Thinking about Borders v.APNQ

Quilt shows are a good place to try and work out a quilt puzzle because there are, generally, more quilts at a quilt show than any other place you normally inhabit.

I wasn’t really trying to work out a problem, but the idea of borders was rumbling around in the back of my mind.

I sincerely dislike borders t hat have no good DESIGN reason for being there. I don’t like borders that are just slapped on because the Quilt Police say you need a border or the quilt wasn’t quite large enough. I have engaged in this behavior, much to my chagrin, and endeavor not to do it anymore.

Thus you can imagine my delight when I saw this light and airy border on a Mariner’s Compass quilt. I LOVE the idea of giving the Mariner’s Compass some boundaries without hemming it in with a heavy and long piece of fabric. While it is not as cohesive as the self bordering technique can be to the design, I still find it to be very successful.

Mixed Media Event in Pleasanton, August 22-24, 2008

<span style=”font-size:100%;”><span style=”font-family: georgia;”>The Convenzione Zne, a mixed media artists convention will be held </span><span style=”font-size: 18px; font-family: georgia;”>August 22 – August 24, 2008 in Pleasanton, apparently at the Alameda County Fairgrounds. Why am I telling you this? Because the event will </span><span style=”font-family: georgia;”>host the 1000 Journals Project</span></span>. It looks like the screening will be on August 22, but it is a little unclear to me. Everyone who attends will receive a free journal. Tickets are $25 if purchased before August 13, but check out the website. I don’t know if I will go or not. I have bad feelings about Pleasanton and don’t want to spend a whole weekend out there, even for the 1000 Journals. Let me know how it is!

See the website at: http://www.znecon.com/page/page/5942610.htm

SHOWpost.jpg picture by zneart
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Bad News from the Quilt World

I got my recent issue of Quilter’s Newsletter and it is time to cancel. They, recently, had a big campaign to get people to sign up for a 3 year subscription. I thought they had made some nice changes lately after recent content problems, so I signed up.

Stupidly, apparently.

Hidden in the middle of the Editor’s column, she announced the magazine would be printed only 6 times per year. The reason given was that readers have said they can’t read all the information in one month.

Huh?

This situation seems unethical and I really don’t want to do business with such a company.It seems wrong to have recently asked subscribers pay for 30 issues and then change the publishing schedule to only 18 issues over 3 years. If I am desperate, I can always buy an issue on the newsstand. My call to cancel and get a refund has already been made.

Additional bad news came locally when I drove by Black Cat Quilts, on Ocean Ave in San Francisco to see a 50% off-going out of business sale. Huh? What gives? The economy? High rents? Very sad. I wish Gretchen and her crew all the best.

Flowering Inspiration

I have been contemplating a flower quilt for a long time. As a result, I keep taking pictures of flowers in order to get ideas of flowers to interpret into fabric. I also think that flowers are beautiful and good inspiration.

This was taken at Lilypons water garden.


The above two photos were taken at the National Zoo.


The above two photos were taken at the US Botanic Gardens, a truly gorgeous place.

Friday Sewing Session

I almost never sew during the week anymore. I used to sew almost every night, especially back in the dark ages (especially bW) when I had to wait for a port to open to connect to the UNIX based Internet, but then life happened and work grew more demanding and I seemed to not be able to find the time. Yesterday, I found myself, unexpectedly with a free afternoon. After making sure my most arduous work tasks were done, I raced with glee up to the workroom and got down to it. My spine actually tingled with the thrill as I started to touch the fabric!!! I know that sounds like a stupid sentiment, but there you have it.

Frankly, I wasn’t sure what to do when I got up there, but, with a limited amount of time, I quickly told myself to stop wasting time and start work.
Julie’s Bullseye pieces had arrived so the, as yet unsewed, FOTY* pieces had to go. Before I took them down, I took a picture of what was happening, because I particularly liked the interaction of the turquoise blue and the pink. For FOTY, I like to fussy cut motifs from conversational fabrics. The fish is from the fabric I made Dad’s pillow covers from.

