Checked Out Quilts & Vendors (Quiltcon Day 3)

Another quick post to keep you in the QuiltCon loop.

Skyline Pasadena
Skyline Pasadena

Today was our day to look at the rest of the quilts and vendors. There weren’t a ton of vendors (PIQF has more), but the vendors did have interesting stuff and there was lots of free stuff – fat quarters and charm squares. It was kind of fun, but also somewhat overwhelming.

First, we looked at quilts. As usual there was a lack of understanding of what the judges were thinking.

hoenix by Anne Sullivan of Gaithersburg, Maryland (@playcrafts)
hoenix by Anne Sullivan of Gaithersburg, Maryland (@playcrafts)

One I liked was Phoenix by Anne Sullivan of Gaithersburg, Maryland (@playcrafts). Anne gave a lecture to BAMQG at some point in the not too distant past about color.

Colorfall by Timna Tarr of South Hadley, MA (@timnatarr) was very interesting. I really liked the quilting on this piece. It did not distract from the overall design and fit in very well.

Drip by Suzy Williams, Chicago, IL, (@suzyquilts)
Drip by Suzy Williams, Chicago, IL, (@suzyquilts)

Drip by Suzy Williams, Chicago, IL, (@suzyquilts) was one of my favorites. I think it was because of the colors. I saw it from across the room and it caught my attention. I am dying to make a quilt that invokes such a sense of calm.

Falling by Kathy York of Austin, TX and the Austin Modern Quilt Guild (@kakiyark) was another favorite. The balance is good. The colors work well together. The design isn’t too fussy or complicated. There is also repetition with variety. That little bit of handwork adds something, but not a lot. I love it and am inspired to make something just as fantastic.

I also really liked Cog by Emily Cier (@cpatchwork). I have always wanted to make a Jack’s Chain quilt. This is the same pattern except in Jack’s Chain the squares are replaced by 9 patches.

Putting on the Glitz by Tami Levin of Sunnyvale, Calif. (@lemontreetami)
Putting on the Glitz by Tami Levin of Sunnyvale, Calif. (@lemontreetami)

I love the addition of the trees in Putting on the Glitz by Tami Levin of Sunnyvale, Calif. (@lemontreetami). The colors used to imply the trees are perfect on top of the Michael Miller challenge quilts.

There were some quilts I wondered about, but there were many, many more quilts that wee really interesting in some way. I did wonder about the size of some of the quilts. I thought modern quilts were supposed to be utilitarian? The small quilts, unless they were large mug rugs, did not seem to be utilitarian to me.

One of the good things about the show is that it wasn’t just about looking at quilts and buying stuff. There were manufacturers there who were not there to sell, but to market their newest lines and concepts. A couple of the manufacturers were also working with attendees to make donation quilts.

Kona’s new Color of the Year, Highlight, was the theme of the booth. In addition to all the Highlight quilts being shown, they had a color activity where you could design your own palette around Kona’s new Color of the Year. Julie created her own palette and we both received FQs for her trouble. πŸ˜‰ It might be interesting to work with.

Dear Stella Selfie
Dear Stella Selfie

Timeless Treasures was making a donation quilt in their Dear Stella booth. We didn’t have a chance to stop and make a block, but we did take some time to post a selfie so we could possibly win a pack of FQs. I posted the goofy selfie above!

ALS Donation Blocks
ALS Donation Blocks

Victoria Findlay Wolfe told us about the donation quilt that Marcus Fabrics was making to provide additional funds for ALS research. We needed to sit down for a minute, so we stopped there and made some blocks. We met a fellow class member from yesterday and chatted with her about her guild, the Omaha Modern Quilt Guild.

I made two blocks and we have some pieces from the class that we can use to make more. The blocks are hand pieced and I have stuff to make more with me. I hope to find the time to do it. You know how much I support efforts make donation quilts. The fabric is the new Victoria Findlay Wolfe Manor House line. Julie and I bought a layer cake and will share it.

Jaye & Julie with donation blocks
Jaye & Julie with donation blocks

Finally we took some time to look at the vendors. There weren’t as many vendors as I expected, though others have said that there are twice as many vendors as last year. I loved seeing new and interesting fabrics (not the old stuff vendors bring to PIQF) and fun prints. I was also pleased to see Sizzix, Accuquilt, several machine manufacturers and small fabric stores like Crimson Tate.

I was thrilled when Coral messaged me asking to meet up. We met at the Marcus booth, because we were still working on our donation blocks. She was a sport in that she was willing to meet us there so we could finish. Coral is a lovely person who is a Bay Area native, but now lives in Canberra. We chatted for a few minutes, then she needed coffee and we needed to get back to our vendors.

Coral & Jaye
Coral & Jaye

It is fun to meet people I know from Instagram and Twitter.

I decided to look for some fabrics that I could mix in with my Timeless Treasures background for the VFW quilt. I won’t have enough of the original background and I want to make the design more interesting and the quilt larger. I took a piece of my fabric with me and compared it to various solids that were available. The above were some of the good choices. I also want to take a look at Moda Bella Seafoam and Moda Bella Big Chill. They look like they will work. I want the solids to blend, though, and not to stick out too much. It is a difficult problem because the TT fabric I used has a lighter fabric overlaid with a darker fabric.

Visiting QuiltCon
Visiting QuiltCon

All in all we had a fun time, met some nice people, saw some great products and quilts.

 

I Took a Class (QuiltCon Day 2)

This will be another quick post about my adventures at QuiltCon.

Quintessential Pasadena
Quintessential Pasadena

Today I was in class with Julie and Kathleen all day. We were pleased Leona was there as well. We took a class called Pies & Points from Victoria Findlay Wolfe.

Short version: she is a great teacher, I learned a lot want to buy a Sizzix Big Shot Pro. πŸ™‚

Longer version

The class was called Pies & Points and is an updated version of a variation on the Drunkard’s Path. This pattern was popular several years ago and was called Snails Trails or something like that. I’ll look it up when I get home (if I remember). I have always wanted to make a quilt like this, so it was the perfect opportunity.

Victoria Findlay Wolfe is a great teacher and if you have the opportunity take a class from her. She was very clear. She was supportive and didn’t try to have us accomplish too much in one day. She was available, was walking around the room offering assistance and seam ripping services. VFW was also accessible and made the project accessible. She was pleasant and funny and very human. I liked her very much and want to be her BFF. She also wore leather capri pants, which were super cool.

