Process

Deirdre sent me the link to this entry in Susan Shie’s blog. The post is all about the process of making one of her pieces. I was riveted reading the detail which she includes in her post. Read the post!

Susan Shie's Savannah
Susan Shie’s Savannah

Process is something that has been on my mind as I have worked on the Tarts. I used to be only focused on the end product. I found it to be very unsatisfying, because the end product had a short-lived shelf life. What do you do with a finished product? Put in the bed, hang it on the wall and …. There is nothing after that. I would be finished with the piece. There isn’t much more interaction with a finished piece.

It occurred to me at some point that the process was what was important. I have, since then, tried to focus on the process. I wrote about it in blog post on March 14, 2009 and also mentioned process on January 1, 2009 in the 2008 UFO Report.

In focusing on the process, I try to work on what I am working on right at that moment fully and completely. I try not to think ahead to the next step or the next project. This was brought home to me in a big way as I worked on the Tarts. That project required my absolute full and undivided attention. Any time I thought “oh this will be fine” meant trouble and I would end up ripping something out. The lesson was, however, that Lorraine Torrence’s advice about making visual decisions visually was correct. I knew it was, but the Tarts hammered the mantra into my mind.

One of the other things I realized about process is that while I work on something, I am completely engaged with it. I feel the fabric in my hand. I feed the thread into the machine or hand sewing needle, feeling it with my fingers. I am close to the fabric and the project supplies.

Susan Shie’s post goes through her process in minute detail. It would bore me if I had heard it before, but I haven’t. I find everyone’s process to be different and, often, fascinating.

The other thing about process is that a process does not necessarily stay within the bounds of a specific project. A process can continue to another project once I have finished with a piece. Susan talks about making her Kitchen Tarot deck, which is a multi piece project. She is making a quilt for each of the many Tarot cards in a deck. I really admire someone who can commit to such a large project. Her pieces aren’t small either. She has committed to the process.

The Word of the Day for Labor Day, September 7, 2009 was Reverence. My immediate reaction was a sinking heart and steeling myself for a lecture. The reverence that the author talked about was multi-faceted and had nothing to do with a harangue about organized religion. The passage talked about reverence for a process and reverence for materials.

“Everything that we do should be imbued with reverence and so one would think that we should begin with this concept. But no. Reverence only comes with experience and care.”

and

“In our own small way, we must create and bring order to our lives each day. We must be responsible, and at the same time express the wonder of all we know as human.”

and

“The stately determination to make something worthy of the materials and the moment is reverence.”

I think that by engaging in a process, we gain experience. The more time I spend working on pieces the more experience I gain. I also think that being appreciative of the materials and what they are contributing to the process helps me work better.

It seems to me that reverence is part of a process.

In the process of writing this post, I became much more interested in Susan’s work, classes, blog etc. Perhaps there is a class with her in my future?

Whipped Cream Drama

I know you thought I forgot about the Tarts. Or, perhaps, you thought I abandoned the piece for another 3 years?

Oh ye of little faith!

Non quilt parts of my life have been busier than usual. I have still taken the time to diligently test your ideas for the whipped cream on the second piece of pie after I posted some thoughts in a previous blog post. I thought it would be easy and fast. HA! When will I ever learn?

Another issue is that the 9K is back in the shop. It is fixed now, but I won’t be able to pick it up (80+ mile round trip) until Friday since I am going out of town on Tuesday and the shop is closed on Monday. I tested an approximation of a satin stitch on the Jem. The Jem is a great machine, but the satin stitch it makes doesn’t compare to the 9K’s satin stitch. I need to wait until the 9K returns from his/her vacation. I’ll get everything ready, however.

Below are the candidates:

Whipped Cream #3
Whipped Cream #3

I liked this one, but didn’t think it was enough. I thought it needed more of something. Someone mentioned a drip in a comment, so I started working on that.

Whipped Cream #4
Whipped Cream #4

The drip above is too small. I want it to stand out a bit more against the plate.

Whipped Cream Test #5
Whipped Cream Test #5

The one above is pretty good in terms of having more than just an element on the top. However, the indentation in the top of the dripped whipped cream on the plate looks strange. It may be realistic, but it doesn’t look fun or interesting.

