Commentary about works in progress, design & creativity
Posts about the piecing, applique’ of quilts. Don’t use for completed quilts or non-quilt projects.
I had it on my list to deal with the disposition of a couple of projects and the Flower Garden was one of them.
Once I pulled it out of the closet, I was a little sorry to see it go as I do like the stitching and the border, but I still don’t like the flowers, so off it goes to a better life. I am going to use the border idea again, perhaps in piecing, definitely in fusible applique’.
Of course I will do stitching with Perl cotton in other pieces.
I finished sashing all of the blocks over the weekend. I really only had a few hours to sew this weekend and that was one of the things I wanted to accomplish.
My next task is to figure out how big the blocks need to be and to trim them. I am not quite sure how to figure that out, though I am sure it will come to me. I am thinking they will end up about 8″.
I also want to try and put some red sashing in between the grey. TFQ wasn’t so sure about the red, but we didn’t put any up between the blocks and try it out. she likes the effect of the blocks floating. I think there is too much grey, though that might change when I trim the blocks.
The first picture in this recent post by Camille Roskelley (I just can’t stay away from her blog! If she posted 10 times a day I would be reading all the time and not going to work, cooking for my family or washing my hair) made my eyes pop out of my head. I know you have gone to look at the photo and are thinking “well, yeah, it is a polka dot, you love polka dots, Jaye, big whoop.” Why my eyes popped out of my head when I saw Camille’s work is because of sashing.
Huh? you think.
Yes, dear readers, sashing. Remember that I was puzzling over sashing options for the A-B-C Challenge earlier this week? The whole time I have been making these blocks I have been lamenting that Pat Bravo did not include a really good red in the line. I gnashed my teeth further because the Zoe Pearns dot has a wonderful red in it. I have lots of red and white dots. My idea may not work (make visual decisions visually!!!), but right at the moment I feel brilliant.
I love this big dot, but I don’t think it works with the A-B-C Challenge blocks.
The color is ok, though. It is hard to say, though, because the large dots interfere with the blocks. I think it might be from the Half Moon Street collection, but am not sure.
I think the smaller dots are better. This fabric is from the Sevenberry (?) collection. I am not sure, though. Not quite right. Why? I don’t know. I do have a large enough piece, though, so perhaps I will go with it just because of that. Bad reason to choose a sashing, though, I know.
Still, I liked the smaller dots, so I looked for another. A mini fabric avalanche (fabri-lanche?) gave me another idea.
I thought, perhaps, the problem was that I was trying out the fabrics with a straight set, so i got out a different red and tried the blocks on point. Some of the blocks, like the baskets, look ok, but most of the blocks just look weird. It is probably just that I have been looking at them in a straight set, but I don’t like the on point set.
Here is the same fabric, but in a straight set. I like it, but the red is very strong.
A lot of what I like is the idea of the red. I like using a strong color for sashing and background. I also like the idea of bringing out that little red in the Zoe Pearns dots I mentioned above. It might be a dumb idea, because you can even tell. I can’t tell even when I standing with my nose next to the design wall.
More quilt drama. I am glad I am working on this now, because if I had 5 minutes one weekend to sew these blocks together and I was trying to do this, I know I would make a bad choice and have to live with it.
I thought you might like to see a close up of this fabric with the blocks on it. Of course, there are a lot of other factors that will affect the final outcome of this quilt: width of sashing, width of binding, arrangement of blocks (beyond straight or on point set), etc.
As much as I hate to say it, after all of the drama and hand wringing over red above, I think this grey is the winner. The blocks look really good. The grey is not too brown. The blocks stand out and do not blend into the background. All the colors look good. The grey is not as stark as a white.
The problem is that I have to get more. I found some on Quiltshops.com and PayPal wouldn’t let me pay. Even if I decide to go with the red, I can use this grey for something else.
Famous last words.
This photo is old news for you, but I thought it should be shown, so I could tell you that I have finished the back and you would know that the two of them go together.
I still have not decided what to do about the border. It is possible that I will leave the grey border and just bind it with the striped fabric that every liked best. I have time to decide; it is not at the quitlter yet.
Some time ago (years, perhaps), I bought some Harry Potter fabric. I bought it make something for the Young Man when he was in the throes of his Harry Potter mania, but then never made it. Renditions of beloved characters are never as imagined, though the Young Man didn’t seem to care. As this quilt will go to one of the nephews, I thought it would be a good opportunity to finally use it. He is just about to start reading the books, so I hope he will like the back. I spent Sunday (a week ago) making the back.