I am not a project class person. This class kind of bordered on that type of class, but was full enough of technique that I could apply to other projects that the class worked for me. I could work within certain boundaries, but still spread my wings.

She gave a little bit of information and the Sizzix people passed out the Pies and Points die to us. We each got our own!!! I didn’t know that was going to happen and it was useful as well as exciting.

About this time, one of the QuiltCon people came in and announced that Victoria’s quilt, Mr. Swirly Bones, won Judge’s choice! We all clapped and she was very excited.

VFW showed us how to cut using the Sizzix and then how to sew the curved seams and then we got busy cutting and sewing. You can cut a lot of pieces at once, but there is still prep time for using the Sizzix. Without my normal setup, it took time to get the pieces cut.

I had a bunch of pieces cut and ready to sew, but wasn’t able to sew much before lunch. Right before lunch, I was able to sew one seam and that made me feel better.

Lunch was two hours. Very civilized IMO. We brought our lunch so wolfed it down and then went to check out the vendors and some of the quilts. There were not as many vendors as I expected, but there were manufacturers at the show giving away prizes and showing off stuff, but not selling.

The whole feeling of the show area is so light and airy. Everyone seems cheerful and there is very good energy. People seem excited to be there. I love that.

We looked at the vendors – more getting the lay of the land than shopping – and started to look at the quilts. After 1.75 hours it was time to head back to class and to sewing.

Sewing Pie Points
Sewing Pie Points

I got right down to business and started sewing. I had a lot of little pieces to sew together, but the first seams to get the middle arc were all straight seams. Once I got a few of the arcs done, I started making quarter blocks.

The class was supplied with Sizzix machines, rotary mats, rulers and cutters, irons and sewing machines. The sewing machine I was using was a Juki electronic machine. I wrote down the model, but am too lazy to go look for it. I’ll post about it later. It is a little disconcerting to use a different machine. This one kept lifting the presser foot every time I stopped the machine. It made it really hard to line up the edges of the curved seams. There was a Juki lady, Chris, who was there to help with machines and she changed a setting so I didn’t have to deal with that. I could probably learn to use that feature, but for one day I didn’t want to deal with it.

Without too much pain and suffering I made a whole block. I planned to put them together in her Snail Trails arrangement.

Whole block
Whole block

After working on the one block and looking at the options I had chosen for myself, I decided to make some of the other parts and mix it up a bit. No photos of that to share yet, but soon.

I want to work some more on this piece. I may add some different backgrounds to add interest (my idea turned out to be more boring than cool looking) and because I only have about a yard left and I’d like to make a larger quilt than a wall hanging. I also have the Sizzix problem. I do not have a Sizzix. There a few reasons I am not buying one, but the most important is that I have no place to put it. It is a desktop model and it stays out on a table (desk, worktop, etc). This is problematic since I have to cut more pieces for the quilt. I hope one of the local shops has one to rent and, perhaps, I will buy one at some point. I can also make templates and cut the pieces that way, though …. bleah.

Julie rested after the class and I walked around the show a little bit more. we went to a Brazilian steakhouse for dinner. They bring all different kinds of meat around and you can take what you want. It was a little bit on the pricey side, but extremely tasty. I was a little protein deficient, so it was just what the doctor ordered.

One of the projects was posted on Instagram. I didn’t take a lot of pictures of other students work πŸ™ , but I did take a few.

Stacy's pieces
Stacy’s pieces

You can see some of the options available in the above blocks. My latest block has the pieced center like Stacy’s bottom block.

EBHQ Show Press Release

For Immediate Release:

Media Contact: Edith Beard Brady

Voices in Cloth 2016, Extraordinary Quilts by the Bay

Dates: Saturday, March 19 and Sunday, March 20, 2016
Hours: Saturday: 10:00 A.M. to 5:00 P.M.
Sunday: 10:00 A.M. to 4:00 P.M.

Admission: Two-day advance purchase tickets are $10 until February 29, 2016; tickets purchased at the door are $15 and children 12 and under are FREE.

Location: The Craneway Pavilion, 1414 Harbour Way South, in the Marina District of Richmond, California. With its huge windows, panoramic San Francisco Bay views and natural light, The Craneway Pavilion makes a spectacular venue for the vibrant quilts and fiber art that will be displayed at Voices in Cloth.

Website: http://www.ebhq.org/quilt-shows/vic2016

East Bay Heritage Quilters present Voices in Cloth 2016, Extraordinary Quilts by the Bay. Highlights of the two-day show include an exhibit of more than 200 new quilts and wearable art made by guild members; quilts by kids; a stellar lineup of 37 vendors, offering textile and eclectic wares; a Guild Marketplace of Fine Fiber Art; free demonstrations of quilt-making techniques including new ruler-free cutting techniques by Sherri Lynn Wood; bed turnings by the San Jose Museum of Quilts and Textiles showcasing quilts from the museum’s permanent collection; engaging activities for children and introducing new children’s titles from C&T Publishing; and great door prizes.

Voices in Cloth 2016 will as also feature two special exhibits:

“Off the Wall: Maverick Quilts from the Julie Silber** Collection”

Well- known and highly respected quilt authority, Julie Silber curates this special exhibit of 20 of her favorite quirky antique quilts. The pieces all have in common an unusual twist on the ordinary, a certain verve, and a gritty individuality rarely found in more studied and self-conscious quilts. These playful pieces demonstrate that all over America original works of art may be as close as the blankets under which we sleep. Julie Silber will lead a personal tour through the exhibit each day at 1 p.m.

 

**Julie Silber is best known locally as curator of the world-renowned Esprit Quilt Collection , which was on display at the Esprit Company headquarters in San Francisco in the 1980s. She is the owner of Julie Silber Quilts where she offers a wide range of antique and vintage quilts made between 1800 and 1950. She wrote Hearts and Hands: The Influence of Women & Quilts on American Society, and Amish: the Art of the Quilt.

