Finishing – Page 3 – Artquiltmaker Blog

More Sashing

The first picture in this recent post by Camille Roskelley (I just can’t stay away from her blog! If she posted 10 times a day I would be reading all the time and not going to work, cooking for my family or washing my hair) made my eyes pop out of my head. I know you have gone to look at the photo and are thinking “well, yeah, it is a polka dot, you love polka dots, Jaye, big whoop.” Why my eyes popped out of my head when I saw Camille’s work is because of sashing.

Huh? you think.

Yes, dear readers, sashing. Remember that I was puzzling over sashing options for the A-B-C Challenge earlier this week? The whole time I have been making these blocks I have been lamenting that Pat Bravo did not include a really good red in the line. I gnashed my teeth further because the Zoe Pearns dot has a wonderful red in it. I have lots of red and white dots. My idea may not work (make visual decisions visually!!!), but right at the moment I feel brilliant.

I love this big dot, but I don’t think it works with the A-B-C Challenge blocks.

The color is ok, though. It is hard to say, though, because the large dots interfere with the blocks. I think it might be from the Half Moon Street collection, but am not sure.

I think the smaller dots are better. This fabric is from the Sevenberry (?) collection. I am not sure, though. Not quite right. Why? I don’t know. I do have a large enough piece, though, so perhaps I will go with it just because of that. Bad reason to choose a sashing, though, I know.

Still, I liked the smaller dots, so I looked for another. A mini fabric avalanche (fabri-lanche?) gave me another idea.

I thought, perhaps, the problem was that I was trying out the fabrics with a straight set, so i got out a different red and tried the blocks on point. Some of the blocks, like the baskets, look ok, but most of the blocks just look weird. It is probably just that I have been looking at them in a straight set, but I don’t like the on point set.

Here is the same fabric, but in a straight set. I like it, but the red is very strong.

A lot of what I like is the idea of the red. I like using a strong color for sashing and background. I also like the idea of bringing out that little red in the Zoe Pearns dots I mentioned above. It might be a dumb idea, because you can even tell. I can’t tell even when I standing with my nose next to the design wall.

Small dot #2 straight set - detail — Small dot #2 straight set – detail

More quilt drama. I am glad I am working on this now, because if I had 5 minutes one weekend to sew these blocks together and I was trying to do this, I know I would make a bad choice and have to live with it.

I thought you might like to see a close up of this fabric with the blocks on it. Of course, there are a lot of other factors that will affect the final outcome of this quilt: width of sashing, width of binding, arrangement of blocks (beyond straight or on point set), etc.

As much as I hate to say it, after all of the drama and hand wringing over red above, I think this grey is the winner. The blocks look really good. The grey is not too brown. The blocks stand out and do not blend into the background. All the colors look good. The grey is not as stark as a white.

The problem is that I have to get more. I found some on Quiltshops.com and PayPal wouldn’t let me pay. Even if I decide to go with the red, I can use this grey for something else.

Famous last words.

Infinity Quilt

This photo is old news for you, but I thought it should be shown, so I could tell you that I have finished the back and you would know that the two of them go together.

I still have not decided what to do about the border. It is possible that I will leave the grey border and just bind it with the striped fabric that every liked best. I have time to decide; it is not at the quitlter yet.

Some time ago (years, perhaps), I bought some Harry Potter fabric. I bought it make something for the Young Man when he was in the throes of his Harry Potter mania, but then never made it. Renditions of beloved characters are never as imagined, though the Young Man didn’t seem to care. As this quilt will go to one of the nephews, I thought it would be a good opportunity to finally use it. He is just about to start reading the books, so I hope he will like the back. I spent Sunday (a week ago) making the back.

While I made the back, I tried to be calm about it. I didn’t want to make another back, but I also did not want to be angry about making the back. Angry when I am sewing? Odd, I know, but as I mentioned, performing the same parts of the quiltmaking process over and over gets tedious after awhile. I could have put this quilt away again and waited to do the back, but, instead, I decided to just making it and move forward. I really do see benefit in making up backs and bindings as soon as I am done with the top. It makes the finishing process so much easier.

Also, the pieces were large, so I didn’t have to fiddle too much. I was able to sew quite a lot of donation squares together in between sewing the back. That was gratifying.

