“Seeing” Inspiration

Desert

A few weeks ago, I wrote about my strategies for getting out of the Creative Desert. Getting out of the Creative Desert is different from seeking inspiration. Just because you are piecing a bunch of squares together doesn’t mean you are inspired. Piecing a bunch of squares together is good because you are working, but you are only at the first step back to your creative potential.

I find that if I need inspiration, it doesn’t work for me to go out and look for it at that moment. I can’t rush outside and look around and expect to be inspired JUST LIKE THAT. The world might be boring that day or I might not be able to see, really see. I have to be prepared. I have to be in the habit of looking for it every day as I go about my business. I have to accumulate possibilities so it is available when I need it.

Teaching yourself to see requires training. Fortunately, the training does not require you to spend time in the gym every night. It requires you to clear out your head for 5 minutes and look. Christi Friesen, a polymer clay artist, described what I am talking about really well in a recent Notes from the VooDoo Lounge podcast episode. She said your mind has to go into “screensaver mode” to get your best ideas. (a creative example of this can be found on writer Deanna Raybourn’s blog in a post from last week) That explains why I get my best ideas in the shower or right before I drop off to sleep. Thoughts about lunches for tomorrow, who has to be picked up from where and what’s for dinner are not on my mind and there is space to be inspired, to put together the bits and pieces of inspiration you have encountered into a logical whole. Listen to this episode, if it is not on your regular playlist. Exercise: go out at lunch, walk around the block with a clear mind. Don’t think about your next meeting or the assistant who won’t do your bidding. Look at the world around you.

1st: Identify: I know what I like: mosaics, leaves, color, architectural details are a few. You have to look at a lot of stuff to know what you like. It doesn’t matter what other people like, because if you don’t like something, you won’t be inspired.

2d: See. Walk around with your head up. Stop looking at your shoes; they are fine. Really. They are fine. Get out of your head and SEE what is around you. See what is really in front of you NOT what you EXPECT to be in front of you. Seeing is different than looking. We look at the things around us so we can avoid the slimeball from the sales department, not get hit by a car, and find the right coffee shop. Seeing is the next step after looking. Something deeper sparks your interest and you pay attention to the thing. The thing gets in your head and your mind starts playing with it, turning it over and translating it into a quilt design or a machine quilting pattern.

Blue Tailed Bee Eater ( Merops philippinus )If you can’t go out or you live in an industrial wasteland, look at sites that provide you with inspiration that you don’t see in your every day life. Flickr and Pinterest can be black holes of creative doom, but they can also provide excellent inspiration. People share photos of their trips to exotic lands and interesting tidbits they see in their daily travels. Put some random words into the search box and see what you get. I found the above photo by putting “Thailand blue” into the Flickr search box. Gorgeous birds, aren’t they? Look at the color combinations! Check out the beaks. I love the feathered tail of the bird flying. Amazing!

Piedmont Ave Mannequin
Piedmont Ave Mannequin

3rd: Document. Having a camera in my phone is the best thing ever. I take photos of the strangest things because of some little detail that sparked some interest. I have photos of half decayed leaves on the street because of the color. I have a corner of a magazine page, because of a star pattern that might be good in a quilt some day. I have a photo of a rack of vintage sweaters, because of the shape. I am focused on quiltmaking, so when I see a pattern or design that I like, I document it for a later quilt or machine quilting design. You may not see what I see, which is why you need to collect your own inspiration.

If you carry your camera around or have a smartphone, remember that your photos don’t have to be professional. The photo of the mannequin above has that commercial door in it, which looks stupid, but I want to photograph the whole mannequin without completely blocking the oh-so-narrow sidewalk traffic.

You don’t need a camera in your phone. If you don’t want to haul your camera around with you, bring a sketchbook. You don’t have to be Degas or Seurat. You aren’t drawing on the street or on the bus to win awards; you are drawing to remember something, for your own use. You don’t have to share. Commit to whipping out that sketchbook to record a line or design. This is your inspiration. What it looks like in your sketchbook will never look like the end result.