Here are all of the Bullseye pieces I have received so far. My pieces as well as Julie’s are shown. My pieces are mostly on the right and Julie’s are mostly on the left. I played around with them after I took the above picture and realized that I am glad I didn’t receive all of the pieces at once. It has allowed me to contemplate the arrangement of the pieces without being overwelmed.


This will, hopefully, be the focal point of the piece. If not THE focal point, perhaps it will be one of the focal points. Receiving Julie’s pieces allowed me to make this area stand out more because of the way some of the colors were placed. When I receive AJA’s pieces, I may be able to use some of her pieces to make it even stand out more.

This is primarily the section where I placed Julie’s pieces initially. They will get moved around as I swap sections out.

As I moved pieces around this morning, I found that some of the pieces stood out more than others. With putting the “red” pieces in one section (detail above), I realized that some of the pieces stood out more than others. Some were more subtle than others. This got me thinking about where to put the subtle pieces and whether I should put all the subtle pieces together or mix them up. I don’t know yet.


I also worked on was the Chocolate Box (above). I needed to straighten up the borders, which were quite wonky, so I proceeded to put borders on. The photo above looks weird, I know, because it wasn’t taken straight on (I was standing on a stool on, what is now, the left side of the photo) and then I rotated the photo. It is pretty straight except for the little jog in the left, bottom corner.

When I started this quilt, it was mind sorbet for me. I want it to continue to be this way and so I didn’t think very much about what type of borders to add. I just began sewing. I hope it will be successful and I think it is so far, but I don’t want it to be a serious project. As a result, I don’t want this quilt hanging around; I want to finish it. I don’t mean to make it sound like I don’t like it or that it is somehow a stepchild project. It is an experimental project and I want it to stay that way.

I put on all the borders and pronounced it done. However, when I looked at it this morning, I decided that I needed to do something about the jog. Although it is at the bottom, I think it will cause me problems later- with quilting, hanging, etc.

I may work on the back before I go back to the bottom border. I am interested in what you think, though, so let me know.

*Fabric of the Year project pieces

Look Up

Bureau of Printing and Engraving (I think)

Ceiling in the East Wing of the National Gallery plus an untitled Calder mobile. I loved both galleries of the National Gallery. It is a perfect space for art. The place was made for art and it really looks like the art is happy there.

The Apotheosis at the Capital. The dude in the middle in George Washington.

DAR Museum/Library
Thomas Jefferson Building of the Library of Congress.

Sideways view of the Capitol ceiling. I like the way the arch swoops.

Looking up can be very inspiring, so LOOK UP!

Mosaic Quiltmaking

This is a quilt top that my SIL is working on. You might notice, especially from the detail (below) that it looks like the mosaic quilting technique of Shannon Williams displayed on Simply Quilts YEARS ago. the patches that my pieces and Shannon’s pieces use are much smaller, but SIL used the leftovers from another quilt and I think this piece is wonderful. The mosaic patches really add a lot of interest to the piecing.

More on the 1000 Journals Project in San Francisco

The SF Chronicle wrote a story about the first commercial showing of the 1000 Journals project.

clipped from www.sfgate.com

Chronicling the journeys of 1,000 wayward journals

It all started with bathroom graffiti. When the artist who calls himself Someguy read what people wrote on bathroom walls, he was intrigued by the uncensored thoughts and messages. Under the cloak of anonymity, he saw, people will say anything.

“And then I thought, ‘Wouldn’t it be great if people could write in a book and make their own comments.’ “

Last year, Chronicle Books of San Francisco published “The 1000 Journals Project” ($22.95), a compendium of outstanding images from several journals. Someguy and the journals will also be part of “The Art of Participation: 1950 to Now,” an exhibition of participatory art practice that opens Nov. 8 at the San Francisco Museum of Modern Art.

1000 Journals: The documentary opens Friday at the Roxie Theater, 3117 16th St., San Francisco, (415) 863-1087, roxie.com.