A-B-C Challenge Sashing

This is a fabric I bought at Quiltology. I didn’t have the blocks with me, but I thought it might work. In the end, a person has make visually decisions visually. Looking at it with the blocks on the design wall, I am not so sure. I think the grey has too much beige or brown in it, but it isn’t terrible.

I have to make a few more blocks, but the more important thing I need to figure out is this sashing thing.

I thought the grey Half Moon Dot would work, but looking at in the photo makes me think that the dots are too large and it makes the piece look too busy. It’s too bad. I do like those dots, but not for this piece. I do have to think of something to do with the Half Moon Street Collection, though. Soon.

The dots were a good idea, though, so I looked at some other dots I had. No shortage of dots, of course.

I have to use a fabric of which I have enough (one of the bad things about stashing fabric is that you might have the perfect fabric, but not have enough of it: design challenge, I think, yes.)

I like the large dot a lot. I like it because it looks cheerful. I also like it because it showcases the blocks better than the grey does. I do worry that the white will run into the white of some of the backgrounds I used. I also worry about the colors of the dots not being the same, but I think the colors of the dots are similar enough, so that is not so much of a worry. I don’t think the Zoe Pearns Sweet Nothings dots don’t conflict too much with these large dots.

This small dot works, I think, but the dot might be too small.

Click to make the last photo larger to see how the small dots look against the blocks. The small dot works well with the Zoe Pearns Sweet Nothings in the blocks. It is also bright enough, but the white doesn’t seem to suck the life out of this piece.

What do you think?

Infinity Quilt Border

This is the fabric I thought I would use for a border first. I have it in my fabric closet already, but I only have a yard, so I don’t think I would be able to add it lengthwise (the stripes running parallel to the edge of the quilt). I guess I should have taken a picture of the fabric oriented in the way I was thinking of using it.

Oh well, use your imagination.

I do like the color of it – actually the color feel of it. It has the right feel to go with the rest of the quilt. It is a very restful border. I am concerned that I don’t have enough yardage and I don’t want to be fumbling around trying to make it work. I usually buy enough of a striped fabric for bindings and not borders. A yard is usually enough for a bias binding and if it isn’t, I have no business making a quilt that big.

I bought this piece at Quiltology. I tried to drape it so that you could see how it would look if I added it to the quilt as a border. How did I do? The colors aren’t quite right, but I do like adding a bit of yellow. One thing about adding these types of colors brings out some of the fabrics in the blocks that tend towards green.

I have to say that I am bit concerned about the grey border I added. I thought it would be the final border of the quilt, but then decided that the quilt needed to be finished off with something a bit darker.

My concern lies with the grey. It is very different from the white in the blocks, which is why I added it. I wonder, though, if it isn’t so different that it doesn’t work. I kind of like it, but I don’t want people snickering behind their hands at my poor judgment.

This piece, also purchased at Quiltology, has much more green it. I didn’t realize that it had so much green until I got it home. I think that this is an issue of the type of light I live in. When I saw it in my workroom, I thought it had much too much green, but seeing it in the photo makes me think that it also brings out the blocks with green in them.

Frankly, in the end, I don’t care that much. I would like to be done with this project and I don’t want to spend much more time agonizing about border fabric. alternatively, I don’t want to look at it after it is finished and wish I had done something different.

Again with the artistic angst! I hope this isn’t becoming a habit.

New Meditation on Quilt Backs

The top photo is a photo of the back for the Corner Store. The Japanese Chrysanthemum print that makes up the majority of the back is by, of course, Phillip Jacobs. I bought that fabric for a Multi-tasker tote I planned to use for the Autumn, but never got around to making and it seemed appropriate to use it for the back.

Today was back day.

I decided that before I could piece more tops I needed to make two backs and a binding. I was able to finish the two backs, but need some input before moving on the binding. Making backs is something I don’t enjoy that much, but feel it is necessary to finish quilts and part of that process is making the back.

I feel strongly about backs:

Pieced backs are good. I prefer to use the fabric I have and not buy special backing fabric.
I label my backs. Nobody may care in 100 years, but if they do care, the information will be there. Also, if a quilt is stolen and, subsequently, found, the finder will know where to send the quilt.
Make the back look cohesive with itself, and moderately related to the front.