4th: Manipulate. Put your photo or sketch (after you scan) through Photoshop, Photoshop Elements or one of the free programs available online. Add filters. Change the pixels to a sketch or a different color. See what happens. Save your creation as a new file and compare to what else you have done.

5th: Use. The inspiration you are collecting will quickly become crap if you don’t use it. Look through your folders or boxes periodically. Don’t review your bits and pieces only when you are in need of inspiration. Look through folders regularly just because. If you can’t remember why you saved a shard, then it is time to toss it.

Sea by Cuba Gallery
Sea by Cuba Gallery

6th: Organize. For every project, I keep all of my notes, swatches, and details in a file folder. Once you have decided to work on a project, put the shards of inspiration into that file folder with your calculations and fabric swatches. Have you ever seen the movie “Working Girl”? She uses her organizational system at the end to prove the deal was her own idea. You can tell where you are and how to move forward if all the pieces are in one place. Also, if they fall out of the folder, the way they land might provide further inspiration. If you let a project simmer for awhile, having your inspirational shards all together will help you get back on track quickly.

Start your training now.

 

Last FOTY 2012 Pieces

Last FOTY 2012 Pieces
Last FOTY 2012 Pieces

I may cut a few more, but these are probably the last patches for FOTY 2012 you will see until I sew. I made an effort to press and cut some more pieces. With TFQ’s help I made a little progress.

I sorted all of the patches I cut into color groups, so I am pseudo ready to place the patches and then sew. I may not get to sewing this weekend, though I do hope to do enough placement to make some progress sewing.

In the Creative Desert

Creativity is a funny thing. It requires focus, time, dedication, energy and an extreme amount of nurturing. I find there is a delicate balance and if I slip too far one way, I find myself in the Creative Desert. If I had a friend with these requirements, I would probably tell her to put on her big girl pants and stop whining.

I want to get along with Creativity, though, so I find that some of the causes finding myself in the Creative Desert are:

  • loss of momentum
  • interruptions
  • distractions

Interruptions, for me, often lead to loss of momentum.

The Internet’s vast wealth of blogs, images (Pinterest, I am looking at you!),words, fabulousity that I could never have imagined, etc. Family obligations, which can be managed somewhat, but not completely are a problem as well.

I have found some things that help to jolt me back into the game:

  • open a charm pack, put it on your design wall and start rearranging. I spent a lot of time, after being in the Creative Desert for awhile, staring at those charm squares. In the past I have forced myself to either stare at them or rearrange them for an hour.
  • cutting some interesting shape (check out Come Quilt with Me rotary cutting templates) from groups of fabric and just keep cutting them until you have enough to make a quilt.
  • make napkins or tote bags
  • try out blocks you have always wanted to try, though I find that something rote is better when I am in the Creative Desert
  • make journal covers or notebook covers
  • donation blocks
  • take like colors from your scraps and just start sewing them together crazy quilt style. Just sew, don’t think. Trim as needed until you have a new piece of fabric.

Yes, I have sewed those charms square arrangements together. I have a few of them around and they will probably never become quilts I plan to use. They served their purpose. Perhaps I should put borders on them and give them to the BAMQG Charity Girls?!

Thoughts on Dots was the outcome of some of those charm square rearranging sessions. It has a similar look and feel and required the same kind of working style. It created momentum.