 

“Tell Me a Story” A Cloth Doll Challenge

For the first time, Voices In Cloth presents a special exhibit of 36 cloth doll sculptures and their stories. The Challenge is curated by Sondra Von Burg, a local doll artist, teacher and lecturer on the Art of Cloth Doll Making. She states “Dolls traditionally were made to represent the human form in miniature. Contemporary dolls are moving closer to sculpture, but often continue to represent humans beyond just the form and all dolls have a story to tell.” Sondra will be demonstrating “Cloth Doll Finger Turning” during the show and has a vendor booth exhibiting her work.

East Bay Heritage Quilters is a non-profit, all-volunteer organization based in Albany, California. The guild focuses on preserving and continuing the traditions, culture, and history of quilting and textile arts. A significant contribution EBHQ makes to our community is the Deanna Davis Community Quilt Project, through which our members and outside volunteers make and distribute over a 1,000 quilts a year. Recent recipients include First Place for Youth (a home for aged-out foster teens), and survivors of the Lake County fires. In 2016, EBHQ will make monthly deliveries to a Neonatal Intensive Care facility.

There are two Opportunity Quilts that will be featured at the show. Winning tickets in the raffle will be drawn on Sunday, March 20, 2016. Photos and descriptions of Bay Windows and String Theory can also be found at http://www.ebhq.org/quilt-shows/vic2016/vic2016quilts.

Bay Windows

42 inches by 46 inches

Raffle Quilt designed by Nancy S. Brown

Appliqued by Nancy S. Brown, Meg Cupman, Cynthia Demidovich Winn, Linda Gavin, Sue Gragg, Linda Gruber, Andrea Hong, Jenny Kolbusz, Liisa Lyon, Lily Pang, Laurel Putnam, Melissa Quilter, Valerie Sopher, Katie Spangler, Carolyn Weil.

Quilted by Laura Lee Fritz.

Photography by C&T Publishing

 

 

String Theory

80 inches by 84 inches

Raffle Quilt by Barbara Ramsey

Quilted by New Pieces in honor of Deanna Davis

Photography by C&T Publishing
East Bay Heritage Quilters, P.O. Box 6223, Albany, CA 94706

Quick QuiltCon Day 1

This will be a super quick post, because I wasn’t planning on writing anything else today, but I feel inspired.

This is the first really big quilt trip I have made since we went to Houston in 2014.

Julie and I drove down to Pasadena and it was amazing to see the green-green hills. We arrived at about 4 at our hotel. We didn’t have to drive through the whole of LA, which was nice, but the traffic on the 210 was bad enough so we were both done with it by the time we got to the hotel. We checked in and sprawled on the beds for awhile until it was time to go and register. By this time it was raining (yes, raining!) and it was dark, so it was a challenging drive: rain, dark, unfamiliar territory. Julie was a champ and got us to the convention center in one piece.

We ran through the rain (my feet got soaked) to the entrance and there were more than a few people milling around.

Swag
Swag
QuiltCon bag
QuiltCon bag

We registered and I was told to get a bag. I went and got a huge bag filled with stuff: mini charms, batting samples, a Soak sample, a magazine and other stuff. I was surprised and pleased. It turned out that the first 1,000 registrants got a gift bag. Nice!

We also saw Kathleen right by the registration desk!

After chatting with Kathleen and a couple of people she was talking with (one-Jennifer Moore- has a new blog sewingreport.com ), we went to look at the donation quilts. They were great and we did see the BAM quilt!

The top left is my favorite, but they were all awesome.

I was also really excited by this quilt, which has great quilting.

I was able to find the BAM donation quilt and was excited about that.

BAM Donation Quilt
BAM Donation Quilt

The exhibit hall, etc is not yet open and these quilts were just a little teaser.

We went to Trader Joe’s and got some stuff for dinner and lunch tomorrow. It is pouring rain outside and I need to get some sleep. I am looking forward to tomorrow’s class.

Have a great day!!!

EBHQ Show Press Release

For Immediate Release:

Media Contact: Edith Beard Brady

Voices in Cloth 2016, Extraordinary Quilts by the Bay

Dates: Β Β Β Β Β Β Β Β Β Β  Saturday, March 19 and Sunday, March 20, 2016
Hours: Β Β Β Β Β Β Β Β Β  Saturday: 10:00 A.M. to 5:00 P.M.
Sunday: Β Β Β Β Β Β Β  10:00 A.M. to 4:00 P.M.

Admission:Β Β Β Β  Two-day advance purchase tickets are $10 until February 29, 2016; tickets purchased at the door are $15 and children 12 and under are FREE.

Location: Β Β Β Β Β  The Craneway Pavilion, 1414 Harbour Way South, in the Marina District of Richmond, California. With its huge windows, panoramic San Francisco Bay views and natural light, The Craneway Pavilion makes a spectacular venue for the vibrant quilts and fiber art that will be displayed at Voices in Cloth.

Website:Β Β Β Β Β Β Β Β  http://www.ebhq.org/quilt-shows/vic2016

East Bay Heritage Quilters present Voices in Cloth 2016, Extraordinary Quilts by the Bay. Highlights of the two-day show include an exhibit of more than 200 new quilts and wearable art made by guild members; quilts by kids; a stellar lineup of 37 vendors, offering textile and eclectic wares; a Guild Marketplace of Fine Fiber Art; free demonstrations of quilt-making techniques including new ruler-free cutting techniques by Sherri Lynn Wood; bed turnings by the San Jose Museum of Quilts and Textiles showcasing quilts from the museum’s permanent collection; engaging activities for children and introducing new children’s titles from C&T Publishing; and great door prizes.

Voices in Cloth 2016 will as also feature two special exhibits:

“Off the Wall: Maverick Quilts from the Julie Silber** Collection”

Well- known and highly respected quilt authority, Julie Silber curates this special exhibit of 20 of her favorite quirky antique quilts. The pieces all have in common an unusual twist on the ordinary, a certain verve, and a gritty individuality rarely found in more studied and self-conscious quilts. These playful pieces demonstrate that all over America original works of art may be as close as the blankets under which we sleep. Julie Silber will lead a personal tour through the exhibit each day at 1 p.m.

 

**Julie Silber is best known locally as curator of the world-renowned Esprit Quilt Collection , which was on display at the Esprit Company headquarters in San Francisco in the 1980s. She is the owner of Julie Silber Quilts where she offers a wide range of antique and vintage quilts made between 1800 and 1950. She wrote Hearts and Hands: The Influence of Women & Quilts on American Society, and Amish: the Art of the Quilt.