I used to never care about piecing backs and would spend all day piecing a back, but today that part of the process got on my nerves. I would have loved for someone to hand me the perfect back so I would not have to make backs today. What I did to alleviate this was to find some large pieces and use those for most of the backs. Larger pieces of fabric meant less piecing. The piecing on the backs is not symmetrical, but the backs are made.

I think what is happening is that I am far enough along is most of the projects on my 26 Projects list that I am getting to the backing and binding stage faster than I would otherwise. Thus, I am making many more backs than I normally would. I also think I am sewing faster than I have in the past. Rote sewing? Somewhat.

I say all this like it is bad and it isn’t. I just think I have a rhythm for sewing and my rhythm is off. I think I need to consider that rhythm and get back into it. I need to take more time with my projects so I don’t get to the backs so fast. Until the 26 Projects list meets my comfort level, though, I think I might have to contend with this challenge, this sewing frenzy. It is, however, a consideration.

The last photo is a back for the Super Secret Project (#2). TFQ made the top for me and I was stuck with the back. I didn’t have any of the same fabrics she used, so I did the best I could.

One of my big concerns about backs is the well designed modern backs that many of the ‘modern’ quilters are making. Seeing them make me feel like a slacker. Granted, many of them do not include labels, but they are making backs that are almost separate quilt tops themselves and those backs look good.

These two pieces will go off to the quilter next time I head over there.

Pieced Backs

Not too long ago, Frances asked, in one of her podcast episodes, about making pieced backs and whether there was a tutorial.

I didn’t look for one, but I knew I had a back to make soon (for the Stepping Stones), so I thought about taking the opportunity to make a tutorial.

As I have mentioned in the past, once the top is finished, I am done with the project and want to move on. I love piecing. The other parts, such as making the back, making the binding and label, quilting are all dull for me. However, I have found that the Finishing Fairy does not visit my house and I have to do my own finishing or finish by checkbook.

My first step was figuring out how I make the pieced back. The basic premise is easy: sew pieces of fabric together until you have a piece large enough to accommodate the quilt.

What I realized is that it isn’t quite as easy as a step 1, step 2, etc tutorial. I sew bits and pieces together as I am making the quilt that end up larger when I am ready to sew the back together. You aren’t going to have the same size pieces as I have. So, this will be more like a guide rather than a tutorial.

I am a firm believer in not buying new fabric just for the back. Yes, it would be easier, but I have a lot of fabric and I might as well use it. I try to use the largest pieces possible as well as the pieces I have sewn together while making the quilt.

The first thing I do is make a label. I make my labels using a word processing program (Google Docs would work just fine) and then I print the piece out on paper backed fabric. I have also used the stitch letters on my sewing machine to write out a label.

The label will be sewn into the back, so as soon as I peel the fabric off the paper I start sewing. Know your paper backed fabric and ink so that you know whether the ink will wash out immediately, over time, or not at all. I use fabric backed paper from Dharma Trading Company and my regular ink jet printer.

Tip #1: larger pieces make the back go together faster

When I made the back for FOTY 2010, I purposefully used really large pieces. That was the best back experience of my life, because it went together really fast. I suggest you start out this way with pieced backs so you don’t lose your mind. This is your fair warning!

Tip #2: As with blocks, sew from smallest to largest.

I start with the label and surround it with fabric until I have about 1.5′ from the right hand side of the back and about the same from the bottom.

I sew the label into the back so if a quilt is stolen, the label cannot be ripped off without ripping out the quilting.

Tip #3: Plan to leave extra fabric around the edge if you want to longarm. 4″ on all sides is usually sufficient.

Once I have one corner completed, I sew across the bottom of the quilt back until I have a piece the desired width. I make the width generous as I don’t want to go back when I think I am finished and have to sew on a strip to a long edge.

Tip #4: Coordinate your backing fabric with the fabric pieced into the front.

I use fabric that will coordinate with the front, though it isn’t necessarily the same fabric. If I have a lot of leftovers that I don’t think I will use in another quilt, such as in Stepping Stones, then I will use the leftovers for the back.

Tip #5: Leaders and enders techniques make the process of sewing the back go faster.