Now I try and stay out of the Creative Desert using the following strategies:

  • always knowing what my next step on something is. If I am stuck on one project, I usually have another project on which I know where I am going.
  • having projects in the hunting and gathering stage
  • doing all the steps of the project, even the ones I don’t like. This prevents one small thing from keeping me from moving forward.
  • don’t let projects languish. The longer I don’t work on a project, the less interesting that project becomes.
  • Handwork helps keep the momentum when I have to be away from the machine. If I get out of the habit of sewing, I am more easily distracted by other things (oooooh, shiny!) such as Pinterest, blogs, Flickr, etc.
  • The FOTY project helps me keep my momentum up as well. I can iron one piece of new fabric and cut all the pieces I need in about 5 minutes
  • Have a garment that signals it is time for creativity. Perhaps it is a bathrobe or a well worn soft inside jacket (polarfleece or sweatshirt material come to mind), an apron or smock, slippers or soft socks. Only wear this garment when you are in your workroom. Don’t do other things in it. It needs to be a signal to work creatively.

I hope these strategies help you stay out of the Creative Desert.

A-B-C Challenge Back

A-B-C Challenge back
A-B-C Challenge back

Sunday, I worked on the A-B-C Challenge back. I finished the top on Saturday and got busy with the back on Sunday. It took forever. Well, it seemed like it took forever.

I think I was just tired. I took last week, mostly, off, but with one thing and another, I did a lot.

Another thought is that I have really high expectations of what I can accomplish in a given number of hours. I don’t usually count requests for my chauffeur service, laundry duties, lunch, etc.

For once, I was very careful about pressing the seams open, though Colleen never says anything about that. I am proud of myself.

I am also pleased that I could use another giant piece of Martha Negley fabric. I love her prints, just like I love Philip Jacobs prints. Putting the large flower on the back of the Flowering Snowball was such a great experience that I wanted to repeat it. This particular print has some odd colors, but they go well with the Empire gold that Pat Bravo loves and includes with her collections. Also the green goes well with that border fabric.

I am trying to use larger pieces and make simpler backs. They take less time. Can you tell how simple this back is compared to the Stepping Stones back? I wonder what I was thinking!

A-B-C Challenge Sashed

A-B-C Ready to Sash
A-B-C Ready to Sash

You will be pleased to know that the sashing drama is over. The quilt top is double sashed.

“Double sashed” means that I have sashed each block and then added sashing between the blocks.

A-B-C Sashing Complete
A-B-C Sashing Complete

I did not chunk this quilt and I am partially sorry I didn’t.

One of the benefits of chunking is that all of your sashing lines line up. When you put a quilt together in rows, it is possible that your sashing lines will be off from row to row.

I did not sash, because I didn’t want to have the checkerboard problem I had earlier this year with the inside border for  FOTY 2011, which was that the white looked weird because it didn’t line up problem. I wanted to have really long pieces of sashing so that there would be as unbroken a line as possible.

At this point I am not sure it would have mattered. I am pleased with the red and white dot fabric I used. I think it is inspiring me to have a Year of the Dot in 2013. We’ll have to see if I can figure out what that means.

A-B-C Sashing in process
A-B-C Sashing in process

Next step is to figure out what else I need to do for the borders. I worked on different things last weekend, but didn’t come up with anything that excited me. If I had more of the Sevenberry red dot, I would put a thin line of the grey around the edge and then a fatter strip for the border. I don’t want to go hunting for more fabric. I’ll find something I have to make it work.

FOTY – Late October 2012

FOTY - Late October 2012
FOTY – Late October 2012

The time is really flying by. I was thinking about ordering my turkey next week (maybe the week after). I bought some pumpkin for Thanksgiving and Christmas pies last week in my attempt to get ahead of the major shopping in the next few weeks. I am behind. Behind in blogging, my house feels like a wreck, behind in cutting new and used fabric. Everything.

Case in point: it has been almost two months since I last posted FOTY fabrics. The last blog post was in late August! Gracious!

Still I was able to get some new fabrics cut up. I was also able to scrounge some squares from fabrics I have been using. Are you able to see the projects I was working on in this group?

I see some blocks I made, a journal cover I made and a few fabrics slated for journal covers I will make. One reason I love this project is that it is like a memory book in fabric.

Corner Store Again

Corner Store with Red Border
Corner Store with Red Border

As you might remember there were good comments on the next to the last post I wrote about the border of this quilt. Rhonda was right, not that I doubted her, of course. This quilt looks a lot better with a red border on it.