Whipped Cream #6
Whipped Cream #6

The one above is the option I have decided to use. I like the more engaged shape of the drip. I don’t think that is how drips really look, but this quilt isn’t reality.

As you can see, I take Lorraine Torrence’s admonishment to “make visual decisions visually” to heart.

Review: Multi-tasker Tote

AMH MTT in progress
AMH MTT in progress

If I didn’t think Anna Maria Horner was a goddess already,  I do now.  I spent the day on Sunday, minus a short chauffeuring task, with the Multi-tasker Tote (AMH MTT), a recent pattern from Ms. Horner. As I suspected, I did have trouble understanding the directions. It is the way I learn and not completely about the directions. I do think there were a few tiny parts that could have been clarified just a little bit more. I know they have a certain number of pages they can use to create a pattern and have to worry about font, enough photos, etc, so I really am not going to complain too much.

In all fairness, I think making 20 or 30 of the Eco Market Totes gave me a feel for what should be going on in the tote making process. Doing a multitude of those totes and making little changes in the pattern made me understand the bones of tote-making. The AMH MTT is much different than the EMT, but in the end they are totes and their goal is to carry things.

Multi Tasker Tote Pattern
Multi Tasker Tote Pattern

In general, however, this is an amazing pattern. The way it goes together looks completely mysterious one minute and the next minute it is gorgeous and elegant. I was completely blown away, because it made me think about tote bags in a new way. I don’t think it is a beginner pattern, however I would say that any intermediate sewist who has a few tote bags under her belt could use this pattern to make a bag.

AMH MTT in progress, detail
AMH MTT in progress, detail

In the above photo, you can see the bit that is folded over to accommodate the straps, including my lovely top stitching. 😉 I haven’t finished the straps yet, so there is another photo of this project to which you can look forward!

AMH MTT, Step #8
AMH MTT, Step #8

One of the steps I had trouble with was step #8. I really couldn’t figure out what the directions were trying to accomplish. Finally, I realized that she wanted me to sew the bottom of the pocket together! To accomplish that I had to pop the pocket (pattern piece is called pocket panel) out a certain way. When you do orient the section correctly, the whole thing looks like the section above.

Box corners
Box corners

Remember I mentioned the gusset tutorial in the Bag Bazaar book? I didn’t have a chance to try it out. I found AMH’s directions to be stellar. You press a crease into the side of your bag, then you line up the bottom seam with that crease and you have a perfect triangle. I drew a line (not part of the directions), because of my A type personality. Perfect box bottom. I did it before I realized what was happening and was amazed at the results.

I love the fabrics that I chose for the current tote, individually.  I am not happy with the two of them in combination in this project. Too many flowers, I think, which means that none of them stand out. Yes, I will be making another! As I mentioned in a previous post and as you can see from the photos, I used the Denyse Schmidt fabrics as a trial run.

MTT #2 Bag Fabric
MTT #2 Bag Fabric

My biggest challenge with this project is the requirement of Pellon Peltex Double-Sided Fusible Ultra Firm Stabilizer #72. I didn’t have any in my fabric closet, which didn’t worry me. I sewed and fused two pieces of Timtex together and the put Steam-a-Seam 2 on the outside and fused it to the bag. Having a stiff bottom is GREAT! It makes the thing stand up and much less floopy. Using my jerry-rigged method, I could easily see where something already stiff and fusible would be a lot easier. I searched the web and found it by the yard for $10+.  I also found a bolt of it for $99+. Huh! I can’t make another of these using my jerry-rigged method, because I am out of SAS2. I have to decide whether to get a bolt (seems like overkill) or pay, what seems like, and exorbitant price for a yard. Anyone of you have any perspective on the price of Pellon Peltex Double-Sided Fusible Ultra Firm Stabilizer #72?

Kristin LaFlamme  reviewed this pattern  on her blog as well. It is a very complete review. She mentions a couple of the inconsequential typos I also saw and does some interesting things using recycled materials. Her rendition of the pattern makes me think about adding additional pockets to the outside. Adding a pocket to the outside would be especially successful when I don’t have a focus fabric (as shown on the pattern above) or fabric suitable for broderie perse.