Where possible I will sew smaller pieces/shards (not schnibbles! I am not advocating doing something that will send you to an insane asylum) of fabric together using Bonnie Hunter’s leaders and enders technique. Now, I have not taken a class from her, so visit Quiltville, Bonnie’s blog or buy her books to learn her methods. My idea is that I put pieces/shards through the machine after the regular pieces for my top so I can get those to ironing board for pressing faster (discussed previously in this post). Also, this alleviates the need to put a scrap piece of fabric through the machine to keep your feed dogs from eating your triangle corners. Finally, it minimizes scraps added to the scrap pile.

Red Journal - Closed — Red Journal – Closed

As I have discussed on different occasions, I call the end result of sewing bunches of scraps together randomly mosaic quilting. I use the leaders and enders method to facilitate the mosaic quilting result. I made the entire cover of the red journal by using the leaders and enders method to get a mosaic quilting piece. I enjoy sewing like colors together to make new fabric. If I have nothing else to do or I can’t think or I am stressed out, it is a good activity.

How does this relate to pieced backs?

I do the same thing, but on a larger scale. When I am finished piecing the top and am definitely working on the back, I find pieces that fit together and sew them. When I am piecing the top, I sew the smaller pieces into larger pieces and then use the larger pieces for the back.

Tip #6: Skip sewing small pieces together if you have not done so prior to finishing the top.

I just want to finish, so if I have not sewed smaller pieces into larger chunks prior to starting the back, I skip it. It drives me crazy to have to stitch little bits together for no other reason than making a back. Why this doesn’t bother me when I am using them as leaders and enders, I don’t know.

Tip #7: Backstitch

Any seam that will be on the outside of the quilt or not crossed by another seams gets a few back stitches. All of my handling rips out those stitches and then I have to go over them before giving them to my longarmer. To alleviate the process I backstitch. I backstitch more than just the outside seams as sometimes I don’t know what will become an outside seam.

Finally, I sew chunks the same width as the first chunk (with the label) until I have a piece the same size as the top with an additional 4″ on each side. Depending how how small the pieces are, the back can take me 4-6 hours. I am slow, and get cranky when I do this.

Alternatively, you can just buy a big piece of fabric and put it on the back. 😉

Trip East

To those of you who live in places that require you to jump in the car and drive for 20 minutes every time you want an ice cream, a loaf of bread or some fabric, my idea of a trek probably has you rolling your eyes. I drive about 2 miles a day and then spend the rest of the day’s transportation allotment on a train with some buses and streetcars thrown in for good measure. I also walk a lot.

Today was a bit different as I was heading to C&T Publishing to return a quilt from the Primal Green Show, go to lunch and do some other errands that were out that way. It was a long haul, but a good day in general. Drivers weren’t too idiotic, people did not zoom through the Fastrak lane and then try and swerve to the cash lane at the last minute, the rain didn’t pour down while I was driving or while I was walking around without a hood or umbrella: all in all a good day.

First stop: C&T Publishing

This unassuming industrial type building, in an industrial neighborhood, hides a lot of colorful goodness! I walked into the building and saw the most beautiful C&T commemorative quilt. I am sorry I didn’t take a picture of it. It was really gorgeous!

I also liked the wall of tear sheets they had opposite the reception desk advertising their current titles. It was a great decoration/advertising idea.

Lisa was kind enough to show me all of the different departments. It was funny to think that I have a mystical, awe inspired idea of working in a quilt publishing house, but the people there were just working. I am sure they enjoy their work, but I am also sure that it is a job to them. She took me out into the warehouse where I saw a lot of palettes covered in industrial strength Saran Wrap! I also got a peek inside the photo shoot studio, which is also in the warehouse. Very interesting!

I was allowed to pick out some books from their slightly damaged shelf. I didn’t have much time so I just grabbed books. These look interesting, don’t you think?

We went to lunch and, afterwards, I showed Lisa Kissy Fish, which I had in the trunk.

Second stop: Thimble Creek, Concord, Calif.

Talking with Lisa reminded me that I have been wanting to try TAP, so I decided that that would be my excuse to go to Thimble Creek, which is just a mile or so up the road from the C&T headquarters.

I hadn’t been to their ‘new’ location. They moved at least 3 years ago. There was a theme a few years ago of quilt stores moving to industrial or office park areas, because of less expensive rent. It worked for some stores not for others. I was nervous about going, because I don’t know the area and I was afraid I would have trouble finding it. Sometimes the stores that have moved to these industrial areas have been hard to find. Silly, I know, but there you have it.