I did a trial run of the border in another post and, then, sewed it on last weekend. Do you ever have times in your quilt work where you have a lot of little things to do – make a binding, sew on a border, fix a hole, print foundation templates – that all seem to stack up before you can move on with projects? I had a weekend like that last weekend. I never feel like I get a lot done when I have those lists of things to do, but the weeks that follow are full of amazing productivity.

I really am so much happier with this quilt now that it has a red border. One thing I completely forgot about was the binding. I had made a white binding, which was no longer appropriate for this quilt, so I also made a red binding for the quilt.

As I have mentioned, I may quilt this myself. My quilter has so many of my quilts and they are languishing a bit. My machine is so much easier to use and no longer frustrating since it was serviced and I have a spool of thread that would work. I think I could quilt this quilt – simply and get it out of the house.

Quilting a quilt does take up space on my machine and does hamper my piecing productivity. I guess I have to become OK with the entire quiltmaking process. I have been avoiding quilting for the last couple of years. Perhaps it is time to get back in the saddle.

 

More Sashing

The first picture in this recent post by Camille Roskelley (I just can’t stay away from her blog! If she posted 10 times a day I would be reading all the time and not going to work, cooking for my family or washing my hair) made my eyes pop out of my head. I know you have gone to look at the photo and are thinking “well, yeah, it is a polka dot, you love polka dots, Jaye, big whoop.” Why my eyes popped out of my head when I saw Camille’s work is because of sashing.

Huh? you think.

Zoe Pearns' Sweet NothingsYes, dear readers, sashing. Remember that I was puzzling over sashing options for the A-B-C Challenge earlier this week? The whole time I have been making these blocks I have been lamenting that Pat Bravo did not include a really good red in the line. I gnashed my teeth further because the Zoe Pearns dot has a wonderful red in it. I have lots of red and white dots. My idea may not work (make visual decisions visually!!!), but right at the moment I feel brilliant.

Big Dots
Big Dots

I love this big dot, but I don’t think it works with the A-B-C Challenge blocks.

The color is ok, though. It is hard to say, though, because the large dots interfere with the blocks. I think it might be from the Half Moon Street collection, but am not sure.

Small dots
Small dots

I think the smaller dots are better. This fabric is from the Sevenberry (?) collection. I am not sure, though. Not quite right. Why? I don’t know. I do have a large enough piece, though, so perhaps I will go with it just because of that. Bad reason to choose a sashing, though, I know.

Small dot #2
Small dot #2

Still, I liked the smaller dots, so I looked for another. A mini fabric avalanche (fabri-lanche?) gave me another idea.

I thought, perhaps, the problem was that I was trying out the fabrics with a straight set, so i got out a different red and tried the blocks on point. Some of the blocks, like the baskets, look ok, but most of the blocks just look weird. It is probably just that I have been looking at them in a straight set, but I don’t like the on point set.

Small dot #2 straight set
Small dot #2 straight set

Here is the same fabric, but in a straight set. I like it, but the red is very strong.

A lot of what I like is the idea of the red. I like using a strong color for sashing and background. I also like the idea of bringing out that little red in the Zoe Pearns dots I mentioned above. It might be a dumb idea, because you can even tell. I can’t tell even when I standing with my nose next to the design wall.

Small dot #2 straight set - detail
Small dot #2 straight set – detail

More quilt drama. I am glad I am working on this now, because if I had 5 minutes one weekend to sew these blocks together and I was trying to do this, I know I would make a bad choice and have to live with it.

I thought you might like to see a close up of this fabric with the blocks on it. Of course, there are a lot of other factors that will affect the final outcome of this quilt: width of sashing, width of binding, arrangement of blocks (beyond straight or on point set), etc.

Grey squares
Grey squares

As much as I hate to say it, after all of the drama and hand wringing over red above, I think this grey is the winner. The blocks look really good. The grey is not too brown. The blocks stand out and do not blend into the background. All the colors look good. The grey is not as stark as a white.