While I made the back, I tried to be calm about it. I didn’t want to make another back, but I also did not want to be angry about making the back. Angry when I am sewing? Odd, I know, but as I mentioned, performing the same parts of the quiltmaking process over and over gets tedious after awhile. I could have put this quilt away again and waited to do the back, but, instead, I decided to just making it and move forward. I really do see benefit in making up backs and bindings as soon as I am done with the top. It makes the finishing process so much easier.
Also, the pieces were large, so I didn’t have to fiddle too much. I was able to sew quite a lot of donation squares together in between sewing the back. That was gratifying.
Apparently, I am still thinking about this quilt and you are, too.
Rhonda wrote in a comment “I’ve been thinking a lot about this quilt. Probably because the whole idea of a “souless quilt” is so sad! If this were my souless quilt, here’s what I would do. I would keep it as is, including the white border that is the same width as the squares. Then I would add a 6- or 8-inch wide border in a warm solid color, maybe red, or orange, or magenta. The border would need to be wide enough to balance out the white with color. I would probably do the binding in the same solid as the wide border. Maybe then it would look like the border was trying to contain/constrain all those active little triangles that are dying to get out of the box, and create some tension. Some applique on the border of escaping/leaking triangles would be fun, too. That’s it. That’s all I’ve got.”
When she wrote that I thought I would see how the quilt would look with a red border. I’m not sure, though I do see an improvement. I bought the red for something else, but it does add something to the quilt. I would have to make the back larger, if I decided to add another border.
My SIL kindly sent me some photos of the layouts she tested before putting her Infinity blocks together. It is interesting to see the use of color to create the layout. This type of layout did not even occur to me. I was thinking more about the wreath effect of the piecing.
I am really glad my SIL sent me these photos so I could be reminded of the other ways to layout blocks.
This is a fabric I bought at Quiltology. I didn’t have the blocks with me, but I thought it might work. In the end, a person has make visually decisions visually. Looking at it with the blocks on the design wall, I am not so sure. I think the grey has too much beige or brown in it, but it isn’t terrible.
I have to make a few more blocks, but the more important thing I need to figure out is this sashing thing.
I thought the grey Half Moon Dot would work, but looking at in the photo makes me think that the dots are too large and it makes the piece look too busy. It’s too bad. I do like those dots, but not for this piece. I do have to think of something to do with the Half Moon Street Collection, though. Soon.
The dots were a good idea, though, so I looked at some other dots I had. No shortage of dots, of course.
I have to use a fabric of which I have enough (one of the bad things about stashing fabric is that you might have the perfect fabric, but not have enough of it: design challenge, I think, yes.)
I like the large dot a lot. I like it because it looks cheerful. I also like it because it showcases the blocks better than the grey does. I do worry that the white will run into the white of some of the backgrounds I used. I also worry about the colors of the dots not being the same, but I think the colors of the dots are similar enough, so that is not so much of a worry. I don’t think the Zoe Pearns Sweet Nothings dots don’t conflict too much with these large dots.
This small dot works, I think, but the dot might be too small.
Click to make the last photo larger to see how the small dots look against the blocks. The small dot works well with the Zoe Pearns Sweet Nothings in the blocks. It is also bright enough, but the white doesn’t seem to suck the life out of this piece.
What do you think?
This is the fabric I thought I would use for a border first. I have it in my fabric closet already, but I only have a yard, so I don’t think I would be able to add it lengthwise (the stripes running parallel to the edge of the quilt). I guess I should have taken a picture of the fabric oriented in the way I was thinking of using it.
Oh well, use your imagination.
I do like the color of it – actually the color feel of it. It has the right feel to go with the rest of the quilt. It is a very restful border. I am concerned that I don’t have enough yardage and I don’t want to be fumbling around trying to make it work. I usually buy enough of a striped fabric for bindings and not borders. A yard is usually enough for a bias binding and if it isn’t, I have no business making a quilt that big.
I bought this piece at Quiltology. I tried to drape it so that you could see how it would look if I added it to the quilt as a border. How did I do? The colors aren’t quite right, but I do like adding a bit of yellow. One thing about adding these types of colors brings out some of the fabrics in the blocks that tend towards green.
I have to say that I am bit concerned about the grey border I added. I thought it would be the final border of the quilt, but then decided that the quilt needed to be finished off with something a bit darker.