I walked in and there was a feeling of comfort and light in a country/shabby chic sort of way. The place wasn’t as large as their last location, but they had a lot of fabric The arrangement by color, mostly, but also by style/type. There was a section of large florals including Kaffe Fassett, Philip Jacobs, etc. There was a section of reproductions (some Civil War?) and the choices were very appealing. I didn’t buy any, but loved some of the colors – some of the pinks and blues, especially. There was also a section of dots,and another with fabric that looked like the forthcoming Malka Dubrowski fabrics. There was a section of wools. They had a small section of notions, quite a lot of thread and a nice selection of specialty rulers, but not many Creative Grids.

Third stop: Framing

Kissy Fish is finished – my part at least. The back looked unfinished, because I stitched through to the back. I originally thought I would put an additional back on. As I got near to finishing I decided that I would frame it. It is an art piece and I want it to be considered art.

A few years ago, I had a number of different types of art pieces framed. The frame shop to which my mom took the pieces did a really great job. Unfortunately, that outlet closed. Fortunately, I found that they had a second shop near C&T, so I went there. I was really pleased to find the shop and added it to my list of tasks for yesterday. I was really pleased the the service. The above mats and frame color are what I chose. It will be ready in a few weeks and I’ll let you know if I like the final result.

Whole Foods was right across the street so I was able to get the gluten free pie crusts I need for Thanksgiving and then I headed home. I thought about stopping at The Cotton Patch and getting the TAP, but I decided just to head home. I’ll get it another time.

Finally: I decided to stop by the Young Man’s school and see if I could find him and if he needed a ride. Boy, was I lucky! He was right out front and ready to go.

WIP Wednesday

Some of the blogs do a feature every week called WIP Wednesday where they show a work in progress. I don’t want to do that every week, but somehow this week it seems appropriate.

This is the project that started the whole Bullseye project. This has been on my mind lately, for some reason that I don’t know. I always planned to do a border with curves in it, so it would look like a curve was going all the way around the quilt. I found directions. I have a test piece and I just decided that was not the way to go.

This quilt doesn’t lend itself to the self bordering technique. I have a lot of leftover circles that I could use in some way, but I don’t know what way. Aside from slapping on some borders and calling it good, I don’t have any ideas. Do YOU have any ideas? Even a little spark would be helpful. Let me know.

Three Quilts Return

These quilts returned to me by mail last week. I just couldn’t open them, because I haven’t finished the hand stitching on the others that I got back last month. Too much piecing and not enough TV watching, I guess. I need to finish the binding on the Frosted Stars and decide if it is getting a sleeve. I may give it away, thus it wouldn’t necessarily need a sleeve, but I have nobody in mind at the moment. We’ll see.

I also need to make and put the sleeve on the FOTY 2010. I am not sure if I will use the Ta Dot in Stone (may not have enough) to match the binding or some blues like the back. I think either would be fine, but am agonizing a bit.Making the sleeve should be a task for this weekend so at least I can have the hand stitching available if I have time. That baby has to be ready by July 11.

Anyway, the three quilts (above) are back.

Frankly, I never thought the Zig Zaggy would get done. I really like the freshness of the colors and the piecing was just challenging enough not to be boring. That was fun. It is, however, a weird shape , which doesn’t exactly encourage me to work on it, but there it is, binding on and ready to have the binding sewn down. Colleen is a master, though, and it is due to her that the quilt is done. I didn’t expect this quilt back until the Fall. She did a great job on the quilting and really took the design to the next level.

Her quilting reminds me that the quilting aspect of making a quilt is really a design element. Kerr and Ringle discuss this in Quilts Made Modern, which I read and took notes on, but haven’t finished writing the review. In a quilt like the Zig Zaggy quilt, this concept really stands out.

Yes, that is the Stars for San Bruno #1 quilt. All of you who contributed should be proud! In the detail, you can see the quilting. It is a kind of wind blowing pattern. I asked her to do something that would last for a quilt that would be used by a non-quilter household. I don’t usually go for all over patterns, but this one looks good for the style of quilt, I think. I am really pleased that I am keeping up my end of the bargain. I am a little bit excited about giving the quilt to DH’s cousin. I know getting something out of it isn’t the point, but I can’t help being a little excited. I’ll dial it down a bit until I get the binding on. Of course, SfSB #2 is calling my name more and more insistently. 😉

Finally, the bottom quilt is a food quilt that my mom made for my cousin. I may never see this quilt again, so here is a full photo of it minus the border.

