trying the process out on a small piece so you get the feel of the process. If you have an unused machine quilting test piece, it would be a perfect piece to use to try this technique out. 

On Sides C & D, only sew along the long side of the facing. The raw edge of the short side of the facing will be covered by facings on Sides A & B once you flip the facings to the back.

Now the machine sewing is complete and you are ready to flip the facings to the back of the quilt.

Optional: trim diagonally across the corners

After you complete the machine sewing you flip all the facings to the back.

Press the edge of the facing (where you machine sewed) so that the facing stays on the back.

Poke out the corners .

If necessary, pin the facings to the back of the quilt. This keeps it in place until the hand sewing is complete.

Hand sew the facings to the back of the quilt.

      • Keep the facing in place with your hand, as needed.
      • Watch out for pins as you sew. I seem to scratch myself if I am not careful.
      • Avoid sewing all the way through the quilt.
Flip over Side C & D
Flip over Side C & D

The picture to the right shows the quilt after I flipped Sides C & D. Look at the bottom right hand corner (by the green olive) and you can see the seam with the batting. 

Finished and Flipped Piece
Finished and Flipped Piece

The picture below shows how the piece looks after you flip all the facings.

The picture above also shows how the quilt looks when the facing has been completed.

One thing about this process is that the facing becomes a design element on the back depending on what fabric you use. In House & Garden, above, I used the same fabric  for the facing that I used for the back, which made it less obtrusive. 

 

Creative Prompt #14: Queen

Are you the queen of a mythical land?

Are you a queen in hiding?

Queen Bee?

Queen for a  Day?

Quilt Queen?

Craft Queen?

Queen Mother?

Queen of Hearts? of Spades? of Clubs? of Diamonds?

See the Creative Prompt page if you want to know how to participate in this project.

Post the specific URL or deep link where your drawing, doodle, artwork is posted in the comments area of this post. It is an easy and good way to keep all the artwork together.

There is more information and inspiration on the Creative Prompt Page, which has recently been updated.

House & Garden Finished!

House & Garden, finished May 16, 2009
House & Garden, finished May 16, 2009

I know I showed this earlier this week, but I wanted it to have its own celebratory post.

House & Garden Finished!!!

This quilt was started in Pamela Allen’s class at EBHQ in May 2007. Two years, almost to the day later. Hopefully, the ones I started last month at CQFA won’t take that long

Learning Something New

It is always a good day when I learn something new. Yesterday I learned out to make a facing, made a facing and am thrilled! Maureen, a quiltmaker whose work I greatly admire, was making a facing at the CQFA Retreat. She pointed me to Jeri Riggs’ directions later.

A facing is a way of finishing a quilt so that the edging (binding) does not show on the front. You may not always to want a frame (binding) around your quilt. This is a design element that will work with some pieces. I think that this technique will work for a number of my Pamela Allen pieces.

I learn best when someone shows me how to do something, so reading the directions and trying to make the facing left me scratching my head in confusion. I finally called Maureen and she walked me through the process. She sprinkled in a few tips and tricks she has added to the web directions.

It isn’t difficult at all. It reminds me of making a tote bag the first time. Once you do it, you know it and can make the process your own.

This means that the House & Garden Quilt is done! YAY!

House & Garden, finished May 16, 2009
House & Garden, finished May 16, 2009

Well, it still needs a label and I need to decide about a sleeve.

Deadly Flax

We have an independent art store in the City called Flax. It is art and inspiration nirvana. I didn’t mean to go there, but I ended up there on Friday.

I went to an appointment and then out to lunch. My last stop before home was the shoe store, which is in a completely different neighborhood. In looking for the shortcut street, I overshot and ended up in the no left turn land of Market Street, heading downtown. I wasn’t lost; I knew exactly where I was. I was just not where I wanted/needed to be to get to the shoe store. I tried to recalculate and readjust and each time I did I ended up where I didn’t want to go. Suddenly, like a beacon of light and hope there was Flax on the correct side of the street with a parking place conveniently located. How could I not stop?