 

“Tell Me a Story” A Cloth Doll Challenge

For the first time, Voices In Cloth presents a special exhibit of 36 cloth doll sculptures and their stories. Β The Challenge is curated by Sondra Von Burg, a local doll artist, teacher and lecturer on the Art of Cloth Doll Making.Β She states “Dolls traditionally were made to represent the human form in miniature. Β Contemporary dolls are moving closer to sculpture, but often continue to represent humans beyond just the form and all dolls have a story to tell.” Β Sondra will be demonstrating Β “Cloth Doll Finger Turning” during the show and has a vendor booth exhibiting her work.

East Bay Heritage Quilters is a non-profit, all-volunteer organization based in Albany, California. The guild focuses on preserving and continuing the traditions, culture, and history of quilting and textile arts.Β Β  A significant contribution EBHQ makes to our community is the Deanna Davis Community Quilt Project, through which our members and outside volunteers make and distribute over a 1,000 quilts a year. Recent recipients include First Place for Youth (a home for aged-out foster teens), and survivors of the Lake County fires. In 2016, EBHQ will make monthly deliveries to a Neonatal Intensive Care facility.

There are two Opportunity Quilts that will be featured at the show. Winning tickets in the raffle will be drawn on Sunday, March 20, 2016. Photos and descriptions of Bay Windows and String Theory can also be found at http://www.ebhq.org/quilt-shows/vic2016/vic2016quilts.

Bay Windows

42 inches by 46 inches

Raffle Quilt designed by Nancy S. Brown

Appliqued by Nancy S. Brown, Meg Cupman, Cynthia Demidovich Winn, Linda Gavin, Sue Gragg, Linda Gruber, Andrea Hong, Jenny Kolbusz, Liisa Lyon, Lily Pang, Laurel Putnam, Melissa Quilter, Valerie Sopher, Katie Spangler, Carolyn Weil.

Quilted by Laura Lee Fritz.

Photography by C&T Publishing

 

 

String Theory

80 inches by 84 inches

Raffle Quilt by Barbara Ramsey

Quilted by New Pieces in honor of Deanna Davis

Photography by C&T Publishing
East Bay Heritage Quilters, P.O.Β BoxΒ 6223,Β Albany,Β CAΒ 94706

Tuleberg Quilt Show

Mom used to make the 80+ mile trek to my house every week to see us, cook us dinner, buy clothes and stuff for the YM and visit. Since the YM left for college, she isn’t making the drive (it is pretty grueling) and we don’t see each other as much. πŸ™ We have plans to meet halfway for lunch or other things, but we have both been so busy lately that it hasn’t happened. When she mentioned that her guild was having a quilt show, I decided to trek out to the boonies and visit the show with her. Short version: we had a great time!

Friendly Quilt Ladies: Dessie & Faye
Friendly Quilt Ladies: Dessie & Faye

She lives an hour and a half plus a bridge away. Even though she made the trek once a week for YEARS, it seems super far to me. I was really glad I went. First and foremost, mom was really, REALLY happy. Second, the people were so friendly and genuinely pleased to meet me. They also appeared really like my mom. These ladies are like the BAMQGers! Their positive demeanor made me have a much better time. Third, the quilts were great. Yes, the show was small, but there was some very good work. Fourth, I got to see Colleen and actually talk to her (at PIQF I just did a drive by as her booth was mobbed and I had an Opportunity Quilt booth shift to man). Finally, the attention to detail in all aspects of the show was superb.

Partway through my drive, mom called and asked me to pick her up, so I stopped by the house to get her and see the Big Guy and my dog-sister. We gathered up all of her stuff and headed out.

The quilt show was housed in an old Mazda dealership building. The lighting was a little tough, but they rented the building for about 10% of what the guild paid the Scottish Rite Temple last time. Great deal and people couldn’t help passing by cars on the way in and out of the show. There seemed to be a sales guy stationed near the entrance greeting, not bothering, quilt show attendees at they came and went. Interesting marketing strategy!

We had to park a little way away, but we got some steps in. The first thing we did at the show was walk around the outside edge of show to get a feel for the size and extent of the show. The vendors were stationed along the outside of the building and the quilts were in the middle.

After checking out the lay of the land, we started looking at the quilts. This guild likes to applique’ and likes to get inspiration from patterns and books. The work is, generally, of very high quality. Many of them machine quilt or long arm their quilts. I don’t remember seeing any handquilted quilts.

The theme of the show was Quilt of All Seasons and the show was arranged by season. This seemed to be that quilts of certain colors or themes were hung near each other. It was a clever arrangement.

by Alice Cox
by Alice Cox

One of the quilts we saw in the first row, with the guild challenge quilts, was a summer themed quilt. I am not much ofΒ  a fan of watermelon (never tastes like much and all those seeds!), but I loved the watermelon quilt. I liked the octagon shapes in the middle. I also liked the shape of the watermelon blocks and the way the appliqued rickrack made the eye move around the quilt. I also thought one block could be used and, with a border, made into placemats for a lovely summer table. Three or so could be a table runner.

by Dorian Berg
by Dorian Berg

I saw a spiderweb that was really interesting. The maker said that her inspiration was from Kathy Doughty of Material Obsessions fame. Mom was having a hard time imagining that this quilt was the same pattern as my Spiderweb. I pulled up a photo of my spiderweb and showed her and then pointed out the block structure and she could see it.

The lighting was a little tricky, so this quilt was a tad brighter than it looks in my photo. In looking at this quilt, I really thought it looks like Millefiori glass. If you zoom in on the photo you can see some really interesting and clever use of stripes towards the center of the webs. I have said it before, but I really love the way you can use the same block and never make the same quilt twice. I think people could be given the same fabric and pattern and not make the same quilt.

by Carole Price
by Carole Price

My favorite quilt was a summer themed applique quilt. They didn’t have names on the attached cards, so I don’t know if the maker gave it a different name. It is a pattern from Cherry Blossoms Quilt Studio called Sunday Ride. Do you love that bike? I want a bike like that! I am a little embarrassed that it was my favorite. I do love applique’ quilts, though and this one was so bright and cheerful. I really liked the predominant turquoises (no big surprise!). I also think the maker may have used American Made Brands solids as those fabrics glowed within the quilt. The grey and white border was fantastic as well. Really a good solution. I was so impressed with the needle-turn applique’. It looks amazing. I would love to do needle-turn but even after a class with the magnificent Elly Sienkiewicz, needle-turn is not my strength. Finally, whoever did the quilting was a master. She (he??) did a perfect job matching the quilting motifs to the areas of the quilt.