Mom made this quilt for my cousin (her nephew) after the first quilt she made for him mysteriously disappeared. This is about the 3rd incarnation of this quilt as she kept rearranging and remaking blocks and pieces. I am sure she will write about it on her blog, so look out for that post.

Fabric of the Year 2010 Top & Back

As I mentioned in the Zig Zaggy post, I am working on finishing tasks for a number of quilts. One of the tasks I finished was the back of the FOTY 2010.

The Zig Zaggy quilt back was miserable to make because I used too many small pieces. I put it aside 4 or 6 months ago and I hadn’t finished it when I started the FOTY 2010 back.

I decided that I would try and use similar colors instead of using all variety of colors. Is this a new way of making backs? I don’t know, but found it a lot easier to use big pieces instead of a bunch of fat quarters. The process went faster and wasn’t so frustrating. It also didn’t take up an entire weekend to make one back. I think that using a similar color will be better for the quilting. I think it will help the quilting stitches blend in.

I built the back on the design wall, which I found to be a lot easier than trying to lay it out on the floor. I really like having a second design wall, as I think I said.

I had the Metro Coffee fabric I had saved to use. The Metro Coffee fabric was printed in such a way that made it too much of a pain to use for another bag. I found another large of piece of fabric in a similar color.

In addition, I used number of the fabrics from this year, but I also used a fabric or two from one of my fabric bins.

Somehow, I found using similar colors was a lot easier to make than using many different colors. I think it took out one decision from the process of making the back.

I don’t know what has gotten into me with this finishing jag. I think some factors were: not having enough time to sew for a week or so which made just want to sew as quickly as possible. Bringing a quilt to the quilter and knowing she could do a just a little more for me made me get on with the bindings so I would be farther ahead when I got the quilts back. I also think that talking with Colleen about three quilts ma and then made me see the possibilities if I did just a bit more work to get more quilts to her. I am behind on FOTY 2010 and finishing the FOTY 2010 top made me want to try and catch up on it.

I knew I would have a good chunk of time on the weekend to sew, so I got a bug in my ear to move through some of the finishing tasks. I also knew that I didn’t want to spend all of my weekend sewing finishing tasks, which doesn’t seem like creative sewing to me. Since I had a bit of time during the week, and small amounts of time are great for making bindings, I decided to make the bindings for the 3 quilts (Frosted Stars, Frosted Stars Leftovers and the Purple Quilt) which are currently being quilted. I also made the binding for FOTY 2010 and will make one for the Zig Zaggy quilt.

It is great that my longarm quilter will machine sew the bindings to the front of the quilt for me. I normally do it myself, but, this week, I decided that having her do it would move the process along a bit quicker.

On my list for this year is finishing one of my UFOs. I need to move through some of these other projects before I can get to that UFO. I have been trying to move projects past the piecing process before I start something new. I am trying to move some of these projects past that point.

Tornado in the Workroom

I finished the Frosted Stars blocks as I mentioned, so I was a bit at loose ends for what to do next. I am planning to go out of town so I didn’t want to unwrap the Jelly Roll, which is required in the next step of the Frosted Stars quilt project, until I had time to press all of the strips with Mary Ellen’s Best Press. As I mentioned, with the Zig Zaggy quilt, it makes the Moda strips much easier to handle.

I looked around the workroom, which needed to be tidied in a BIG way, and saw a few half done household and charity projects.

Perfect.

I got to work.

The first was one napkin from the four (or 6?) that I cut out at the end of July/beginning of August. I don’t like making cloth napkins, but I like using cloth napkins. I also like the fabrics, most of which I would use for quilts.

Anyway, I straight stitched around the two FQs and then proceeded to perform the most odious task of napkin making, which is to press the seams, so that when I turn it inside out the bottom fold is the same width as the top fold. It never works and for some reason this drives me crazy. It takes me forever to even get it to a point where I can stand to use the napkins. Once I get this part done, it is ok. I find it especially humorous that the one person in our house not old enough to drink loves the Martini napkin. Very entertaining.