My concern lies with the grey. It is very different from the white in the blocks, which is why I added it. I wonder, though, if it isn’t so different that it doesn’t work. I kind of like it, but I don’t want people snickering behind their hands at my poor judgment.
This piece, also purchased at Quiltology, has much more green it. I didn’t realize that it had so much green until I got it home. I think that this is an issue of the type of light I live in. When I saw it in my workroom, I thought it had much too much green, but seeing it in the photo makes me think that it also brings out the blocks with green in them.
Frankly, in the end, I don’t care that much. I would like to be done with this project and I don’t want to spend much more time agonizing about border fabric. alternatively, I don’t want to look at it after it is finished and wish I had done something different.
Again with the artistic angst! I hope this isn’t becoming a habit.
In addition to sewing I have been cutting.
All of the pinks in the Pink Donation Quilt have a square in the piece on the left. There are a few from some fabrics I bought in the last little while. I also have some patches from the Art Gallery scraps I received.
I have to admit that I arranged the scraps a bit so they look good in the photos I post for you. Look for these patches in the final piece.
It is monumental that I am quilting. I hope you appreciate the momentousness of the occasion. 😉
Really, I do quilt small things, but most of my larger pieces are quilted by someone else. Part of the reason is an old injury, which doesn’t allow the pushing and tugging a quilt through the machine required. I also have an older machine (though I bought it when it was a top of the line machine) and the arm is the old normal size, not one of the super sized free arms that look so fantastic. The other part of the reason is that I quilt very densely. I quilt about 1/8th – 1/4 of an inch away from the nearest line of quilting. I don’t know why, but it takes a long time.
Still this is a small piece, perhaps 18×24″ and I wanted to quilt it myself. I have been working on the background in small increments. I am really nearing the end of that part of the project, which makes me want to jump for joy. There are parts that I would have free motion quilted, but my machine is not up to it, so I just did straight line stitching. I like the quilting to melt into the background so it works for me.
In order to melt the quilting into the fabric, I needed to quilt the sky in three different sections using different color thread.
Another reason I quilt this way is to reward the ardent viewer. If a viewer comes up and puts his/her nose to my quilt, s/he will get the reward of seeing some additional details. I like to try and layer my pieces in an overt way, above and beyond the textural quality of the quilting.
I don’t really use special thread. I have a number of different colors of Aurifil and I use those to quilt with. I like that the they are thin.
I was particularly pleased with the blue background. I used some of Libby Lehman’s Bottom Line purple thread and it just melted into the background. I get good results when I unwind the thread from the spool and lay it on the area where I plan to use it. I find that the color on the spool – when the threads are laying nicely next to each other – is very different than the color of one strand.
I am sure more experienced machine quilters have better tips for you than this, but this post describes what I do and since I am pleased with the results, I thought I would share.
I am pleased that this project, which is on the 26 Projects list is moving forward!
It is hard for me to sew during the week, but I am making some progress.The iron issue is not resolved, so I have to figure that out (return current iron, which stinks to high heaven when on), but I am trimming and arranging blocks. My design wall is starting to be too small, but I will have to make it work.
I have 289 blocks to work with and I may make more. I don’t know what size I am aiming for, but my mind keeps saying “BIGGER!!!!”
I probably have enough triangles to make at least 50 more blocks, I don’t plan on making 50 more blocks, however you never know what the muse will scream at me.
Stay tuned.
I really like this quilt.
I love the blue and orange together. Complements, what could be better? In addition, the orange just makes me happy.
I am trying to think of whether or not I have used this much orange in a quilt before. Looking at my orange scrap drawer, I would say no.
The other interesting thing, which I always find when working with a monochromatic palette, is how different, in this case, the oranges are. Some are peachy, some are more red, some have a pink tinge. There were a few prints (my man Philip Jacobs!) with browns. It is so interesting to me how those browns took on more of an orange cast when used withe oranges.
I know you can also see that some are multi-colored and so non-orange colors show up as well. I think those add some interest.
I decided to make the Wonky 9 Patch a bit larger. As I said before, the problem is the blue. TFQ said she may have some of the blue, so I sent her a swatch.
I made more of the blocks, so I am ready. One thing I did differently was press the seams open. It made cutting the blocks much easier.
I decided not to sew the one new row to the rest of the quilt, though I did consider it, if for no other reason than to make progress.
Now I am just waiting with my fingers crossed.