Mom demoing
Mom demoing

I mentioned “all her stuff” above. Mom agreed to present a demo on the Exploding Star block. She had tools and supplies and step-out samples. After retrieving her stuff from the car, we headed over to the demo area at 2:30 and set up the area. I meant to take a photo of the whole setup, but only took a picture of mom. She did great job showing people how to make the Exploding Star. She was extremely patient and didn’t mind explaining over and over. She originally saw a YouTube tutorial for this block from Jenny Doan of Missouri Star Quilt Company, if you want to take a look.

I restrained myself and didn’t buy much: a few pieces of fabric, some SoftFuse and some chocolate. Cello Chocolates had a booth there and we engaged in an extensive tasting session. I couldn’t resist a few bars.

Tuleberg Quilt Show purchases
Tuleberg Quilt Show purchases

Yes, I bought a few pieces of fabric. I love those American Made Brands solids. When business picks up I am going to order a bunch of half yards from Colleen. I also needed another peacock panel to put on the back of my nearly in process Peacock quilt.

PIQF 2015

I was looking forward to visiting PIQF this year. It ended up being a mixed bag. TFQ couldn’t come down, but Julie and I went together. I didn’t have a lot of time to look at everything, but I also didn’t spend a lot of money. So both good and less good.

I was excited about the changes that the Mancusos said they were making. Last year they said they would make changes to freshen up the show. I didn’t see many changes and that was disappointing. They added a Modern category and there were a few quilts I would classify as modern, including some from BAMQG.

Historic quilt from SJMQT
Historic quilt from SJMQT

Of course I saw quilts, which always makes me want to run home and sew. One I saw was in the San Jose Museum of Quilts & Textiles special exhibit. This historic quilt from SJMQT is double anonymous (1915 with no named maker and an anonymous donor). It is a very modern design in the sense of the modern quilt movement aesthetic. I am sad that I don’t know who made this because I want to know what she was thinking when she (he?) designed the quilt. This is a good reminder to LABEL YOUR QUILTS!

TQS put up some posts about winners at PIQF. I didn’t look much at the award winners, because the area was always mobbed, so…

TQS PIQF Winners pt. 1

TQS PIQF Winners pt. 2

TQS PIQF Winners pt. 3

You may need a subscription, but I don’t think so. The videos look like they are just on the blog. There may be ads.

Song of the Sea by Kathy McNeil of Tulalip, Wash
Song of the Sea by Kathy McNeil of Tulalip, Wash

After manning the BAMQG Opportunity Quilt booth, I did stop and snap a pic of Song of the Sea. I love this quilt. I love the colors and the movement. Kathy McNeil of Tulalip, Washington did a wonderful job. The design looks inspired and if you have ever seen an octopus, it does look like they are dancing when they move. I was on my way out after the show closed so I had to be quick.

Manning the booth was fun. People stopped by and said hello and I got to invite people to the meetings while trying to sell them tickets. I left the booth with about $140 of sales. Some were from earlier in the day, but that was a good day’s total.

Julie and I did a quick circuit on Thursday of all of the quilts except for some to the left of the entrance. I only had 4 hours that day to see the quilts, because of my schedule for the rest of the weekend, but we had a good time and were pleased to see the quilts we saw.

Cherrywood had a Wicked Quilt Challenge and the quilts were at the show. I really enjoyed looking at them. There is something very appealing about quilts that are made with all of the same colors. I also like the gear and clock details.

Crazy Time (The Clocks Quilt) quilt by Alethea Ballard of Walnut Creek, California
Crazy Time (The Clocks Quilt) quilt by Alethea Ballard of Walnut Creek, California

Gears and clocks appeal to me, I think, because I saw the Crazy Time (The Clocks Quilt) quilt by Alethea Ballard of Walnut Creek, California right when we walked in. This quilt could be a hot mess, but it really works and I love the clocks. I also like the cascade of flowers. I am sad that I didn’t have time to study this quilt, but am glad I snapped a photo, so at least I can study the photo.

I really didn’t take many photos. There were a lot of the same looking quilts that I have seen in previous years.

The few I did photograph really appealed to me or inspired me in some way.

Caroline Wilkinson of the UK did a fantastic job on Not Much Sunshine, Plenty of Shadows.Β  I stuck my nose right up to the quilt and must have looked at it for 5 minutes. I love the grid (do I have a geometric thing going?) and what the artist did with the stitching over the grid.

Caroline Wilkinson, UK, Not Much Sunshine, Plenty of Shadows
Caroline Wilkinson, UK, Not Much Sunshine, Plenty of Shadows
Caroline Wilkinson, UK, Not Much Sunshine, Plenty of Shadows detail
Caroline Wilkinson, UK, Not Much Sunshine, Plenty of Shadows detail

 

 

 

 

 

 

 

 

 

I didn’t have much time to look at the vendors, but I did pick up FOTY 2014 from Colleen who was vending there. Normally, I stop and chat, but her booth was mobbed and she was rushing around cutting fabric, so I said I would catch up with her later.

I also stopped at Deb Tucker’s booth, which happened to be right across from Colleen! I wanted to see the Square2 ruler, which was recommended in the Fons & Porter show I watched that got me on the Carpenter’s Wheel bandwagon. Her booth was also mobbed and there was no chance of me getting to talk to her. Deb was demoing away like a crazy woman. Makes me wish I had gone to the preview. Oh well.

Anyway, I looked at the ruler and just couldn’t see how I could use it for more than the Carpenter’s Wheel block. Also, I like the way I am using two Flying Geese units rather than the Diamond Square unit. The FGs add more interest to the background, IMO. So I passed, but being the ruler junkie that I am I couldn’t stop thinking about it. I remembered the YM’s scout patches and how I want to put the patches that don’t go on his uniform on a block and make it into a quilt. Lots of work! I realized that I could use that ruler to make Diamond Square units in a lot of different sizes that would work with his patches. I had a friend buy the ruler for me and I will pay her back. I better start thinking about that scout quilt. πŸ˜‰

Of course, Russian Rubix was on display, so Julie snapped a photo of me standing in front of the quilt. I was pleased to see it hung for the first time, especially when I saw how flat it hung. Hooray!