Anyway, this napkin is done. I have a yard and a half of 3 different kitchen related fabrics that are waiting to be napkins. I can’t wait.

The Court of Honor was on Friday and the Young Man was awarded 4 new merit badges. It took me forever to sew his last batch of merit badges on to his sash. In fact, I believe I did it the day of the Court of Honor. Since I was clearing off surfaces anyway, I sewed on the merit badges and resewed his troop numbers on. The handsewing I had done when he first joined the troop was coming undone and looked crappy.

He was awarded another 100 year special merit badge so I unsewed the one he had already received and sewed them on in such a way that they were symmetrical.

Anal, I know. I want them to look good, especially if I have to sew on all of these badges. Don’t get me started on my well developed and long rant about the BSA not having a sewing merit badge as an Eagle requirement. It is crazy to have a bunch of sewing that needs to be done and no merit badge to teach them how to do it. Another commentary for another day. I do need to remember to find some thread that matches the the shirt – a beigey color that I would never normally buy.

After doing a bit of unearthing, I found the parts for another pillowcase, so I sewed that together as as well. As I was doing the French Seam (remember Twiddletails directions for the burrito pillowcase?), I started wondering if I could do a French seam on the gift bags I make. I really like those French seams and am glad I learned how to do them.

I had a piece of fabric purchased recently for a gift bag. I thought I could make it quickly, so it had been hanging on the arm of my chair for a month or more. Since I was finishing things up, I decided today was the day to get that fabric off the arm of my chair.

I also decided it was the day to try a French seam on a gift bag. I am pleased with the way it came out.

My one concern was the ribbon tie. I insert a piece (usually recycled cloth ribbon) into the seam and reinforce it. I didn’t want the French seam to mess up the ribbon. I need the ribbon to close the bag. I couldn’t quite imagine how it work in my mind, so I tried it out. The key turned out to be just keeping the ribbon out of the way of the needle and inserting it properly in the first place. Above is the inside of the bag after I sewed the second seam.

Above is the bag with the right side facing out, but with the top folded back so you can see the French seam. I like the fact that there are no raw edges anymore. These bags get a work out even if it is just once a year and the French seam will make the ones with these seams last longer. You can also see how perfectly the ribbon comes out of the side. YAY!

This process kind of freshened up the process of making gift bags for me as well. I have a lot of Christmas fabrics needing to be made into gift bags, so perhaps I will do it now. I could make some for my SIL as a treat.

New Bag

This is one of the totes that made over the past week or so. I think I bought the fabric when I was in Maryland a few years ago. I bought the fabric specifically for a tote bag. It has been in my tote bag fabric box for awhile. I started to wonder why I bought it and then I found a great use for it. I like the fabric, but it turns out not to be a fabric that I would carry around. I think I bought it at the beginning of my tote bag making mania when I didn’t have a lot of tote bag fabrics.

I used a tea pot fabric for the inside.

Blue Flower Tote Bag - detail — Blue Flower Tote Bag – detail

Sunday Work

I felt a bit of freedom in my sewing today. I finished the Blue Janus back yesterday (have to write about that, yes) and didn’t have anything pressing to work on. That left me to see how I felt and work on what I felt like.

I sewed two more test blocks for the Frosted Star pattern. My pattern is much easier to follow and trimming the segments before sewing the block together works really well. I used a mostly monochromatic color scheme for these latest blocks so I can also donate them to the Rainbow project. I couldn’t resist using a bit of one of my Philip Jacob prints.

I think I need to test the 9″ pattern rather than the 12″, because the 12″ is just too big and the 9″ is what I would use in the quilt. I am thinking that I won’t make this quilt even though I like it a lot.

I felt compelled to make a back, so now the back for It’s a Merry & Bright Wrap is finished. This back was less arduous than the one for the Blue Janus quilt. Quite simply, it was much smaller. I also made a big effort to use very large pieces of fabric. Rather than days, it was only a few hours in progress. I am happy that it is done, though I don’t have plans to quilt it yet. I’ll have to see about that.

Making the above back gets me farther along in the various finishing tasks I have to do. I still need to make the sleeves for FOTY 2009 and the Chocolate Box as well as the facing for the Chocolate Box.