I think this project will progress in fits and starts. I made the new blocks (on the right) while I was piecing the Flowering Snowball. I used the Corner Store blocks as leaders and enders. Such a useful, productivity improving technique.
I find that I put the blocks up on the design wall and I become uninspired to make more. Not sure why. I like them; I think the piece works well, is interesting and pretty. As a project I work on steadily, it wasn’t working for me yesterday. However, as leaders and enders in between a different project, I make a lot of blocks. What is that about?
And, the other question is, if I don’t work steadily on the Corner Store, what should I work on? I need some bang for my buck. Can I finish another top next weekend? VIMH#1 says I have to enjoy the process not just go for finished product.
I put all the blocks up. I have quite a few. They are small, though, so it isn’t enough. There is still a lot of red and pink. I made an effort to make blocks with no red or pink, but I have a lot of red and pink triangles, so it is hard.
This is not the final arrangement. I slapped them up on the wall and did a tiny bit of rearranging.
I also have to buy some more Kona Snow as background. The Pure Elements Linen, of which I have plenty, is different enough to be noticeable.
Sunday was a nice day. It was Mother’s Day and, though nobody in my house said anything specifically, I did whatever I wanted and didn’t have to do too many chores. I received a depressing, if very true card and an iTunes gift card from the Young Man and then spent the rest of the day finishing the Flowering Snowball. Not finishing as in quilted and bound, but finishing the top and the back.
So, the top, back and binding for the Flowering Snowball are all done and will be sent off to the quilter soon.
I am pretty pleased with the top. Since the project spanned several years, some of the fabrics are fabrics that I would not choose to work with now. Also, since I wanted this to be a scrap quilt, I should have stuck to using each foreground fabric only once.
Still, none of the fabrics jump out and demand attention and the variety of fabrics is significant, so there is a lot to look at.
Of course, I can think of things I would do differently if I did the quilt again and the VIMH#1 is musing about making one on the machine and color schemes while VIMH#2 is getting ready to slap her. I have plenty of projects on the design wall that need attention before I can circle back and make another one of these.
I have to admit that after I started chunking the top, I thought that I could have made more blocks so that the center would be wider. I was thinking that two more rows of blocks down the center would be great. I am not doing it. What I have is enough and I will think about this as a lesson and carry it forward.
I am doing backs in a little different way now. I decided that the large Philip Jacobs and Martha Negley prints I love so much would be great backs. I am taking some of the giant pieces I bought recently and putting them on the backs. I am still committed to piecing my backs, but am taking a break from tiny pieces. I am trying to use larger pieces. This makes making the backs much faster to piece. It also means that those large prints are shown off to their best advantage.
In this case, I tried to pick fabrics that went with the Martha Negley print and, further, with each other. I ended up with a very pink back.
the librarian in me has to tell you that I called the pattern “Cross Blocks” until I found that Barbara Brackman had cataloged it. In EQ7, the notecard lists it as “Barbara Brackman’s Encyclopedia of Quilt Patterns #3081 – Aunt Kate 7/65.” It is from the Classic Pieced, Orange Peel family.
The Sunday Stash Report (a la Pam at Hip to be a Square podcast) is 8 yards. More on that later.
I can’t believe that this approximately 6 year project is finally done. this means that I am down to 20 projects which need serious work. Some of the 6 are still at the quilter or need to be bound, but I consider this to be good progress.
I don’t know what project is next. I’ll have to work on the Flower Sugar Hexagons again just to get some more of them sewn and added. I also have some blocks to make for the A-B-C Challenge.
Nota bene: the WordPress media uploader has not cooperating. I have been having trouble with it for the past few days so I added the photo of the top, but it is large. If I can make it smaller, I will.
I know I am trying to finish the Flowering Snowball, but the hand piecing is slowing me down. Since th cut squares and triangles were sitting right by my machine, I just started sewing them together. I just needed to sew. In between sewing the Swoon, I made 20 of the Corner Store blocks.
These blocks are fairly easy to make if you have everything cut. As I have said, I like the variety of different sizes of triangles. I think it creates movement across the design field, but I think the viewer can see it better if the blocks are sewn together.
Lots of red in this group, but really awesome reds. I found another container of triangles with some more variety of color. The blocks will look different when I put them all up on the design wall and move them around.
I am not sure how many blocks I am going to need for a finished product, but I think the height of the piece will be 15 blocks down. If I make a piece that is 15 blocks x 15 blocks, I will need 225 blocks not counting the borders. I don’t have any idea of what type of border to add at this point. We’ll have to see.