Russian Rubix and the artist
Russian Rubix and the artist

Last Days of Primal Green 2

The last days of the CQFA Show Primal Green 2 is at the San Francisco Public Library. I went to see it one day on a trip to the City, but this is as much a reminder for me to see it again as it is to encourage you to go.

Did you go and see the show? The 24th is the last day to see it. Primal Green2Β  is a show of environmental art quilts at the Main Branch of the San Francisco Public Library.

The Wallace Stegner Environmental Center is one of the special collections at the Main Branch and, after a year of work with the Library, CQFA has over 20 quilts and other fiber art on display. The quilts all have an environmental theme. The show will hang until Friday April 24 and be available to viewers during the Library’s normal open hours. Don’t wait until the last minute! Oops! It is the last minute. Go TODAY!

Primal Green 2, the art quilt exhibition at the San Francisco Public Library, has some information on the Green Stacks portion of the SFPL website. Hope you can see the show.

Hope you can stop by and see it. Check the library’s website for hours.

What Goes Up Must Come Down

Sadly when quilt shows are put up they cannot stay up forever.

I happened to still be at the Santa Clara Valley Quilt Association quilt show when it closed on the 15th. I stayed around and helped to wrangle the BAMQG quilts that were coming down. I thought we would be able to help with other quilts, but we kind of had to guard the BAMQG quilts. Helpful people kept coming by and trying to take away our quilts and put them with the other quilts to be picked up.

Taking Down the Show
Taking Down the Show

While we were on guard duty, we took down the opportunity quilt, put the stand in its fancy bag, rolled up the BAMQG banner and put away the display quilts.

BAMQG Opportunity Quilt
BAMQG Opportunity Quilt

The opportunity quilt* is beautiful and very unusual. Ruth designed it and Marci quilted it. The photo is just a cell phone photo and doesn’t really do it justice. As mentioned, many of us made blocks and a bunch of us bound it. It was truly a group effort.

I was pleased to be able to help out at the show. I don’t think I had taken down a quilt show before.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*tickets have to be bought at a show. Email me if you want to discuss getting one.

Setting Up a Show

Steamers. Snickers. First Look. Bops on the hand.

Friday, I went to help set up the BAMQG area at the Santa Clara Valley Quilt Association 40th Anniversary Show. I felt bad that I hadn’t been able to do it the past few years. I haven’t even ever been to that show!

The vendors were setting up as well and I saw Colleen (Sew Little Time Quilting) there. She has ALL of the American Made Brands solids and I have to say it took incredible willpower not to order half yards of all of them from her. She also has two of her Labyrinth quilts with her at the show. The patterns are finished and available.

This show is held in the same location as PIQF, but in a different hall (I think). I went late, but got there in time to help finish hanging the BAMQG quilts. Amanda, Kelly and Michelle had it well in hand. I added an extra pair of hands and driving skills.

Putting up with Poles
Putting up with Poles

There was some putting up and taking down, redoing and moving, but it went very smoothly. Kelly was well organized and Amanda has great project management skills. The quilt show has interesting tools for doing the hanging and some balance is required, especially for the larger quilts.

The biggest problem we ran into was the creases in the quilts. I know there isn’t much we can do about it in general, but Kelly decided we needed a steamer, but we needed a break and some of us were melting down from lack of food. We hopped in my car and went to lunch to decide on our next move. At lunch we decided that yes, we needed a steamer or a super duper steam iron. On the way back to finish our work, we stopped at Fry’s to see what they had.

Steamer
Steamer

We ended up buying a Conair Steamer and by ‘we’ I mean Kelly. There were 3 choices. We eliminated the travel version right away, because they didn’t have any (the hovering salesman who didn’t really add to our conversation, but wouldn’t leave told us) and after about 10 more seconds of deliberation Kelly decided on the Conair. We also got water, Snickers and an extension cord.

I have to say that steamers are the way to go. They don’t, however, absolve all sins, but it did a great job with the folds, etc, from storage. Kelly was really happy that she got it. The quilts looked better.

Funnily enough, everyone else at the quilt show came running over when they saw the steam, thinking there was a fire. When they saw what we were doing and that there wasn’t a fire, they thought we were brilliant. A few others, including the featured artist asked to borrow it. Every quilt show management should have one.

Bay Area Modern Banner Pre-Steamed

Pre-Steamed
Pre-Steamed

 

Bay Area Modern Banner Post-Steaming

Post Steaming
Post Steaming

We thought the quilting stood out a lot of more, though I think my phone photos don’t really do the work and expense justice.

 

All in all it was a good and fun day. I was glad I went despite the drive. I always enjoy hanging out with the BAMQGers!

Primal Green 2

Primal Green 2
Primal Green 2

The Primal Green 2 show is up at the Main Branch of the San Francisco Public Library. This is a follow up to the previous show.

My friend, the environmental librarian, asked us to do the show again.A lot of the same parameters were applied to this show that we created for the last show.

It is on through April 24, 2015, so you can go and take a look as well and check out some books while you are at it. πŸ˜‰

I finally was able to go and take a look. I stopped in before going to lunch with a friend who works nearby. I missed the CQFA group viewing because I was in Houston.

Display Cabinet
Display Cabinet

There are a number of quilts displayed there. I thought they were hung very well. One of the display cabinets had Caroline’s fish purse in it. I love that piece, because of the whimsy. I wonder what the general public thinks about it?

The green piece on the top right is from the color challenge (I bought the fabric for that challenge and never did the piece – or haven’t yet done the piece).

The signature book was tucked in a corner so I don’t know if people saw it and were writing in it. The last book for the show had some odd comments, but had some really nice comments as well.

My Quilts in Display Case
My Quilts in Display Case

My quilts were well displayed and I was pleased. You can see Beachtown on the left. What you can’t see is The Flower Garden on the right.

The quilts were all behind glass for security, so they were difficult to photograph. Still, they have to be there, because they will get stolen and touched. I was just taking photos so you could get an idea of how the show was hung not so you could get a perfect rendition of the quilts.