For more information about the 1000 Journals project, go to 1000journals.com.

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Baby Janes

I never thought I would do a Dear Jane quilt and I haven’t started one yet. Being a block lover, I have, however, always admired the multitude of different looking blocks. Today I saw a Baby Jane grid of blocks on Twiddledetails blog (http://twiddletails.blogspot.com/) made on her blog and was intrigued. So I went to the blog and was pleased to see that the person running the blog really had good directions and for making the blocks.Do a little exploring and admiring.

I still want to see where I can find that grid although it would look pretty stupid with NO blocks filled in.

Dear Baby Jane
Join me on the journey of creating a “Baby Jane quilt” in the tradition of Jane Stickle’s original “Dear Jane quilt”.

H-6 Pie Sale

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The Purpose of Blog Comments?

I agree with Mimi in that I don’t put my work out there for criticism. I am happy to take comments, but I do my work for me. I love sharing it, but I am my own best critic and don’t need others. I love it that people from all over the world and friends I don’t see very often can see what I am doing and keep up.

I heard a great quote while I was away: Creativity is an Expression of Joy. The world, I think, needs less criticism and more support for creativity.

clipped from mimikirchner.com

Does that say something about the corner that we inhabit? I don’t think many of the art/craft blogs I look at are putting their work out into the world seeking constructive criticism. Who asks for that from strangers? If I want a critique of my work, I ask someone I know well, whose view point I respect, who I believe has some understanding of where I am coming from and who I can watch as they interact with my work. So why do I put my work out there? To connect with other people who are interested in what I’m interested in. Imagine- look! look! embroidery! wool! cool!…. I can assure anyone who questions this- it is not so easy to find people who get excited about this stuff. So, of course all the comments are nice and oh so gushy- we are thrilled to find someone else who gets what we are into!

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Latent Love of Dolls

Deirdre sent me a link to Mimi Kirchner’s blog and it made me start thinking about dolls.

clipped from mimikirchner.com
clipped from mimikirchner.com
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I have to admit that I have always loved dolls: Barbie and friends, baby dolls that you could dress and feed, soft huggable stuffed dolls.

I loved dressing up dolls. The dolls always looked glamourous and could walk in their tarty shoes, which wasn’t always the case for me! Dolls always provided an opportunity to play house and have things go my way. Dolls are also a great opportunity for creativity. Now I am too old for dolls and they have been replaced by a family of Mr. Potato Heads on my desk. Yes, I dress them up for the entertainment value.

As I have been washing and pressing the fabric from my trip to the East Coast, I have been cutting off schnibbles. I keep thinking to myself what great hair the schnibbles would be, which further makes me think that Art Warrior and Mother Warrior may need a new friend.

Artist Warrior (left). Mother Warrior (right). On display at the last CQFA show.

Mimi’s dolls are really creative and beautiful, and they also have a lot of personality. They are also BIG, and, presumably, huggable.

I am really glad to have the blogosphere accessible to me, because it is just a fountain of creativity that I can dip my toe into whenever I want.

More Mosaic Inspiration

Someone mentioned that I was an idiot, because I was classifying tilework with mosaics and calling it all mosaics. I do know the difference, in case you were worried and I intend to continue on with my practice, because mosaics sound better and is shorter than Mosaics and Tilework. Searching is easier for you, dear readers, also, because all you have to do is type in mosaics and you get everything that has to do with mosaics or tilework. See? I am always thinking of you. 😉

This is from Frederick, Maryland. I was thinking it would be good inspiration for a two block quilt: ninepatch and snowball.

Also from Frederick, MD. I like the interwoveness of this design. I mulled over, quite a bit, how the colors played into into the success of the design.

This is a mosaic from the Thomas Jefferson building of the Library of Congess, though it really mimics tilework.

This is another mosaic from the Thomas Jefferson building of the Library of Congess. I love the leaves.

This is yet another mosaic from the Thomas Jefferson building of the Library of Congess. Can you say Double Wedding Ring?