The problem is that I have to get more. I found some on Quiltshops.com and PayPal wouldn’t let me pay. Even if I decide to go with the red, I can use this grey for something else.

Famous last words.

 

 

Pineapple Redux

Pineapple quilt
Pineapple quilt

This is what the awesome BAMQG Charity girls made from my disappointing Pineapple blocks. I was so thrilled to see this quilt made from the blocks that I thought were a hopeless loss.

In addition to being happy that the blocks were usable, I also learned that a few mismatches wouldn’t detract from the overall look of the quilt.

This makes me feel like I could make new blocks and make a quilt out of those blocks. I still want to work out the measurements of the blocks, row by row so I can try and figure where I went wrong on the first series of blocks.

I just feel so much better about my original idea and about my technique.

New Meditation on Quilt Backs

Corner Store back
Corner Store back

The top photo is a photo of the back for the Corner Store. The Japanese Chrysanthemum print that makes up the majority of the back is by, of course, Phillip Jacobs. I bought that fabric for a Multi-tasker tote I planned to use for the Autumn, but never got around to making and it seemed appropriate to use it for the back.

Today was back day.

I decided that before I could piece more tops I needed to make two backs and a binding. I was able to finish the two backs, but need some input before moving on the binding. Making backs is something I don’t enjoy that much, but feel it is necessary to finish quilts and part of that process is making the back.

I feel strongly about backs:

  1. Pieced backs are good. I prefer to use the fabric I have and not buy special backing fabric.
  2. I label my backs. Nobody may care in 100 years, but if they do care, the information will be there. Also, if a quilt is stolen and, subsequently, found, the finder will know where to send the quilt.
  3. Make the back look cohesive with itself, and moderately related to the front.

I used to never care about piecing backs and would spend all day piecing a back, but today that part of the process got on my nerves. I would have loved for someone to hand me the perfect back so I would not have to make backs today. What I did to alleviate this was to find some large pieces and use those for most of the backs. Larger pieces of fabric meant less piecing. The piecing on the backs is not symmetrical, but the backs are made.

I think what is happening is that I am far enough along is most of the projects on my 26 Projects list that I am getting to the backing and binding stage faster than I would otherwise. Thus, I am making many more backs than I normally would. I also think I am sewing faster than I have in the past. Rote sewing? Somewhat.

I say all this like it is bad and it isn’t. I just think I have a rhythm for sewing and my rhythm is off. I think I need to consider that rhythm and get back into it. I need to take more time with my projects so I don’t get to the backs so fast. Until the 26 Projects list meets my comfort level, though, I think I might have to contend with this challenge, this sewing frenzy. It is, however, a consideration.

Back for Super Secret Project #2
Back for Super Secret Project #2

The last photo is a back for the Super Secret Project (#2). TFQ made the top for me and I was stuck with the back. I didn’t have any of the same fabrics she used, so I did the best I could.

One of my big concerns about backs is the well designed modern backs that many of the ‘modern’ quilters are making. Seeing them make me feel like a slacker. Granted, many of them do not include labels, but they are making backs that are almost separate quilt tops themselves and those backs look good.

These two pieces will go off to the quilter next time I head over there.

Analysis of the Corner Store

Corner Store Finished Top
Corner Store Finished Top

Last week, I talked about finishing this piece and how it had no soul.This realization kind of sent me into a bit of a tailspin, because I am not used to quilt tops having no soul. I got a lot of great comments, which you should go and read. Everyone had great suggestions and insights. I really appreciated the comments.

I had a long discussion with TFQ about this piece and I finally came to the conclusion that the ratio of color to Kona Snow is off. That means that there is too much Kona Snow for the amount of color I included. It could be that this pattern, which originally came from Pretty Little Mini Quilts, was never really suited to scaling it up. In my version, the blocks are small, but the piece is still fairly large.