My Whole Cloth Quilt is also in the show. I didn’t get much of a better photo of it than I already have . The stitching is too subtle for a regular camera.

Virginia's Quilt
Virginia’s Quilt

One of the quilts is so great. It is a regular traditional quilt from far away. If you look closer at the quilt, you will see that the fabrics are covered with bugs. LOL! This is by Virginia and I love the bugs.

There are many more quilts and I will see about creating another post about them. The show is really worthwhile and I hope you will go and take a look.

BAMQG Quilt Show

BAMQG 2014 Quilt Show + Jim
BAMQG 2014 Quilt Show + Jim

Peggy the Fantastic Energizer (TM) Bunny and pals hung the BAMQG quilt show on Monday and we were all able to view it at the meeting/Holiday Extravaganza on Saturday. Jim, one of our members, was kind enough to stand in as an interested viewer for me. πŸ˜‰

BAMQG Library Quilt Show 2014
BAMQG Library Quilt Show 2014

The show is not your regular quilt show, which was nice as it really gets quilts out to the public.

No, I did not enter one. I think the patrons seem good about touching, but I wasn’t sure at the time and didn’t make the time. Maybe next year.

I thought it was a little strange that some of the quilts were hung so low, but then I realized what a great view I would get of them if I sat in the chairs. And I would get a sore neck. Win-win!

BAMQG Library Quilt Show 2014
BAMQG Library Quilt Show 2014

There certainly is a wide variety of quilts. I don’t know if they are all modern, but I guess they are now!

I really like Nicki’s quilt, which is the turquoise quilt on the left. Are you surprised? πŸ˜‰

 

Houston Quilt Festival 2014, pt.2

Jaye & Julie at NASA Exhibit
Jaye & Julie at NASA Exhibit

The first thing we did after Julie and I met Marie Bostwick for breakfast πŸ˜‰ , was look at quilts. Mom and Miss Vickie met us near the beginning of the quilts and we got on with it. We had barely started looking at the quilts when I had the best quilt experience EVER. We were signing blocks and chatting with the ladies at the QOV booth when a man walked up and asked if they were the ladies who made quilts for wounded soldiers. After they said yes, he said he woke up in the hospital in Germany with a quilt wrapped around him after he was injured in Iraq. It was clear this act of kindness meant a lot to him. OMG! I almost cried. He started to leave when they called him back and kind of swarmed him. They asked him to sign a block and just generally treated him like a hero. It was so great to see him as the walking epitome of some of the charity work in which I engage as well as chatting with the ladies. Very moving.

Miss Vickie
Miss Vickie

As I said, Miss Vickie joined us. It was fun to see the quilts through her eyes. She has clear ideas about what she likes and what she doesn’t like. She is not a quiltmaker, but will be soon. πŸ˜‰ She bought some fabric and some charm squares and started playing with them while we had an afternoon break with candy bars and chips. We are staying with her north of Houston in the best B&B ever.

This show was similar to Long Beach in the set up, though there were quilts that were entered to be judged and awarded prizes. This was not the case at the Long Beach show. There were a lot of special exhibits: 500 Traditional Quilts, a collection of quilts from a Dutch Cancer survivor, a Bonnie Smith exhibit, Beatles exhibit, a Modern Quilt exhibit and some others I am sure I am forgetting. My favorite exhibit was the Farm to Fabric exhibit, which was an exhibit of quilts made from the American Made Brands solid fabrics. I like the idea of the company, which is that the cotton is grown in the US and the fabric is made in the US. That alone would encourage me to buy some of the fabrics, but when I saw the quilts, I couldn’t believe the colors! They were clear and gorgeous. There was something about the colors. They were different, and kind of glowed. I tried to find some in the vendor hall, but didn’t succeed. I was really excited when I saw the quilts and wanted the fabrics RIGHT NOW. ;-)They have a “find a retailer near you” feature and I see that there are several shops near home that sell them, so I will give myself a treat and go and look.

Inspired by Libby exhibit
Inspired by Libby exhibit

The other exhibit that was really moving was the Inspired by Libby exhibit. This was an exhibit of quilts that are being auctioned off (website above) to add to Libby Lehman’s medical fund. They were done by famous, or well known, quilt artists. I just loved Libby Lehman’s class. I am so glad I was able to take one from her and feel really sad that she can no longer sew. I hope it is temporary and she will be able to get back to it.

The prize winners were almost all applique’ quilts. They were amazing applique’ quilts, but I really wonder if you can win an IQF prize with a pieced quilt? I was kind of sad looking at them, because I will never make a quilt like any of the prize winners. I am not sad about that; I just don’t want to spend the rest of my quiltmaking career making one quilt that my heirs can enter after I am dead. I have a lot of fabric to use.

Morrell's Quilt by Di Ford
Morrell’s Quilt by Di Ford

In terms of random themes I noticed myself looking at: lines (like grass), circles and turquoise. If you are surprised at all by the turquoise, you haven’t been reading long enough. πŸ˜‰ Circles have been on my mind for awhile. Part of that is the The Circle Game by Jen Kingwell quilts that have been popping up all over the web. Also, though, I have been thinking I need a challenge. <Nota bene: I might be over that, though, with the &^%$# Russian Rubix border.>

We took some time to talk to the NASA people who were there. They were talking about the program they have with local high schools to get their equipment sewn. NASA donates sewing machines, like Jukis, to high schools and trains teachers, then the teachers train the kids to make things like sleeping bags that astronauts use in space. Not only are the kids learning a skill, but they get to know that their sleeping bag is keeping an astronaut alive in space. I thought it was great.

We checked out the vendors on all the days. We went back and forth. When the visual stimulation got to be too much, we went into the vendor hall and looked around.

We also met a Twilter, Glenna. Of course, she didn’t look anything like what I imagined, but she spotted me and was very nice. We only chatted for a few minutes, but it is nice to put a name with a face.

Houston Quilt Festival 2014 pt.1

Yes, I went to Houston. We arrived on Wednesday and left on Monday.

The bad part was that I didn’t get enough steps and ate too much.

The good was so much. I can’t even begin to tell you how many fantastically gorgeous and amazing quilts were there. Even if you go once, you must go to this show. YOU MUST! Not only were there a gazillion fabulous quilts, but there were so many vendors I couldn’t take all of them in. The whole thing was amazing.