I don’t know what is next on the list, but am thinking a tote bag is in order. I have this new black and white fabric that is demanding my attention. Half Moon by Moda will be the bag body with possibly a pink inside.

The Kaffe Fassett dot attracted my attention for handles (I think I may be in a monochromatic phase right now). GAQF only had a fat quarter, but I found a half yard in my fabric closet, which will be enough for the handles. I like the combination of big and small dots.

I am thinking I will use the AMH Multi-tasker tote pattern again even though it isn’t exactly the bag I want. I’ll peruse my other bag patterns first. I do know how to make the AMH MTT and it is a pretty good bag pattern.

Merry & Bright Wrap Progress

TFQ came to stay last weekend. She and I wedged a visit in even though we had a family event in the middle of her visit. One of the things *I* like to do when she is here is get her opinion about my various projects. Often I get stuck and need to move forward but seem to be unable to make any decisions. I can ask any quiltmaker I know, but TFQ knows me well enough not to suggest something completely stupid. She also often prevents me from doing something stupid because I am just tired of the project.

One of the things we worked on was the border of the It’s a Merry & Bright Wrap. I didn’t really work very hard at finding a border by myself, to be honest. I was glad, because what was in my head was not what I ultimately went with.

We auditioned a couple of color combos, including my idea, which included a white dotted inner border (no photo, sorry). I had a lot of that fabric and wanted to use it, but it was too stark as white often can be.

TFQ suggested yellow. We looked through a number of yellow fabrics until we found one that fit well with the yellow from the Merry & Bright Jelly Roll. I found the blues and yellows in this group to be off the beaten path. Interesting, but different than what I have in the fabric closet. The yellow we went with is an older commercial print and not part of that group.

I was pretty interested in using a blue/teal/turquoise color. I found the tone-on-tone in my fabric closet (left photo), but we both felt the quilt needed a bit more pattern. I liked the idea of bringing out the blues, but, since I didn’t have any large pieces of blue from the group and nothing I had was the right tone and I didn’t like the idea of having to buy and wash new fabric I used the green. I happened to see some half yards at Rainbow Resource at the EBHQ show, so I had enough.

Truthfully, we didn’t agonize too much over the colors. We did the Lorraine Torrence thing of making visual decisions visually, we picked and then I sewed them on the next night.

I used the new walking foot to sew the borders on and they are flat and I had not problems. The quilt is now ready for a back and to be quilted. My finishing seems to come in clusters!

I will probably use red for the back, since I have plenty. I don’t know if I will longarm this quilt or send it out. We’ll see.

Backs

I mentioned a week or so ago that I had spent some time doing rote sewing. Part of that day of roteness (is that a word?) was making backs.

Above is the back for the Tarts. As I said previously, it went together really quickly. I am showing it again so you can see the contrast. Making the Tarts back made me think that I could get the back for FOTY 2009 done really quickly.

HAHAHAHA!

I gave myself the rule of using only fabrics I bought or received in 2009 for the back. That meant a lot of rummaging through fabric. That meant a lot of FQs and piecing fabrics together to make them fit. When I finally finished at 9pm on Sunday, I felt like I had accomplished something.

It is a strange looking back and I hope all the seams won’t be a problem on the longarm.

One thing I found when I came back from the CQFA Retreat was a bunch of other FOTY 2009 blocks! Nooooo! I can’t believe they weren’t with all the others. I could have added another row of blocks if I had found them BEFORE the retreat. I decided to get over it and put them on the back.

JulieZS on Patchwork Palooza Top CompleteSunday, January 18, 2026
I can't wait to see how the quilting you talked about with Colleen works out.
Eleanor Jackson on Patchwork Palooza Top CompleteSaturday, January 17, 2026
Congrats... beautiful quilt. Very impressive, and so glad you are sharing it! Eleanor
JayeL on Example Potato ChipsFriday, January 16, 2026
Oh definitely! I have an idea for a recipient of at least one quilt. I just have to deal with…
JulieZS on Example Potato ChipsFriday, January 16, 2026
That's a great looking block, maybe a Leaders/Enders project?
JulieZS on Potato Chip WorkshopWednesday, January 14, 2026
I'm glad you're pursuing learning about the Potato Chip quilts idea, it seems like a really great way to use…

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