Still, I think that there is not enough color and too much white. I think that white can lighten a piece and give a fresh look, but I think the quiltmaker has to be careful about how much white to use. I think I have to agree with TFQ that too much white can suck the life out of a piece.

I was upset about this quilt and it did make me think, but I am glad I have bumped up against the “white wall.” I am glad I pushed the envelope and seem to have a limit. It is good for my development as a quiltmaker. I also have to remind myself that I can’t make a masterpiece every time.

Garden Machine Quilting

Garden - Late June
Garden – Late June

I worked, over the weekend, on the Garden quilt. I am machine quilting it. I hadn’t really planned to work on it since I have a back for the Corner Store to finish, a back to make for the Super Secret Project #2 as well as a binding and some other miscellaneous random finishing tasks to accomplish. I also have some bags and smaller projects I could work on to keep my mind off of things. Still, I sat huddled over my machine and machine quilted for hours.

Yes, I am in avoidance mode over the Corner Store, but at least I am accomplishing something while I am avoiding something else. That can’t be all bad, can it?

Free motion quilting
Free motion quilting

This is the first time I have done any free motion quilting in a long time. Admittedly, I didn’t do much on this piece, but I did some and I am pretty proud that a) I am still able to free motion quilt and b) my machine could handle it.

I am really pleased with the servicing the store down south did. The machine works like a charm and I have stopped having traitorous thoughts about replacing it.

I didn’t free motion quilt (FMQ, FMQing) this entire piece, but I did some FMQing in some key areas. In the photo of the sun, I did some FMQing in the ball of the sun.

Annotated Garden
Annotated Garden

I have annotated the last photo so I can try and show you the differences in straight line quilting vs. FMQing. You will have to make the photo larger to see what I have written.

 

Fabric of the Year 2012 – Late June

FOTY - Late June 2012
FOTY – Late June 2012

In addition to sewing I have been cutting.

All of the pinks in the Pink Donation Quilt have a square in the piece on the left. There are a few from some fabrics I bought in the last little while. I also have some patches from the Art Gallery scraps I received.

I have to admit that I arranged the scraps a bit so they look good in the photos I post for you. Look for these patches in the final piece.

June Progress on Corner Store

June Progress
June Progress

It is hard for me to sew during the week, but I am making some progress.The iron issue is not resolved, so I have to figure that out (return current iron, which stinks to high heaven when on), but I am trimming and arranging blocks. My design wall is starting to be too small, but I will have to make it work.

I have 289 blocks to work with and I may make more. I don’t know what size I am aiming for, but my mind keeps saying “BIGGER!!!!”

I probably have enough triangles to make at least 50 more blocks, I don’t plan on making 50 more blocks, however you never know what the muse will scream at me.

Stay tuned.

Zeus & Athena Revised

Wonky 9 Patch Sewn
Wonky 9 Patch Sewn

I really like this quilt.

I love the blue and orange together. Complements, what could be better? In addition, the orange just makes me happy.

I am trying to think of whether or not I have used this much orange in a quilt before. Looking at my orange scrap drawer, I would say no.

The other interesting thing, which I always find when working with a monochromatic palette, is how different, in this case, the oranges are. Some are peachy, some are more red, some have a pink tinge. There were a few prints (my man Philip Jacobs!) with browns. It is so interesting to me how those browns took on more of an orange cast when used withe oranges.

I know you can also see that some are multi-colored and so non-orange colors show up as well. I think those add some interest.

More Wonky Blocks
More Wonky Blocks

I decided to make the Wonky 9 Patch a bit larger. As I said before, the problem is the blue. TFQ said she may have some of the blue, so I sent her a swatch.

I made more of the blocks, so I am ready. One thing I did differently was press the seams open. It made cutting the blocks much easier.

I decided not to sew the one new row to the rest of the quilt, though I did consider it, if for no other reason than to make progress.

Now I am just waiting with my fingers crossed.