It has been a few years since I have been there as it is off my beaten path. Amy of the Creative Mom podcast (have to get that woman out of my mind!!!) mentioned her trip there recently and it stuck in my mind.

It is wonderful. Big and open with helpful, CHEERFUL workers and lots of art supplies. I decided while I was there that I would get a Pitt pen (again, Amy mentioned it) and do some Christmas shopping.

Christmas, you ask? Yes, never hurts to start early and I want to spread out the financial pain.

I bought a Pitt pen, I bought some of the Miguelrius journals in a color I hadn’t seen (can’t ever have too many journals! Especially now since I am writing a lot), bought a book, gel/scrapbook pens and a couple of other things for gifts. They also have stationery that I used to buy by the pound as a teenager. It is thick and heavy and you can buy it by the sheet as well. I bought a couple of sheets, a folded card and an envelope so I can write a nice long letter.

Colorful Stationery
Colorful Stationery

They also have a line of organizational boxes and files called Semikolon, which have dot designs. Have to have some of those once the financial situation eases.

They also have a ton of gorgeous ribbon. For embellishing art quilts, the prices were quite reasonable. It is high end ribbon, so they start at a ~$1.50/yard, but you don’t need much, right?

It was refreshing and I know I have to take TFQ and Julie there next time they come for a visit.

An Aside

I tried out the Pitt pen on the Tree prompt response, which I will post later. It is a little thn for my tastes, but like the waterproof quality. I will have to investigate and see if they have thicker ones. I liked the line and color black better than the Sharpie fine linr I have been using since the plane ink explosion incident.

Belated Thank You

Top Down View
Top Down View

K and Mrs. K came down for the Pamela Allen class. They had a four hour drive, which was above and beyond IMO. Still, I was (and still am!) so thrilled that they joined us, because they (not in any particular order):

  1. did great work
  2. added great comments to the class critiques
  3. brought loads of fabric that we all rummaged through
  4. are FABULOUS company

I invited them to stop and have dinner with us on their way down to Santa Clara. After the long drive I didn’t want them to have to forage for food as well. I thought we could have a nice chat; they could get a look at the Child and we could talk about projects.

They showed up and I come to find out they have a gift for me! I love gifts, especially unexpected and perfect gifts. It was a perfect gift: dot fabrics. It was a perfect gift with a wonderful presentation.

Perfect Presentation
Perfect Presentation

I love seeing the fabric the people think I will like. K and Mrs. K know I love dots! Perfect!

Whole Dotted Enchilada
Whole Dotted Enchilada

Thanks, for the fabric, for your friendship and support.

Daisy Yellow Inspiration Charms

Amy of the Creative Mom podcast, once again, pointed me to another creative blog, Daisy Yellow. It took me a few days to get over there and when I finally did, I was thrilled to see her inspirational word charms project. My mind started to whirl around with ideas for adding little messages to quilts and, perhaps, the Teacher Pillows. I was looking at Diana Swim Wessel’s Inspiration Odyssey book the other day and the little doodles she has in it would also be great in place of words.

I don’t have any Shrinky Dink material, but can easily get some. I’ll put it on my craft supply list.

clipped from daisyyellow.squarespace.com

daisy yellow: a vivid life with kids
clipped from daisyyellow.squarespace.com

How to Make Word Charms

shrinky dink plastic + markers = inspiration

The Ingredients

  • Shrinky Dink plastic paper. 1 sheet
  • Fine point Sharpie permanent marker or PITT pen
  • Optional: Colored pencils, sandpaper
  • Small hole punch
  • Embroidery floss, raffia, or thin twine
  • Oven
  • blog it

    Book Review: Quilt National 2007

    In honor of Quilt National 2009 opening soon, I finally wrote the book review for QN 2007 from Lark Books.
    Quilt National 2007: The Best of Contemporary Quilts (Quilt National) Quilt National 2007: The Best of Contemporary Quilts by Lark Books

    My review

    rating: 2 of 5 stars
    I have to admit that I have a love-hate relationship with Quilt National. I love the idea. I often intensely dislike the quilts the jurors choose.