I really liked the vendors, but ultimately there was a lot of fabric, a lot of thread and a lot of people.

Janome 8900
Janome 8900

I took the time to look at the Janome MC 8900 in person. It is the machine that seems to be the right price for the right amount of features. None of the shops I have visited near my house have it, so the giant Janome booth was the place. I saw that it is a real machine and not as scary as it looks in pictures.

The guy was really nice and did the demo on a regular, if not slightly thinner, piece of quilter’s cotton. All the demos I have seen are done on felt, which, of course, makes the stitches look fantastic. The machine has a lot of decorative stitches and a knee lift. I do have to find a place where I can try the machine out myself.

Sewing Cabinet
Sewing Cabinet

Another thing I did was take the opportunity to look at the array of sewing cabinets.

My absolute favorite cabinet of the models I saw was this one from a company in Ontario called EddyCrest. It is solid wood (birch) and would be shipped to me for only $100. I also really liked the guy. He was not a smarmy sales guy and I got the impression that he actually works on the cabinets. He was really humble and nice. I don’t know the cost of this particular model (top left) because this is too large for my room and I probably wouldn’t buy it. I love it, though, especially the thread drawer.

Smaller Sewing Cabinet
Smaller Sewing Cabinet

If I buy a new cabinet, and, if I buy it from this company, I would probably buy the smaller version. This is a little different configuration than my current cabinet, but a little better, because it has drawers on the right, which my current cabinet doesn’t have. It also has a wider space to the right and I keep a lot of stuff over there for easy access.

This size cabinet isn’t as large as the other one, but I am pretty sure the back is larger than mine. I’ll have to go to the website and look at the sizes.

I also asked about the flip up back, which is fabulous for quilting. He said that he could add one on this size cabinet, which is great. Not that I quilt that much, but I wouldn’t want to give up that feature.

As I said, there were tons of other vendors, mostly fabric, but other stuff as well. I bought fabric for the music quilt, which will have a couple of other prints, such as a keyboard and some fabric that says BLAH BLAH BLAH as a small ode to being a high schooler and a teenager.

We brought mom’s cousin on the second day and, I think (fingers crossed), turned her into a quiltmaker. She has a long way to go, but bought fabric, a rotary cutter and a Creative Grids ruler. I am kind of excited, but we will see.

Hallowe'en 2014
Hallowe’en 2014

The most fun thing ever was Hallowe’en. I wore a black skirt, leggings and a black shirt. I wanted a black tutu, but settled for the skirt. I wear glasses so it is hard to wear a mask on the front of your head. I bought a mask and mom made eyes to put in the eye holes and I wore it clipped to the back of my head.Β  Friend Julie wore her green witch outfit sans green makeup. People saw us, especially at the beginning of the day, and wanted pictures with her or both of us. It was really fun.

There were sooooo many quilts that we barely made a dent.

 

PIQF 2014

TFQ came down for a visit and we went to the Pacific International Quilt Festival on Saturday. In the past we have gone in time for the Preview on Wednesday, stayed over night on Thursday and Friday and really indulged in quilt show ecstasy. TFQ was not able to come down for the last year or two and I didn’t stay over at all last year. This year we just spent one day and that seemed fine.

Overall, the quilts at the show seemed dark. I think I have been looking at a lot of quilts with white or light or light grey backgrounds lately. These are the feel of quilts I have been making lately also, as you know. The show quilts seemed darker to me. There were a lot of pictorial quilts and a lot of quilts with serious surface design.

Dinghy by Shelly Burge
Dinghy by Shelly Burge

I took a few photos of quilts that struck some chord. One was a quilt depicting dinghies, which would normally fall into the not so appealing pictorial quilt. TFQ was the first one to notice this quilt. This one, surprisingly was interesting because of the use of color.

I really like that violet solid on the left side of the hull. I also like the oars and the inside of the hull on the left side of the left hand dinghy.

I am on the fence about the water. I like the bold choice of the red, but I can’t decide when it was a good choice.

Sheila Walwyn, South Africa, Still Life with Copper Pot
Sheila Walwyn, South Africa, Still Life with Copper Pot

I am not sure how this quilt will look to you, but it was really appealing to me from a Tarts Come to Tea point of view. As you know that quilt is on my list to finish and one thing stopping me is how to quilt a couple of the larger vessels.

If you look closely at the tall, gold pot, you will see the quilt and it makes me wonder if something like that would be suitable for the Tarts? The roundness of the circles would echo the roundness of the large teapot. If it is appropriate, could I actually do the quilting?

In terms of this quilt, I like the still life idea and I also like the use of different fabrics for the background.

Dina Carmiel, Israel, A Touch of Autumn
Dina Carmiel, Israel, A Touch of Autumn

I have been thinking about the leftover octagons from the Russian Rubix. I thought of making them into snowballs, but wasn’t 100% happy with that as a finished block only. When I saw Dina Carmiel’s A Touch of Autumn I got a new idea that would make the piece much better. Take out the hexagons from the piece on the left and add some nine patches and I think that it could be an interesting project and an interesting donation quilt. I like the secondary pattern and it would give me a good opportunity to work with the same colors I have been using. Another series, I guess.

In a way I was looking for true inspiration for current projects and I didn’t even really know it. I found inspiration for 2 projects and, possibly, a third.

It was a great opportunity to visit the vendors. I hadn’t been at a quilt show, really, in awhile and it was appealing to see a lot of different fabrics in one place. I was really looking forward to seeing the vendors. There were a lot of the same vendors who have been there forever, but some new ones as well. We saw some really bright and cheerful fabrics. One of my favorite booths was Quiltin’ Cousins. I love the look of their booth as well as the fabrics. The other booth that was great was Beyond the Reef, which sells rolls of Hawaiian fabric, though in recent years they have brought different fabrics to PIQF. They were really nice and cheerful in that booth. They seemed to be having a great time. I bought some Flatter along with some fabric. I have been wanting to try it and it just seemed like a good time to get some.

Civil War Elegance by Linda Bergemann
Civil War Elegance by Linda Bergemann

We did get inspired by one quilt and may start a joint project based on that quilt. The quilt is called civil War Elegance by Linda Bergmann of Elk Grove, California. Stay tuned for more info.

 

 

**Copyright notice is for photos only not for quilts