Julie Bag
Julie Bag

Update: this was given to Dolores as a gift.

Hanging Quilts

I was glad I stopped by melody Johnson’s blog today as she is talking about how she hangs her quilts. Very interesting!

I hang my quilts from a system that uses a shelving standard screwed to the ceiling, and S hooks and fishing line looped over the ends of the rod. Or in this case, actual picture hangers.I have to have a way to hang many sizes of quilts, and I change them out often. This system is hardly noticeable since the eye usually sees the quilt first.
  blog it

Incremental Progress


I put the first white/background border and the cornerstones on the piece last night and this morning. Intermittently, I have been working on the back. I may have mentioned that I am using some of the leftover fat quarters. I am mostly not using the stripes, because they will be good for the Stars in Stripes quilt that started out as a test that I will probably make into a quilt. It is pretty far down on the list.


This is a secondary pattern that I saw after I put the first border on this morning.

:-( – Not so Happy with the Hand

Afer looking at this hand last night and this morning, I am not so happy with it. The quilting looks off and weird. I think it was the batting that I used. My plan now is to make another one – same design, etc, but better batting and quilting.

I really had trouble with the quilting, because there was nothing to grab on to. I really wanted to use the Glitter, but, as I mentioned, couldn’t get the tension right. My machine better behave or I am junking it and getting a new one! I will try again with straight lines and the Glitter.

The good thing about doing something over is that the second time goes faster. I don’t feel it is a waste; I feel that I am improving the process.

More Squares


Also, during TFQ’s visit, I worked on the Moda squares I got from Hancock’s. I decided on the final arrangement and started sewing them together. More than 20 days later, they are still in the same state. I will get back to it in another month or so.

I decided to get more of the squares, after St.JCN suggested it, and make the piece a little bigger. I was thinking about how I would arrange the new batch of squares. My idea now is to arrange them the same way, but turn the whole arrangement upside down and then sew it to the original group. Since I have not made this decision visually yet, we will have to see once the squares arrive.

Quilt Wisdom from Brazillian Musician

I was listening to Morning Edition this morning (April 7, 2006) and heard a bit of the last segment with Seu Jorge, a Brazillian musician. He said [paraphrased] that Bob Dylan could write a very simple song that was sophisticated in its simplicity.

When I heard this I realized that this is a goal that I strive to achieve in my quiltmaking. This comment coalesced some of my thinking about my quiltmaking. In making blocks to form a quilt design, I strive for a look that is sophisticated in its simplicity. It is not that simple, however, because you have to taking the fabrics, the thread, the quilting all into account. With fabric, and I realized this with the Thoughts on Dots squares, you have to think about the “weight” of the look of the fabric. Does the fabric look or feel heavy or light, sherbety or cake-like?

I would love to hear what this means to you. Please make a comment in the comments field or e-mail me via Artquiltmaker.com.

Forced Creativity: Kissy Fish


Kissy Fish is a small piece that I created so I would have some handwork and be able to try a few things. I haven’t worked on it lately due to time, and didn’t for a long time, because of an injury. In a continuing effort to sew and make progress on my quiltmaking, I pulled out the project and brought it with me to DS’ appointment today.

Every Friday I have about an hour to do something portable and not computer related. I have been bringing blank paper and writing letters. Over Christmas, I brought Christmas cards and wrote those. It occurred to me today that I could bring a portable sewing/quiltmaking project and make some small progress.


In the detail above I have placed slash marks in the area I was able to accomplish in the hour I had to work on it.

One reason I started this project was because of the embroidery articles in Quilting Arts magazine. I thought I would like to try some of the stitches, but am not interested at all in Redwork or an entire project based on embroidery such as a crazy quilt. I also had a lot of beads and thought it would be good to try beading out. Around that time I saw the work of quilt artist, Susan Carlson, on Simply Quilts and was inspired to try both beading and embroidery in a free form sort of way on Kissy Fish.

It is not meant to be a great work of ART. It is meant to be a test piece for me. I hope that it comes out well, but I am giving myself permission to do what I can and screw up if I need to. It is quite liberating to think this way.