    In this year’s work, I love the photos, but, in general, my initial reaction was that the quilts look the same: lots of squares intersected with a square or another piece of fabric. I felt like I was judging the book too harshly, so to be fair, I went back and read the entire book and scrutinized each quilt and thought about them.

    The jurors, Tim Harding, Robin Treen and Paul Nadelstern (whose work I greatly admire), seemed not to be as motivated by notions of beauty or status as they were intrigued by the possibilities of transformation.

    Nelda Warkentin’s quilt, Harmony, has a calming ocean-like feel to it. Part of her description/artist’s statement includes the words “quiet, flowing movements,” which I think describes the quilt very well.

    Spring Cascade by Virginia Abrams reminds me of calming fences and certain motifs in my my quilt The Tarts Come to Tea. Next to Abrams’ quilt is Dress Circle by Thelma McGough, a black and white piece with umbrella reminiscent motifs. Although it is made up of photos, it retains its quilt-like quality.

    Weeks Ringle also has a piece, Tankini, in this book. Hearing the name and looking at the piece don’t mesh instantly, but the concept comes together after a bit of gazing. I love his piece because of the simple lines and the fact that she uses commercial cottons in an innovative technique. It isn’t just the type of fabric she uses, though. The simplicity does not mean simplistic. I think that there is a lot to look at in this quilt.

    I am not a fan of realistic faces made into quilts. They freak me out for some reason, but Kristin Tweed has created a successful quilt in #42 Big Head Series: The Gladiator. One successful part of the success of this quilt is the lack of quilting on the face.

    There are some good designs in this book. Mostly they are simple, linear designs. There is more digital photography manipulated into blocks and quilts than I remember from the past.

    View all my quilt and non-quilt reviews.

    Creative Prompt #13: Trees

    What do trees mean to you?

    Are they sentinels of nature or something to provide shade? What is the creative inspiration that can be obtained from trees?

    See the Creative Prompt page to learn more about this project.

    Post the direct URL or deeplink where your drawing, doodle, artwork is posted in the comments area of this post. It will keep all the artwork together.

    There is more information and inspiration on the Creative Prompt Page, which I update frequently.

    See * Draw * Quilt * Learn

    Sarah Ann Smith of  Art & Quilting in Camden has set up a new blog, soon to be a group blog, with the intent of encouraging people to learn to see so they can improve their drawing.

    Sarah started the blog on May 5, so you are not too far behind. She mentions The New Drawing on the Right Side of the Brain book as one of the resources. You can add this to your list of drawing sites to review, in addition to Gabi Campanario (who now posts at the Seattle Times site) and Urban Sketchers.

    Infinity Blocks Progress

    Infinity Blocks, May 10, 2009
    Infinity Blocks, May 10, 2009

    I made about 8 of these blocks over the weekend. They are pretty fast to make and I get a big bang for my buck. The photo to the left shows all the blocks I have made to date. Actually, half of all of the blocks I have made to date. I make two of each fabric so I can send one to my SIL.

    The weird thing is that I kept counting the blocks, periodically, and coming up with the same number. Not sure why except that my counting was obviously off! Two blocks aren’t in this picture, because I wanted it to be symmetrical.

    Teacher Pillows 2009

    Teacher Pillow (Aide) 2009
    Teacher Pillow (Aide) 2009

    Yes, I am doing it again. If you want to read the torure from previous years, I have gathered the posts into one search just for you.

    My goal is to have them done before school ends this year, which is June 12. I actually have until June 11 this year as I am, sadly, not attending the conference I usually attend that week. Still, I want these babies done and out of my hair ASAP.

    Some weeks ago, on a rip to IKEA for light bulbs (now I know I can get the same ones at Lowe’s, which is closer!) I found pillows for $1.50. They are an ugly baby blue, but solid and they will make fine pillow forms. They are not as fluffy as the ones I have bought in the past, but tough times call for economies.

    Yesterday, I corraled The Child and had him choose blocks. I also had him do drawings for the back.

    This is the Greek Cross block and it is for the aide. The others are Tangled Star, Omega and one with a lot of triangles. I am working on the latter. Another day I will post all of the photos.

    Next up: copy the drawings to fabric and piece.